Enemy Agents Meet Ellery Queen (1942)

Ellery Queen returns to combat a Nazi gang after diamonds.

Free Dutch agents have smuggled diamonds into the US to keep them away from the Nazis... though a Nazi gang is hot on their heels. Ellery Queen (William Gargan) and Nikki Porter (Margaret Lindsay) are dragged into the case, at first thinking the Dutch agent Gillette (Gilbert Roland) is a criminal but soon they discover the truth. The case is a complicated one with some unexpected twists.

This was the final entry in the Ellery Queen series and the series ends on a high. A lot is packed into the war time plot and it ends with some good rough humour in the final fight scene. Of course, there is a bit of a propaganda edge to the film though this doesn't overbear the story.

Danger Trails (1935)

A nice enough though unspectacular Western.

Bob (Guinn Big Boy Williams) is a successful football star back east who heads back west to see his father and brothers whom he has not seen for years. 

However, to his surprise his family members are outlaws and they rob the stagecoach he is on! He manages to persuade his father to go straight but his father is killed by the sheriff. The brothers kidnap the sheriff's daughter (Marjorie Gordon), forcing Bob to choose between family and the law...

This is a fine enough example of a B-movie Western. It has all the usual tropes including speeded up horse riding and plenty of aimless firing of pistols (seldom hitting anyone of course) plus regular fights. The film is a worthwhile watch though has little you would have not seen before.

The Thousand Plane Raid (1969)

Much stock footage is assembled to give Nazi Germany a really bad time.

We are still early in the Second World War, British and American bombers are launching piece meal raids on Germany but Colonel Brandon (Christopher George) believes the raids need to be much bigger so a target can be devastated. 

Finally, Brandon is given the all clear to plan such a raid, but he needs help. He does not appreciate that the help comes in the form of cocky RAF Spitfire Howard (Gary Marshal). After much disagreement and no small number of training mishaps the raid is on, and of course Brandon and Howard are thrown together to lead the attack...

Not a bad film despite the limited budget, which therefore forced a reliance on a little more stock footage than i'm sure they would have preferred but we do get plenty of real B-17s. The story is a bit cliched but the structure of the film is sound and the combat scenes meaty enough.

The Taking of Flight 847: The Uli Derickson Story (1988)

A tense TV movie about a real-life hijacking that took place just a couple of years before.

Chief flight attendant Uli (Lindsay Wagner) thinks her next flight will be a run-of-the-mill run from Athens. However, soon into the flight two Hezbollah terrorists hijack the flight. Castro (Eli Danker) threatens to blow up the plane unless the crew do as they say. 

The plane is soon travelling backwards and forwards between Beirut and Algiers, Uli and the rest of the crew are trying to keep their passengers safe, especially their Jewish ones and US servicemen, while the terrorists demand the release of prisoners...

An excellent film, the low budget helping to keep everything low-key and very believable. The terrorists are brutal, violent but also humanised to build out the characters and not making them 2-D cardboard cut-outs as so often happens with characters like this on screen.

The Greene Murder Case (1929)

An early Philo Vance talkie.

The Greene family are that staple of interwar American families on screen: rich and hate each other! They live in the family ancestral pile and must live there for fifteen years otherwise they won't get a share of the late Mr Greene's wealth. 

After two of the family are killed within a few minutes of each other, Philo Vance (William Powell) is called in by the baffled police (Eugene Palette) to help, but even he is confused by the various possible suspects, though it helps that the possible suspects are being whittled down by being murdered too! 

A good film. Technically interesting especially with some of the camera angles in the final act and the peril on the roof. The story is good with some interesting psychological aspects to it. Although an early talkie the sound recording and acting isn't too bad.

Operation Bikini (1963)

A rather strange film that is a mix of wartime drama and pop video!

Captain Carey (Tab Hunter) is tasked with transporting an underwater demolition team to Bikini Atoll which is held by the Japanese, and a US Navy submarine with top secret technology is currently sunk on the seabed and must be blown up before the Japanese can find it. Among the demolition team is Malzone (Frankie Avalon) who dreams of being a 1960s crooner and hanging out on a beach amongst young women!

This isn't a great film but it is a very strange one. The war scenes are not bad though the sort of anti-submarine warfare seen before (and probably better). The songs and weirdness take the film to a whole other level, which is either awful or brilliant or maybe a bit of both.

