The Caribbean Mystery (1945)

A fast moving crime romp in the swamp.

After the repeated disappearances of oil company prospectors in the swamps of an unnamed Caribbean island, private detective Smith (James Dunn) is bought in to find out what is going on. This is not to the liking of the authorities, who think the men just died of natural causes in the swamp (though we know thats not true). When people aligned with Smith start dying, and Smith himself has attempts on his life, it is clear that something big is going on, and involving buried treasure...

A decent little crime B-movie. Modest but well made and the plot moves swiftly enough to keep your attention. There are plenty of potential suspects and the film manages to keep some good surprises until the end, though the finale is a little rushed. 

An enjoyable film, though the plot is not anything out of the ordinary and indeed is pretty similar to a number of other films but still worth watching.

Trapped by Boston Blackie (1948)

Another bright and breezy Boston Blackie entry, though padded out a bit.

After a private investigator friend dies in a car crash, Boston Blackie (Chester Morris) and The Runt (George E Stone) help out his widow to provide discreet protection of valuables at a fancy costume party (which gives Blackie yet another opportunity to don a disguise, though unfortunately he decides to black up!) 

Of course, valuable pearls are stolen at the party and Boston Blackie gets the blame when Farraday (Richard Lane) turns up to investigate... On the run, Blackie and the Runt seek to discover the real thief, and of course there are a number of suspects.

A fine entry in the series, the penultimate film. Boston Blackie's ability to disguise himself is bought to the fore here, though how good these disguises are is another question though they certainly seems to fool everyone he meets! By now though we have seen the Boston Blackie set-up sufficient times that everything is a little too familiar but this is still an enjoyable film.

Exposed (1947)

An uneven but still enjoyable crime B-movie.

Private investigator Belinda (Adele Mara) is hired by a businessman to check on his step-son (Mark Roberts) who is acting suspiciously including making a number of large money withdrawals. 

However, when Belinda arrives at the businessman's home she finds the businessman dead! Belinda begins to investigate the case, much to the annoyance of her police inspector Dad (Robert Armstrong)!

This is not a bad film though maybe a bit generic. A lot of plot is squeezed in as well as plenty of suspects and red herrings. The leads do not have much chemistry together though and Belinda herself can be a bit too annoying at times. Still, this is a decent watch.

Fear in the Night (1946)

A modest but thrilling psychological thriller with a Noir edge.

Vince (DeForest Kelley in his first film role) wakes from a horrible dream where he killed someone. However, he doesn't think it was a dream when traces of blood are found on his clothes and he also had a strange key, which he thinks it to a cupboard he put the body! Vince is highly troubled by it all and goes to his police detective brother-in-law Cliff (Paul Kelly) for help. When they find the house which Vince saw in his dream and discover there was a murder that took place there a few days ago it looks like Vince is in a jam but what really happened?

This is a superb film, often quite dark and chilling. As the story progresses it does look Vince may be doomed though an unexpected twist later on leads to something even darker going on.

King of the Bandits (1947)

Part of the long-running Cisco Kid series of films.

The Cisco Kid (Gilbert Roland) is travelling through Arizona with Pancho (Chris-Pin Martin), he discovers that someone is conducting robberies but disguising themselves as the Cisco Kid to shift the blame! 

The Kid retrieves some stolen loot but ends up captured himself by the US Army. The Kid and Pancho manage to escape and then go after the real villain Smoke Kirby (Anthony Warde)...

A fun romp of a film which doesn't take itself very seriously, Roland plays the Kid rather tongue in cheek throughout and also is very charismatic.

The Crime Doctor's Diary (1949)

The last entry in the Crime Doctor series.

Steve Carter (Stephen Dunne) has been released from prison after serving time for arson against his employer - a radio DJ service, Dr Ordway (Warner Baxter) having testified that he was not insane. Carter is out to prove his innocence and wants Dr Ordway's help. 

However, soon Steve's former boss is found murdered, Steve is a suspect and goes on the run but Ordway suspects that someone else did the crime, and indeed the culprit when finally unmasked is most unexpected...

This is a fine crime B-movie and an excellent way to end the series with plenty of fast moving action and puzzles. Lois Maxwell stars as a person who ends up very central to the case.

Sherlock Holmes and the Secret Weapon (1942)

Sherlock Holmes battles Moriarty with a vital secret weapon at risk of being lost to the Nazis.

Dr Tobel (William Post Jr) has developed an advanced new bomb sight, Sherlock Holmes (Basil Rathbone) helps bring Tobel to the UK and away from the clutches of the Gestapo. It should all be simple and settled now right? 

Unfortunately not as Tobel has a rather lax attitude to his own personal safety, and the dreaded Professor Moriarty (Lionel Atwill) is after the bomb sight and is willing to sell them to the Nazis...

