Escape from San Quentin (1957)

A tense prison break drama.

Gruber (Richard Devon) persuades fellow con Gilbert (Johnny Desmond) to help him break out of San Quentin, Gilbert is vital to the plan as it involves using a plane to fly out of the prison and Gilbert is a pilot. 

The plan succeeds but now the escaped convicts face difficulty in getting their hands on Gruber's hidden stash of loot. Gilbert though is more interested in getting to talk to his estranged wife, soon his sister-in-law (Merry Anders) is dragged into their escape with both the police and the mob after them...

A good film with Noir touches, the actual prison break itself only takes up a small part of the film, most of it is taken up with the convicts on the run. This can drag a bit but the menace and violence of the mobsters keeps you interested.

Miss V from Moscow (1942)

A ridiculous but fast moving wartime spy drama.

Top Soviet spy Vera (Lola Lane) is sent to France by her boss - who veers between a terrible Russian accent and a Brooklyn one throughout. In Paris, Vera tangled with the evil Nazi police chief Kleiss (Noel Maddison) but she uses her resemblance to a dead German agent to evade the Gestapo and help the Allies and the Resistance send radio messages to alert Allied convoys of impending German attacks...

This is quite an odd film, which at times resembles a fast moving serial. Most of the characters are stereotypes, and often hilariously so. The story doesn't make much sense and the low budget is stretched very thinly, luckily as it's a wartime film there is plenty of stock footage to pad things out. All in all this film is terrible, but it is definitely in the so bad it's good camp.

The Lone Defender (Serial) (1930)

An enjoyable Western serial, the fabulous Rin Tin Tin stealing the show.

The mysterious Cactus Kid (Lee Shumway) and his gang kill a prospector but do not discover the location of his gold mine. The prospector's dog Rinty (Rin Tin Tin) recognises the killers - though of course he can't tell anyone! 

The Cactus Kid thinks the dog can lead him to the mine so tries to get his hands on the dog. Rinty meanwhile helps agent Ramon (Walter Miller) track down the identity of the Cactus Kid...

A decent enough serial with plenty of exciting cliff hangers. However, the story is maybe stretched a little too far in the serial format. The story probably would work better as a stand alone film, and indeed it was edited and reworked into such in 1934!

Thunderbolt (1929)

A good early talkie with some tasty gangster nonsense.

Notorious gangster Thunderbolt (George Bancroft) is wanted by the police, they put the squeeze on his moll Ritzie (Fay Wray) but she won't give him up. In fact, she doesn't really care about him anymore, she is more interested in her her new, and law abiding, lover Bob (Richard Arlen). 

Eventually, Thunderbolt is captured by the police and faces the death penalty but Bob is also put in gaol after being framed, now Thunderbolt seeks to kill Bob while he has the chance...

Early talkies can often be a bit of a chore due to the awkwardness of the actors trying to adapt to the new style, there is a little bit of that here but overall the cast do a good job, Wray especially is excellent. There is a superb scene in a night club too with some decent singing and a bit of fighting. We also get a rather adorable performing dog. An enjoyable film.

Hi-Jacked (1950)

An inoffensive decent little crime drama.

A gang are hi-jacking trucks and stealing the loads, one of these trucks is being driven by Joe (Jim Davis) when he falls for the old broken down car trick.

Unfortunately, Joe has a record so he is suspected by the police of being involved. These suspicions are fuelled when Joe is framed into driving a load of contraband. He sets out to catch the real criminals, and save his marriage to Jean (Marcia Mae Jones)...

This is a reasonable if unexceptional B-movie. The story is not very original and the performances a bit flat. It passes the time but not much more.

The Notorious Lone Wolf (1946)

The Lone Wolf continues, with a new face.

The Lone Wolf, Michael Lanyard (now played by Gerald Mohr) has returned from the war and immediately gets drawn into a plot to steal a valuable diamond. Inspector Crane (William B Davidson) naturally thinks Lanyard and Jameson (Eric Blore) stole the gem - Crane is quite an unimaginative detective to be honest as he always thinks Lanyard is behind all gem thefts, maybe he thinks he will get it right finally. The gem was stolen from a dancer who was wearing it, the dancer being murdered. Lanyard must track down the gem and the murderer...

The Lone Wolf series was just starting to run out of steam by now. Post-war, these kinds of bright and breezy B-movies were starting to look a bit dated in the coming age of the Noir, however Mohr slightly refreshes the role. The rest of the Lone Wolf formula is there and this is a good, if unexceptional, entry in the series.

