The Notorious Lone Wolf (1946)

The Lone Wolf continues, with a new face.

The Lone Wolf, Michael Lanyard (now played by Gerald Mohr) has returned from the war and immediately gets drawn into a plot to steal a valuable diamond. Inspector Crane (William B Davidson) naturally thinks Lanyard and Jameson (Eric Blore) stole the gem - Crane is quite an unimaginative detective to be honest as he always thinks Lanyard is behind all gem thefts, maybe he thinks he will get it right finally. The gem was stolen from a dancer who was wearing it, the dancer being murdered. Lanyard must track down the gem and the murderer...

The Lone Wolf series was just starting to run out of steam by now. Post-war, these kinds of bright and breezy B-movies were starting to look a bit dated in the coming age of the Noir, however Mohr slightly refreshes the role. The rest of the Lone Wolf formula is there and this is a good, if unexceptional, entry in the series.

Million Dollar Weekend (1948)

A neat little crime drama with some good twists.

Nick (Gene Raymond) has run off with a million dollars worth of bonds, he is joined on his flight by Cynthia (Osa Massen) who is on the run after killing her husband (accidentally but the slimy Alan (Francis Lederer) is blackmailing her). Once they get to Honolulu, Nick is forced to join up with Cynthia after Alan discovers Nick's secret and decides those bonds are a more lucrative prize and heads off back to the mainland with them. Now Nick and Cynthia desperately try and hunt Alan down in San Francisco...

An enjoyable film that has a bit of a Noir touch but only just enough to give the film a little extra bite. The story is involving and the leads give some good performances. A modest film maybe but certainly more than the sum of it's parts. A film that is well worth checking out.

Boston Blackie Goes Hollywood (1942)

Part of the long-running Boston Blackie series, the usual frantic goings on but this time in Tinsel town.

Blackie (Chester Morris) and the Runt (George E Stone) are about to head off to Florida when Blackie receives a call for help from a fellow ex-criminal (or is he?) Arthur (Lloyd Corrigan) asks Blackie to take $60K from his safe in New York and take it over to California. 

Somehow this is mixed up with the theft of a valuable diamond, Inspector Farraday (Richard Lane) of course thinks Blackie has stolen the diamond and so follows Blackie to California and gets mixed up in a complicated tale of blackmail and stolen goods...

Still early in the series but the series is now hitting high gear. A fast-paced story with plenty of swerves and action packed into a short running time. Good humour and performances add to make this an excellent film.

The Lone Wolf in London (1947)

The penultimate film in the long running series.

Two diamonds disappear from a police vault, the police immediately suspect the former jewel thief Michael Lanyard - the Lone Wolf (Gerald Mohr) as they know he is in London, officially doing research for a book he is writing. 

Lanyard is recruited by a member of the aristocracy (Vernon Steele), who is hard up, to sell some jewels for him. Meanwhile, Lanyard is starting to suspect stage star Iris Chatham (Evelyn Ankers) is involved in the diamond robbery, though the police still stubbornly suspect him!

Mohr and Eric Blore as Jamison worked well as a team, though this was the last time they worked together in this series, and the eleventh and final time Blore played Lanyard's assistant. A decent film with the usual fast moving plot and various plot tangents and red herrings. Maybe we have seen it all before (many times) but it is still a good film.

Nazi Agent (1942)

Although heavy on propaganda and message, this is a good early wartime spy drama.

Otto (Conrad Veidt) is a respected book seller, and an emigre from the Nazi Germany he despies. However, his twin brother is very much on brand with the regime, indeed he has also come over to the USA but he is setting up a spy ring! He forces Otto to become part of his network but in a struggle Otto is forced to kill his brother. 

Otto takes the part of his brother, and now within the spy network begins his plan to bring it down from within. However, he also encounters fellow agent Kaaren (Anne Ayers) who has become disillusioned with the regime...

An enjoyable film with good performances and emotion leading to great sacrifice. The best part of the film though is definitely Veidt who plays twin brothers with dramatically different characters. Unfortunately this was one of his last films before his early untimely death.

Too Many Winners (1947)

The last Michael Shayne film, though he would return on the small screen in the 1960s. It would be great to say the character ended on a high but...

Michael Shayne (Hugh Beaumont) abandons his planned vacation with Phyllis (Trudy Marshall) to take on a case of counterfeit tickets at a race course. He begins to uncover a case involving murder and blackmail, with Detective Rafferty (Ralph Dunn) on his tail as usual...

This version of Shayne is not as hard boiled as the Lloyd Nolan version, this Michael Shayne is more easy going but maybe that robs this film of a little bite. The film is fast moving but a bit directionless and bland. 

The femme fatale character of Mayme (Claire Carleton) is one of the highlights of the film but she gets killed off too quickly! Not a bad film, watchable but pretty forgettable.

Sherlock Holmes in Washington (1943)

An exciting spy romp with this version of Sherlock Holmes transplanted into the Second World War.

