A Few Moments with Eddie Cantor (1923)

While the Jazz Singer in 1927 became the first full-length feature film to have lip-synched sound and music, there were earlier films released experimenting with sound and this is one of the earliest.

The Phonofilm method of recording sound onto film was developed in the early 1920s and used to make a number of short demonstration films. Ultimately however, Hollywood chose other methods for recording sound (Vitaphone being used for the Jazz Singer) and Phonofilm faded into obscurity. Two hundred films were made and like this one are now of considerable historical value and interest.

This film was recorded in early 1923 and includes vaudeville performer Eddie Cantor who would go on to having a long career on the stage, radio and appear in quite a few films (even some TV at the end). In this film he tells some jokes and sings a couple of songs. There isn't much to it, he just stands there and performs but its a fine and fascinating short film.

Aladdin (1990)

Well this is rather awful, though unintentionally hilarious.

A TV movie made by Disney of the classic Aladdin tale. Aladdin (Brent Sudduth) is playing with his kite when he sees the Princess Mei-Ling (Susan Egan) and falls in love. However, he lacks the vital necessity for the Emperor (I.M. Hobson) to allow him to marry her - a lot of money. Luckily for Aladdin a mysterious magician (Richard Kiley) says he can help Aladdin with that. The magician also claims he is Aladdin's uncle, though this seems rather suspicious.

He takes Aladdin to a cave where the boy is sent to get a lamp. Trapped in the cave, Aladdin rubs the lamp and releases the genie (Barry Bostwick) who grants the boy a number of wishes...

Well the tale is very familiar of course and is told here with a remarkable lack of budget and a fair amount of camp. This film is a musical and the songs are all pretty corny though undeniably catchy. Wholesome family entertainment, though not very good but it should make you laugh. Mercifully it is pretty short.

The Fat Spy (1966)

Teen drivel so intensely awful it will probably make you question your life decisions.

A bunch of teens head off, amid much surf guitar music, to a near deserted island. The owner of the island George (Brian Donlevy) doesn't want the island's secret discovered so he sends his daughter Junior (Jayne Mansfield) to see what is going on and get rid of the teens. What is the secret? Well that the island is where the fabled fountain of youth is located apparently. Junior is more interested in seeing her boyfriend Irving (Jack E Leonard) who lives on the island, though he is more interested in plants. Much inane antics and music (and a lot of dancing by scantily clad young people - being spied on by old men natch) take place...

So, this isn't a great film. It is light and cheaply made. So cheap in fact they ran out of money so didn't film the end of it. However, it isn't all bad (just mostly) - some of the music is in fact rather good.

Climb up the Wall (1960)

Some very strange stuff, it must have been cool in 1960 (well you would hope anyway).

A rather surreal and formless variety show hosted by cardigan and tie wearing Jack Jackson. It jumps between comedy sketches and oddness and some music performances including by George Calypso Browne, some of which are pretty good as well. File footage including Elvis in US Army uniform is also included. 

It is all light nonsense (incredibly it was directed by Michael Winner of all people) and can be hard going at times being rather cringe worthy. However, if you give it a chance then it can be fun (sometimes even intentionally), and fascinating at the same time. 

Catalina Caper (1967)

Swinging teens foil a gang of crooks, not as bad as you might fear but not far off...

A criminal couple (Del Moore and Sue Casey) steal a valuable painting and take it to Catalina island where they plan to swindle a dodgy Greek art collector by showing him the real one then selling him a fake. The collector Lakapolous (Lee Deane) however, has his own scheme to steal the painting off the gang. The couple's son Tad (Peter Duryea) finds out what his folks are up to and plans to steal the painting himself and return it. Other kids including Don (Tommy Kirk) also get involved.

If thats not enough there is a mysterious guy who is watching them but keeps falling into the water, oh and Catalina island is full of teens in their swimwear dancing about in that swinging 1960s pop manner soon to be made obsolete by psychedelia.

This is light fare really, and quite ridiculous too. Basically a 1960s beach movie with a bit of crime added. The frequent musical interludes take any momentum away from any other part of the story, one of these interludes does include a cameo from Little Richard though so thats quite cool and probably the movie's best bit.

Gas! (1970)

A hippie satire, and thus of course makes little sense. Even if you are on acid.

