Mission Stardust (1967)

In space, but its full of cheese.

A mission to the moon soon runs in to trouble as the technology stops working. The astronauts led by Rhodan (Lang Jeffries) discover they are not alone. A race of super-advanced aliens (who oddly enough look just like us) are already on the moon. 

However, their leader Crest (John Karlsen) is dying but there is a medicine that can save him on Earth. Unfortunately, enemy agents and robots are out to make matters complicated...

An enjoyable science fiction film though the decent start does tail off and lose energy once the film returns to Earth. The film is full of cheese though and sexy space escapades with some interesting variations on the space exploration / alien encounter theme.

The Return of Mr. Moto (1965)

The Mr Moto character is bought back for this average crime B-movie, Henry Silva isn't bad in the role but he certainly isn't Peter Lorre.

Someone is blowing up oil wells in the Persian Gulf, and the friend of Moto (Silva) who is in the oil business is killed by a deranged ex-Nazi (Martin Wyldeck). Moto goes undercover (though his disguise is rather poor, but apparently enough to fool the foolish bad guys) to try and discover who is behind an audacious plan to control the world's oil supply...

A rather low-energy and cheap B-movie, it is a passable little film though can't be said to be that good. The story is slow and unexceptional that plods along without much urgency. 

Unfortunately this was it for the Mr Moto character on screen. One fun appearance is Antony Booth as a cowardly assassin.

X-15 (1961)

A somewhat dry early Space Race drama but greatly enlivened by some incredible aerial footage.

The race into space is on, in the US NASA and the US Air Force are racing against time to get into the edge of space with their North American X-15 rocketplane though the progress is often marred by accidents, some deadly...

The film starts off in semi-documentary style (narrated by James Stewart no less!) However, it quickly switches into a fairly pedestrian drama but only skin deep, we don't really get to find much out about the men behind the machines apart from some fairly cardboard characterisation. 

The aerial footage is superb though, and properly supplied by the relevant authorities so not a jarring mix of barely relevant stock footage but X-15s, B-52s and other hot jets. It stars David Lean and Charles Bronson in one of his early film roles.

The Body Stealers (1969)

RAF parachutists are going missing, is it the Russians? Or is it aliens?

The Ministry calls upon the services of Bob Megan (Patrick Allen), quite what kind of special skills he possesses for this mission are unknown, apart from the ability to pull any woman he wants! One of these women appears to be quite strange, fellow agent Jim (Neil Connery) tries to photograph her but she doesn't show up when the film is processed. 

It turns out that Lorna (Pamela Conway) is from another planet, a planet which is dying and has been kidnapping parachutists as it needs men for breeding purposes...

As the aliens are kept hidden until the very end and little in the way of SFX are needed throughout the film, the low budget does not harm this science-fiction film. It isn't flawless by any means but is an enjoyable little film.

Valley of the Dragons (1961)

A Jules Verne adaptation which leaves no stock footage left unused.

Hector (Cesare Denova) and Michael (Sean McClory) are about to fight a duel when a comet transports them to the Moon! There they find a prehistoric land of large lizards with bits of plastic stuck to them and unconvincing cave men... and of course cave women in fur bikinis. 

So, this isn't a very high budget film. It is padded out massively with stock footage from other films. The dinosaur scenes are not very convincing and rather cruel, getting real crocodiles to kill lizards on camera! It is all fairly cheesy and, of course, complete nonsense. 

Thunderbird 6 (1968)

The follow-up to the first, slightly disappointing, Thunderbirds film. Will this one be more FAB?

Thanks to the design genius of Brains, a new luxury airship lifted by anti-gravity and controlled by computer is ready for it's maiden flight. Lady Penelope, Parker, Alan and Tintin are the passengers for this maiden flight but things are already going wrong. The real crew has been replaced by imposters who plan to use Lady Penelope to lure International Rescue into an ambush so they can steal the secrets of the Thunderbirds.

