Dance Hall Racket (1953)

An appalling piece of exploitative sleaze.

A criminal is killed at a dodgy night club owned by Tim Farrell (Umberto Scalli) with Vincent (Lenny Bruce) as his murderous henchman (who is very handy with a knife). 

A Federal agent is sent in to investigate and he discovers the club is a front for a diamond smuggling racket. Vincent meanwhile has plans to replace his boss permanently...

This is pretty grim stuff, badly acted and plotted. The cheese factor is high but when a dog (which doesn't do much other than lie around) outacts most of the humans then you know things are bad...

The sheer ridiculousness can be compelling at times but "so bad it's good" can only take you so far.

The Take (1974)

A cool tale of a crooked cop who still wants to take the hoodlums down.

Detective Sneed (Billy Dee Williams) arrives in New Mexico to help out the local police who are struggling with the mob led by Manso (Vic Morrow). 

Unfortunately, Sneed is already on the take and has the help of Oscar (Sorrell Brooke - aka Boss Hogg!) to handle the ill gotten gains. Other cops are also on the criminal payroll and Sneed plays a dangerous game taking the gangster cash while also giving the appearance he is doing his job - or is he really doing it?

This is a great film, even if the plot is a bit basic and doesn't make complete sense at times. It is very stylish, likely taking inspiration from blaxploitation films, and has plenty of action as well as plenty of heart.  Williams plays a good role.

Star Reporter (1939)

A fast moving crime/reporter B-movie, so fast moving that there is scarcely time to breathe.

Randolph (Warren Hull) is a young idealistic newspaper owner (and reporter) who is dedicated to the public good and fighting crime. To that aim he has supported the election of the new DA Burnette (Wallace Clarke), though he also wants to marry Burnette's daughter (Marsha Hunt). 

However, when the DA fails to prosecute the gangsters then Randolph turns against Burnette. The reason though is because the DA knows a terrible secret about Randolph's father...

This is a great film that packs in an incredible amount of story and drama into a pretty short running time. The film is exposition heavy to drive things along, though maybe a little too fast. To be honest i do prefer shorter films but this is one which could have probably done with an extra fifteen to twenty minutes! 

It is still highly enjoyable, indeed one of the better B-movies of the late 1930s.

Raiders of Ghost City (Serial) (1944)

An enjoyable American Civil War era Western serial, though with a war propaganda edge.

A gang of Confederate agents are stealing gold shipments bound for Washington. Government agent Steve Clark (Dennis Moore) is sent across to California to investigate, helped by Wells Fargo agent Idaho Jones (Joe Sawyer). 

In fact, the real mastermind behind the theft is Morel (Lionel Atwill) who isn't operating for the Confederacy after all but rather a group of Prussian spies...

A great serial with a good variety of cliff hangers including runaway train cars and burning sheds! The inclusion of Prussian spies was likely to give the serial a bit of a wartime propaganda edge but works well, Atwill and his accomplice Virginia Christine make an excellent pair of villains which gives the serial the bite the slightly bland heroes cannot.

Baby Ghost (1995)

An incredible piece of rubbish that somehow keeps your attention.

Hapless child photographer Winslow (Joe Estevez) ends up trapped in the high rise office building he works in by a strange little ghost, called a baby ghost but looks more like a little green lizard. 

Also trapped in the building is a tarot card reader (Erin O'Bryan) and a couple of members of staff. There are also a couple of useless thieves who have broken into the building.

A shoddy film which looks like it was shot on a budget of about 17 pence. Expect dodgy acting, awkward scenes which make little sense, padding which often reaches epic levels of boring and very rough special effects. Despite all the drawbacks this is a great watch, definitely in the so bad it's good camp.

Devil's Cargo (1948)

One of the latter three Falcon movies, with a magical air.

The Falcon (Michael Calvert) is having a bath (!) when he is approached by Delgado (Paul Marion). Delgado tells the Falcon he has killed a man to defend his wife's honour, he wants the Falcon to hold a key for him and then give it to his lawyer. Delgado is arrested but later found dead in jail. Hoodlums seize the key off the Falcon, but when they try to open the locker the key is for, the locker blows up! The Falcon investigates the plot involving Delgado's wife Margo (Rochelle Hudson) and the lawyer Mallon (Theodore von Eltz), with the help of his clever dog (Brain Trust)!