Time Travelers (1976)

An enjoyable TV movie, if you can overcome the rather ridiculous premise.

A new disease is in danger of getting out of control. The only way to fight the disease is apparently to... travel back in time to Chicago 1871 where the disease once rose before but was successfully treated by a now long dead doctor. Earnshaw (Sam Groom) and Adams (Tom Hallick) are sent back in time. Unfortunately, there is a slight miscalculation and they are sent just days before the great Chicago fire which will destroy everything...

OK, you obviously will consider that if the US government possesses time travel technology you may wonder why a mere virus is now a problem. However, if you suspend enough disbelief than this is a fine little film.

The Thirteenth Chair (1937)

A detective story set in the "mysterious" East and involving seances, could a film be any more from the 1930s?

After the murder of a man in Calcutta, Inspector Marney (Lewis Stone) is bought in to investigate this baffling case. "Help" comes from an unexpected direction as Madame La Grange (May Whitty) to performance a seance with a group of people linked to the victim, one of whom is probably the murderer. 

However, during the seance another man is murdered! Marney investigates the case, this time he is sure the murderer is in the room, and a number of secrets are revealed...

This is a highly enjoyable crime film with tasty additions of Eastern mystery and mysticism. Not as witty or intelligent as an Agatha Christie type of story but not bad at all. The crime itself and how it is solved is a lot more down to earth though. Some great twists and a good character mix make this a pretty good film.

Cash on Demand (1961)

A taut, tense and excellent bank robbery drama.

Bank manager Fordyce (Peter Cushing) is unpopular with his staff, he pounces on mistakes and disapproves of the preparations for Christmas. 

Then he is visited by genial and refined Colonel Gore (André Morell) who is from an insurance company he claims, however soon Fordyce discovers that Gore is really a bank robber who has had Fordyce's family taken hostage and will have them electrocuted if Fordyce does not give Gore access to the safe and let him steal nearly £100,000 in cash!

This is a very good bank robbery film that keeps everything within a handful of locations. The interplay between Cushing and Morell is superb, maybe one of Peter Cushing's best roles. Morell also excels as the crook hiding a huge amount of menace behind his genteel facade.

Shadow Ninja (1980)

Despite the title there is no ninja action here, or even much in the way of shadows. There is some dubious humour though and some pretty good kung fu.

An experienced police detective (Roy Chiao), who has a gambling addict wife, is forced to work both sides of the law. He is teamed up with an eager young policeman (Wei Tung) and after some early awkwardness they begin to work well together. Everything is set up for a showdown with a serial killing swordsman (Shi Kwan-Yen)...

The film has plenty of goofy humour, though much of it is lost in translation especially with a badly dubbed film. Suddenly however, the tone changes abruptly with the search for the swordsman and much brutal violence and death. The fights are actually pretty good and innovative though the plot is a bit obvious.

The Silent Witness (1932)

Melodramatic at times but this is a pretty solid crime and court room drama.

Naive young fool Anthony (Bramwell Fletcher) is wrapped around the finger of his manipulative lover Nora (Greta Nissen) and her scheming husband Blake (Weldon Heyburn). Finally, he snaps and he thinks he has killed Nora. His father Sir Austin (Lionel Atwill) decides to take the blame to save his son from the gallows. In the court room the case against him begins to unravel putting Anthony back in peril... but did he kill Nora after all?

Anthony is an incredibly annoying character who drags the film down at times but when he is kept away from the story then things develop nicely into a very solid crime story and some good court room scenes with some good British humour and characters. The story is very good and Greta Nissen steals the film with her sexy performance. An excellent film.

American Guerrilla in the Philippines (1950)

The Japanese have conquered the Philippines, but the Americans haven't given up yet!

After Palmer's (Tyrone Power) patrol boat is sunk during the Japanese invasion, he and his crew are trying to get back to the US Navy. 

However, their attempts fail and Palmer begins to work with US personnel and Filipinos to fight back against the Japanese and prepare for the return of the US forces led by General MacArthur...

This is an enjoyable war movie with some classic tropes as well as plenty of jingoism but that is to be expected from a Second World War film made so soon after the events being recounted. 

The Doomsday Flight (1966)

One of the best TV movies ever made, an excellent tale of high drama at high altitude.

A flight takes off bound for New York, the usual collection of stereotypes is aboard including the arrogant celebrity Ducette (John Saxon). 