The US has developed a chemical weapon that can kill everyone over the age of 25. Naturally this weapon escapes and does it's worse and most of the world population is wiped out. 

Coel (Bob Coroff) and Cilla (Elaine Giftos) escape Dallas, which is now run as a deranged dictatorship by a young ex-cop with a whip, and head across the US to seek a commune. They run across a series of strange obstacles including a cowboy who steals their car and a record shop guarded by a wannabe freedom fighter...

Don't worry about the story to be honest, enjoy the film for it's period music and styles. The soundtrack is great and the flower power girls looked amazing. Anti-establishment but not anti-groove.

Soho Conspiracy (1950)

A rather cheaply made 1950s musical drama, padded out by footage from another film (Mad about the Opera) and unfortunately they are the best bits...

Plans to hold a charity concert are put in peril by a ruthless property developer who wants to take over a restaurant. That's it really, the film sounds like it should be a crime drama with the title it had but instead you get a rather muddled musical drama with a little too much unfunny slapstick (which relies too much on "funny foreigners and their strange ways").

Real artists like Beniamino Gigli and Gino Bechi appear in the film, sometimes obviously dubbed. The lovely Zena Marshall is one of the film's few good points. To be honest you would probably be a lot better served watching the original 1948 film instead...

Swiss Miss (1938)

Stan Laurel and Oliver Hardy have come to Switzerland to sell mouse traps, as it is where the most cheese is! After a mix-up with fake money which leaves them broke but with a huge lunch bill, they end up working in a hotel kitchen and won't get out until they stop breaking plates... well that probably means never! 

Meanwhile, the famous opera composer Victor (Walter Woolfe King) is working on a new opera and must not be disturbed under any circumstances. Especially from his wife.

But his wife Anna (Grete Natzier) is also at the hotel, pretending to be a maid while she spies on Victor. To get the peace and quiet he needs, Victor gets Stan and Ollie to move his piano up the mountain to a secluded chalet... unfortunately an escaped gorilla has other ideas!

A fine enough Laurel and Hardy film though at times it has the air of a pantomime where they are the comedy double act to punctuate the main story which is a light hearted musical. Not their best film though enough Laurel and Hardy magic remains, even if it is a bit stretched out.

The Apple (1980)

The year is 1994 and the world is controlled by BIM! BIM in fact being the highly addictive musical concoction of Mr Boogalow (Vladek Sheybal), who spends most of his time indulging with orgies with a whole host of freaks (and the rest of the time he wastes). 

Bibi (Catherine Mary Stewart) and Alphie (George Gilmore) are naive kids from rural Canada who have a dream to sing songs, but Mr Boogalow wants to drag them into his showbiz machine...

He indeed does get Bibi to sign but Alphie resists and he cast adrift from the extremely camp Mad Max style cast of BIM. Bibi gets drawn into a life of drugs and sex while Alphie lounges around writing songs and groping his landlady. Finally, Bibi sees the light and flees, and is reunited with Alphie who by now is in a hippy commune but Mr Boogalow isn't finished yet...

Quite frankly this is one of the strangest films ever made. A sci-fi comedy religious allegory musical. Although the future portrayed is largely nonsense you could say that the dark future envisaged back in 1980 did come true in some ways, with popular culture under the thumb of big corporations controlling kids of dubious talent. Unfortunately we didn't get the Mad Max / Gary Glitter-esque future outfits and cars with extra fibreglass panels added to them. 

The music (of this musical) isn't that bad and the sheer weirdness and campness of this film makes this highly enjoyable and entertaining despite how awful the story and acting mostly is. 

Brilliant nonsense. It really is quite extraordinary.

A Fire Has Been Arranged (1935)

A superbly strange crime-comedy-musical with many elements of classic British music hall humour. Bud Flanagan, Chesney Allan and Hal Walters rob a jewellery store and hide the loot in a field before they are pinched by the Old Bill. After doing ten years bird and now free men again, they come looking for their buried loot and find a swanky Art Deco department store has been built on top of it!

