The Monkey Hu$tle (1976)

A rather chaotic blaxploitation film, a bit of fun and charisma keeps things going but only just.

Daddy Foxx (Yaphet Kotto) is a successful hustler in Chicago, he takes some young wannabe players under his wing and they hustle and jive their way to some success in their local neighbourhood. However, developers plan to demolish the neighbourhood to bring a new highway through...

This isn't a great film, the jive and poor dialogue is so poor it is almost beyond parody. Characters are incredibly one-dimensional and the plot is so vague as to be pretty much non-existent at times. The film can be very confusing, you wonder if the editor was maybe a little too keen and left some important plot driving scenes on the cutting room floor.

However, the film can be fun to watch with some good comedy scenes (though also some which really miss the mark).

Get Christie Love! (1974)

A sassy cop drama with a blaxploitation feel which led to a TV series.

Christie Love (Teresa Graves) is a copy sent undercover to find the evidence to break up a drug gang led by Paul Stevens. According to intelligence, the crime boss' squeeze Helena (Louise Sorel) knows where the ledger is to provide the needed evidence. Christie discovers though that Helena with her photographic memory is the ledger. She finds a way to get Helena to play ball by tracking down her long-lost son...

This is an enjoyable film with some good early 1970s soul and cool. Being a TV movie it is pretty restrained compared to the usual blaxploitation film but this helps with some intelligence in the plot which means Christie does some good detective work in the film instead of just beating people up with her dubious martial arts skills (though there is still some of that!) 

A good watch.

Death Force (1978)

A basic tale of revenge but with some interesting twists and some blaxploitation cool.

Doug (James Inglehart) is heading back to the US from a stint in Vietnam, though with his buddies Morelli (Carmen Argenziano) and McGee (Leon Isaac Kennedy) he has a sideline in crime. There is no honour amongst thieves though as Morelli and McGee cut Doug's throat and dump him in the waters around the Philippines. Morelli and McGee return to LA and begin a reign of terror as they take over crime in the city. McGee also tries to get in with Doug's wife (Jayne Kennedy)...

Doug though isn't dead, He is found washed ashore by two Japanese soldiers (Joe Mari Avellana and Joonee Gamboa) who don't know the war is over! They teach Doug in the ways of the Samurai, he uses these skills when he finally does return to LA and begins to take revenge...

A surprisingly good film even though the plot is fairly basic and the story sometimes doesn't really make a lot of sense. The Japanese veterans and the criminal double crossing adds some novelty, the violence is frequent and brutal.

Coonskin (1974)

A very strange film, satirical and different but is it any good?

Mixing live action with animation, and everything seems rather random. This film includes a prison break (one of the would-be escapees is voiced by Barry White - yes that one!) as well as a number of wannabe gangsters who rise up the ranks in organised crime in Harlem...

A satire on mid-1970s America, blaxploitation films and race relations, though the satire is laid on as thick as an industrial digger. Maybe the film could have done with being a little more subtle. 

The mix of animation and live action is an acquired taste, though unfortunately not one i have ever acquired. It is certainly an interesting piece of work though i can't say i enjoyed it that much.

A film apparently intended to offend everyone, it will probably succeed.

Death Journey (1976)

The first in a series of blaxploitation films about ex-cop Jesse Crowder, OK but seems to lack a certain something.

Jesse Crowder (Fred Williamson) is hired to escort star witness Finley (Bernie Kuby) from Los Angeles to New York for the trial of a mobster boss. Now of course the simple way would be to just take a flight but instead Crowder decides to drive across the US. 

Almost immediately the mob are after his ass in a seemingly endless series of fights with hapless henchmen. Somehow Jesse manages to get Finley safely across the US, and bed a series of young women (of course!)

The film is what it is, a decent action film with a series of action set pieces and competent if not overly ambitious action choreography. The film is enjoyable, not brilliant. It could do with a bit more pizazz, maybe a bit more 1970s cheese.

Mr. Mean (1977)

Blaxploitation goes to Italy, and has a cool old time.

Mr Mean (Fred Williamson), a former gangster, is hired by the Mafia in Italy to do a hit... on one of their own in Ranati (Stelio Candeli) who has bought shame on the Mafia (apparently) by indulging in the wrong kind of criminal activities. Mean is successful in his task of course but then he finds himself the target of a Mafia hit...