However, the flight captained by Anderson (Van Johnson) soon runs into trouble as a mysterious man (Edmond O'Brien) rings the airline to tell them there is a bomb aboard! The bomb is air pressure sensitive, so will explode if the plane drops below a certain altitude. With time running out, FBI Agent Thomson (Jack Lord) battles to try and catch the bomber, though the bomber is getting drunk and throwing everything into chaos...

This is a truly excellent film with a lot of tension and plot twists and turns. Great performances and a well paced and staged plot make this film very highly recommended.

Canal Zone (1942)

Although full of cliches, this is an interesting war film that approaches a somewhat neglected aspect of the conflict.

Bombers need ferrying from the US mainland out to the forces fighting in the East, this requires flying them from Panama across to Africa, a highly dangerous job. Despite this, barely trained pilots are being recruited and Hardtack Hamilton (Chester Morris) has his work cut out to get them ready. The new pilots are a collection of stereotypes, but the one which causes the biggest headache for Hardtack is the arrogant playboy Ames (John Hubbard) who takes risks in the air and is trying to muscle in on Hardtack's girlfriend Susan (Harriet Nelson)!

Ames' risk taking soon results in a disaster after a fellow pilot is killed. Ames falls into despair at what he has done. Now Hardtack and Susan must try and drag him back to the obvious redemption arc!

An enjoyable film, though fairly predictable, it is well made and has some good performances. The aerial scenes are obviously done with models and are not very realistic but it does not ruin the film.

The Swiss Conspiracy (1976)

A superb crime drama, though it does seem intent in shoehorning every Swiss cliché into it that is possible.

Swiss banks are famous for their secrecy and discretion, however someone is putting that at risk by black mailing the customers of the bank operated by Hurtil (Ray Milland). 

Former US agent Christopher (David Janssen) is bought in to investigate, but soon tangles with mobster Hayes (John Saxon) and the rather more lovely Abbott (Senta Berger). There is an insider behind this conspiracy, the identity of which is quite a surprise...

A very good film, though leans rather more heavily on the "Swiss-ness" of the setting than maybe it should. At times it does risk becoming self-parody but luckily the strong plot and good performances save the day and make this a very worthwhile film indeed.

War Hunt (1962)

A dark war film set during the Korean War.

Loomis (Robert Redford) is a naive young soldier who is sent to join the Korean War front line. He finds it is not a straight forward conflict with the aim being not to win but to hurt the enemy as much as possible. 

Fellow soldier Endore (John Saxon) is quite happy with that and soon Loomis finds Endore's obvious psychopathic tendencies as dangerous as the enemy...

A low budget war film (and the low budget really shows at times) but very tense and dark with a great performance from Saxon who really steals the film. 

Master of the Flying Guillotine (1976)

A crazy martial arts film involving ridiculous combat... a lot of it.

In the days of ancient China, the people are kept under control by the Manchu by the practitioners of the flying guillotine. The master of this bizarre device, which looks like a bowl lined with razor blades, is the blind monk Fung (Kang Kam). He is out to gain revenge on the one armed fighter Liu Te Lung (Yu Wang) who killed two of his disciples...

That is the plot, which isn't much. The film is mostly about the fighting and there is a lot of it in this film. In fact the film is nearly all fight scenes which are held together by the odd bit of plot. Those fight scenes, especially the final battle between Fung and Liu are on the whole pretty terrific.

Mary Ryan, Detective (1949)

A modest but enjoyable little crime B-movie.

A female gang is stealing jewellery, possibly by making use of small children. Detective Mary Ryan (Marsha Hunt) is sent to prison (undercover of course) by her boss (John Litel) to try and infiltrate the gang. This she succeeds in doing but the gang leader (June Vincent) is suspicious which proves very dangerous to Mary...

A thoughtful and intelligent film with some good performances. The gang are not the sort of identikit thugs which you usually get in films of this type. Maybe not a thrill-a-minute but a good plot.

Flat Top (1952)

An enjoyable, if generic, naval air warfare yarn.

During the Korean War Commander Collier (Sterling Hayden) remembers back to the previous war and his early days on the carrier. 

This included butting heads with Rodgers (Joe Carlson) and various antics, and many training missions, as some raw recruits get knocked into shape and got ready for combat...

