The Return of Mr. Moto (1965)

The Mr Moto character is bought back for this average crime B-movie, Henry Silva isn't bad in the role but he certainly isn't Peter Lorre.

Someone is blowing up oil wells in the Persian Gulf, and the friend of Moto (Silva) who is in the oil business is killed by a deranged ex-Nazi (Martin Wyldeck). Moto goes undercover (though his disguise is rather poor, but apparently enough to fool the foolish bad guys) to try and discover who is behind an audacious plan to control the world's oil supply...

A rather low-energy and cheap B-movie, it is a passable little film though can't be said to be that good. The story is slow and unexceptional that plods along without much urgency. 

Unfortunately this was it for the Mr Moto character on screen. One fun appearance is Antony Booth as a cowardly assassin.

Assignment K (1968)

A rather low wattage spy drama that unfortunately falls between two stools.

Philip Scott (Stephen Boyd) runs a secretive spy agency which manages to get results behind the Iron Curtain where the main Western agencies fail. 

However, while on a mission he meets Toni (Camilla Sparv) and falls in love. Back in England, an Eastern Bloc group of spies led by Smith (Leo McKern) use this connection to put pressure on Scott to betray his spy network...

This is a fine enough late 60s spy film but tries to be in the Bond and LeCarre styles simultaneously. Unfortunately, it fails at both and becomes bogged down in the middle act where not a great deal happens. The 1960s feel, and the Cold War espionage setting, are still enjoyable. The twists are also very good.

The Saint's Vacation (1941)

The Saint goes on a romp across Europe (suspiciously un-war torn) in pursuit of a mysterious box.

The Saint (Hugh Sinclair) and Monty (Arthur Macrae) go to Switzerland on holiday, pursued by the reporter Mary (Sally Gray) who is desperate for a story. 

However, his holibobs are soon cut short by the appearance of a strange box which various people including The Saint's arch-enemy Hauser (Cecil Parker). The box, when finally opened, reveals that it holds a music box. The Saint thinks this is the key to a secret code, of great value...

This is a typically fast moving B-movie of the period, played light and fast though unexpectedly dark at times (with a number of pointless deaths and a bit of torture). The film is a reasonable watch though not executed very well at times.

Espionage (1937)

A bright and breezy crime and spy drama set aboard an amazingly smooth sleeper train.

With Europe heading towards war, the newspapers are keen to trace a well known arms manufacturing tycoon. For reasons, a newspaper decides to send a cheeky mystery novelist along for the job instead of an actual reporter! Kenneth Stevens (Edmund Lowe) does also happen to be a violin virtuoso though which could be handy as the tycoon Kronsky (Paul Lukas) is a big music lover.

Also after a scoop is Patrica Booth (Madge Evans) who steals her boss's passport when he refuses to send her on this assignment (one wonders just how serious these newspapers were to find out about Kronsky). This proves to be a life saver for Ken when he loses his own passport so he can pose as Patrica's husband. A complication comes when an assassin tries to kill Kronksy, naturally Ken and Patricia get the blame and have to go on the run in Switzerland...

This is a fine film, well paced (though does slow down a bit later on) and with plenty of atmosphere which sometimes is at odds with the light feel to the performances and dialogue (but in a good way). The scenes aboard the train are the best part of the film, though considering it was supposed to be a train pounding on through ther night its remarkably smooth and quiet aboard!

Rocket Attack U.S.A. (1960)

The Soviets have launched Sputnik into space and now the Cold War paranoia is dialled up to 11.

With the Soviets now orbiting the Earth, the US are afraid the Soviets are gathering data before they can launch a deadly nuclear attack. Secret agent John (John McKay) is sent across the border into the Soviet Union - which seems rather easy to be honest - and links up with female agent Tanya (Monica Davis) who is getting pillow talk from the Soviet Defence Minister...

Apparently the Soviets discover they can defeat the US with just one nuclear missile and one is prepared. If only the US had a anti-ballistic missile defence system in place but no doubt a bigger defence budget will help. 

This is a pretty basic Cold War film, heavy on the use of stock footage and propaganda. It is all pretty poor stuff with a minute budget though does include the helpful advice that covering yourself with wet newspaper can help with nuclear blasts!