The store, run by the even more crooked Cutte (Alastair Sims) and Shuffle (C. Denier Warren), is in trouble though. The books have been thoroughly cooked and the shareholders are in revolt. Cutte has the bright idea to have the store burnt down to claim the insurance money. He needs to commit arson, when his security catch Bud, Chesney and Hal casing out the store he discovers the perfect men to carry out his dastardly deed. What can go wrong? Well basically everything!

A very funny and silly film full of gags and silly situations. There are also a few sound and dance routines by the Buddy Bradley Rhythm Girls. Betty (Mary Lawson) is the daughter of the jewellery store owner who now works at the department store, however this bit of plot isn't really explored in any depth. Despite that a definite hit.

200 Motels (1971)

As crazy as you imagine a Frank Zappa long-feature would be. This isn't really a film as such, more like a very long music video of Frank Zappa & The Mothers of Invention interspersed with various strange vignettes including Keith Moon as a hot Nun, Donald Duck on drugs and Ringo Starr playing... Frank Zappa!

Nothing makes sense of course, it is a freeform kaleidoscope of music and art. The music can be very good, everything else can sometimes be a bit more miss than hit but certainly worth seeing (maybe just the once). Frank Zappa said he wanted to show how touring could make you crazy. He certainly succeeded. 

The film is a little too self-indulgent if we are to be honest. A film of it's time, which can be a good and a bad thing.

Head (1968)

The Monkees' psychedelic masterpiece. Of course it makes no sense whatsoever, not having any plot or narrative, just a stream of odd vignettes and nonsense separated by music. But the music is very good indeed, The Monkees took 1960s psychedelic pop in their stride, the title track of Head (Porpoise song) for example is probably one of the best examples of psychedelic pop outside of the Beatles discography. 

Truthfully, this film is best enjoyed by listening to the soundtrack album and not the actual film though it does have some highly entertaining moments, such as the scene in a groovy 1960s nightclub with acid backgrounds, Davy Jones does a wonderful song and dance routine which is at once incredibly dated and modern.

This is a film review blog of course not a music review one, the music might be wonderful but what about the film? Taken as it should be, an experimental stream of surrealism, it is a great film. Anyone expecting a traditional film with a story though will be disappointed. It is fun and so of it's time, a great time.

Billy the Kid and the Green Baize Vampire (1987)

A vampire snooker musical, yes you read that right. A very strange film it is too (as you probably would expect). It is based on the real-life snooker rivalry between the old guard (and Dracula-like) Ray Reardon and young buck Jimmy White.

T.O. (Bruce Payne) is the manager of young snooker player Billy the Kid (Phil Daniels), he has a gambling problem and big debts owed to The Wednesday Man (Don Henderson). The Wednesday Man manipulates T.O. into agreeing to arrange a showdown snooker match between Billy and champion Maxwell Randall (Alun Armstrong) who has something of the night about him...

Unknown to Billy the loser of the match will also have to give up their career. Randall isn't quite the washed up has-been Billy is let to think he is.

The story line contains a number of songs, of various quality. The story is fairly light and frequently bizarre. A surreal film, maybe a little too weird to be "good" but definitely memorable and highly enjoyable.

Rock City: London 1964-73 (1973)

The story of the British rock scene from the early 1960s to the 1970s, well a kind of documentary. It is mostly a series of (mostly) great live performances - and some early music videos - interspersed with interviews.

If we are to be honest a lot of the interviews are not very illuminating (though Pete Townsend's anti-drug stance is interesting, as it comes alongside footage of Brian Jones' troubles). It doesn't really matter as the songs from the likes of the Rolling Stones, Cream, Crazy World of Arthur Brown, Joe Cocker and Jimi Hendrix (and many more) are incredible. 

It is a bit of a hippy-fest, a film of it's time, but what a time.

Hillbillys in a Haunted House (1967)

An incredibly weird film, despite the title it isn't really a horror film. It is more like a goofy spy comedy (though the humour is mostly unintentional) film with added country music. 

Three country singers (Ferlin Husky, Joi Lansing and Don Bowman) are on their way to Nashville, to avoid a storm they stay in what appears to be an abandoned house. However, the house is really the secret base of a bunch of spies (John Carradine, Lon Chaney Jr, Basil Rathbone and Linda Ho) plus an unconvincing man in a gorilla costume. They have a basement torture dungeon and are after a secret formula at a nearby missile plant...