The Black Cobra 3: Manila Connection (1990)

Lots of running around in the Filipino jungle ultimately wins out.

After a shipment of US weapons are stolen in the Philippines, and a US agent is killed by insurgents, Malone (Fred Williamson) is called in from the streets of Chicago to help investigate the case along with Interpol agent Duncan (Forry Smith). 

As their investigation continually runs into trouble they begin to suspect there is a traitor in their midst, could it be fellow agent Ward (Debra Ward)?

A low budget action romp with the flimsy story largely there to punctuate the various action set pieces. These arn't bad, though are frequently a bit ridiculous and overly relys on the tired trope of the bad guys being hopeless shots. An enjoyable film if approached in the right way.

Alibi for Murder (1936)

A 1930s B-movie about a private detective and reporter who is (yes you guessed it) sassy and wise-cracking!

Perry (William Gargan) is trying to interview a reclusive scientist, while he is at the scientist's home trying to get to see him a shot is heard and the scientist is found dead. The murdered man's secretary Lois (Marguerite Churchill) helps Perry try and unravel a complicated case involving business rivals, military secrets and anti-war sentiment...

This is a typically fast moving crime drama with plenty of suspects and red herrings before we get to the final act and a fairly ingenious murder method. The plot is a bit hard to follow at times though but it doesn't really spoil the enjoyment that much. 

One interesting part of the film is early on when we see the scientist Stava (Egon Brecher) arrive back in the USA from Europe on the Hindenburg zeppelin!

Million Dollar Weekend (1948)

A neat little crime drama with some good twists.

Nick (Gene Raymond) has run off with a million dollars worth of bonds, he is joined on his flight by Cynthia (Osa Massen) who is on the run after killing her husband (accidentally but the slimy Alan (Francis Lederer) is blackmailing her). Once they get to Honolulu, Nick is forced to join up with Cynthia after Alan discovers Nick's secret and decides those bonds are a more lucrative prize and heads off back to the mainland with them. Now Nick and Cynthia desperately try and hunt Alan down in San Francisco...

An enjoyable film that has a bit of a Noir touch but only just enough to give the film a little extra bite. The story is involving and the leads give some good performances. A modest film maybe but certainly more than the sum of it's parts. A film that is well worth checking out.

The Empire Strikes Back (1980)

The second film in the original Star Wars trilogy, many regard this the best film of the lot, and it quite possibly is.

After the loss of the Death Star battle station to the rebels in the first film, the Empire's forces led by Darth Vader (David Prowse / James Earl Jones) are fighting back and are hot on the rebels' trail. After a close call on the ice planet Hoth, the rebels manage to escape but Luke Skywalker (Mark Hamill) breaks off to meet with the legendary Yoda to begin his Jedi training. 

On the planet Bespin, Princess Leia (Carrie Fisher), Han Solo (Harrison Ford) and our other heroes are captured by Vader. Luke comes to the rescue but discovers a horrific fact about his past...

A darker film than Star Wars with new layers added to the main returning characters, greatly adding to the richness of the leads established in the first film. All the joy and wonder of Star Wars is enhanced by thoughtful additions to the universe, these additions all makes sense (something later sequels often forgot). A fantastic film. The best Star Wars film? Maybe, it is certainly in the top two.

The Case Against Brooklyn (1958)

A tough crime drama with a definite Noir feel.

With unlicensed bookmakers operating in the city, the feeling is that the police are on the take. The DA sends a rookie cop in to investigate. Pete (Darren McGavin) is unknown and keen, but hurled into a very dangerous situation with ultimately deadly consequences. 

Pete thinks recently widowed Lil Polumbo (Margaret Hayes) is the key to getting the evidence that the local police are in the bookies' pocket but he really needs to be wary of her friend Franklin (Warren Stevens)...

A great example of a late Noir. The villains are ruthless and deadly, willing to resort to anything to keep their racket going. The plot is fast moving and the film is well performed. A great watch.

Boston Blackie Goes Hollywood (1942)

Part of the long-running Boston Blackie series, the usual frantic goings on but this time in Tinsel town.

Blackie (Chester Morris) and the Runt (George E Stone) are about to head off to Florida when Blackie receives a call for help from a fellow ex-criminal (or is he?) Arthur (Lloyd Corrigan) asks Blackie to take $60K from his safe in New York and take it over to California. 

Somehow this is mixed up with the theft of a valuable diamond, Inspector Farraday (Richard Lane) of course thinks Blackie has stolen the diamond and so follows Blackie to California and gets mixed up in a complicated tale of blackmail and stolen goods...