This is a very different Falcon to the ones played by different actors earlier in the series, though closer to the original character envisaged by it's creator in the 1930s. Calvert was a real magician which is probably why he performs magic tricks at various stages of the film (for no actual plot reason), there is a funny meta moment when someone says a photo of the actual Michael Cavert looks like the Falcon! The performing dog is wonderful, the film itself is fun and quite tongue in cheek at times, and also pretty nonsensical. It shouldn't really work but somehow does.

The Spiral Staircase (1946)

A dark tale of a serial killer, and terror in a dark house.

A serial killer has been terrorising a community, killing "defective" women (in other words the disabled). In a house owned by the grumpy and ailing Mrs Warren (Ethel Barrymore) and Professor Warren (George Brent), the mute Helen (Dorothy McGuire) who works there, is now considered a potential next target. 

Dr Parry (Kent Smith) wants to get Helen out of the house and get her treatment to recover her voice. Is the killer somewhere close at hand?

A superb and updated take on the dark house mystery, an atmospheric tale with excellent performances. The film is enhanced by little touches of humour and character. A very good film.

The Ninth Guest (1934)

A confusing though fast paced mystery.

Eight guests are invited to dinner at a mysterious house by an unnamed host. The guests all have reason to hate one of the other members so things are a bit fractious. Then a voice from the radio tells them they will be murdered one by one unless they manage to outwit their host, the ninth guest. To underscore the threat they can't leave as he has had the gates connected to the mains, plus various other traps...

Naturally the other guests do not take to this well and start accusing each other of being this ninth guest. The story moves on from there as the guests die off in various ways. It does sound a bit Agatha Christie, though this film (and the original story) predates And Then There Were None / Ten Little Indians (1945) (1965) (1972) by a number of years...

Donald Cook and Genevieve Tobin star as two of the guests, who manage to work out their mutual antagonism as they help solve the mystery of who is the ninth guest. The story is a little complicated with a lot of red herrings (maybe a few too many) but an enjoyable watch.

Crime Doctor's Man Hunt (1946)

Another entry in the long-running Crime Doctor series.

Dr Ordway (Warren Baxter) is consulted by a young woman Irene (Ellen Drew) who tells him that her fiancé is suffering from bouts of amnesia after his war service. 

Before very long Ordway discovers the man has been murdered by two thugs (and very nearly shares the same fate). Ordway becomes involved in a plot involving a strange house and Irene's domineering sister Natalie who went missing a few years before...

Although the plot has a few holes, this is a fine B-movie crime drama and one of the best entries in the Crime Doctor series. The action and antics of the Crime Doctor are varied and there are some good twists.

The Woman in the Window (1944)

A superb Noir, a man is dragged deeper into a dark spiral after being in the wrong place at the wrong time.

Reserved academic Professor Richard Wanley (Edward G Robinson) becomes interested in the portrait of a young woman he sees in a window, and then he meets the model Alice (Joan Bennett)! They become friendly and he goes back to Alice's apartment to see other artwork, there when Alice's boyfriend (Arthur Loft) storms in and attacks Richard. Richard kills the man in self-defence.

But the nightmare has only just begun. Richard discovers that the man is a successful industrialist. He hides the body but when it looks like they might have got away with it, the man's bodyguard (Dan Duryea) turns up to blackmail them...

A well structured film full of tension and pretty dark. It soon becomes clear that Richard is pretty doomed and his quiet comfortable life has been changed forever. However, the surprise ending might be a step too far.

Seven Keys to Baldpate (1935)

An enjoyable dark house crime romp, just expect many clichés.

Writer William Magee (Gene Raymond) is looking for a quiet place to work on his book and heads to a remote hotel which should be empty. Unfortunately, it is anything but! 

There are a number of other people lurking around the hotel including Mary (Margaret Callahan) but also others who seem to have dark intents and some missing money.

This is a fun film and played pretty light and fast moving, Magee seems pretty unruffled throughout despite tangling with various thugs and potential dangers. It is full of dark house clichés including hidden rooms and random events. 

Black Cobra (1987)

Violent nonsense as the loner cop fights a violent motorbike gang in a 1980s post-industrial wasteland. So, pretty original then.

A brutal gang led by Bruno Bilotta is killing and raping people at random. They next attack photographer Elys (Eva Grimaldi) whom the gang think has taken photographs of them. The police call upon maverick cop Malone (Fred Williamson) to protect Elys from the thugs who are out to kill her no matter the cost...