Meanwhile, Brains is struggling with Jeff Tracy's demand for a sixth Thunderbird...

This is a better film than the first though again we don't see a huge amount of actual rescuing. The build-up to the criminal's plot is excellent and the plot works as a feature length film not an over long TV episode. Highly enjoyable though it is a shame that this was the end of the line of the classic Thunderbirds series.

Common Law Wife (1961)

A cheap, sleazy and exploitative film which is surprisingly good.

A rather unpleasant rich man called Shug (George Edgley) has told his live-in lover Linda (Annabelle Weenick) he is kicking her out. Instead, Shug has invited his young niece back instead to take her place (yes you read that right!) 

Baby Doll (Lacey Kelly), the niece, arrives in town and immediately causes a stir. Baby Doll is after Shug's money but has a plan to get it a bit quicker than Shug would like...

This film really shouldn't work at all, it is trashy and shoddily made and has some rather dubious themes. It also shamelessly exploits Kelly's body in various dancing and semi-nude scenes. Somehow the film is rather compelling, and not because its so bad it's good. It is bad but doesn't try to be something it isn't. 

Blood Bath (1966)

A rather off-beat vampire yarn, though makes little sense.

An artist (and obviously as this is movie-land he is a crazed and troubled artist) called Sordi (William Campbell) believes that he is the reincarnation of an ancestor who was killed for sorcery and vampirism. 

He kills young women and then disposes of their bodies in acid! His latest girlfriend Dorean (Lori Saunders) is definitely on the list...

This film makes little sense, though the fact it is made up of different films doesn't really help. It also looks pretty odd as the film mixes a Californian surf setting with somewhere suitably Gothic in Eastern Europe. It is also padded out with annoying beatnik characters and some odd dance and performance art scenes.

The film is certainly an... experience.

Thunderbirds Are Go (1966)

A successful TV series hits the big screen, so often this can be a miss, but in the case of Thunderbirds they just about pull it off.

The mighty Zero-X rocket is about to head off the first manned mission to Mars but an agent from (well that is never established) causes the spaceship to crash. Two years later the replacement ship is ready to go to Mars, International Rescue is called out to make sure the agent can't cause another failure. The Thunderbirds and Lady Penelope manage to save the day.

But on Mars the Zero-X crew run into trouble from strange aliens. Finally, on their return to Earth the Zero-X malfunctions which means International Rescue are called out again to save the day. Alan Tracy ends up the hero after feeling a bit of a spare part earlier in the film, and having a rather weird dream sequence involving Cliff Richard...

The bigger budget has made the already superb looking Thunderbirds action and sets even more spectacular, however the story is a bit lacking and we could have done with a bit more of actual rescuing. We never even get to see Thunderbird 4! But it does the job, FAB!

Flashman (1967)

Before they started taking themselves too seriously, super hero movies tended to be cheesy and fun. This Italian film certainly is both of those!

Rotten criminals in old London town steal the formula for invisibility from a (mad) scientist. The Kid (Ivano Staccioli) uses this new power to steal cash from a bank, though is foiled by Flashman (Paulo Gozlino) - a super hero who is also a member of the Royal Family! What makes things more complicated is that the stolen money is worthless, it was all counterfeit spread by a gang of gorgeous female forgers led by (Claudie Lange)...

This film is silly and makes little sense. The camp factor is high and the action is ridiculous, the invisible man scenes are often quite laughably poor. As long as you don't take it seriously then it is a fun, if at times a little too over the top, watch.

Assignment K (1968)

A rather low wattage spy drama that unfortunately falls between two stools.

Philip Scott (Stephen Boyd) runs a secretive spy agency which manages to get results behind the Iron Curtain where the main Western agencies fail. 

However, while on a mission he meets Toni (Camilla Sparv) and falls in love. Back in England, an Eastern Bloc group of spies led by Smith (Leo McKern) use this connection to put pressure on Scott to betray his spy network...