It is very predictable but a decently made film. If you have seen that many war films then it probably has little you would not have seen before in these kinds of film but that doesn't mean it isn't worth a watch. The carrier stock footage is good, especially the early jet age footage.

Blind Warrior (1987)

Completely over the top magical martial arts action, extraordinary and fantastic.

In the days of ancient Indonesia, the brutal warlord Baden Parna (Advent Bangun) is terrorising local villages, enslaving the men to toil in his gold mine and taking the women to his bed. 

Only one man can stop the evil warlord... a wandering blind warrior called Barda (Ratno Timoer)! He has supernatural fighting skills and brings the fight back to Parna...

This is a crazy film, violent yet frequently ridiculous martial arts mixed with a lot of mysticism and magic. The plot is basic, and often doesn't make a lot of sense. But this is a glorious watch and a huge amount of fun, and exotic sleaze.

Dick Tracy vs. Crime, Inc. (Serial) (1941)

Everything is thrown at this Dick Tracy serial, which is wonderfully over the top.

A deadly crime boss known as The Ghost has the ability to become invisible. He uses this skill for crime of course. When he wants to deal with his underlings he wears a rather creepy black mask which looks pretty cool. 

Only Dick Tracy (Ralph Byrd) can stop him (and reveal which of the potential suspects he is) after many cliff hangers and death defying stunts... 

This is pretty good stuff and one of the better movie serials of the 1940s. Nothing is spared and the actions is fast and frequently ridiculous. It is a comic strip bought to life on screen which is exactly how Dick Tracy should be of course.

The Wild Blue Yonder (1951)

A standard training for war film which has few surprises but has some great footage of the iconic B-29 bomber.

The B-29 is coming, but this is a more highly advanced and complicated new plane than has come before and requires a lot of training. Major West (Forrest Tucker) is leading the training, Captain Calvert (Wendell Corey) one of his charges. They are (of course!) rivals for the affections of the same woman Landers (Vera Ralston)! 

After a lot of effort, trouble and revealed dark secrets, the bombers are sent into combat and an explosive ending...

Quite a reasonable film though overly relying on stock footage (some of which is a bit sloppy). The story is a bit hackneyed but the technical details of getting the B-29 into service are very interesting.

The Great Hotel Murder (1935)

A quintessential 1930s murder mystery with the crimes investigated by a fast talking sassy crime novelist!

A mysterious death, later found to be murder by poison, takes place at a hotel during a convention of doctors. Hotel detective McCabe (Victor McLagen) is on the case, unfortunately for him the rather annoying crime novelist Blackwood (Edmund Lowe) also wants to be on the case and competes with McCabe to solve the case. As the hotel is full of doctors who know the poison involved that means that are no shortage of potential suspects...

An enjoyable film with a well matched pair tackling the crimes, with a good mixture of suspects and red herrings. The film can be a bit confusing at times and does seem to end rather abruptly.

The Iron Curtain (1948)

Another film about the notable Soviet defector Igor Gouzenko (see also 1954's Operation Manhunt), but this one details exactly how he defected in Canada.

Gouzenko (Dana Andrews) is posted to the Soviet embassy in Ottawa as a cypher clerk during the war. It is here that he learns that the Soviets are already planning for the post-war period and are sending their agents into the Canadian state and learn about the atomic bomb so they can dominate the world. 

Gouzenko's wife Anna (Gene Tierney) gives birth and Gouzenko begins to feel that he doesn't want his son to grow up in such a world of Soviet domination and seeks a way to escape the paranoid Soviet machine...

A decent film, though there is a propaganda edge to the semi-documentary style. Some good performances add to the tension especially in the final scenes.

Death Machines (1976)

A crazy martial arts film which pushes the boundaries even for this time and genre!

A Dragon Lady (Mari Honjo) - evil of course, and seemingly unable to open her mouth much when she speaks - has had three martial arts fighters injected with a serum to turn them into zombie killing machines (Michael Chong, Ronald Marchini and Joshua Johnson). 

They wipe out a mafia boss' usual assassin force so he had no choice but to hire them instead to do the killings he desires. What can the police do about this?

The film makes no sense (well that is a surprise). The bizarre antics and performances, plus a lot of violence make the film very watchable in the "so bad it's good" category.

Flaming Frontiers (Serial) (1938)

A standard Western serial which ends pretty abruptly.