An agent carrying secret plans across the US goes missing, feared captured by Nazi agents. Sherlock Holmes (Basil Rathbone) and Dr Watson (Nigel Bruce) are sent across to the US capital to investigate. Holmes thinks the plans were hidden by the agent, but their whereabouts is unknown. Can Holmes find the Nazi agents, led by George Zucco, before it is too late?

An excellent entry in the Basil Rathbone Holmes series, Holmes using his deduction skills to find the agents despite the apparent absence of a trail (though to be honest he was lucky with the clue he did get). There is a bit of a wartime propaganda feel, but it does not interfere with a strong story.

The Caribbean Mystery (1945)

A fast moving crime romp in the swamp.

After the repeated disappearances of oil company prospectors in the swamps of an unnamed Caribbean island, private detective Smith (James Dunn) is bought in to find out what is going on. This is not to the liking of the authorities, who think the men just died of natural causes in the swamp (though we know thats not true). When people aligned with Smith start dying, and Smith himself has attempts on his life, it is clear that something big is going on, and involving buried treasure...

A decent little crime B-movie. Modest but well made and the plot moves swiftly enough to keep your attention. There are plenty of potential suspects and the film manages to keep some good surprises until the end, though the finale is a little rushed. 

An enjoyable film, though the plot is not anything out of the ordinary and indeed is pretty similar to a number of other films but still worth watching.

Trapped by Boston Blackie (1948)

Another bright and breezy Boston Blackie entry, though padded out a bit.

After a private investigator friend dies in a car crash, Boston Blackie (Chester Morris) and The Runt (George E Stone) help out his widow to provide discreet protection of valuables at a fancy costume party (which gives Blackie yet another opportunity to don a disguise, though unfortunately he decides to black up!) 

Of course, valuable pearls are stolen at the party and Boston Blackie gets the blame when Farraday (Richard Lane) turns up to investigate... On the run, Blackie and the Runt seek to discover the real thief, and of course there are a number of suspects.

A fine entry in the series, the penultimate film. Boston Blackie's ability to disguise himself is bought to the fore here, though how good these disguises are is another question though they certainly seems to fool everyone he meets! By now though we have seen the Boston Blackie set-up sufficient times that everything is a little too familiar but this is still an enjoyable film.

Exposed (1947)

An uneven but still enjoyable crime B-movie.

Private investigator Belinda (Adele Mara) is hired by a businessman to check on his step-son (Mark Roberts) who is acting suspiciously including making a number of large money withdrawals. 

However, when Belinda arrives at the businessman's home she finds the businessman dead! Belinda begins to investigate the case, much to the annoyance of her police inspector Dad (Robert Armstrong)!

This is not a bad film though maybe a bit generic. A lot of plot is squeezed in as well as plenty of suspects and red herrings. The leads do not have much chemistry together though and Belinda herself can be a bit too annoying at times. Still, this is a decent watch.

Fear in the Night (1946)

A modest but thrilling psychological thriller with a Noir edge.

Vince (DeForest Kelley in his first film role) wakes from a horrible dream where he killed someone. However, he doesn't think it was a dream when traces of blood are found on his clothes and he also had a strange key, which he thinks it to a cupboard he put the body! Vince is highly troubled by it all and goes to his police detective brother-in-law Cliff (Paul Kelly) for help. When they find the house which Vince saw in his dream and discover there was a murder that took place there a few days ago it looks like Vince is in a jam but what really happened?

This is a superb film, often quite dark and chilling. As the story progresses it does look Vince may be doomed though an unexpected twist later on leads to something even darker going on.

King of the Bandits (1947)

Part of the long-running Cisco Kid series of films.

The Cisco Kid (Gilbert Roland) is travelling through Arizona with Pancho (Chris-Pin Martin), he discovers that someone is conducting robberies but disguising themselves as the Cisco Kid to shift the blame! 

The Kid retrieves some stolen loot but ends up captured himself by the US Army. The Kid and Pancho manage to escape and then go after the real villain Smoke Kirby (Anthony Warde)...

A fun romp of a film which doesn't take itself very seriously, Roland plays the Kid rather tongue in cheek throughout and also is very charismatic.

The Crime Doctor's Diary (1949)

The last entry in the Crime Doctor series.

Steve Carter (Stephen Dunne) has been released from prison after serving time for arson against his employer - a radio DJ service, Dr Ordway (Warner Baxter) having testified that he was not insane. Carter is out to prove his innocence and wants Dr Ordway's help. 

However, soon Steve's former boss is found murdered, Steve is a suspect and goes on the run but Ordway suspects that someone else did the crime, and indeed the culprit when finally unmasked is most unexpected...

This is a fine crime B-movie and an excellent way to end the series with plenty of fast moving action and puzzles. Lois Maxwell stars as a person who ends up very central to the case.

Sherlock Holmes and the Secret Weapon (1942)

Sherlock Holmes battles Moriarty with a vital secret weapon at risk of being lost to the Nazis.

