Superchick (1973)

A rather light piece of sexploitation fluff.

Air stewardess Tara (Joyce Jillson) flies across the country every week and has a man in every port (an interesting twist on the sailor cliché) including Johnny (Tony Young), a beach bum with gambling debts who is wanted by the mob. The mob reckon they can use Tara to commit an airborne robbery but they reckoned without her karate skills!

Well this film is what it is, a light hearted film which shows off plenty of cleavage and skin, and fairly softcore sex. The plot is ridiculous and the acting frequently awful but it is a funny and entertaining enough film, though maybe not fully as the makers intended.

The Take (1974)

A cool tale of a crooked cop who still wants to take the hoodlums down.

Detective Sneed (Billy Dee Williams) arrives in New Mexico to help out the local police who are struggling with the mob led by Manso (Vic Morrow). 

Unfortunately, Sneed is already on the take and has the help of Oscar (Sorrell Brooke - aka Boss Hogg!) to handle the ill gotten gains. Other cops are also on the criminal payroll and Sneed plays a dangerous game taking the gangster cash while also giving the appearance he is doing his job - or is he really doing it?

This is a great film, even if the plot is a bit basic and doesn't make complete sense at times. It is very stylish, likely taking inspiration from blaxploitation films, and has plenty of action as well as plenty of heart. Williams plays a good role.

Enforcer from Death Row (1976)

A multi-national agency has lost their agents so needs a new man to sent in to Manila to fight a deadly gang, of course the obvious choice for this new recruit is a man on death row...

The execution of Young (Leo Fong) is faked and he is sent to the Philippines with a new identity. This identity seems blown pretty early on, though the film is pretty unclear as to what exactly is going on. Young has to battle a criminal gang led by Nomad including his ninjas (who are pretty inept) and his henchmen who enjoy torture maybe a little too much...

This is a pretty terrible film. Very disjointed and makes no sense what so ever. Cameron Mitchell gets top billing though only appears in one scene at the very end. The action is sometimes pretty good, though at other times comically bad. The film is certainly an experience!

Murder in the Orient (1974)

A basic but enjoyable martial arts romp.

During World War 2, Japanese soldiers buried millions of dollars worth of gold somewhere in the Philippines. They put the map to the treasure on two swords (of course!) Now in 1974 the powerful Golden Cobra gang have one of the swords and are hunting for the other...

One of the gang's thugs kills a girl who knows where the sword is (well obviously that helps), this involves Paul (Ron Marchini) and the girl's brother Lao Tsu (Leo Fong). Both of them are highly skilled in kung fu which is going to come in handy...

The plot doesn't really make a lot of sense and is pretty basic when it does, and the acting is pretty ropey... but who cares? No one watches films like this for the acting, they watch it for the action! The action isn't bad at all and the film has plenty of early 1970s cheese.

Baffled! (1973)

A failed TV pilot becomes a pretty decent movie.

Tom Kovack (Leonard Nimoy) is a racing driver who begins to have intense visions during a crash. Occult investigator Michelle Brent (Susan Hampshire) thinks he is having a premonition of an American woman in danger in an English county house. 

Tom and Michelle track down the house (and thus the woman) and begin to uncover a Satanic plot to possess the woman's, Andrea's (Vera Miles), young daughter Jennifer (Jewel Blanch) for evil means... or just get Andrea's money.

This is a good film, though at times the story is a little disjointed which is probably why it never succeeded as a TV pilot. Remade as a film though the story is solid if a little too light to score as a horror. As a detective drama with a supernatural element it works a lot better. Nimoy and Hampshire had great chemistry together.

Death Rage (1976)

A middling Mafia romp.

After a mafia hit in Italy, semi-retired hitman Peter (Yul Brynner) comes over from New York to finally avenge his brother. He gets help from wannabe gangster Angelo (Massimo Ranieri) and his girl (but soon Peter's girl) Anny (Barbara Bouchet)...

This is a fairly unoriginal gangster film, but a decent job has been made of it. The clichés and action scenes come thick and fast, it isn't great though Yul Brynner is superb in all his scenes, one notable fight being in an underground railway station. 

This was Yul Brynner's final film before he gave up on the movies, so hopefully this film wasn't the cause of that decision! 

African Story (1971)

A cool if somewhat strange early 1970s drama.

Producer Arnold Tiller (Stephen Boyd) dislikes his hot pop star Rex Maynard (Michael Kirner), especially when Rex elopes with his daughter (Sue Kiel) to South Africa. 

Arnold has other problems though, as the mob are blackmailing him. Rex has to deal with a fake kidnapping and then a real one...

A rather odd film and not without plenty of flaws including some rather obvious dubbing at times, however it does look good and has plenty of charm and style, the character of Rex in particular is fun. The film also has an unexpected and slightly unusual ending.

The Screaming Tiger (1972)

A violent martial arts film full of vengeance and anti-Japanese sentiment.