An excellent "modern" Sherlock Holmes tale, Basil Rathbone and Nigel Bruce as Watson bringing all the goods as usual. Fast moving plot and ingenious code driven action makes this film highly enjoyable.

The Crime Doctor's Gamble (1947)

The Crime Doctor heads to gay Paris!

Dr Ordman (Warner Baxter) has gone to Paris to lecture, and definitely not get involved in investigating a crime. Of course, very soon he is helping his detective friend (Marcel Journel) out with a murder as the main suspect could be insane. 

The Crime Doctor investigates the case which involves art forgery, an old family dispute and a knife thrower act!

The ninth entry in the Crime Doctor series, and pretty enjoyable too. Although set in Paris, the crime procedural is fairly standard for a B-movie of the period, but the setting adds a little bit of freshness and novelty.

The Brighton Strangler (1945)

A rather dark, if somewhat implausible, tale of murder in the dark streets during the Blitz.

Reginald Parker (John Loder) is a successful stage actor though he is starting to tire of his role as a murderer, the Brighton Strangler. 

When he is hit on the head during a bombing raid on London he has amnesia but a chance enounter unlocks a memory in his brain and he now believes that he is really the Brighton Strangler! He heads to Brighton and begins to kill for real...

A dark tale and the medical details are somewhat ridiculous, but the film is pretty atmospheric and well directed though the short film can drag a bit at times. The ending is particularly memorable.

Inspector Hornleigh Goes to It (1941)

The third and (unfortunately) final Inspector Hornleigh film.

Britain is at war and Inspector Hornleigh (Gordon Harker) wants to join the hunt for fifth columnists but instead he and Bingham (Alastair Sim) are sent undercover into the army to find out who is stealing army jam! 

However, soon Hornleigh is on the trail of suspected nazi spies, the trail leading to a suspicious dentist then an even more suspicious school and then a thrilling finale on a Royal Mail train...

It is a shame they never made any more Hornleigh films as Harker and Sim had great chemistry together and the film has a perfect mix of serious police work and humour. 

Raiders of Ghost City (Serial) (1944)

An enjoyable American Civil War era Western serial, though with a war propaganda edge.

A gang of Confederate agents are stealing gold shipments bound for Washington. Government agent Steve Clark (Dennis Moore) is sent across to California to investigate, helped by Wells Fargo agent Idaho Jones (Joe Sawyer). 

In fact, the real mastermind behind the theft is Morel (Lionel Atwill) who isn't operating for the Confederacy after all but rather a group of Prussian spies...

A great serial with a good variety of cliff hangers including runaway train cars and burning sheds! The inclusion of Prussian spies was likely to give the serial a bit of a wartime propaganda edge but works well, Atwill and his accomplice Virginia Christine make an excellent pair of villains which gives the serial the bite the slightly bland heroes cannot.

Devil's Cargo (1948)

One of the latter three Falcon movies, with a magical air.

The Falcon (Michael Calvert) is having a bath (!) when he is approached by Delgado (Paul Marion). Delgado tells the Falcon he has killed a man to defend his wife's honour, he wants the Falcon to hold a key for him and then give it to his lawyer. Delgado is arrested but later found dead in jail. Hoodlums seize the key off the Falcon, but when they try to open the locker the key is for, the locker blows up! The Falcon investigates the plot involving Delgado's wife Margo (Rochelle Hudson) and the lawyer Mallon (Theodore von Eltz), with the help of his clever dog (Brain Trust)!

This is a very different Falcon to the ones played by different actors earlier in the series, though closer to the original character envisaged by it's creator in the 1930s. Calvert was a real magician which is probably why he performs magic tricks at various stages of the film (for no actual plot reason), there is a funny meta moment when someone says a photo of the actual Michael Cavert looks like the Falcon! The performing dog is wonderful, the film itself is fun and quite tongue in cheek at times, and also pretty nonsensical. It shouldn't really work but somehow does.

The Spiral Staircase (1946)

A dark tale of a serial killer, and terror in a dark house.

A serial killer has been terrorising a community, killing "defective" women (in other words the disabled). In a house owned by the grumpy and ailing Mrs Warren (Ethel Barrymore) and Professor Warren (George Brent), the mute Helen (Dorothy McGuire) who works there, is now considered a potential next target. 

Dr Parry (Kent Smith) wants to get Helen out of the house and get her treatment to recover her voice. Is the killer somewhere close at hand?

A superb and updated take on the dark house mystery, an atmospheric tale with excellent performances. The film is enhanced by little touches of humour and character. A very good film.

Crime Doctor's Man Hunt (1946)

Another entry in the long-running Crime Doctor series.

Dr Ordway (Warren Baxter) is consulted by a young woman Irene (Ellen Drew) who tells him that her fiancé is suffering from bouts of amnesia after his war service. 