Code Name: Diamond Head (1977)

A pilot for a series that never came to fruition, which is a shame as it could have been a catastrophe that could have entertained generations of cult fans. As it is we have a fairly average if a bit odd spy film.

Johnny Paul (Roy Thinnes) is a US government agent based in Hawaii (code named Diamond Head of course). He has to prevent the theft and sale of a new nerve gas being developed at a local government laboratory. The enemy are headed by Donovan (Ian McShane) - a master of disguise or just lucky that the people he has to take the identity of look like him already. Diamond Head is assisted by Zulu and France Nuyen providing the muscle and the sex appeal in varying amounts.

It is all a bit inept. The plot is poor and the action lacking on the most part. As might be expected, Ian McShane is head and shoulders the best thing about this film. It is watchable but not great but i wonder how a full series would have turned out.

Agent for H.A.R.M. (1966)

A rather poor and low budget 1960s spy drama, actual James Bond spoofs can be more realistic.

H.A.R.M. agent Adam Chance (Mark Richman) is tasked with protecting an ex-Soviet scientist called Dr Steffanic (Carl Esmond) who has developed a new weapon that kills people with a spore which literally eats the victim alive. 

Chance meets Steffanic though seems more interested in the niece Ava (Barbara Bouchet) who seems allergic to wearing anything more substantial than a bikini. Steffanic is working on an antidote to the spores before the enemy can unleash them on the good old US of A. However, there is more to Ava than meets the eye...

Chance doesn't exactly cut a very dashing 1960s secret agent figure. Instead of a suave DJ, he squeezed his middle aged frame into a yellow cardigan! The action is mostly pretty poor though the scene where Chance is on a motorbike and fighting an agent in a light plane is pretty good. The film seems like it was made on a budget of about 25¢ though does make the most of it. It is fun if approached with the right frame of mind.

David Harding, Counterspy (1950)

A tasty wartime counter-espionage tale.

The head of counter-espionage Harding (Howard St John) recounts to a radio commentator how a key operation went down during the war. Information is leaking out of a facility where the US Navy is developing it's torpedoes. 

Naval officer Baldwin (Willard Parker) is sent in to try and uncover the agent. Unbeknownst to Baldwin, one of the agents (Audrey Long) is very close to his heart...

This is a fine procedural, giving us a view of early counter-espionage efforts and the careful uncovering of a group of spies, but also how the spies themselves operate. 

A tough film with Noir touches but the spy game is one of the hardest games of all.

Criminals Within (1941)

A somewhat confusing but energetic early wartime spy romp.

After a scientist is murdered by foreign agents, his brother who is an NCO in the US Army goes AWOL to try and find the murderers. Unfortunately for Carroll (Eric Linden), Army Intelligence think he is linked in the murders somehow and has a list of other scientists which the agents want to get their hands on. Carroll thus has to avoid his own side while uncovering the agents, some of whom are close to home...

As usual with films of this type a lot is packed into a short run time, with plenty of tangents and red herrings. At times it can be confusing though the conclusion is straight forward enough. This is a solid enough spy drama although little stands out of the ordinary.

Cipher Bureau (1938)

Although not a thrill packed ride, this is a solid spy drama with some interesting early cryptography and code breaking.

Major Waring (Leon Ames) of the Cipher Bureau is hunting for enemy spies by breaking their codes. After his success, the spy cell change their code. Waring's younger brother Paul (Don Dillaway) is called into help but is unwittingly caught in a honey trap by the beautiful female agent Therese Brahm (Joan Woodbury). 

Paul is targeted by the enemy and loses top secret US Navy plans. Waring, assisted by Helen Lane (Charlotte Wynters), has to break the enemy codes, retrieve the plans and save his brother's career...

The film can be a bit slow moving at times but is well structured. The cracking of the codes is shown in detail and that is probably the most interesting part of the film, and the use of a music notation typewriter! 

Panama Patrol is the sequel to this film.

Counterspy Meets Scotland Yard (1950)

An excellent early Cold War spy drama. 

After a US agent working at a top secret missile test site mysteriously dies, spy chief Harding (Howard St John) suspects there is a foreign spy ring after US secrets. British agent Langton (Ron Randell) begins to work at the test site to seek out the spies. 

