The Sea Lion (1921)

Hard bitten old sea dog yarn, that handles the nautical scenes pretty well.

The captain (Hobart Bosworth) is a bitter old sea dog, who hasn't gotten over his wife and child leaving him while he was at sea many years before. On his next voyage he has a new seaman Tom (Emory Johnson), a fresh faced novice who soon becomes the butt of all of the crew's jokes. However, the voyage runs into trouble with a near mutiny. Then the ship arrives at a remote island where the survivors of an old ship wreck live.

One of the survivors is a young girl, Blossom (Bessie Love) who falls in love with Tom, which causes conflict with the captain. Though there is a bit surprise in store here...

A decent enough film though sometimes hard to follow, this isn't helped by the flashbacks which sometimes contradict each other! The scenes at sea are pretty well done.

One Week (1920)

An early example of Buster Keaton's work, a taste of the greatness to come.

Buster and Sybil Seely have just got married. One of their wedding gifts is a prefabricated house which they have to build themselves. What could go wrong?! A love rival is out to sabotage things though, and switches the part numbers around so the resulting house, after many mishaps, is a bit odd...

Its a bit frenetic, maybe a little too much slap stick is squeezed in at times but this is a fun watch with a lot of sight gags.

Richard III (1912)

A superb looking Shakespeare adaptation, one of the oldest known surviving US feature films.

The hump-backed Duke of Gloucester (Frederick Warde) wants to be the King of England. Unlike the more sedate accessions these days, the Duke will rise to the throne with a trail of murder, treachery and scheming. 

However, things do not end well for the King of course, though when this film was made it was not even considered that the King would end up buried under a Leicester car park.

This isn't a filmed play though some of the actors think they are playing to an audience. The film looks pretty good throughout with no expense spared on sets or costumes, though the filming and direction is a bit static and basic. The main problem with a Shakespeare film adaptation from this time is that it is hard to portray the rich dialogue in a silent movie with occasional inter titles! Historical and interesting to watch, though probably only once.

Tempest (1928)

A classic late 1920s silent movie.

This film follows the story of Ivan Markov (John Barrymore), a soldier in the final days of Tsarist Russia. Despite heavy opposition, low born Markov rises through the ranks to the officer corps. 

He falls in love with the Princess Tamara (Camilla Horn) though she spurns his advances, however when he is found drunk in her quarters Markov's enemies have their chance to dispose of him. He is kicked out of the army and send to prison. 

However, the old regime soon falls and Markov has a new important role with the Communists who release him, will Markov seek revenge on the now non-aristocratic Tamara?

A fine film with plenty of drama and emotion and some great camera work, though some performances are a bit wooden and spoil things a bit. Barrymore is great though, the perfect silent movie hero. 

The Return of Boston Blackie (1927)

Before the highly successful Chester Morris series of Boston Blackie films in the 1940s there were a number of other adaptations of the character in the silent movie era, this was the last "silent" Boston Blackie film before the series returned with sound in the 1940s.

Boston Blackie (Raymond Glenn) has just spent two years in jail, He makes a vow to go straight but ends up involved with Sylvia (Corliss Palmer) who has stolen a necklace from a dancer. 

It turns out the jewels belong to Sylvia's father (who was having a bit on the side with the dancer). Blackie agrees to break into the father's safe to put the jewel's back.

The star of the film though is Blackie's dog Strongheart who gets top billing! The film is fine enough, nothing at all like the later talkies. A pleasant if not exceptional watch.

Moonshine (1918)

Mountain folk engage in an endless series of feuds, but real trouble comes when a couple of government revenue inspectors (Fatty Arbuckle and Buster Keaton) comes looking for an illegal still. Many strange antics follow.

This is a silent comedy that sends up the genre in many clever little ways (though not all of the attempts at humour work). The action is a little violent and crude at times but it doesn't take itself very seriously. Does it really work as a film though? 