The spies try and scare the country singers away with a collection of rather lame "ghosts". Though there is a real ghost in the house which stirs the pot a bit...

A very strange film, at times so unbearable but at the same time so watchable. Country tunes (some of which are pretty good) are thrown in seemingly at random and with little real justification with respect to the plot. Don't expect many scares, but do expect some real oddness and awkwardness. 

This was Basil Rathbone's penultimate film (and his last in English) and he co-starred with Merle Haggard. A terrible film and great at the same time.

Ten Minutes to Live (1932)

A historic piece of early African-American cinema, but unfortunately not very good. A nightclub singer is offered a place in a producer's new film, though all he wants to do really is indulge in some horizontal jogging. Someone else at the club gets a note telling them they will be killed ten minutes later!

The execution is quite poor and feels like a silent movie which was later dubbed with sound (which by 1932 was rather strange). The film actually is two separate stories, the second story is nearly entirely silent. The stories themselves, which take place in the same Harlem night club, are hard to follow at times with the number of cutaways. The film does include a number of music and dance acts and it is best just to enjoy them and the odd arty touch of this film, and not the story.

Dateline Diamonds (1965)

A highly enjoyable crime caper which weaves in various real pop stars and DJs into mid-1960s Swinging London. Fairclough (William Lucas) is a prolific diamond thief, however he needs a way to get his spoils out of the country. He blackmails Benson (Kenneth Cope), the manager of up and coming group the Small Faces (pre Rod Stewart), to take the diamonds aboard the radio boat in the channel where it can be passed onto Fairclough's continental contact...

Meanwhile the police Tom (Conrad Philips) and Paul (George Mikell) are finding it hard to get going with their investigation, but then they get a break when Fairclough is caught in the background of a press photo of the Faces and some information from Tom's Faces fan daughter Gay (Anna Carteret)...

As a crime drama it is a bit basic, though competent (the scene which shows in detail Fairclough doing one of his blags is fascinating) but add the pop star cameos which include Kiki Dee and Kenny Everett it is a perfect time capsule of Swinging London and some pretty good tunes.

Rhythm Racketeer (1937)

A wonderful (if slightly strange) film. US gangster Nap Connors (Harry Roy) is trying - but failing - to make his name in London. He discovers by chance that band leader Harry Grant looks so similar to him they could be twins. Nap concocts a plan to steal the jewels of Mrs Nash (Norma Varden) as she travels by liner over to New York and make sure Harry takes the fall...

Things, of course, do not go to plan as Harry falls for Karen (Princess Pearl) who is accompanying Mrs Nash. Now in New York, Nap plans to steal the jewels during a charity night at his night club (Harry singing while Nap is stealing). What could go wrong? Well rival gangsters and Nap's gal Lola (Judith Wood) get involved in the mix...

A truly great little film. Light hearted and fast moving with plenty of charm. The musical set pieces are lavish (the band is great of course) and also fit in perfectly with the plot.

Glorifying the American Girl (1929)

A story of a girl who ends up lucky in career but unlucky in love in this early talkie. Gloria (Mary Eaton) is singing in a sheet music store with Buddy (Edward Crandall) and Barbara (Gloria Shea). Gloria dreams of being able to sing on the big stage rather than behind a shop counter but is also in love with Buddy (though Barbara also has the hots for the guy...)

Gloria, pushed by her ruthless mother (Sarah Edwards), is discovered by hustler Miller (Dan Healy) and soon leaves her old life behind in order to hit the big time which she eventually does by a Ziegfeld Folly though ends up being screwed by Miller. The second half of the time is a spectacular Ziegfeld show which Gloria is in but of course there is a price to be paid for fame.

The story is well worn but as a historical curiosity the film is well worth watching. The staging and spectacle of the final show is mesmerising with a few big stars of the day also performing (to varying degree of merit).

Knee Deep in Music (1933)

A curious but enjoyable little film. A tycoon (Nat Carr) seeks a song to sell his tinned fish on the radio. He hires Ruth Etting for the job but the search is on for the correct song. This short film though is basically a vehicle to showcase Etting's singing with some light humour and even a bit of music industry satire added to pad the film out.

Her singing is pretty good though some of the other songs ain't so hot. But will any of the songs sell fish? The jury is out on that one.