This is a fine enough late 60s spy film but tries to be in the Bond and LeCarre styles simultaneously. Unfortunately, it fails at both and becomes bogged down in the middle act where not a great deal happens. The 1960s feel, and the Cold War espionage setting, are still enjoyable. The twists are also very good.

Finders Keepers, Lovers Weepers! (1968)

Sexy crime exploitation, despite the sleazy premise it isn't that bad, though it probably can't be described as good.

Paul (Paul Lockwood) owns a topless girlie bar in Las Vegas. Unbeknownst to him, he is about to suffer a number of misfortunes. His wife is having an affair with the bar man, and his girlfriend is planning to rob the club. 

The story is pretty basic and the best that can be said is, it is there. The film is mostly about plenty of big breasted female nudity and not a small amount of violence too. 

It is not high art by any means but is pretty watchable. The sex appeal is largely provided by Anne Chapman.

The Castle of Fu Manchu (1969)

The last of five Fu Manchu films starring Christopher Lee in the 1960s, but really a step too far.

Evil Fu Manchu (Lee) has forced a scientist to develop a new fiendish machine which can freeze water en masse, he demonstrates it by freezing the seas around an ocean liner (and definitely not re-using footage from a Titanic movie...) Of course, Fu Manchu wants a lot of cash from the world government in return for not using his new weapon.

The British send their top agent Nayland Smith (Richard Greene) to stop Manchu, who is holed up in a Turkish castle he has stolen...

By now the Fu Manchu series was a bit tired and bereft of ideas, Christopher Lee and Tsai Chin (Fu Manchu's daughter) are always a good turn and very watchable but everything else is rather cheap and dreary. The film is also padded out with irrelevant scenes which drag the story down. Campy and schlocky, which is fun at times, but overall that isn't quite enough.

It's a Bikini World (1967)

A decent late 60s beach bikini film, plenty of young people frolicking in their swimwear, and even some plot too!

Delilah (Deborah Walley) turns up on the beach where beefcake Mike (Tommy Kirk) holds sway. Naturally, she quickly becomes a target for Mike's affections though she finds him arrogant. Mike overhears that Delilah prefers sensible boys not jocks so he disguises him (barely) as his studious "brother" Herbert. Delilah falls for Herbert but Mike faces a struggle keeping the truth from her...

Don't expect any surprises from this film which is true to it's genre, one highlight is the appearance of The Animals to perform one of their hits. The film's finale of a cross-country race should have been the film's exciting climax but instead becomes a bit of a bore. Times were a-changing, psychedelia was coming and that would soon make films like this look incredibly dated but it is a fine enough watch.

Dangerous Afternoon (1961)

A genteel situation with deadly crime bubbling under the tea cosies.

Miss Frost (Ruth Dunning) runs a boarding house for elderly ladies in a leafy suburb. However, behind the afternoon tea and games of patience is a secret: Frost and all of her boarders are ex-cons! Caldwell indeed is a notorious jewel thief who is still on the run after escaping prison! Frost's "niece" Freda (Joanna Dunham) is due to marry, though Frost still can't tell the girl she is really her daughter. 

Meanwhile an ex-fellow con (Gwenda Wilson) arrives at the home and threatens to shop Frost and ruin her cosy little set-up, a deadly mistake to make...

A great little film, a real period piece of Britain as the 1960s begins and before the great changes to come. A gentle film with a hint of menace not far below the surface and very enjoyable.

Planet of the Vampires (1965)

An incredibly campy science-fiction epic. 

A team of astronauts led by Markary (Barry Sullivan) land on an alien world, and immediately things start to go wrong. Crew members start to act strangely, out of control and attacking their own colleagues. 

Some crewmen die and even are bought back to life as murderous zombies on this eerie mysterious world.

Although the sets and costumes are incredibly campy (but to be fair also of the time) and the budget was pretty low, this film is actually rather good at times though let down by the dialogue. 

