Time Travelers (1976)

An enjoyable TV movie, if you can overcome the rather ridiculous premise.

A new disease is in danger of getting out of control. The only way to fight the disease is apparently to... travel back in time to Chicago 1871 where the disease once rose before but was successfully treated by a now long dead doctor. Earnshaw (Sam Groom) and Adams (Tom Hallick) are sent back in time. Unfortunately, there is a slight miscalculation and they are sent just days before the great Chicago fire which will destroy everything...

OK, you obviously will consider that if the US government possesses time travel technology you may wonder why a mere virus is now a problem. However, if you suspend enough disbelief than this is a fine little film.

The Swiss Conspiracy (1976)

A superb crime drama, though it does seem intent in shoehorning every Swiss cliché into it that is possible.

Swiss banks are famous for their secrecy and discretion, however someone is putting that at risk by black mailing the customers of the bank operated by Hurtil (Ray Milland). 

Former US agent Christopher (David Janssen) is bought in to investigate, but soon tangles with mobster Hayes (John Saxon) and the rather more lovely Abbott (Senta Berger). There is an insider behind this conspiracy, the identity of which is quite a surprise...

A very good film, though leans rather more heavily on the "Swiss-ness" of the setting than maybe it should. At times it does risk becoming self-parody but luckily the strong plot and good performances save the day and make this a very worthwhile film indeed.

Master of the Flying Guillotine (1976)

A crazy martial arts film involving ridiculous combat... a lot of it.

In the days of ancient China, the people are kept under control by the Manchu by the practitioners of the flying guillotine. The master of this bizarre device, which looks like a bowl lined with razor blades, is the blind monk Fung (Kang Kam). He is out to gain revenge on the one armed fighter Liu Te Lung (Yu Wang) who killed two of his disciples...

That is the plot, which isn't much. The film is mostly about the fighting and there is a lot of it in this film. In fact the film is nearly all fight scenes which are held together by the odd bit of plot. Those fight scenes, especially the final battle between Fung and Liu are on the whole pretty terrific.

Death Machines (1976)

A crazy martial arts film which pushes the boundaries even for this time and genre!

A Dragon Lady (Mari Honjo) - evil of course, and seemingly unable to open her mouth much when she speaks - has had three martial arts fighters injected with a serum to turn them into zombie killing machines (Michael Chong, Ronald Marchini and Joshua Johnson). 

They wipe out a mafia boss' usual assassin force so he had no choice but to hire them instead to do the killings he desires. What can the police do about this?

The film makes no sense (well that is a surprise). The bizarre antics and performances, plus a lot of violence make the film very watchable in the "so bad it's good" category.

Speedtrap (1977)

If you like seeing 1970s cars race around and crash, you are in luck.

A string of car thefts, by a mysterious and highly skilled driver who uses a box of electronic tricks to foil the police, is putting Captain Hogan (Morgan Woodward) under pressure. To his dismay, a private investigator is bought in to help. 

Pete Novick (Joe Don Baker) has a bit of a reputation, and a large collection of speeding tickets. He is paired up with one of his ex-s Nolan (Tyne Daly) and begins to unravel a complicated and dangerous plot involving the mob...

A great 1970s piece of car chasing trash. It doesn't really work that well as a crime movie due to the the often confusing plot and meaningless filler. However, for car chases and frequent crashes, plus some cop action it is very enjoyable.

Stingray (1978)

Hapless hoodlums desperately try to get their loot back which has been hidden in a hot (in more ways than one) car...

Drug dealers Tony (Bert Hinchman) and Lonigan (William Watson) kill two cops who try to frame them and hide a stash of cash and drugs in a Stingray that is on sale on a used car lot (well why not?) 

After they link up with their violent boss Abigail (Sherry Jackson) - who is also dressed as a nun - they discover the car has been sold to Elmo (Les Lannom) and Al (Christopher Mitchum). Soon, a mad chase is going on as both the police and the criminals are after them...

This is an enjoyable watch, its a bit of a romp with plenty of car chases, violence and comedic nonsense. Fast moving, especially in the Stingray, and quite ridiculous but a lot of fun.

Fighting Ace (1979)

A generic revenge kung fu story is enlivened by some top notch action.

As a boy Kao Che (John Liu) witnesses a madman kill his father (for a book), and then rape and kill his mother (just because). 

Twenty years later he learns kung fu from a number of teachers including Kwan Yeung Moon who does an incredible action set piece, and accompanied by a comedy sidekick (of course) he sets out for revenge...

Well the story isn't very original but that doesn't really matter. People watch films like this for the action and that is very good. A great film for kicks for sure and some innovative fights.

Bad Georgia Road (1977)

A very amiable tale of moon shine running and culture shocks.