The Rink (1916)

Charlie Chaplin is a waiter in a restaurant, though as you can imagine much slapstick mayhem ensues. In his lunch break he goes roller skating in the park. At the park Mr Stout (Eric Campbell) is making advances to an unwilling girl (Edna Purviance). 

After showing off his roller skating skills, Charlie poses as an aristocrat and is invited to a party at the girl's house. Mr Stout and his new partner also show up.

This is a fine enough film, the usual slapstick antics. The film is most notable for showing off Chaplin's excellent roller skating skills.

Alice's Egg Plant (1925)

The Alice series were early Walt Disney live action / animation hybrids. 

Alice (Anne Shirley) and Julius the cat are the owners of an egg factory. Unfortunately, the hens are a bit lazy so Julius has to keep them hard at it. Then a new hen arrives, Little Red Henski from Moscow who is going to try and bring communism to the egg plant!

An unexpectedly political little film, we were only a few years into the Russian Revolution. Whether kids would get it though is a good question.

The Blacksmith (1922)

Buster Keaton is working in a blacksmithing shop with plenty of mayhem of course. Buster ends up in a fight with the actual blacksmith (Joe Roberts) which ends up the blacksmith being in jail. Buster takes it on himself to serve the blacksmith's customers which involves him shoeing various horses and destroying a Rolls Royce!

This is a fine little silent comedy by one of the all-time greats though maybe a little more slapstick than usual. Not his best but still pretty good.

The Rounders (1914)

Charlie Chaplin and Fatty Arbuckle play a couple of drunken gents in this early Chaplin comedy. The gents get drunk together amid much slapstick and end up passed out on the tables in a restaurant before getting thrown out and returned to their long-suffering wives (Phyllis Allen and Minta Durfee). 

This is all a bit rough and crude compared to the kind of film Chaplin would be making his name in in a few years. It is fine enough for what it is.

A Movie Star (1916)

A fine little silent comedy. A new Western starring Mack Swain is starting at the local movie theatre and a large crowd is assembling. To their delight the star of the film has turned up to see the film himself! As Mack and the audience watch his heroic antics on screen, Mack finds that not everyone in the audience is as enamoured as he is. 

This is a delightful early comedy, more understated and subtle than some of the slapstick of the time which has helped it not date as much as some films of the period, the parodying of the still young movie industry is superb.

All Lit Up (1920)

Snub Pollard is a dandy who is hanging around a park chasing butterflies in a net. After some flirting (with girls not butterflies) he ends up in a jazz cafe and more mayhem ensues. Snub finally ends up in jail in this short piece of slapstick. A decent enough silent comedy though without making much sense or being that subtle. 

Fine for what it is but not really in the first division of silent movie comedies. Ernest Morrison plays a good role as one of the children Snub ends up having to look after at one stage.

Her First Flame (1920)

A curious comedy short. We are in the year 1950 (though looks remarkably like 1920 still!) and men and women have switched roles. Unfortunately, those roles are rather stereotyped and quite dated. Women are now strong and forthright while men mostly stand around giggling and do domestic chores...

Lizzie Hap (Gale Henry) wins election as the town's fire chief, by cheating Minnie Fish (Phyllis Allen) using a variety of disguises. Lizzie now forms an all-girl fire brigade. Naturally when there actually is a fire things do not go very smoothly but Lizzie manages to save her love Willie (Milburn Morante).

Not the greatest silent comedy ever, the staging is often as dated as the attitudes, but does some decent visual gags.

The Count (1916)

A Charlie Chapin comedy short which is a decent satire on high society.

Charlie's boss, a tailor (Eric Campbell) finds an invitation to a party in a pair of trousers and goes to the party pretending to be an important Count so he can woo a rich young woman (Edna Purviance). Charlie also sneaks into the house, but so he can woo the cook! Of course Charlie ends up at the party as well and mayhem ensues, then the real Count (Leo White) turns up...

A fun little film, though it does include Charlie yet again either being mistaken or pretending to be someone more important which is a plot device he overused a bit. It is fine, if a bit over familiar.