Still early in the series but the series is now hitting high gear. A fast-paced story with plenty of swerves and action packed into a short running time. Good humour and performances add to make this an excellent film.

Steel (1979)

A film about high places which unfortunately doesn't quite raise to the challenge.

A major project to build a new skyscraper is running behind schedule, things not being helped when the chief engineer Cassidy (George Kennedy) dies in an accident thanks to some faulty equipment. Cassidy's daughter Cass (Jennifer O'Neill) is desperate for her Dad's last project to not end in failure so brings in Mike (Lee Majors) to lead the job completion. Time is short and there is a lot left to do, can he head up HS2 after this?

Not a bad film and sometimes unintentionally hilarious, such as the scene when Mike is introduced. He is seen driving a big truck, wearing a vest and listening to country music. One of the most American scenes in modern movie history. The film has plenty of construction site butch antics, i get the feeling these guys would have thought modern day health and safety is woke.

Not an amazing film but certainly a little different.

The Unholy Night (1929)

An early talkie, and an early dark house mystery. 

After an attempt on the life of Lord Montague (Roland Young), he discovers that some of his former army comrades have been killed. He calls his other army comrades to his home, with the police overseeing, to try and find out who was behind the attacks. The daughter (Dorothy Sebastian) of a disgraced former officer turns up, warning of bad things going to happen and a big legacy. Bad things indeed do happen as the officers start to get bumped off one by one...

While the sound and dialogue can be awkward at times (like most early talkies), this is a fun little drama. It has plenty of sudden screams and a spooky atmosphere, Oriental mystery, plenty of odd goings on and Boris Karloff chewing the scenery as a sinister Turkish lawyer.

The Mad Bomber (1973)

A pretty brutal and also rather good 1970s cop drama.

Distraught over the death of daughter, Dorn (Chuck Connors) begins a bombing campaign to blow institutions (including his daughter's ex-school) he blames for her death. The police are stumped without a clue who the bomber is, however there is a clue. 

During one bombing, a girl at a mental hospital, which is about to be bombed, is raped. Detective Minelli (Vince Edwards) desperately seeks the rapist (Neville Brand) not only for his crimes but also because he might be the only man who can identify the bomber...

A deliciously dark slice of the ultraviolent 1970s which revolves around the broken minds of two criminals, both superbly played by Connors and Brand. A graphic film for sure that maybe could have left a little more to the imagination. Very compelling viewing.

The Lineup (1958)

A tough Noir with some real menace.

The police are battling to stop the smuggling of narcotics, including heroin, into San Francisco. The method used is to dupe or force travellers to bring the drugs into the city when they return from abroad. Dancer (Eli Wallach) and Julian (Robert Keith) are two hoodlums who have turned up in town to retrieve the drugs smuggled in by a group of passengers off a cruise ship. 

All is going smoothly as they work they way through the mules (though a trail of dead bodies is being left behind) until they find drugs hidden in a child'd doll has been lost. The mastermind behind the operation will not be very happy about that...

A great film, the gangsters are psychotic, the people drawn into the smuggling ring are frequently doomed. A violent and dark film that is well worth seeing.

Return to Savage Beach (1998)

Tits and guns return to a remote Pacific island we last saw in Savage Beach.

A stolen floppy disk (which mysteriously has changed from a 5.25" in the first film to a 3.5" one to make the film appear more modern!) leads both criminals and the large chested ladies of LETHAL to a remote island to hunt for treasure stolen from the Philippines. 

Apparently, the gold in the first film wasn't all of the loot the wartime Japanese stole. Martinez (Rodrigo Obregón) returns as the Filipino rebel leader who wants the gold to fund revolution, others want the gold for more selfish reasons...

It makes little sense, to be honest the first film didn't either but this is worse. But it doesn't really need to make sense, this is a film to see former Playboy models fire guns while wearing skimpy outfits. This is great fun though, among the cast is former WCW wrestler Buff Bagwell, but of course!

This was the final film in the Andy Sidaris' LETHAL series and is a fine end to a fun series.

The Lone Wolf in London (1947)

The penultimate film in the long running series.

Two diamonds disappear from a police vault, the police immediately suspect the former jewel thief Michael Lanyard - the Lone Wolf (Gerald Mohr) as they know he is in London, officially doing research for a book he is writing. 

Lanyard is recruited by a member of the aristocracy (Vernon Steele), who is hard up, to sell some jewels for him. Meanwhile, Lanyard is starting to suspect stage star Iris Chatham (Evelyn Ankers) is involved in the diamond robbery, though the police still stubbornly suspect him!