Tom Grant (John Archer) has discovered gold, but as we know in movie land that is always a curse not a blessing. Bart Eaton (James Blane) and Ace Daggart (Charles Middleton) are after the gold and of course is rather unscrupulous in how he gets it. He frames Tom for murder to force him to give up his claim. 

Luckily, Tex Houston (Johnny Mack Brown) is on hand to first save Tom's sister Mary (Eleanor Hansen) and then to clear Tom... amid many cliffhangers.

An enjoyable serial which is pretty action packed throughout, until the end which is strangely a bit low key. However, that doesn't detract from the decent quality throughout.

Whispering City (1947)

An interesting Noir set in Quebec.

An actress dies in a car crash, reporter Mary (Mary Anderson) decides to do a feature on her. She discovers that the actress had complained in the past that her fiancé had been murdered. Mary interviews a patron of the arts, Albert (Paul Lukas). 

One of the artists he is funding is composer Michel (Helmut Dantine). Michel's main problem is her troubled wife, who is soon found dead, and Michel believes he was to blame, he is blackmailed by Albert. Albert wants Michel to kill Mary...

The plot is quite complicated but it all comes together and makes sense. A slow builder that ultimately rewards. Some good suspense and atmosphere help make this a very worthwhile watch.

The Weapons of Death (1981)

A rather grubby and violent martial arts film. Its not that bad but what exactly is going on?

A group of thugs including Ralph Castellanos and Louis Bailey are recruited by one of the Triads to kidnap a young woman for ransom (quite why is unknown because they seem to have enough manpower of their own). The woman's half-brother Eric Lee comes to the rescue (luckily he runs a martial arts school so has good fighting skills!) He is joined by the woman's estranged father who also seems to get in fights a lot.

It is all a bit of a car crash, which makes little sense. The fighting is entertaining enough in lieu of much direction and some rather mediocre performances. Random fights and scenes add to the confusion. Its very watchable, the fights are on the whole pretty decent, but what it all means... well?

Chinatown Nights (1929)

An enjoyable early talkie though chock full of dodgy stereotypes.

War between two rival gangs in Chinatown begins, one of the gangs being led by a white man - Chuck Riley (Wallace Beery). He also becomes mixed up with society girl Joan (Florence Vidor) and begins to wonder if a life of crime and gang warfare is the right path in life. Rival boss Boston Charley (Warner Oland) has other ideas though...

A transitional film, originally made as a silent movie and dubbed into a sound film (though Vidor did not want to return to dub her speaking parts so that was done by someone else!) Hence, the film has a mix of sometimes indifferent dialogue and silent movie physical acting. The sound scenes are often very static due to the microphones, other dubbed scenes are full of activity, this gives the film a bit of a disjointed feel.

It isn't a bad film, though the dated stereotypes also jar these days of course. Despite the shortcomings there is still plenty to enjoy from this film.

They Made Me a Criminal (1939)

A mixture of crime and heart affirming morality.

Champion boxer Johnnie (John Garfield) has a hard living lifestyle though the public image of a saint. After waking up from another heavy session with the booze he discovers a reporter who planned to expose is dead in his apartment. 

Johnnie is innocent but knows he will be blamed so he goes on the run and due to the car crash and fire which killed his manager (who actually killed the reporter), he is assumed dead. He ends up at a farm in Arizona and begins to mentor a group of reform kids (The Dead End Kids). However, the law in the form of Detective Phelan (Claude Rains) who thinks Johnnie is still alive, is not far away...

An enjoyable film though the crime part earlier on is better. The film moves smoothly and does not offend in any way. Not great maybe but fine.

Mr. Nanny (1993)

Not a great film by any means though you do get to see Hulk Hogan in a tutu. 

Tech billionaire Mason (Austin Pendleton) hires ex-wrestler Sean (Hogan) to act as a bodyguard to his two children as he fears rivals might strike. Sean soon discovers Mason's children are delightful homicidal maniacs who try and kill him on numerous occasions including electrocuting him in the shower! Meanwhile, the strange Thanatos (David Johansen) with his chrome head seeks Mason's tech secrets and soon puts all of the family in peril. Can Sean save the day?

This is a car crash of a film for sure. Mad cap antics and physical comedy save the day as otherwise it would be pretty grim. The acting is awful and the story makes little sense (and borrows heavily from Home Alone)... however, it is great fun if we are to be honest. It is nonsense and sometimes over-the-top nonsense is just what you need.