Bored New Yorker Molly (Carol Lynley) finds she has inherited a farm from a distant relative in Alabama. When she gets there she finds her fantasies of a fancy farmstead are a bit off base as her farm is very run down and the only thing that makes money is the moon shine still. 

Leroy (Gary Lockwood) takes the illegal booze to customers in his hot rod and he immediately takes a dislike to Molly, though you know that won't last long...

This is a fun film although not very original. The culture shock of the NY city slicker ending up in the middle of nowhere is amusing, though the best parts of the film are the various car chases between Leroy and the law.

Dixie Dynamite (1976)

A low budget usually harms a film but in this case it kind of suits it.

After their moonshine making father (Mark Miller) is killed in a police chase, his daughters (Jane Anne Johnson and Kathy McHaley) take over the still and aim to get revenge. They discover that the federal agents who caused the police trouble were fake and an evil rich businessman Stanley Adams is looking to get his hands on Miller's land. The girls get the help of a dirt biker Warren Oates with their search for revenge.

The grubby setting and cheap rough camerawork at times suits the story. A fine B-movie. One of the stunt bikers was Steve McQueen (though he was wearing a helmet but not recognisable) who took the job as he was bored!

The Fuzz (1972)

A grubby but fun early 1970s crime drama, maybe a little too much fun.

A police precinct in Boston is grappling with a rather awful case of two kids who are setting tramps on fire (so usual stuff then) when they receive a phone call threatening to kill local politicians unless the city stumps up with a lot of cash. When a police commissioner is shot dead, the police including Detectives Carella (Burt Reynolds) and McHenry (Raquel Welch) now know this is a real threat. The search is on for the mysterious bald, deaf man (Yul Brynner) who seems to be behind it...

A gritty and chaotic film, reflected in the police station itself as the police wrestle with a complicated case working around a couple of wisecracking redecorators who drip paint everywhere. The police are often shown to be a bit inept, and there is a lot of comedy in this film. There is maybe a little too much goofiness to suit the seriousness of the crimes but this is an enjoyable watch.

Steel (1979)

A film about high places which unfortunately doesn't quite raise to the challenge.

A major project to build a new skyscraper is running behind schedule, things not being helped when the chief engineer Cassidy (George Kennedy) dies in an accident thanks to some faulty equipment. Cassidy's daughter Cass (Jennifer O'Neill) is desperate for her Dad's last project to not end in failure so brings in Mike (Lee Majors) to lead the job completion. Time is short and there is a lot left to do, can he head up HS2 after this?

Not a bad film and sometimes unintentionally hilarious, such as the scene when Mike is introduced. He is seen driving a big truck, wearing a vest and listening to country music. One of the most American scenes in modern movie history. The film has plenty of construction site butch antics, i get the feeling these guys would have thought modern day health and safety is woke.

Not an amazing film but certainly a little different.

The Mad Bomber (1973)

A pretty brutal and also rather good 1970s cop drama.

Distraught over the death of daughter, Dorn (Chuck Connors) begins a bombing campaign to blow institutions (including his daughter's ex-school) he blames for her death. The police are stumped without a clue who the bomber is, however there is a clue. 

During one bombing, a girl at a mental hospital, which is about to be bombed, is raped. Detective Minelli (Vince Edwards) desperately seeks the rapist (Neville Brand) not only for his crimes but also because he might be the only man who can identify the bomber...

A deliciously dark slice of the ultraviolent 1970s which revolves around the broken minds of two criminals, both superbly played by Connors and Brand. A graphic film for sure that maybe could have left a little more to the imagination. Very compelling viewing.

A Tattered Web (1971)

A superb TV movie about a good cop's downfall.

Detective Ed Stagg (Lloyd Bridges) dotes on his daughter Tina (Sallie Shockley), and is perturbed when he catches his son-in-law Steve (Frank Converse) messing about with a floozy.

Stagg goes to warn the woman Louise (Anne Helm) off but a fight ensues and he accidentally kills her. Stagg is now desperate to cover things up and not just to protect himself but also Tina as he knows Steve, whom Tina loves deeply, is a prime suspect. How far is he prepared to go?

Quite far indeed, and this is a very enjoyable film with some great performances especially by Bridges. Stagg's downfall from trusted veteran cop is swift and continuous as he tries to make things right, but continually makes it worse. One thing which more could have been made of was the dark past which had given Stagg his demons, it seems a bit bolted on too far into the story to have much impact.

The Monkey Hu$tle (1976)

A rather chaotic blaxploitation film, a bit of fun and charisma keeps things going but only just.

Daddy Foxx (Yaphet Kotto) is a successful hustler in Chicago, he takes some young wannabe players under his wing and they hustle and jive their way to some success in their local neighbourhood. However, developers plan to demolish the neighbourhood to bring a new highway through...

This isn't a great film, the jive and poor dialogue is so poor it is almost beyond parody. Characters are incredibly one-dimensional and the plot is so vague as to be pretty much non-existent at times. The film can be very confusing, you wonder if the editor was maybe a little too keen and left some important plot driving scenes on the cutting room floor.