An atmospheric science-fiction horror. It was a big influence on Alien, which did pretty well.

The Bamboo Saucer (1968)

Although low budget, a surprisingly interesting "flying saucer" science fiction film.

Test pilot Fred (John Ericson) is in the dog house when he nearly crashes a new fighter after encountering a UFO. However, when word of a crashed UFO in Red China reaches the US, Fred finds himself back in the good books and he is recruited for a secret mission to infiltrate China and retrieve the UFO before the Chinese do. 

In China, the mission led by Hank (Dan Duryea) soon bump into a Soviet team with the same mission! The US and Soviet teams form an uneasy alliance and reach the UFO. Fred and Soviet agent Anna (Lois Nettleton) warm the Cold War up a bit, meanwhile the Chinese troops are closing in...

Don't expect great special effects, and "China" looks suspiciously like the same Californian hills as hundreds of other films but this does have a very interesting premise. The action is a bit slow to get going but the final act makes up for it. 

The Horror of Party Beach (1964)

Atomic waste creates mutated monsters which attack annoying teenagers, so not the most original of movies.

It is the 1960s so of course just dumping barrels of radioactive waste in the sea just off beaches where people party is A-OK. Unfortunately one of these barrels springs a leak and creates a bizarre race of blood drinking monsters. The blood is first provided by Tina (Marilyn Clarke) who is having a swim after having a tiff with her boyfriend at a beach party where much rock and roll is played. The attacks soon escalate though including a twenty teen girl slumber party which is wiped out by these monsters.

Luckily Dr Gavin (Allan Laurel) has a solution: sodium! As Hank (John Lyon) heads to NY to buy supplies of sodium, his girlfriend (Alice Lyon) is in peril from the monsters at a quarry...

So, this is fairly generic and low budget. The monsters are ridiculous of course but that adds to the film's camp charm. It is rubbish, but fun rubbish and that makes it very watchable.

The Revenge of Doctor X (1967)

A bizarre monster movie where a carnivorous mobile plant creature wreaks havoc.

Dr Bragan (James Craig), the angriest NASA scientist ever, goes to Japan to calm down. However, his assistant Noriko (Atsuko Rome) takes him to a weird looking building next to an active volcano where the caretaker plays dark gothic organ and creeps around so i'm not sure how well this helps his mental health. 

Bragan is any case is busy with his new project, cross breeding a Venus fly trap with another strange plant he found in the US after talking to a man with mud all over his face. Bragan creates a new kind of monster with a taste for human blood, obviously it soon it all going wrong...

This is not a good film, it is very shoddily made, very strange and makes little sense (well Ed Wood Jr was one of the writers so what can you expect?) The monster looks ridiculous of course and the film overall is all kinds of cheese.

The Leech Woman (1960)

A surprisingly good low budget horror film.

Dr Talbot (Philip Terry) is on bad terms with his alcoholic wife June (Coleen Grey). However, when he discovers from a mysterious African woman called Malla (Estelle Helmsley) that there is a secret to restoring youth then he suddenly reconciles with his wife and they head to Africa to discover Malla's secret (and make a fortune). After much stock footage, the Talbots end up at Malla's village. There they discover that Malla's secret is an elixir requires an awful ingredient: fluid from a just slain man's brain! Malla has her youth restored (now played by Kim Hamilton) and tells June that she can also have the elixir but she must choose the man who will be killed for her. She chooses her husband!

June manages to escape the village but discovers the effect of the elixir is short lived. She has no problem in killing again and again to return to her youth. When she arrives home she pretends she is her own niece and she has the hots younger men (some of whom she also kills) but the police are already hot on her trail of dead brain fluid drained victims...

This is a great film despite the overuse of stock footage in the African scenes which can drag the film down a bit. The Noir feel, though sometimes unexpected humour too, and the surprises make for an entertaining horror.