Mohr and Eric Blore as Jamison worked well as a team, though this was the last time they worked together in this series, and the eleventh and final time Blore played Lanyard's assistant. A decent film with the usual fast moving plot and various plot tangents and red herrings. Maybe we have seen it all before (many times) but it is still a good film.

Operation Manhunt (1954)

A dramatisation of the life of Soviet defector Igor Gouzenko who was a wanted man by the KGB after he defected to Canada, he also makes a (masked) appearance at the end of the film.

Gouzenko (Harry Townes) is living in hiding in Canada, but the Soviets have their plans ready to find and kill him. Agent Volov (Jacques Aubuchon) is tasked to pose as a wannabe defector in order to befriend Gouzenko so he can be drawn out of kiding...

After a slow start (the semi-documentary style doesn't help) this film develops in a compelling spy drama full of tension. There are also some surprises too especially in the final scenes. It can be a bit wooden at times but the story (with it's real-life basis) is excellent.

Passport to China (1960)

A rather tepid spy drama, as Hammer goes stereotype galore.

Don Benton (Richard Basehart) is a HK based businessman who becomes involved in a US government mission to retrieve secret information from the clutches of Red China rather reluctantly. Making his way to Canton, he tangles with Russian stereotype Kong (Eric Pohlmann) and tries to rescue agent Lola (Lisa Gastoni).

The film is an interesting view of 1960s Red China, including the war on sparrows (which backfired terribly) but the dated stereotypes are a bit jarring. The film is a bit too low effort though is watchable and the views of 60s HK is enjoyable.

Hearing Bernard Cribbins attempt a Portuguese accent is a joy.

Nazi Agent (1942)

Although heavy on propaganda and message, this is a good early wartime spy drama.

Otto (Conrad Veidt) is a respected book seller, and an emigre from the Nazi Germany he despies. However, his twin brother is very much on brand with the regime, indeed he has also come over to the USA but he is setting up a spy ring! He forces Otto to become part of his network but in a struggle Otto is forced to kill his brother. 

Otto takes the part of his brother, and now within the spy network begins his plan to bring it down from within. However, he also encounters fellow agent Kaaren (Anne Ayers) who has become disillusioned with the regime...

An enjoyable film with good performances and emotion leading to great sacrifice. The best part of the film though is definitely Veidt who plays twin brothers with dramatically different characters. Unfortunately this was one of his last films before his early untimely death.

Pickup on South Street (1953)

A tough and gritty Noir spy drama.

Candy (Jean Peters) is being tailed by the feds, they know she is carrying microfilm containing industrial secrets which the Communists want to get their hands on. 

However, pick pocket Skip (Richard Widmark) messes everything up by stealing Candy's purse on the underground! Now the search is on for the pick pocket, both by the spies and the feds...

A dark film, doomed people hanging on by their fingernails in the dark underbelly of the city. A very good film with a compelling storyline. Thelma Ritter plays a terrific role as a police informer, indeed well worth the Oscar nomination she got for it.

Fit to Kill (1993)

Another boobs and guns epic by Andy Sidaris.

International arms dealer Kane (Geoffrey Moore) is after a diamond which had been stolen from the Russians in the Second World War and is now owned by Chang (Aki Aleong). He intends to return it to Russia but the gem is stolen by Kane. Now it is up to Donna (Dona Speir) and her fellow federal agents in skimpy outfits to retrieve...

This is a fun romp which makes heavy use of remote control toys such as helicopters and cars, though these are armed with rockets and bombs! It makes little sense of course but that does not matter as it should not be taken too seriously.

Surely this is one of the few films to mention the short lived Commonwealth of Independent States in dialogue?

Too Many Winners (1947)

The last Michael Shayne film, though he would return on the small screen in the 1960s. It would be great to say the character ended on a high but...

Michael Shayne (Hugh Beaumont) abandons his planned vacation with Phyllis (Trudy Marshall) to take on a case of counterfeit tickets at a race course. He begins to uncover a case involving murder and blackmail, with Detective Rafferty (Ralph Dunn) on his tail as usual...

This version of Shayne is not as hard boiled as the Lloyd Nolan version, this Michael Shayne is more easy going but maybe that robs this film of a little bite. The film is fast moving but a bit directionless and bland. 

The femme fatale character of Mayme (Claire Carleton) is one of the highlights of the film but she gets killed off too quickly! Not a bad film, watchable but pretty forgettable.

Dangerous Curves (1929)

An early talkie. Truthfully, its not that great but one of the few sound films the queen of the silent movie, Clara Bow, so is of course well worth a watch.

