Let George Do It! (1940)

Hilarious early wartime nonsense. When the ukulele player at an orchestra in Bergen, Norway is murdered, we discover that he was a British agent investigating the band leader Mendez (Garry Marsh), Mendez is a suspected Nazi agent sending the locations of British ships to u-boats. The British send another ukulele player / agent as a replacement but due to a mix-up in the blackout George Formby is sent instead!

George is completely hapless of course and has no idea what is going on when his contact Mary (Phyllis Calvert) tries to get him to help. George is spurred on to his patriotic duty and Mary's disappointment and, amid mayhem in a bakery, discovers how Mendez sends his codes (quite ingeniously it must be said). Mendez also discovers something, that George is a spy and he concocts a devious scheme to get rid of him...

Complete pantomime farce of course, especially George's dream sequence where he ends up punching Hitler! The slapstick mayhem is dialled up to eleven in the final act aboard the u-boat. To be honest if we'd have a few more George Formbys the war would have been over by 1941 one way or the other! Very funny indeed. Mother!

One of Our Aircraft is Missing (1942)

A superior WW2 propaganda film. The cheekie chappie crew of a Wellington bomber bail out over the Netherlands after their plane is hit (though it continues on without them to eventually crash into a pylon back home!) The air crew, led by Haggard (Hugh Burden) and Corbett (Godfrey Tearle), meet up with Dutch locals and an English speaking teacher (Pamela Brown) who helps them get to the coast and evade the German patrols. However, the journey is fraught with danger, from the Germans and collaborators.

Finally they end up at the home of de Vries (Googie Withers), who at first appearance is a collaborator but is really fighting the Germans behind the scenes. She helps the air crew get a boat and they reach the North Sea and (eventual) safety...

A tense wartime drama, although made for propaganda purposes it is elevated by the shades of grey, realism and an attempt of some humanisation of the enemy. The Germans are still the bad guys but some attempt is made to make them more than cardboard characters. Our heroes are normal chaps who are trying to do their best not chisel jawed super men. A good film though a little slow at times. Notable for being Peter Usinov's film debut, though he is hardly recognisable until he speaks!

Unpublished Story (1942)

An engaging, if propaganda-ish, view of the Blitz and the fight against enemy agents in London. War reporter Bob Randall (Richard Greene) returns from Dunkirk to find London in a state of flux, though a peace group is trying to stop the war. He is sent to report on the peace group. While there, he finds his fellow reporter Carol Bennett (Valerie Hobson) is also attending and interested in the group... 

During a bombing attack, Bob and Carol discover that one of the members of the peace group, Trapes (Frederick Cooper), is distributing leaflets. Carol later tracks Trapes down to an air raid shelter where he admits he was wrong. However, when Trapes tells his superiors at the peace group of his change of heart and they arn't too pleased. While Trapes is a misguided idealist, it turns out the others in the group are Nazi agents...

At times this is a tough and realistic film which uses actual footage (then fairly recently shot of course) of bombed and burning buildings in London. Of course, due to the propaganda, everyone has the stiffest of lips and accept the destruction of everything they have held dear with a suitably chipper or matter-of-fact attitude. The Nazi agents, including Andre Morell, are also suitably sinister looking. Basil Radford plays an excellent role as the unflappable newspaper editor.

False Faces (1919)

The story of a criminal (the Lone Wolf played by Henry B Walthall) who is tasked by the Allies in the First World War with stealing a cylinder containing vital information from behind the German lines. German agents are aiming to stop him of course, with the usual twist in movie land the head of the German agents (Lon Chaney) is the man who earlier killed Lone Wolf's sister and nephew...

Unfortunately this isn't that great a film despite the promising story. The film, made so soon after the end of the war, suffers from veering too much into propaganda. The Germans are portrayed as vicious animals, the Allies are perfect good guys of course. Most characters are fairly one-dimensional. The plot is also rather incoherent with a lot of back and forth shenanigans which have little end product. The scenes aboard a submarine are ridiculously unrealistic. 

An interesting watch from the point of view of an early war film but thats it! The film has some interesting ideas, such as the use of ghosts to portray guilt and torment but the execution is usually pretty flawed.

Strange Holiday (1945)

John (Claude Rains) returns home from a fishing holiday to find that fascists have taken over America in this rather strange film. John is arrested by the fascists and thrown in prison. John's America has gone and he reflects on this in jail as he awaits his execution. We slowly (rather too slowly) discover how the fascists managed to conquer America, abolishing the Constitution cheered on by an angry populace.

The message, that freedom and democracy has to be protected and not taken for granted, is laid thick in this atmospheric and moody film. 