The Japanese (evil of course) kill everyone in a Chinese village. The only survivor of the village is Wang Yu (Jimmy Wang Yu) who has top kung fu skills (of course). He heads to Japan for revenge... and that is largely it. There are more subplots but they are rather underdeveloped. Wang Yu is accompanied (and occasionally scolded and advised) by a man who wears a basket on his head.

So, this is basically just a very long fight scene. But what a fight scene it is too, excellent and innovative fighting is shown many times. The xenophobia makes the film a bit too one dimensional and distasteful but the main problem with the film is that it is a bit incomprehensible.

The fighting though, which is the point of a film like this after all, is top notch. 

Death Cruise (1974)

Although the plot is fairly well worn, this is an entertaining whodunnit set aboard a cruise ship with some good twists.

Three couple begin their cruise of the Caribbean, all of them winning their holiday in a competition, though they can't remember entering it. Unfortunately, it isn't long before the first dies, Jerry (Richard Long) apparently falling overboard. It could be an accident though ship's doctor Dr Burke (Michael Constantine) isn't so sure. When the next deaths occur, including the shooting of Jerry's wife Sylvia (Polly Bergen), then Burke is convinced the deaths are all part of a dastardly plan, but who and why?

There have been quite a few films showing a group of being being bumped off one by one by a mystery killer, in great TV movie fashion pretty much everyone in this film has some kind of dark past and secret (except Burke). It is an enjoyable murder mystery film all the same, very competently done, and the final twists are excellent.

I Eat Your Skin (1971)

Playboys head off to a weird voodoo island for hijinks.

The publisher (Dan Stapleton) of a playboy novelist Tom (William Joyce) head off to Zombie Island (great name) to get inspiration for a new book. After just about managing to not crash their plane into the sea, Tom and the others discover a mad scientist (Robert Stanton) trying to cure cancer. 

Obviously, the existence of murderous zombies, with eyes which look like ping pong balls stuck to their faces, on the island has something - i mean nothing to do with him...

This isn't a great film though the kitsch feel and the generally off-beat approach does help with the watchability a lot. The voodoo scenes are very entertaining too though it is too ridiculous to be that scary a horror film. 

The best/funniest part of the film, being an author myself, is the idea of a novelist being a happy-go-lucky bed-hopper irresistible to women!

Equinox (1970)

A creepy horror, low on budget but high on nonsense.

Four college friends (including Edward Connell and Barbara Hewitt) head into the woods to visit their professor. However, they find his house has been destroyed and Dr Waterman (Fritz Leiber Jr) is missing. What has been left behind is a mysterious book, when they read the book they find it is an occult tome and Waterman may have opened a portal to Hell. Opps!

A demon is now loose in the woods, posing as the park ranger (Jack Woods), and wants the book. He is willing to unleash a wave of hellish horrors on the four young people to get ahold of the book. The story is told in flashback.

This isn't that great a film, though the demons are a tasty bit of stop motion animation. The budget was minute but the film makers did manage to make the most of it. 

The Thirsty Dead (1974)

At first look this looks like it will be a sleazy sexploitation film but in fact it turns into a decent if not exceptional occult horror.

We are in the Philippines, and someone is kidnapping young women off the streets of Manila. Laura (Jennifer Billingsley) is one of these, who is snatched by mysterious men in cloaks with hoods (which must be absolute murder in the Manila heat!) 

However, Laura and some other women are not being sold into sex slavery. Instead, they are taken into the remote jungle where a mysterious cult led by Baru (John Considine) worship a head in a block of... something and apparently can live forever if they drink the blood of young girls!

This isn't a very exciting film, as not a lot happens apart from a little mild horror and a lot of weirdness. The film does have a lot of camp value and is enjoyably silly like these films set in the Philippines in the early 1970s often are. Yes of course Vic Diaz is in it!

SST: Death Flight (1977)

Yet another 1970s aviation disaster movie, this one taking place on the first American supersonic airliner.

Cutlass Aircraft's first supersonic airliner is about to make it's maiden trip across the Atlantic with fare-paying passengers. However, a disgruntled engineer has sabotaged the plane (which seems to be held together by string). Meanwhile, a deadly virus is being carried aboard, but surely this will not escape to endanger the passengers. Will it?

The passengers and a crew are a whos-who of disaster movie stereotypes (grizzled old pros, old flames, heroes under a cloud et cetera) and 1970s actors including Doug McClure, Peter Graves, Lorne Greene and Billy Crystal. 

The movie is great fun, though the special effects are pretty cheap, the exterior shots of the airliner itself frequently laughable. It also crams in every cliche of the disaster movie genre imaginable, but you'll probably love it. I did.

Legend of Dinosaurs and Monster Birds (1977)

Japanese monster mayhem, but the 70s cool is the real winner.