Circus performer and trapeze artist Larry (Richard Arden) is involved with the vampish fellow performer Zara (Kay Francis) but he is also falling for stunt horse rider Pat (Clara Bow). Zara is cheating on Larry and dumps him when he has an accident. Pat tries to persuade the circus owner to take the injured Larry back, but she needs to think up a new act for them...

Clara shines, unlike many silent movie stars she took to talkies pretty well (this being her second, so with still an occasional hitch) but was let down by indifferent material. The film is OK, interesting without being exceptional. Both of the female leads steal the show but with entirely different styles.

The Third Visitor (1951)

A nice little, if sometimes a bit static, murder mystery.

After Richard Carling (Karel Stepanek) is found dead in his fancy house, Inspector Mallory (Guy Middleton) begins his investigation. There are a number of suspects as Carling was visited by a few people that night, but who was the last person to see him alive. And what is the dark secret behind who Carling really is?

The film can be a bit confusing at times, and also can get bogged down now and then. The story is good though and rewards the viewer's patience at some of the meandering early on as the dark secrets are gradually revealed. Everything comes together in the final act.

Some good performances, especially from Sonia Dresdel, add to the richness of the film. Not perfect but worth watching.

Do or Die (1991)

A fine entry in the Andy Sidaris universe, as our heroines and heroes have to run a gauntlet of assassins.

Japanese crime boss Kaneshiro (Pat Morita) challenges federal agents Donna (Dona Speir) and Nicole (Roberta Vasquez) to survive a series of various teams of assassins. 

Luckily, the various assassin teams turn out to be fairly useless, though they do employ a variety of methods and weapons to make their attacks, though all share a lack of being able to aim...

This has a rather simple storyline even for a Sidaris film but is tremendous fun and a hugely enjoyable romp. It has plenty of cheese (including some wonderfully retro computer graphics), sexy nonsense and action. 

The Day They Robbed the Bank of England (1960)

A great example of the bank robbery film, maybe the ultimate attempted heist!

It is 1901 and the IRA needs money, so they decide the best way is to steal the British gold reserves held in the vault of the Bank of England! They employ Irish-American Norgate (Aldo Ray) to plan and carry out this audacious plan. 

Norgate befriends the captain of the guard at the bank Fitch (Peter O'Toole) to gain access (luckily Fitch is rather naive) to the bank and begins to formulate a plan to access disused drain tunnels under London and then break into the vault from underneath!

Although not an overly thrilling film, without that much action apart from the final act, it is very interesting film to watch. The gathering of information and forming the plan is very well portrayed and thought out.

Sherlock Holmes in Washington (1943)

An exciting spy romp with this version of Sherlock Holmes transplanted into the Second World War.

An agent carrying secret plans across the US goes missing, feared captured by Nazi agents. Sherlock Holmes (Basil Rathbone) and Dr Watson (Nigel Bruce) are sent across to the US capital to investigate. Holmes thinks the plans were hidden by the agent, but their whereabouts is unknown. Can Holmes find the Nazi agents, led by George Zucco, before it is too late?

An excellent entry in the Basil Rathbone Holmes series, Holmes using his deduction skills to find the agents despite the apparent absence of a trail (though to be honest he was lucky with the clue he did get). There is a bit of a wartime propaganda feel, but it does not interfere with a strong story.

A Tattered Web (1971)

A superb TV movie about a good cop's downfall.

Detective Ed Stagg (Lloyd Bridges) dotes on his daughter Tina (Sallie Shockley), and is perturbed when he catches his son-in-law Steve (Frank Converse) messing about with a floozy.

Stagg goes to warn the woman Louise (Anne Helm) off but a fight ensues and he accidentally kills her. Stagg is now desperate to cover things up and not just to protect himself but also Tina as he knows Steve, whom Tina loves deeply, is a prime suspect. How far is he prepared to go?

Quite far indeed, and this is a very enjoyable film with some great performances especially by Bridges. Stagg's downfall from trusted veteran cop is swift and continuous as he tries to make things right, but continually makes it worse. One thing which more could have been made of was the dark past which had given Stagg his demons, it seems a bit bolted on too far into the story to have much impact.

Pharaoh's Curse (1957)

A rather dull mummy's curse film, although not without interest.

Captain Storm (Mark Dana) is sent out to reach a team of Egyptologists during a time of revolt in colonial Egypt. The team encounter a strange Egyptian woman called Simira (Ziva Rodann) who doesn't seem bothered by the relentless desert heat and keeps talking in riddles. At the tomb, Quentin (George Neise) opens a tomb and unwittingly releases an ancient evil spirit who begins to kill the party one by one, draining the blood of it's victims...