However, the film can be fun to watch with some good comedy scenes (though also some which really miss the mark).

One of My Wives is Missing (1976)

A highly enjoyable TV movie with a delicious twist.

Newly wed Daniel Corban's (James Franciscus) wife has gone missing, the local cop Inspector Levine (Jack Klugman) isn't that interested at what he thinks is just a lover's tiff. 

Then Corban's wife turns up... but Corban says it isn't her! This Elizabeth (Elizabeth Ashley) seems genuine though, she knows the answers to all the questions but Corban is insistent it isn't her. There is something darker going on but maybe not quite what you may expect...

This is a terrific film with a very surprising twist. When you think back at earlier events in the film, the twist just about remains plausible. A well-paced drama, with a great cast, that has layer upon layer. 

Cruise Into Terror (1978)

A surprisingly good slice of horror cheese on the high seas.

A small cargo ship prepares to make a trip to Mexico, though Captain Andrews (Hugh O'Brian) and first mate Simon (Dirk Benedict) have real concerns about the engine holding up. The passengers are a motley collection of stereotypes (well this is a TV movie after all) including a troubled vicar (John Forsythe) and a driven archaeologist (Ray Milland) who is convinced the Ancient Egyptians made it to Mexico!

After a series of strange incidents including mysterious technical failures, the ship makes it to the location of an Egyptian burial site. A sarcophagus is raised from the sea bed. However, the priest warns that they may have raised the son of Satan from the depths...

This is a great film, good old actors putting in decent performances with a plot that maybe isn't too original but has enough meat on it to work. There are a few genuinely creepy moments too.

Get Christie Love! (1974)

A sassy cop drama with a blaxploitation feel which led to a TV series.

Christie Love (Teresa Graves) is a copy sent undercover to find the evidence to break up a drug gang led by Paul Stevens. According to intelligence, the crime boss' squeeze Helena (Louise Sorel) knows where the ledger is to provide the needed evidence. Christie discovers though that Helena with her photographic memory is the ledger. She finds a way to get Helena to play ball by tracking down her long-lost son...

This is an enjoyable film with some good early 1970s soul and cool. Being a TV movie it is pretty restrained compared to the usual blaxploitation film but this helps with some intelligence in the plot which means Christie does some good detective work in the film instead of just beating people up with her dubious martial arts skills (though there is still some of that!) 

A good watch.

Death Force (1978)

A basic tale of revenge but with some interesting twists and some blaxploitation cool.

Doug (James Inglehart) is heading back to the US from a stint in Vietnam, though with his buddies Morelli (Carmen Argenziano) and McGee (Leon Isaac Kennedy) he has a sideline in crime. There is no honour amongst thieves though as Morelli and McGee cut Doug's throat and dump him in the waters around the Philippines. Morelli and McGee return to LA and begin a reign of terror as they take over crime in the city. McGee also tries to get in with Doug's wife (Jayne Kennedy)...

Doug though isn't dead, He is found washed ashore by two Japanese soldiers (Joe Mari Avellana and Joonee Gamboa) who don't know the war is over! They teach Doug in the ways of the Samurai, he uses these skills when he finally does return to LA and begins to take revenge...

A surprisingly good film even though the plot is fairly basic and the story sometimes doesn't really make a lot of sense. The Japanese veterans and the criminal double crossing adds some novelty, the violence is frequent and brutal.

George (1972)

Rather goofy hi-jinks starring a very large dog.

Regina (Linda Caroll) needs to send her dear George away before she gets married, so she sends George to her relative Jim (Marshall Thompson) who lives in Switzerland. Only, George isn't a child but a huge St Bernard dog! George causes havoc wherever he goes, costing Jim a lot of money. But eventually Jim and George are trapped in the snow, only George can save the day!

This isn't a good film by any means, being largely devoid of any meaningful plot except as a way to get from one ridiculous George mishap to the next but the sheer nonsense of the premise and the adorable nature of George makes the film highly enjoyable and hilarious.

The film was spun off into a TV series to continue George and Jim's adventures in the Swiss alps.

Coonskin (1974)

A very strange film, satirical and different but is it any good?

Mixing live action with animation, and everything seems rather random. This film includes a prison break (one of the would-be escapees is voiced by Barry White - yes that one!) as well as a number of wannabe gangsters who rise up the ranks in organised crime in Harlem...

A satire on mid-1970s America, blaxploitation films and race relations, though the satire is laid on as thick as an industrial digger. Maybe the film could have done with being a little more subtle. 

The mix of animation and live action is an acquired taste, though unfortunately not one i have ever acquired. It is certainly an interesting piece of work though i can't say i enjoyed it that much.

A film apparently intended to offend everyone, it will probably succeed.