Williamson made this film whilst making another film, keeping it's existence a secret from the other's film's producers. Honestly, it does show. It is all rather ineptly made and frequently confusing. However, despite that it is a fairly entertaining film (though some scenes do drag) that certainly has plenty of 70s cool and some decent funky tunes. Williamson plays a good tough and butch role.

Velvet Smooth (1976)

A blaxploitation epic full of hilariously bad fights.

Strange looking men in masks are muscling in on King's (Owen Watson) street hustles. Velvet Smooth (Johnnie Hill) is a female private detective who King hires to find out who is behind the attacks. The "investigation" seems to consist of random fights all over the place and hanging out in Velvet's stylish 1970s apartment. The police are also investigating in the form of Lt Ramos (Frank Ruiz), Sgt Barnes (Moses Lyllia) and a Kojak impersonator!

The story is fairly basic and easy to follow but this film is about the violence. There is a lot of it and it is nearly all bad. Endless fights in the streets and warehouses, obviously (if not very good) choreographed but also very ineptly. It helps to make the film highly entertaining, it also had plenty of late 1970s cheese.

Jackie Brown (1997)

Low key compared to some of his other films but this is one of Quentin Tarantino's best.

Jackie (Pam Grier) is an ageing flight attendant working for a budget airline, she's augmenting her salary with some less legal work on the side. She smuggles money for Ordell (Samuel L Jackson) but gets caught by the Feds in the form of Nicolette (Michael Keaton). He tries to get her to turn on Ordell.

Jackie meanwhile has a plan to get her hands on Ordell's ill-gotten gains and get the Feds to get rid of Ordell for her. She will also need the help of her bail bondman Max (Robert Forester)...

Influenced by blaxploitation movies and with an amazing soundtrack of mostly 1970s soul this is a very cool movie. Not as fast moving or violent as some of Tarantino's other films though has loads of cool dialogue and a great involving story. It also has a great cast also including Robert De Niro and Bridget Fonda.

The Big Bird Cage (1972)

A shameless piece of rather grubby sexploitation set in a women's prison in the Philippines jungle. Terry (Anitra Ford) is a rather big headed young women who gets mixed up in a robbery by wanna-be revolutionaries Blossom (Pam Grier) and Django (Sid Haig). Terry gets sent into the jungle to a brutal prison governed by the gloriously over-acting Zappa (Andres Centenera)...

Terry's bravado and spirit is slowly crushed as she realises her women's wiles for once won't get her out of this one. But Blossom and Django have a plan to break the prisoners out of jail. They both infiltrate the prison (Blossom as a prisoner, Django as a ridiculously camp guard) to prepare for revolution...

It isn't a subtle film, it includes torture, rape, murder and lots of female nudity of course. High art it ain't, trash it certainly is and when treated in the right way it will deliver.

Dolemite (1975)

A blaxploitation classic, though at times verges on self-parody even for this ridiculous genre! Dolemite (Rudy Ray Moore) is a pimp released from gaol on a secret mission to stop his rival and the corrupt cops who put him in there in the first place. His method of carrying out the mission is basically moving from set-piece to set-piece (usually a brothel) and getting into various fights amid a deluge of bad language...

It is a compelling film for sure as Dolemite hunts down his rival Willie Green (D'Urville Martin) and discovers who is the big name pulling the strings behind the scene. Dolemite is assisted by his girl Chi, his madame Queen Bee (Lady Reed) and an uncover FBI agent (Jerry Reed). The film is pretty violent (though much of it rather inept) and full of wacky characters including the crazed Mayor (Hy Pyke) and a horny gun-running Reverend (Wesley Gale).

The film is a comedy and should be treated and enjoyed as such. The plot is basic, the acting almost universally poor, the action fumbling and clumsy, the film making rough and cheap. The film is brilliant of course.

Devil's Express (1976)

This is a car crash of a film, in so much as it is like a mixture of different genres thrown together, hard. The film starts in ancient China where a demon is imprisoned. We jump to the present day (well 1970s anyway) New York and see Luke (Warhawk Tanzania) show off his martial arts skills with a funk soundtrack. Luke heads to HK with his friend Rodan (Wilfredo Roldan), while there Rodan accidentally releases the demon from it's cell...

The demon makes it's way to NY and begins to terrorise the subway, but above ground a deadly war between black and Chinese gangs rages. Luke gets involved with both gangs, and only he can stop the demon...