As well as Hogan a number of other 1980s wrestlers like Brutus Beefcake and George Steele also make appearances.

Flight to Nowhere (1946)

A complicated film involving nuclear secrets though takes it's time to go critical.

Pilot Hobe (Alan Curtis) is hired by an apparent Countess (Micheline Cheirel) to fly her and her party (some of whom do not seem to be very happy) to a town in the desert. Things start getting interesting when one of the passengers Catherine (Evelyn Ankers) almost dies on the flight. Hobe also discovers that the passengers apparently to be holding some mysterious documents. Hobe's old commander Bob (Jack Holt), who is now involved in something hush-hush, is also sniffing around...

This isn't too bad a film, and has plenty of highlights including some good characterisation. However, the film gets bogged down in the desert and ends up being a bit dull.

The Flying Missile (1950)

An interesting, if not overly thrilling, look at the earliest days of US Navy guided missiles.

The war is over and now the US Navy is preparing for the next one, that will likely involve guided missiles. Commander Talbot (Glenn Ford) is keen to get his submarine involved in these new trials after watching an early missile (basically a V-2) launched off an aircraft carrier. 

The trial will involve firing V-1s off the decks of submarines, things don't go easy of course and involve the crew of the submarine in various troubles, Talbot is also trying to a girl (Viveca Lindfors)...

The film is a bit slow, and is at times it a little too much like a piece of propaganda but the early missile footage is very interesting.

By Whose Hand? (1932)

An escaped convict hides aboard a continental train, only a sassy newspaper reporter can save the day of course!

Killer Delmar (Nat Pendleton) is on the run. Reporter Jimmy (Ben Lyon) follows the police after news Delmar has been seen at the railway station. Jimmy joins the train, more due to his interest in Alice (Barbara Weeks) than anything else. On board the train Delmar is indeed hiding, a jeweller is also killed and his wares stolen...

This is not a bad film though the plot contains nothing that is surprising (the cops are clueless but the reporter is here to catch the criminal et cetera). The film could have done with a bit more budget to give the onboard train scenes a bit more polish though the location does give the film a claustrophobic feel which adds to the tension.

Follow That Car (1980)

A failed TV pilot but still an enjoyable romp.

Loretta (Tanya Tucker) and Sue Lynn (Terri Nunn) are two pretty car mechanics who spend a lot of their time fixing the car of moonshine runner Dusty (Dirk Benedict), who indulges in high speed chases with the police, sometimes involving driving through fire (won't do the paintwork much good). Caught out by the FBI, they are forced to become under cover agents to defeat the crime boss lady Stark (Sally Kirkland)... 

This was one of a number of films in the late 1970s in a sub-genre sometimes called hicksploitation. They were set in the deep south of the USA, usually involving beautiful girls, fast and loud cars and a county music soundtrack! The film is light, packed full of action though no one really gets that badly hurt amid all the car crashes ands mayhem.

It is fine for what it is but the story is a bit too generic and light. Its not hard to see why it never made it beyond a pilot, but perfectly watchable.

Parole, Inc. (1948)

Gangsters have infiltrated a city's parole programme in order to get dangerous criminals back out on the streets.

The authorities recruit Agent Richard (Michael O'Shea), he takes on the identity of an escaped convict in order to find out who is behind the parole scam. Richard investigates Jojo (Evelyn Ankers) who owns a seedy club where various low-lives and hoodlums hang out. He discovers that her boyfriend Barney (Turhan Bey) is a crooked lawyer who is lining the pockets of corrupt members of the parole board.

A decent crime drama, though for it's good premise it could have maybe been a bit darker. The story is told in flashback by Richard who starts the film all covered in bandages like an Egyptian mummy after the beating he received from the gangsters. 

Rome Express (1932)

An enjoyable crime caper on board a cross-Europe express.

A group of passengers are heading off on a train in Paris for a trip to Rome. They are a motley collection of characters, including an adulterous couple, a film star trying to escape the limelight and a French police inspector. 

Aboard is a valuable painting which is stolen, this leads to murders (though not until some way into the film). There are, of course, many suspects! 

This is a fun film that takes place almost entirely on board the moving train. Neat little camera tricks and editing adds to the interest, though sometimes is a little too cute for it's own good. Conrad Veidt is excellent as the main baddie, exuding menace. Also good in the film is Gordon Harker as a very annoying man.