The film has problems. The story is not that original and moves rather slowly, plus does not have the largest of budgets. However, the film does have some good creepy moments and Rodann was excellent (if a bit campy) as the mysterious Simira.

Guns (1990)

A brash action drama involving many women in skimpy outfits with big busts and bigger guns.

Crime boss Jack of Diamonds (Erik Estrada) orders a hit on DEA agent Donna (Dona Speir), though a mix-up by the assassins who were in drag (honestly!) results in another woman being killed. Donna discovers that the crime boss is the man who killed her father, and he has also kidnapped her mother so there is plenty at stake...

This film is by Andy Sidaris and so you know it will be an action romp which makes little sense. We have the drag queen assassins as mentioned earlier, an interrogator who does magic tricks while interviewing captured gang members and even an attack by ninjas! The film is tremendous fun and highly enjoyable.

Special Inspector (1938)

An inoffensive quota quickie, though unfortunately a lot of it takes place in the dark.

Someone is hijacking Canadian trucks carrying furs and selling the loot down in the US. US Agent Tom Evans (Charles Quigley) goes undercover as a driver and is soon the victim of another robbery, though somehow Patricia (Rita Hayworth) is involved - but on whose side? 

Tom continues undercover though when his identity is unveiled he, and Patricia, are in big trouble with the mob...

A reasonable film that plods along though not without much purpose or that much excitement. It isn't helped by a lot of the scenes taking place at night and indifferently lit. 

The film is not bad but not much more.

The Caribbean Mystery (1945)

A fast moving crime romp in the swamp.

After the repeated disappearances of oil company prospectors in the swamps of an unnamed Caribbean island, private detective Smith (James Dunn) is bought in to find out what is going on. This is not to the liking of the authorities, who think the men just died of natural causes in the swamp (though we know thats not true). When people aligned with Smith start dying, and Smith himself has attempts on his life, it is clear that something big is going on, and involving buried treasure...

A decent little crime B-movie. Modest but well made and the plot moves swiftly enough to keep your attention. There are plenty of potential suspects and the film manages to keep some good surprises until the end, though the finale is a little rushed. 

An enjoyable film, though the plot is not anything out of the ordinary and indeed is pretty similar to a number of other films but still worth watching.

The Voice of the City (1929)

An uneven early talkie.

Convicted cop killer Bobby Doyle (Robert Ames) escapes prison and goes on the run. He protests that he was framed by the mob. He was helped by Johnny (Clark Marshall) and is hidden by his girlfriend (Sylvia Field) and sister (Duane Thompson) Detective Myers (Willard Mack) is tasked with catching Bobby and putting him back in the nick...

Not a bad film with some enjoyable scenes, though the film is also padded out with some awkward extended dialogues scenes and the staging is pretty static most of the time. Some of the actors also struggle a bit with the change from silent movie style movement and physical emoting to dialogue, but that is the fun of transitional films.

One interesting thing to note is that this was the film Al Capone was watching when he was arrested in Philadelphia in 1929!

The Underwater City (1962)

For once a 1960s science fiction film that doesn't take place in outer space but under water.

A group of scientists and engineers led by Bob Gage (William Lundigan) seek to build a city on the sea bed. This is fraught with danger though, including getting eaten by sharks! Finally, the city is built but oh no its been built on a fault line (obviously didn't consult with any geologists first)...

This is a reasonable if not super exciting film, it is rather marred by a voice over which gives it the feel of a strange documentary at times. It is a shame the film ends up being a bit wet (so to speak) as it could have been more. It's not bad but ultimately a bit disappointing.

Creature with the Atom Brain (1955)

Undeniably cheesy but a fun body horror science fiction film.

A gangster (Michael Granger) appears to have come back from exile abroad and is killing the people who put him away in prison, and he seems to have supernatural strength! 

Dr Walker (Richard Denning) investigates the case and discovers traces of radioactivity and links to a (mad) Nazi scientist (Gregory Gaye) who experimented with controlling animal bodies via electrodes in the brain. Could the experiment have moved onto human suspects?

The effects are pretty low budget but are wonderfully creepy. The final battle between the radioactive zombies and the police is both hilarious and thrilling. 

Trapped by Boston Blackie (1948)

Another bright and breezy Boston Blackie entry, though padded out a bit.

After a private investigator friend dies in a car crash, Boston Blackie (Chester Morris) and The Runt (George E Stone) help out his widow to provide discreet protection of valuables at a fancy costume party (which gives Blackie yet another opportunity to don a disguise, though unfortunately he decides to black up!) 