Before very long Ordway discovers the man has been murdered by two thugs (and very nearly shares the same fate). Ordway becomes involved in a plot involving a strange house and Irene's domineering sister Natalie who went missing a few years before...

Although the plot has a few holes, this is a fine B-movie crime drama and one of the best entries in the Crime Doctor series. The action and antics of the Crime Doctor are varied and there are some good twists.

The Woman in the Window (1944)

A superb Noir, a man is dragged deeper into a dark spiral after being in the wrong place at the wrong time.

Reserved academic Professor Richard Wanley (Edward G Robinson) becomes interested in the portrait of a young woman he sees in a window, and then he meets the model Alice (Joan Bennett)! They become friendly and he goes back to Alice's apartment to see other artwork, there when Alice's boyfriend (Arthur Loft) storms in and attacks Richard. Richard kills the man in self-defence.

But the nightmare has only just begun. Richard discovers that the man is a successful industrialist. He hides the body but when it looks like they might have got away with it, the man's bodyguard (Dan Duryea) turns up to blackmail them...

A well structured film full of tension and pretty dark. It soon becomes clear that Richard is pretty doomed and his quiet comfortable life has been changed forever. However, the surprise ending might be a step too far.

A Close Call for Ellery Queen (1942)

Ellery Queen is called in to help with a mysterious case of two men blackmailing a wealthy man, who is also searching for two lost daughters.

Ellery Queen (William Gargen) is called upon by the secretary (Edward Norris) of Alan Rogers (Ralph Morgan) to help out. Rogers is being blackmailed by two rough seamen. He has also put out a public appeal for two long-long daughters to return to him. One daughter has already turned up, but Nikki Porter (Margaret Lindsey) poses as the other one (having already met the real one!) After Rogers pays off the two blackmailers, they are found dead. Did Rogers kill them or is someone else really behind the scheme to get their hands on Roger's wealth?

A great edition in the Ellery Queen series, one where Nikki takes the lead in the investigation (for better or worse). A good plot with some enjoyable twists and red herrings.

I Take This Oath (1940)

A simple but highly enjoyable crime drama.

Hanagan (Robert Homans) is a police inspector close to tracking down the hidden identity of the gang boss who is running crime in the city. However, just before he reveals the identity of the boss, Hanagan is killed by a bomb. Hanagan's son Steve (Gordon Jones) joins the police so he can try and discover who killed his father. 

However, his fledgling police career is put at risk by his dogged investigation, as well as his relationship with his girl Betty (Joyce Compton)...

A highly competent film, the story is maybe fairly simple but everyone performs well. There is some heart and soul in this film which helps elevate it to the next level.

Shadows in the Night (1944)

A creepy instalment in the Crime Doctor series with some horror overtones.

Dr Ordway (Warner Baxter) is employed by Lois (Nina Foch) for help with her sleep walking nightmares. Ordway comes to her home, a big house by the cliffs, and discovers a dead man who everyone thinks died while sleep walking of natural causes, though Ordway doesn't think so. Something quite odd is happening here, and the chemist Frank Swift (George Zucco) plays a very believable mad scientist, up to something in his lab with various gases.

One of the stranger entries in the Crime Doctor series with it's mysterious and, at times, horror feel. The usual red herrings, slight plot holes and twists, and fast moving / changing plot add to a very satisfying watch.

The Masked Marvel (Serial) (1943)

It is war time and Japanese agents are out to wreck the US war effort, but the Masked Marvel is here to save the day!

After a spate of explosions of strategic industries, the mysterious Masked Marvel (William Forrest) investigates a gang of saboteurs led by the wonderfully over the top evil Sakima (Johnny Arthur). The Marvel assembles a group of agents, one of whom is himself, only Alice (Louise Currie) knows which one is the Masked Marvel. 

The Masked Marvel gets into a number of cliff hanging perils before his final showdown with Sakima...

A wartime adventure romp, and a pretty standard adventure serial. This is highly enjoyable nonsense with the usual ridiculous stunts. The acting is a bit patchy but this is a show for the stunts and adventure, and these are both top notch.

Time to Kill (1942)

The last Michael Shayne film starring Lloyd Nolan in the title role, though the film series would continue with a different actor. 

Shayne is hired by a wealthy widow (Ethel Gryffies) to retrieve a valuable coin which she thinks that her daughter-in-law (Doris Merrick) has stolen when she left. Shayne uncovers a trail leading to a gang of counterfeiters but there is something a lot darker uncovered too, a trail leading to blackmail and murder...

A fine way to end the Nolan series of Shayne films, though this was originally a Raymond Chandler story which was later made as the Philip Marlow story Brasher Doubloon in 1947. This version of the story is played a little lighter with plenty of wise cracks and snappy dialogue and scenes.