The film was originally made as a propaganda film for General Motors and it shows, it was padded out for general release and this does not do much for the film. It isn't a subtle film at all yet is also somewhat tedious and directionless. The film is an interesting rather than an enjoyable watch. Some might say the film has relevance for today and modern politics but I'll leave that for others to discuss!

Episodes in the Life of a Gin Bottle (1925)

A rather odd little film made to support alcohol prohibition in the USA (which was ongoing at the time, with mixed results). A gin bottle is personified with a little spirit (Rex Lease). Then, as the bottle changes hands each now possessor of the bottle is encouraged by the spirit to take a swig of gin and resulting various misfortunes will befall them. 

The most magical thing about the whole affair though is the fact the gin bottle seems to magically refill itself, now that would be very welcome. A strange film with little to recommend it. However, it does feature some interesting (and early) uses of double-exposure effects.

Women in Blue (1943)

A fascinating if somewhat dated short film showing the training of new recruits to the US Navy Women's Auxiliary Volunteer Emergency Service (WAVES). The narrator (Hugh James) explains that the recruits learn how to march and learn important information such as how the Navy is run (unfortunately the narrator was able to resist the temptation to quip "badly"). Then they can take over base duties from men who can be sent into combat (to their universal delight of course).

Black Dragons (1942)

Rather baffling propaganda drama. A group of Fifth Columnists, out to harm the US' war effort against the Japanese are killed off one by one by the mysterious M. Colomb (Bela Lugosi) - who seemingly is allowed to wander around the house of Mr Saunders (George Pembroke) without anyone querying exactly why or who he is.

Young detective Dick Martin (Clayton Moore) and Saunders' niece Alice (Joan Barclay) are trying to find out what is going on though without much success (just like the film going public no doubt). Colomb runs rings around everyone, able to appear wherever he likes in Saunders' house...

A rather clunky film though full of suspense and dark shadows. There is also a lot of inept police work on show. The plot is rather confusing, though at the end things become a little clearer when Columb's real identity and purpose is known. Though while the plot becomes clearer plausibility is stretched somewhat. The film should just be enjoyed for what it is. Mostly nonsense, but decent enough nonsense.

The Marines Come Thru (1938)

A rather middling spy drama, enlivened by a performing goose. Marine aviation mechanics Singapore (Wallace Ford) and Junior (Grant Withers) have helped the Marines develop a new bomb sight. A group of foreign agents including Beckstrom (Frank Rasmussen) and Dick Weber (Don Lanning) want to steal the plans and manage to infiltrate the base disguised as Marines...

Singapore and Junior overhear the agents' plans and head to an island which is the agents' base. There is also a fairly lengthy segment set in a night club with a performing goose, the goose is probably one of the best actors in this unexceptional drama.

In the end the good guys win through amid a propaganda heavy montage of military footage. However most the audience probably had zoned out by then. The film needed more of Lucille the goose to be honest.

Beast of Berlin (1939)

Anti-Nazi films were rare even by 1939, this film was banned and censored in parts of the US even as armies prepared for war in Europe. So this is a significant film though not that good a one.

It follows a group of anti-Nazis including Alan Ladd, Roland Drew, Greta Granstedt and Steffi Duna. They are printing pamphlets and spreading dissent, all the while scared of betrayal and being caught by the brutal SS. A complication is that one of their number, Hans von Twardoski, is a member of the SS but wants out before liquor consumed in a Nazi booze-up loosens his tongue...

The propaganda is laid on heavy, as heavy as a Tiger tank. For some reason the actors speak English with a vague German accent interspersed with a few actual German words like Ja and Auf wiedersehen. At times it is a bit Allo Allo, though darker. At times very dark indeed.

City in Darkness (1939)

Europe is on the brink of war and Paris is in a frenzy, Charlie Chan (Sidney Toler) is in town for a reunion. Chan gets involved with a case including enemy spies and smuggled weapons.

Petroff (Douglas Dumbrille) is a business man and enemy spy. His former secretary Madero (Richard Clarke) is meanwhile trying to flee the country with the help of Marie (Lynn Bari). When Petroff is found murdered Chan and the dopey god son Marcel (Harold Huber) of the chief of police investigate the crime. Marcel plays the role of Chan's sometimes foolish sometimes helpful "son" in this film.

Marcel also dominates the film with his tomfoolery, not always in a good way. It is all rather stereotypically French with terrible accents not too far from the likes of Allo Allo. However amid the mayhem, and a dose of propaganda, there is still a typical Charlie Chan mystery here, a measured and thoughtful investigation interspersed with "Chinese" proverbs.

Doped Youth (1936)

Intended as an anti-drug propaganda film, Doped Youth (also known as Reefer Madness) ended up becoming a bit of an exploitation film. It deals with a group of young people whose lives are torn apart by marijuana. The film is also utterly awful.