Of course, valuable pearls are stolen at the party and Boston Blackie gets the blame when Farraday (Richard Lane) turns up to investigate... On the run, Blackie and the Runt seek to discover the real thief, and of course there are a number of suspects.

A fine entry in the series, the penultimate film. Boston Blackie's ability to disguise himself is bought to the fore here, though how good these disguises are is another question though they certainly seems to fool everyone he meets! By now though we have seen the Boston Blackie set-up sufficient times that everything is a little too familiar but this is still an enjoyable film.

Day of the Warrior (1996)

Big chests and bigger guns, all you need to know is that the director Andy Sidaris was a genius.

Crime boss and former CIA agent The Warrior (Buff Bagwell) has broken into the secret service database thanks to his inside man. He is using this information to put agents at risk of being discovered while they try and infiltrate the Warrior's crime empire. Can our heroes and heroines led by Willow Black (Julie Strain) save the day?

Of course they can! What follows is a flimsily plotted, often very strange and also violent film where most of the cast do not like to wear much in the way of clothing. 

It is completely wonderful, a highly enjoyable film and a complete romp. Some might say this is so bad it is good, i say it is it's own strange and special kind of genius and completely excellent.

Homicide Bureau (1939)

An enjoyable police drama, though one with a bit of a missed opportunity.

Crime is out of control in the city, but the police are held back by the annoying fact they need to obey the law. Detective Jim Logan (Bruce Cabot) is tasked to investigate a murder which is mixed up with the scrap metal trade. Jim is foiled by the pesky need to get actual evidence, especially after the mob set him up for humiliation with fake evidence which is shown up by the new forensic scientist Bliss (Rita Hayworth). Under a cloud, Jim continues his investigation unofficially...

This is a good example of a 1930s crime B-movie. A complicated and involving plot is packed into a short film with some good performances and a good action set piece to finish proceedings. The one drawback is the fact Rita Hayworth is not used that much in the film, and lacks much in the way of chemistry with Bruce Cabot. However, that does not ruin the enjoyment too much.

Motor Patrol (1950)

A tale of motorcycle cops in Los Angeles. 

Motorbike cop Larry (William Henry) is killed while investigating a hit-and-run murder case, which may have been deliberate. Trainee cop Ken (Don Castle), who is engaged to Larry's sister, goes undercover to infiltrate a gang of car thieves in the city...

A reasonable, competent if not overly exciting crime B-movie. There is nothing much wrong with this film though it does lack a bit of a bite. Sid Melton provides a bit of comic relief which helps the film become a little too worthy for it's own good.

Enemy Gold (1993)

While not the best entry in the Sidaris-verse this is a solid and highly enjoyable boobs and guns romp.

Three federal agents anger crime boss Santiago (Rodrigo Obregón) so much that he calls in hitwoman Jewel Panther (Julie Strain) to deal with them. The agents meanwhile are on a trip into the woods and discover a cache of buried Confederate gold from the American Civil War. This of course adds another dimension to the showdown...

Although part of Andy Sidaris' series of films, it does stand alone to an extent as some of the actors play different roles to how they are in other instalments. 

This is a decent film, not quite as good as some other films in the series but still great fun. Former Playboy models and various hunks show off their cleavage and pecs and fire lots of guns. The plot is sketchy but does it's job.

Exposed (1947)

An uneven but still enjoyable crime B-movie.

Private investigator Belinda (Adele Mara) is hired by a businessman to check on his step-son (Mark Roberts) who is acting suspiciously including making a number of large money withdrawals. 

However, when Belinda arrives at the businessman's home she finds the businessman dead! Belinda begins to investigate the case, much to the annoyance of her police inspector Dad (Robert Armstrong)!

This is not a bad film though maybe a bit generic. A lot of plot is squeezed in as well as plenty of suspects and red herrings. The leads do not have much chemistry together though and Belinda herself can be a bit too annoying at times. Still, this is a decent watch.

The Monkey Hu$tle (1976)

A rather chaotic blaxploitation film, a bit of fun and charisma keeps things going but only just.

Daddy Foxx (Yaphet Kotto) is a successful hustler in Chicago, he takes some young wannabe players under his wing and they hustle and jive their way to some success in their local neighbourhood. However, developers plan to demolish the neighbourhood to bring a new highway through...

This isn't a great film, the jive and poor dialogue is so poor it is almost beyond parody. Characters are incredibly one-dimensional and the plot is so vague as to be pretty much non-existent at times. The film can be very confusing, you wonder if the editor was maybe a little too keen and left some important plot driving scenes on the cutting room floor.