The base secretary Karen (Amanda Blake) comes under suspicion, especially as she has regular meetings with Dr Gilbert (Lewis Martin)...

This is a good film with some interesting scenes, some spy drama brutality and an exploration of the art of international espionage. The spies' identities are kept ambiguous, quite possibly neo-Nazis instead of the Soviets. The post-war paranoia is high, the film is also interesting in using Karen's concentration camp survival as a plot point.

Carry on Spying (1964)

The dark and dangerous world of international espionage... for laughs.

STENCH (Society for the Total Extinction of Non-Conforming Humans) have stolen a top secret chemical formula. Unfortunately the only agent available to try and retrieve the formula is bumbling Simpkins (Kenneth Williams) and his three trainees (Barbaras Windsor, Charles Hawtrey and Bernard Cribbins). The four are sent to Vienna to look for the STENCH agents Fat Man and the Milk Man and link up with Carstairs (Jim Dale) to help, unfortunately they prove much more of a hinderance than a help!

Following more hijinks in Algiers and on a train, the four agents end up with the formula but also prisoners of STENCH and the evil Dr Crow (Judith Furse). Can they somehow save the day and foil the evil STENCH?

This is a great send-up of the 1960s spy genre, its packed full of satirical references to other films and TV series. It also has the usual double entrendres, campy humour and a bit of sauce. Not quite the best Carry On film, it lacks the energy and slapstick of the series at it's height, but certainly a good film and pretty funny.

Dimension 5 (1966)

A rather flimsy 1960s spy film with some time travel nonsense tacked on.

A Chinese Communist faction are trying to smuggle a nuclear bomb into America and blow up LA. Justin Power (Jeffrey Hunter) is an agent of a secret US agency who is tasked with stopping them, he is helped by fellow agent Kitty (France Nuyen) and they begin a search for the head of the faction in the US, Big Budda (Harold Sakata). 

Assisting them with their endeavours is a time travel belt which can allow them to jump forward and backwards in time, though despite this apparently game changing technology Power and Kitty still end up having a fist fight with the bad guys in a fireworks warehouse...

This is what it is, a low budget and very campy spy romp. It has all the cliches of the genre and of course is helped out by Oddjob (Sakata) appearing - even if he is terribly dubbed and spends the film in a wheel chair (which rather negates his impressive physical presence). The film is not very good though is pretty watchable and enjoyable if approached in the right way as a 1960s piece of spy film cheese.

Chasing Trouble (1940)

A comedy wartime spy drama, maybe it shouldn't work but somehow it does.

Jimmy (Frankie Darro) and Thomas (Mantan Moreland) are delivery men for a florist. Jimmy also has an interest in graphology and he uses these skills to try and matchmake. However, it also gets him into trouble as he gets involved with Fred Morgan (Alex Callam) who isn't quite what he seems... indeed he is the leader of an enemy cell of spies and saboteurs!

The flowers are an ingenious code used by Morgan's cell and also how they plan to bomb the US aeronautical industry! Its up to Jimmy, Thomas, Susie (Marjorie Reynolds) and reporter Pat Callaghan (Milburn Stone) to save the day!

This is one a number of films made by Darro and Moreland and its played pretty light and humorously despite the dark plot line of murder and terrorism! An enjoyable if not overly taxing watch.

Crack-Up (1936)

An interesting story but averagely executed.

An advanced new airliner is poised to cross the Atlantic for the first time, the designer Fleming (Ralph Morgan) and his test pilot Ace (Brian Donlevy) are preparing for the first flight to Europe. However, foreign powers are after the design and security is tight. Eccentric oddball Colonel Gimpy (Peter Lorre) hangs around the air field but he is ignored as he is considered harmless. That is a mistake as Gimpy is really the leader of a cell of enemy spies!

Ace is one of his men, to the shock of Fleming and the co-pilot Joe (Thomas Beck), when all is revealed during their flight. Naturally the flight doesn't go to plan, especially when Gimpy is found as a stowaway...

The premise is solid but the film is somewhat flawed. It also has some weird aspects to the plot, such as at the end when three of the crew decide to go down with their crashed plane instead of at least trying to swim for it! The film has some decent action scenes but can only be considered an watchable if not brilliant film. Peter Lorre's character is rather bizarre.