Speedtrap (1977)

If you like seeing 1970s cars race around and crash, you are in luck.

A string of car thefts, by a mysterious and highly skilled driver who uses a box of electronic tricks to foil the police, is putting Captain Hogan (Morgan Woodward) under pressure. To his dismay, a private investigator is bought in to help. 

Pete Novick (Joe Don Baker) has a bit of a reputation, and a large collection of speeding tickets. He is paired up with one of his ex-s Nolan (Tyne Daly) and begins to unravel a complicated and dangerous plot involving the mob...

A great 1970s piece of car chasing trash. It doesn't really work that well as a crime movie due to the the often confusing plot and meaningless filler. However, for car chases and frequent crashes, plus some cop action it is very enjoyable.

Murder by Invitation (1941)

Played light, maybe too light as it is frequently ridiculous, but this is yet another dark house murder mystery... and its pretty good!

Wealthy aunt Cassandra (Sarah Padden) sees off an attempt by her relatives to have her declared mentally incompetent so they can get their hands on her cash. She invites them to spend the night at her isolated country house. When one of them is murdered, radio reporter Bob White (Wallace Ford) comes in to investigate. 

More murders take place in a house riddled by hidden passages and tunnels. One of the relatives is suspected to be the culprit (though the field is gradually being narrowed down), while Bob and his assistant Nora (Marian Marsh) are struggling to work out what is going on amid all the nonsense and red herrings, Aunt Cassandra has a cunning plan...

This is objectively not a good film, it is a bit too chaotic and many of the actors mill around without much to do (and not doing that well). However, i loved it! It is a fun film, the goofiness makes it hard to take seriously as a crime drama, but if it is approached with an open mind then it certainly is entertaining.

Cuban Rebel Girls (1959)

A mysterious piece of sometimes sleazy propaganda that was Errol Flynn's final film.

Errol Flynn heads over to Cuba to be a war correspondent documenting Fidel Castro's revolution against Batista. An American girl (Beverley Aadland) heads to Cuba to join her boyfriend who is fighting for Castro. Flynn follows her and other teenage girls fighting for Castro...

This is a very strange and poor little film, the fact it exists seems very strange these days and was probably a bit odd back then too. The production values are very cheap, the film looks more like a grainy home movie and often is pretty tawdry, along with the obvious propaganda.

Worth watching for the curiosity value only to be honest.

Stingray (1978)

Hapless hoodlums desperately try to get their loot back which has been hidden in a hot (in more ways than one) car...

Drug dealers Tony (Bert Hinchman) and Lonigan (William Watson) kill two cops who try to frame them and hide a stash of cash and drugs in a Stingray that is on sale on a used car lot (well why not?) 

After they link up with their violent boss Abigail (Sherry Jackson) - who is also dressed as a nun - they discover the car has been sold to Elmo (Les Lannom) and Al (Christopher Mitchum). Soon, a mad chase is going on as both the police and the criminals are after them...

This is an enjoyable watch, its a bit of a romp with plenty of car chases, violence and comedic nonsense. Fast moving, especially in the Stingray, and quite ridiculous but a lot of fun.

The Hound of the Baskervilles (1939)

An excellent Sherlock Holmes film.

Sherlock Holmes (Basil Rathbone) and Dr Watson (Nigel Bruce) are called to help to investigate a mysterious beast which is stalking the foggy moors. Young heir Sir Baskerville (Richard Greene) is in danger from this beast, but is the real danger from someone a bit more human...

Before the Rathbone-Bruce films entered the present day (well the 1940s), they did a couple of official Sherlock Holmes stories set in the correct period, of which this was the first. Their characters arn't quite set yet but they do a very good job with a classic story. 

Its a very atmospheric story though the foggy (and presumably chilly) moors reverberate with the sound of crickets for some reason.

Thunder in Carolina (1960)

High octane track action makes up for a bit of a stall in the plot department.

We are in the early days of NASCAR and top racer Mitch (Rory Calhoun) is out of action for awhile following a bad crash in a race. 

Mitch takes young hotshot Les (Race Gentry) under his wing, unfortunately he also takes a shine to Les' wife Rene (Connie Hines) though this only one way. Success on track goes to Les' head and he begins to make some risky choices...

This film will be a bit more enjoyable if you like watching motor racing as these scenes are pretty good, the rest of the film could do with being in a higher gear. Not that bad but could have been more.