Tillie's Punctured Romance (1914)

The first feature-length comedy film and also Keystone's only feature film. It is also the final Charlie Chaplin film in which he did not write or direct. 

Charlie (Chaplin) is a womanising city man who meets Tillie (Marie Dressler) and wants her to elope with him as her father is rich! This is just the start of Tillie's troubles though as Charlie runs off with her money and another money and Tillie ends up in jail! 

OK so the story doesn't sound very promising but the comedy is good at times, though personally i think silent movie comedies work better in shorter doses. To be honest this is a film that is more important historically than being all that enjoyable to watch.

It (1927)

The film that turned Clara Bow into a superstar and created the concept of the "It girl", but is it any good?

What is "It"? A concept beyond beauty, a quality that draws people to them, a charisma that people find irresistible. 

Shop girl Betty (Bow) has a crush on her handsome boss Cyrus (Antonio Moreno). Unfortunately Cyrus is engaged to Adela (Jacqueline Gadson) who is in his social class while Betty is not of course. Betty finally gets Cyrus to take her on a date, to the joys of Coney Island! Cyrus falls in love with Betty (who has It!) but circumstances throw some hefty obstacles in the way of true love...

So, an important film and it is indeed very enjoyable, after all Clara Bow was the It girl and had a magnetic quality on screen. The story is light and fast paced, the comedy is fine if a little too cute at times. Without Clara the film probably wouldn't have worked quite as well but thats why some are stars and most are not.

One A.M. (1916)

An early Charlie Chapin short comedy, the first in which he appears (mostly) alone.

A drunk (Chaplin) returns home from some sort of event which included booze, indeed a lot of booze as Charlie is very drunk indeed! After many awkward slapstick antics he manages to get out of his taxi allowing Albert Austin to finally drive off. Charlie's next job is to get into his house...

Well we have all been there! This is solo slapstick of the highest order as everything becomes a near insurmountable obstacle to negotiate past. A short and simple film which just about manages to not out live it's welcome. Don't ask why the film is called "One A.M." yet it is bright sunlight outside!

Alice Gets Stung (1925)

Another early Walt Disney animation / live action hybrid.

After an innovative if perhaps slightly overlong chase between a cat and a rabbit, Alice (Virginia Davis) appears on the scene to help Julius the cat get the rabbit which has continually outsmarted him. Alice also tries to hunt bears and ends up getting trapped in a barrel with a beehive (hence this short feature's name)...

So, a short animation feature mostly involving animal hijinks and dancing, with Alice appearing and interacting with the characters. It is quite clever and inventive, just not that funny maybe because the storyline is ultimately somewhat cruel. 

Alice the Whaler (1927)

Another of Walt Disney's early Alice animation / live action hybrids.

Alice (Lois Hardwick) is dancing aboard a ship with a crew of animals. The chef is a cat, for example, with a mouse as his sous chef tasked with peeling the potatoes! To be honest there isn't much plot in this film, it mostly consists of animals dancing and the occasional hijinks. The mouse plays the biggest role and isn't a very sympathetic character.

Ultimately there isn't a great deal to this short film and it isn't really that good. The Alice series of films was running out of steam but fear not, Mickey Mouse was about to make his screen debut for Disney and that changed everything.

Battling Butler (1926)

More restrained than usual for a Buster Keaton film, the comedy coming from the story and situations rather than impressive physical feats.

Alfred Butler (Keaton) is a foppish young man sent by his father to do some hunting to toughen him up. Alfred continues his easy life in the mountains though in a luxurious tent and not a great deal of luck hunting! However, he meets a girl (Sally O'Neill) and falls in love. 

Unfortunately for Alfred, her male relatives are against the match as they think he is a bit of a weed. Alfred's valet (Snitz Edwards) tries to pretend Alfred is a boxer with the same name. Naturally soon Alfred has to enter the ring for real!

An enjoyable if subtle film. It is rather sweet and touching with good visual gags rather than manic slapstick. It is maybe not Keaton's best but it showed he had many strings to his bow.