Super Seven Calling Cairo (1965)

The success of James Bond in the 1960s sparked a whole wave of copycat films of various quality, this one isn't bad at all.

Super 7 (Roger Browne) is a British agent who is tasked to find a sample of a new super secret radioactive material which has been hidden in a camera. Super 7 heads to Cairo to find that the camera has been sold to a tourist by mistake. Unfortunately the bad guys led by the rather sinister ex-Nazi Alex (Massimo Serato) are also after the material and are quite happy to leave a trail of dead and broken bodies behind them.

Of course as this is a James Bond pastiche there are a number of beautiful women (including Fabienne Dali and Rosalba Neri) involved, some foes and some friends though as the film progresses its hard to know which is which...

This is a fun film that is quite outrageous in how it copies Bond but really thats how it should be. Fairly low budget but full of action.

Lure of the Islands (1942)

Flimsy tropical adventures, a mish mash of music, comedy and wartime espionage that doesn't quite work.

Wally (Robert Lowery) and Jinx (Guinn "Big Boy" Williams) wash up on a Pacific island, they claim their boat was torpedoed by the Japanese but really they are US agents (FBI though that doesn't make any sense) looking for Japanese military activity. Wally also discovers Tana (Margie Hart) who wants to marry him in order to escape the island...

The film is a bit of a romp, plenty of musical numbers (some of which arn't very South Sea Island-ish) and some goofy humour. The main plot about Japanese plans to invade the island thanks to Nazi collaborators can sometimes become a bit lost. The film is a vehicle for Margie Hart, the less said about her acting the better though her singing is good.

The Groundstar Conspiracy (1972)

A tense spy drama that keeps you guessing and has some pretty amazing twists.

An explosion at a top secret rocket lab seems to have left only one survivor Welles (Michael Sarrazin) who turns up a bloody mess at the home of Nicole (Christine Belford). Government investigator Tuxan (George Peppard) thinks Welles has stolen top secret data but the problem is, Welles has no memory of the events, in fact he claims he has no memory of anything!

Tuxan ruthlessly probes Welles but it really does seem that he has no memory. Tuxan stages Welles' release to try and flush out the dark figures behind the conspiracy. Welles and Nicole go on the run but Tuxan is always watching... even the bedroom!

A surprisingly good film packed full of government hysteria and mystery and it will keep you guessing about what is really going on. 

Live and Let Die (1973)

Roger Moore makes his debut as Bond in this bonkers epic of voodoo, the occult and flares.

Bond has gone to New York to investigate why various agents have been bumped off and by whom. He heads to Harlem and stands out like a sore thumb but knows drug lord Mr Big has some connection, as well as a link to Dr Karenga (Yaphet Kotto), the head of a tiny corrupt Caribbean country. Karenga's island is a centre for the voodoo cult led by Baron Samedi (Geoffrey Holder), Karenga though gets his advice from the tarot card reader Solitaire (Jane Seymour) - though naturally her powers are diminished after Bond has had his way with her...

This is Bond goes blaxploitation and its terrific. The suave bow ties and tuxedoes of the 1960s have been replaced by flares and pimpmobiles. It is all complete nonsense of course but has some of the most stand-out stunts and action scenes in Bond history. It has an excellent henchman for Karenga in the shape of Tee Hee (Julius W Harris) with his metal arm...

The film also has a soundtrack by Wings, what is not to like about this film? One of the best in the series.

Shadow of Treason (1963)

An interesting if sometimes pedestrian crime / spy drama.

Steve (John Bentley) is in Trieste looking for opportunities, he manages to save Tina (Anita West) from a gunman. She hires him as a bodyguard and begins to help her unravel the mystery of a letter and map left to her by her father with the promise of much loot at the end. 

However, others including Nadia (Faten Hamamah) and Mario (Ferdy Mayne) are also involved. Steve discovers that Tina's father was blackmailing a group of traitors. The trail leads them to Jugoslavia and finally Africa...

A modest film but nicely structured with some intelligently placed tension and decent performances all round. The film doesn't rush, sometimes though you wish it could have raised the pace a little now and then.