Mae (Thelma White) and Jack (Carleton Young) are a couple (unmarried, tut tut) who get High School kids to smoke some pot. This does not end well, in fact it ends up with a number of deaths.

All the ingredients are here for 1930s moral panic in America: drugs, jazz music and dancing too close. The effects of pot are somewhat exaggerated. According to this film it leads to violence, death and insanity. After watching this low-budget nonsense it might drive anyone to substance abuse to be honest.

A Stranger in Town (1943)

Supreme Court Justice Grant (Frank Morgan) heads out of the capitol, incognito, to shoot some ducks on vacation. There he finds corruption in a small town and an election contest between the incumbent mayor (Robert Barrat) and a young lawyer Bill Adams (Richard Carlson) out to take him down.

With the local judge and the police in the mayor's pocket Bill finds himself locked up, Grant decides to help Bill out - without telling anyone who he really is.

Grant is great in the role, bringing a dignified air. The film is a nice commentary of small town America with plenty of light touches, maybe a bit preachy but in these dark times maybe we do need a bit of idealism. Bill and Grant's secretary Lucy (Jean Rogers) give the film a romantic angle.

The Boss of Big Town (1942)

In times of war with food being scarce the position of City Market Official Michael Flynn (John Litel) is vital. The city marketers are being put under pressure by a slick gangster Miljan (Kenneth Craige) - though the real Mr Big is as yet unknown. Flynn is also being leaned on but resists the overtures of the gang. City attorney Moore (H.B. Warner) is also putting the pressure on Flynn to sort it all out.

After failing to stop the attacks on market traders Flynn is fired but decides to go undercover and pretends to fall in with Miljan so he can find out who Mr Big is...

Not the most exciting film ever, the story is a bit unoriginal and it is overall a bit dull though the final reveal and showdown work. The wartime propaganda isn't laid on very thick which is a blessing. It is watchable though the best thing about the film is the title.

Narcotics Squad (1957)

A cheesy but fun film about the scourge of narcotics and drug addiction among America's young with propaganda overtones. Paul Kelly is Police lieutenant Lacey who is investigating the pushing of drugs to High School kids in America. When one kid goes missing and is later found dead of an overdose things start getting very serious...

So far so good but some of the acting is terrible (especially from Cathy Downs), but some of the dialogue doesn't help which lapses into overt propaganda.

Luckily this doesn't really detract from the film which is dark and dirty. This certainly isn't the kind of idealised 1950s America of later films but a violent, moral free world. The 50s slang is also highly entertaining. Sheila Urban plays a great role as the morally ambiguous Julie.

Rubber Racketeers (1942)

Gangster Tony Gilin (Ricardo Cortez) takes advantage of rubber rationing and the subsequent spike in demand for tyres to steal new tyres. He has them hacked to look used and sell them in car lots.

Unfortunately some of his early tyres were death traps. One of the tyres kills the brother of Mary (Barbara Read), her boyfriend Bill (William Henry) is determined to find out who is behind the scam.

Gilin decides Bill needs to be silenced permanently but doesn't count on his girlfriend Nikki (Rochelle Hudson) despairing of Gilin's evil ways and warning Bill...

It is all rather clunky, low-budget and the propaganda is laid on somewhat thickly. In fact a bit too thickly as some of the dialogue is ridiculous. Vigilante justice also seems to figure highly in this curious little film. What I did like is the slang spoken by some of the villains. The film quite frankly is as flat as a dodgy tyre but is entertaining enough.

Yellow Canary (1943)

A fascinating war time film involving Nazi spies and sympathisers. Anna Neagle plays Sally, a notorious pro-Nazi who is scorned by everyone from her own family down, who is sent off to Canada.

There she becomes involved with a Polish officer (Albert Lieven) while British officer Richard Greene keeps an eye on her.

However all is not what it seems, Sally is really a deep cover agent and Albert is the spy. Sally's mission is to penetrate a spy ring and foil a devastating Nazi plot. That and other twists elevate this film above standard wartime propaganda fare. There are some good performances too including from Margaret Rutherford who provides a bit of light relief.

Up With The Lark (1943)

This is a musical comedy starring Ethel Revnell and Gracie West (who made their name as radio comedians) as inept detectives who accidentally begin investigating a gang of black marketeers. Their investigation switches to the countryside where they pose as a pair of Land Army girls and much hilarity ensues (well quite a bit anyway though it does become rather corny at times).

What kind of film is this? It's the kind of film where a gangster dresses as a skeleton to scare people away from a ruined church (used as the black marketers' base) - a lot funnier than it sounds.

Don't expect a proper investigation, the detective pair bumble their way along and succeed in the end despite their best efforts.