So, it is a mix of blaxploitation, kung fu, horror and total weirdness. The film switches between these genres quickly, at times you wonder if you have just sat on the TV remote. 

One of the strangest films you'll ever see, and very gory and violent too. Does it make sense? To be honest not in any way whatsoever. But it doesn't matter, this film is genuinely original and amazing.

The Tattoo Connection (1978)

A funky late 1970s kung fu crime tale with a touch of blaxploitation. A highly valuable diamond is stolen in HK by Lu's (Sing Chen) gang. The US insurance company sends Lucas (Jim Kelly) to retrieve the diamond amid a large number of fights across HK.

So a simple plot but this has a number of interesting sub-plots. We have Tung Hao (Tao-Liang Tan), a conflicted triad member who regrets the killings that Lu takes part in. Nana (Nana Misaki), a dancer and prostitute linked to the gang (and Tung Hao's girl), who is desperate to have a better life.

The film is often unintentionally hilarious, Bolo Yeung is dubbed with a cockney accent for example. The film also has quite a bit of gratuitous female nudity, and lots and lots of violence. The fighting is of a good standard and overall the film is well worth a watch.

The Guy from Harlem (1977)

Blaxploitation films were not generally known for their high production values but this film is pretty low-rent even for the sub-genre however that doesn't mean it isn't enjoyable.

Al Connors (Loye Hawkins) is a private eye covered in loud late 70s fashion who is hired by the CIA to protect a Princess (Patricia Fulton) from an African country. Some vague bad guys try and kidnap the Princess but Al foils them with some badly choreographed fighting, and also ends up having sex with her...

And then Al is given a different job (completely unrelated to the first case), a hoodlum (Steve Gallon) hires him to save his daughter Wanda (Cathy Davis) who has been kidnapped. Al saves Wanda (and has sex with her too). Al then has a showdown with Big Daddy (Wayne Crawford)...

So the film is terribly acted and has awful production values. Obviously it is also hilarious. It is a film for men in flares brawling awkwardly, a film for crazy wallpaper and flubbed lines.

Foxy Brown (1974)

Foxy Brown is a blaxploitation film starring Pam Grier. This was a loose sequel to "Coffy" from 1973 and has a similar plot involving the usual genre staples of drugs, prostitution and pimps in outlandish outfits. And violence of course, lots of violence. Pam is the film's heroine and is a one woman fighting machine as she seeks to avenge her slain boyfriend, a government agent gunned down by the mob.

Amid a funky early 70s soundtrack she gets her revenge through a number of ever more grisly action set pieces. Its not a subtle movie thats for sure but is rightly held up as one of the best movies in its genre. Although fairly low budget and lacking the effects and polish of movies nowadays the movie is pretty hard hitting and showing stuff that would be largely shied from today (or hidden in a CGI fest).

Foxy Brown is a period film, and dated in so many ways but the outlandish early 70s feel is a large part of the charm. The plot is pretty ridiculous of course if you stop to think about it but that would be largely missing the point. Its a fantasy. So get your jive ass down the video store brother.

Black Shampoo (1976)

Black Shampoo is a film about a hairdresser, however as it is a  blaxploitation film the hairdresser spends most of his time sleeping with his female clients and ends up fighting the mob.

It stars John Daniels as the hairdresser/stud who ends up getting into trouble when he falls for his new receptionist Tanya Boyd. She has walked out on a gangster who naturally doesn't take no for answer.

So that is the story, the reality is the film is just a massive slab of sleazy cheese. Sex and gratuitious nudity punctuated by violence and ridiculous stereotypes a plenty. It isn't a film to bore though as everything proceeds at a high rate of knots. It is total nonsense of course but made very bearable by the sheer cool and a nice 70s soul/pop soundtrack.

The Black Gestapo (1975)

The Blaxploitation genre film often employed some really quite strange ideas but maybe one of the oddest was in The Black Gestapo. It starred Rod Perry as a black gang leader who forms an army to defeat the mob in his neighbourhood (and who are basically busting his ass). He is usurped by one of his officers (Charles Robinson) who uses Nazi methods and techniques to strengthen his grip on the city.

Funky Jive talking Nazi stormtroopers then, you wouldn't get away with that kind of thing these days - and it is a wonder they did in 1975 to be honest!

So is the film any good? Not really, it is all rather shoddy with numerous poorly choreographed fight scenes and gratuitous nudity. The sheer weirdness of the premise of the film is the only real reason to see it. Well it is enough I suppose.