Fighting Ace (1979)

A generic revenge kung fu story is enlivened by some top notch action.

As a boy Kao Che (John Liu) witnesses a madman kill his father (for a book), and then rape and kill his mother (just because). 

Twenty years later he learns kung fu from a number of teachers including Kwan Yeung Moon who does an incredible action set piece, and accompanied by a comedy sidekick (of course) he sets out for revenge...

Well the story isn't very original but that doesn't really matter. People watch films like this for the action and that is very good. A great film for kicks for sure and some innovative fights.

Show of Shows (1929)

It is 1929, sound films have quickly revolutionised the cinema industry and there is a hunger by audiences to hear as well as see the stars of the silver screen...

Warner Brothers created this film as a showcase of it's stars which isn't a film as such but a musical-comedy revue hosted by Frank Fay. We see top stars of the day like John Barrymore, also performances from Broadway acts and even Rin Tin Tin!

It is a lavish period piece, the comedy often falls a bit flat but the large scake spectacle is very impressive. It is worth watching for the historic value alone, but it is also pretty entertaining at times.

Deadline Auto Theft (1983)

A bit of a mess of a film, although good fun to watch as long as you don't think about it too much.

A gang of criminals led by Maindrian Pace (HB Halicki) is stealing valuable cars. After the gang steal the car of police captain Gibbs' (Hoyt Axton) fiancé, Gibbs is out to get the gang. Meanwhile, Pace has been contracted by a drug lord to steal dozens of cars for him...

This film frequently doesn't make a lot of sense, but it is actually an older film (1974's Gone in 60 Seconds) which has been edited quite heavily and has a whole new opening scene (quite a good action set piece as well although cars are crashed for no apparently logical reason apart from it looks cool). The jarring fashions of the two sources of this film are quite noticeable at times, it is all a lot of nonsense really but fun to watch.

Bad Georgia Road (1977)

A very amiable tale of moon shine running and culture shocks.

Bored New Yorker Molly (Carol Lynley) finds she has inherited a farm from a distant relative in Alabama. When she gets there she finds her fantasies of a fancy farmstead are a bit off base as her farm is very run down and the only thing that makes money is the moon shine still. 

Leroy (Gary Lockwood) takes the illegal booze to customers in his hot rod and he immediately takes a dislike to Molly, though you know that won't last long...

This is a fun film although not very original. The culture shock of the NY city slicker ending up in the middle of nowhere is amusing, though the best parts of the film are the various car chases between Leroy and the law.

That Wonderful Urge (1948)

A light if ultimately forgettable romantic comedy.

Heiress Sarah Farley (Gene Tierney) is annoyed that a reporter has been writing some gossip pieces about her. To her surprise a nice young man (Tyrone Power) she has met at a resort turns out to be the reporter Thomas Tyler. 

She aims to ruin his career by falsely claiming they got married. Much to-and-fro will follow, but you know it will end in a kiss.

Somewhat predictable but an amiable little story. There is nothing wrong with the film it just lacks any bite or a spark.

The Bat Whispers (1930)

Not a great film but interesting from a historical and technical point of view.

Master criminal The Bat steals a necklace from under the police's noses, he then goes into the countryside. Pausing only to rob a bank, he then goes to a lonely country mansion to terrify the occupants including Miss van Gorder (Grayce Hampton) and Dale (Una Merkle). The police in the form of Chester Morris turn up to investigate, but who is The Bat?

This is a remake of the 1926 film The Bat, though this one has sound. It is a bit of a silly romp with plenty of overacting and nonsense but an enjoyable watch. 

This is one of the few films in the Magnifilm wide-screen format which didn't catch on. The film is also cited by Batman's creator as being part of the inspiration for the character.

Dixie Dynamite (1976)

A low budget usually harms a film but in this case it kind of suits it.

After their moonshine making father (Mark Miller) is killed in a police chase, his daughters (Jane Anne Johnson and Kathy McHaley) take over the still and aim to get revenge. They discover that the federal agents who caused the police trouble were fake and an evil rich businessman Stanley Adams is looking to get his hands on Miller's land. The girls get the help of a dirt biker Warren Oates with their search for revenge.

The grubby setting and cheap rough camerawork at times suits the story. A fine B-movie. One of the stunt bikers was Steve McQueen (though he was wearing a helmet but not recognisable) who took the job as he was bored!