A young woman falls down a hole and ends up discovering dinosaur eggs. A geologist with an interest in palaeontology discovers that a plesiosaur is terrorising his old home town, soon there are pterodactyls as well! And the humans are their prey...

Somewhat different for a kaiju film, with a bit more graphic violence than the usual cartoon like mass destruction of model buildings. 

It isn't a very good film though with a confusing, slow moving but rather generic storyline. The best parts about the film are it's late 1970s cool feel (at times) and a Japanese funk soundtrack.

City on Fire (1979)

Hot action (literally) as a city is set on fire by a disgruntled worker.

Stover (Jonathan Welsh) is denied promotion at work and doesn't take it well and now seeks revenge. Unfortunately, he works at a chemical refinery which has been built in the centre of town, due to the corruption of the Mayor Dudley (Leslie Neilsen). Stover pumps chemicals and gasoline into the town's sewers which soon catches light and sets the whole town on fire! It is up to fire chief Risley (Henry Fonda) to try and save the day...

A fairly standard 1970s disaster movie, with it's characters covering a number of stereotypes including Maggie (Ava Gardner) the fading alcoholic star news reporter. 

The film has a good cast (though many of them do not really seem to have their hearts in it) but it doesn't raise the film much above OK. The premise really demands a decent budget, unfortunately there wasn't one which makes the special effects rather laughable. But as the genre goes its fine.

The Giant Spider Invasion (1975)

What is worse than spiders? Giant spiders from outer space!

Some sort of anomaly has landed in Wisconsin, some form of alien life form has arrived and it has a lot of legs and a lot of eyes! Tarantula sized spiders emerge from the anomaly that quickly grow into giant spiders which terrorise the population (especially young ladies of course). Scientists Dr Vance (Steve Brodie) and Dr Langer (Barbara Hale) need to find a way to save mankind.

This is ridiculous science-fiction horror trash of course but it is a lot of fun. Cheesy and makes little sense, but that is what films like this sound be like. 

The film is oddly dated though as it feels like it should have been made about twenty years earlier when various kinds of space and mutated giant bugs were attacking mankind a few times a week.

Ellery Queen: Don't Look Behind You (1971)

A TV pilot which aimed to relaunch Ellery Queen on television in the 1970s, unfortunately it didn't work. For now anyway.

A serial killer called the Hydra is killing people seemingly at random across New York, each murder accompanied by a rather creepy animation of a multi-headed snake. Inspector Queen (Harry Morgan) is making no headway with the case so calls upon his nephew Ellery (Peter Lawford) to help out. Ellery discovers a link in the murders, with the help of one of the victim's sister Celeste (Stefanie Powers).

Ellery discovers a prime suspect, though as the film is only half-way you know there will be some complications...

Not a bad film, though the casting of Ellery Queen is a bit odd. Although the plot is fine, it is stretched out rather thinly which ends up making the film a bit of a drag in the end though it does have a cool filming style throughout. 

Luckily for Ellery Queen fans another attempt to launch a TV series starring the character was successful later in the decade.

Mark of the Witch (1970)

Mind bending witchy nonsense on campus.

A witch is hung in England, but not before she curses her captor. Many years later a descendant of that captor now lives in the USA on a university campus. One of the students, Jill (Anitra Walsh) is obsessed with the occult after discovering an old book and performs a spell to summon a witch. 

Unfortunately, the witch summoned is the one hung three hundred years before. Now the witch has possessed Jill and seeks revenge on her professor (Robert Elston) as well as terrorising the campus...

This is a low budget shock fest but looks great and is a lot of fun. The final battle is completely psychedelic and pretty wonderful to be honest. A perfectly decent early 1970s horror.

The House That Would Not Die (1970)

A rather engaging little horror TV movie. 

Ruth (Barbara Stanwyck) and her niece Sara (Kitty Winn) move into an old house. After a rather fraught seance and a painting which falls on a fire, they discover that the house is possessed by two ghosts who appear to be of two people who died in the American Revolutionary War. 

As the hauntings and disturbing antics continue, Ruth and Sara begin to unravel the dark secrets and mysterious circumstances deep in the house's past...

This is a great little ghost story full of atmosphere and growing menace. It might have only had a small budget but it made the most of it and has some good performances especially from Stanwyck.

Just You and Me, Kid (1979)

A charming odd couple comedy drama, officially there is some darkness here in the plot but it never gets in the way of some old Hollywood nostalgia and nonsense.

Bill (George Burns) is a retired vaudeville performer who delights supermarket staff with his genial quips and illusionist tricks. His life is thrown upside down when he discovers a naked teenage girl in the boot of his car! 

The girl is Kate (Brooke Shields), a teenage prostitute on the run from drug dealers. Bill, once he has befriended Kate, has to keep her hidden and safe, from the bad guys, nosy neighbours and Bill's daughter...

This is a highly enjoyable film, packed full of light, finely observed, humour and nostalgia. The relationship between Bill and Kate develops well during the film, especially once Shields warms into the role.