However, the film can be fun to watch with some good comedy scenes (though also some which really miss the mark).

Suddenly! (1954)

The highest of stakes as a sleepy small town becomes the scene of a planned assassination of the President of the United States!

Not a lot happens in Suddenly but all that changes when the President is due to leave his train there. Federal agents swarm over the place including one team which goes to a house overlooking the railway station owned by former agent Pop Benson (James Gleason) and his daughter Ellen (Nancy Gates). 

However, the team led by Baron (Frank Sinatra) are not federal agents after all but assassins who want to use the house to commit their crime!

This is a great film, tense and gripping as the ruthless and brutal Baron will stop at nothing to commit their mission, being willing to hurt or even kill anyone, men, women and children! 

Kindergarten Ninja (1994)

A very strange film, made very cheaply as an anti-drugs film. Somehow it works, kind of.

In heaven, Bruce Lee (Anthony Chan) has been told he will only become an angel if he does a good deed on Earth. That good deed is to rehabilitate the bad boy football player Blade Steel (Dwight Clarke). 

Blade introduces him to a blind martial arts instructor (George Chung) to teach him karate, together they must battle a drug dealer (Juan Chapa) who is targeting kids at the school Blade is teaching at as part of his punishment for drink driving!

So, that is the crazy storyline. Do not expect much sense or depth from the plot as the film is played largely for laughs (which are not always generated intentionally) and can be pretty witty at times. The film is fun, frequently zany and with a lot of fight scenes, some of which are not that bad in a 1970s kung fu style. 

Strange People (1933)

The premise of this murder mystery is good but unfortunately the execution lets it down.

Twelve people turn up at a dark house on a stormy night one by one, let in by a butler (who has tied up the real one!) We discover that these twelve people know each other, they were the jurors on a trial which apparently sent an innocent man to the gallows. They have been gathered together by Hale Hamilton to demonstrate how someone can be wrongly convicted on circumstantial evidence, a murder is staged but is everything actually fake?

The idea of this film is good but it can be a hard going watch at times. Most of the characters have less dimensions than a piece of string and the dialogue is pretty weak at times. However, this does have all the tropes of a Golden Age dark house mystery including hidden passages and female screams on cue! Not the worst film but it could have been a lot better.

Malibu Express (1985)

A private detective who drives a Delorean and is accompanied by a country music soundtrack, well that is certainly different, but is it any good?

Private detective Cody (Darby Hilton) is tasked to discover who is helping the Russians steal advanced computer technology from a Silicon Valley firm. He does this by infiltrating the home of Lady Chamberlain (Niki Dantine) who has filled her home with oddballs and stereotypes. A complicated and rather meandering plot ensues...

Unfortunately, the plot is a bit incomprehensible at times as more focus is shown on muscular torsos and cleavage in bikinis than explaining what is going on. However, the film is light hearted and doesn't take itself seriously at all and an amiable watch though ultimately inessential. The 1980s technology shown throughout does add a great nostalgic air to proceedings.

One of My Wives is Missing (1976)

A highly enjoyable TV movie with a delicious twist.

Newly wed Daniel Corban's (James Franciscus) wife has gone missing, the local cop Inspector Levine (Jack Klugman) isn't that interested at what he thinks is just a lover's tiff. 

Then Corban's wife turns up... but Corban says it isn't her! This Elizabeth (Elizabeth Ashley) seems genuine though, she knows the answers to all the questions but Corban is insistent it isn't her. There is something darker going on but maybe not quite what you may expect...

This is a terrific film with a very surprising twist. When you think back at earlier events in the film, the twist just about remains plausible. A well-paced drama, with a great cast, that has layer upon layer. 

Invisible Avenger (1958)

The Shadow returns, and this time he can become invisible again...

The Shadow, Lamont Cranston (Richard Derr) goes to New Orleans to investigate the death of a jazz man. Somehow, the death is mixed up with a Latin American country's exiled leader and a possible revolution. To combat the bad guys, The Shadow can make himself invisible (though the effect is somewhat ruined by the evil laughter he has to do at the same time for some reason) and control men's minds...

This actually was the pilot for a TV series about The Shadow who last appeared in films in the 1940s (though without any special powers). The pilot wasn't taken up so it was turned into a rather uneven film. 

It is a decent enough B movie, well paced and with plenty of action, the story delving more into the mystic than earlier films where The Shadow was basically a bloke with a hat! Mark Daniels plays Cranston's spiritual guide Jogendra.