Dr Tobel (William Post Jr) has developed an advanced new bomb sight, Sherlock Holmes (Basil Rathbone) helps bring Tobel to the UK and away from the clutches of the Gestapo. It should all be simple and settled now right? 

Unfortunately not as Tobel has a rather lax attitude to his own personal safety, and the dreaded Professor Moriarty (Lionel Atwill) is after the bomb sight and is willing to sell them to the Nazis...

An excellent "modern" Sherlock Holmes tale, Basil Rathbone and Nigel Bruce as Watson bringing all the goods as usual. Fast moving plot and ingenious code driven action makes this film highly enjoyable.

The Crime Doctor's Gamble (1947)

The Crime Doctor heads to gay Paris!

Dr Ordman (Warner Baxter) has gone to Paris to lecture, and definitely not get involved in investigating a crime. Of course, very soon he is helping his detective friend (Marcel Journel) out with a murder as the main suspect could be insane. 

The Crime Doctor investigates the case which involves art forgery, an old family dispute and a knife thrower act!

The ninth entry in the Crime Doctor series, and pretty enjoyable too. Although set in Paris, the crime procedural is fairly standard for a B-movie of the period, but the setting adds a little bit of freshness and novelty.

The Brighton Strangler (1945)

A rather dark, if somewhat implausible, tale of murder in the dark streets during the Blitz.

Reginald Parker (John Loder) is a successful stage actor though he is starting to tire of his role as a murderer, the Brighton Strangler. 

When he is hit on the head during a bombing raid on London he has amnesia but a chance enounter unlocks a memory in his brain and he now believes that he is really the Brighton Strangler! He heads to Brighton and begins to kill for real...

A dark tale and the medical details are somewhat ridiculous, but the film is pretty atmospheric and well directed though the short film can drag a bit at times. The ending is particularly memorable.

Inspector Hornleigh Goes to It (1941)

The third and (unfortunately) final Inspector Hornleigh film.

Britain is at war and Inspector Hornleigh (Gordon Harker) wants to join the hunt for fifth columnists but instead he and Bingham (Alastair Sim) are sent undercover into the army to find out who is stealing army jam! 

However, soon Hornleigh is on the trail of suspected nazi spies, the trail leading to a suspicious dentist then an even more suspicious school and then a thrilling finale on a Royal Mail train...

It is a shame they never made any more Hornleigh films as Harker and Sim had great chemistry together and the film has a perfect mix of serious police work and humour. 

Raiders of Ghost City (Serial) (1944)

An enjoyable American Civil War era Western serial, though with a war propaganda edge.

A gang of Confederate agents are stealing gold shipments bound for Washington. Government agent Steve Clark (Dennis Moore) is sent across to California to investigate, helped by Wells Fargo agent Idaho Jones (Joe Sawyer). 

In fact, the real mastermind behind the theft is Morel (Lionel Atwill) who isn't operating for the Confederacy after all but rather a group of Prussian spies...

A great serial with a good variety of cliff hangers including runaway train cars and burning sheds! The inclusion of Prussian spies was likely to give the serial a bit of a wartime propaganda edge but works well, Atwill and his accomplice Virginia Christine make an excellent pair of villains which gives the serial the bite the slightly bland heroes cannot.

Devil's Cargo (1948)

One of the latter three Falcon movies, with a magical air.

The Falcon (Michael Calvert) is having a bath (!) when he is approached by Delgado (Paul Marion). Delgado tells the Falcon he has killed a man to defend his wife's honour, he wants the Falcon to hold a key for him and then give it to his lawyer. Delgado is arrested but later found dead in jail. Hoodlums seize the key off the Falcon, but when they try to open the locker the key is for, the locker blows up! The Falcon investigates the plot involving Delgado's wife Margo (Rochelle Hudson) and the lawyer Mallon (Theodore von Eltz), with the help of his clever dog (Brain Trust)!

This is a very different Falcon to the ones played by different actors earlier in the series, though closer to the original character envisaged by it's creator in the 1930s. Calvert was a real magician which is probably why he performs magic tricks at various stages of the film (for no actual plot reason), there is a funny meta moment when someone says a photo of the actual Michael Cavert looks like the Falcon! The performing dog is wonderful, the film itself is fun and quite tongue in cheek at times, and also pretty nonsensical. It shouldn't really work but somehow does.

The Spiral Staircase (1946)

A dark tale of a serial killer, and terror in a dark house.

A serial killer has been terrorising a community, killing "defective" women (in other words the disabled). In a house owned by the grumpy and ailing Mrs Warren (Ethel Barrymore) and Professor Warren (George Brent), the mute Helen (Dorothy McGuire) who works there, is now considered a potential next target. 

Dr Parry (Kent Smith) wants to get Helen out of the house and get her treatment to recover her voice. Is the killer somewhere close at hand?

A superb and updated take on the dark house mystery, an atmospheric tale with excellent performances. The film is enhanced by little touches of humour and character. A very good film.