This is a pretty generic late 1980s low budget violent film, the sort of film that used to fill video rental shop shelves by the dozens. It isn't that bad a film really, but you will have seen it all before and usually a lot better. 

It is what it is, plenty of violence and late 1980s post-industrial grime.

A Close Call for Ellery Queen (1942)

Ellery Queen is called in to help with a mysterious case of two men blackmailing a wealthy man, who is also searching for two lost daughters.

Ellery Queen (William Gargen) is called upon by the secretary (Edward Norris) of Alan Rogers (Ralph Morgan) to help out. Rogers is being blackmailed by two rough seamen. He has also put out a public appeal for two long-long daughters to return to him. One daughter has already turned up, but Nikki Porter (Margaret Lindsey) poses as the other one (having already met the real one!) After Rogers pays off the two blackmailers, they are found dead. Did Rogers kill them or is someone else really behind the scheme to get their hands on Roger's wealth?

A great edition in the Ellery Queen series, one where Nikki takes the lead in the investigation (for better or worse). A good plot with some enjoyable twists and red herrings.

Fatherland (1994)

It is the 1960s, but in this timeline Hitler has won, but is the Third Reich quite as secure as it seems?

Having won the Second World War, Nazi Germany is now looking to improve relations with the USA. US reporter Charlie (Miranda Richardson) is over to cover the impending visit of the US President to Berlin, Hitler hoping this will help the Nazis in their endless war of attrition with the Soviets. Charlie is given a lead on a massive secret the Nazis are trying to hide. 

Meanwhile, SS officer March (Rutger Hauer) is investigating the death of a senior Nazi official but his investigation is suspiciously cut off by the Gestapo. Is his investigation linked to the secret Charlie is uncovering? The darkest secret of all, the secret of what happened to the Jews...

An enjoyable TV movie, although an alternate history setting this is more about the investigation of crimes and cover-ups and works very well as a suspensful thriller. It would be nice to see the alternate world explored more though that would have probably needed a full TV series.

I Take This Oath (1940)

A simple but highly enjoyable crime drama.

Hanagan (Robert Homans) is a police inspector close to tracking down the hidden identity of the gang boss who is running crime in the city. However, just before he reveals the identity of the boss, Hanagan is killed by a bomb. Hanagan's son Steve (Gordon Jones) joins the police so he can try and discover who killed his father. 

However, his fledgling police career is put at risk by his dogged investigation, as well as his relationship with his girl Betty (Joyce Compton)...

A highly competent film, the story is maybe fairly simple but everyone performs well. There is some heart and soul in this film which helps elevate it to the next level.

Shadows in the Night (1944)

A creepy instalment in the Crime Doctor series with some horror overtones.

Dr Ordway (Warner Baxter) is employed by Lois (Nina Foch) for help with her sleep walking nightmares. Ordway comes to her home, a big house by the cliffs, and discovers a dead man who everyone thinks died while sleep walking of natural causes, though Ordway doesn't think so. Something quite odd is happening here, and the chemist Frank Swift (George Zucco) plays a very believable mad scientist, up to something in his lab with various gases.

One of the stranger entries in the Crime Doctor series with it's mysterious and, at times, horror feel. The usual red herrings, slight plot holes and twists, and fast moving / changing plot add to a very satisfying watch.

X-15 (1961)

A somewhat dry early Space Race drama but greatly enlivened by some incredible aerial footage.

The race into space is on, in the US NASA and the US Air Force are racing against time to get into the edge of space with their North American X-15 rocketplane though the progress is often marred by accidents, some deadly...

The film starts off in semi-documentary style (narrated by James Stewart no less!) However, it quickly switches into a fairly pedestrian drama but only skin deep, we don't really get to find much out about the men behind the machines apart from some fairly cardboard characterisation. 

The aerial footage is superb though, and properly supplied by the relevant authorities so not a jarring mix of barely relevant stock footage but X-15s, B-52s and other hot jets. It stars David Lean and Charles Bronson in one of his early film roles.

The Masked Marvel (Serial) (1943)

It is war time and Japanese agents are out to wreck the US war effort, but the Masked Marvel is here to save the day!

After a spate of explosions of strategic industries, the mysterious Masked Marvel (William Forrest) investigates a gang of saboteurs led by the wonderfully over the top evil Sakima (Johnny Arthur). The Marvel assembles a group of agents, one of whom is himself, only Alice (Louise Currie) knows which one is the Masked Marvel. 

The Masked Marvel gets into a number of cliff hanging perils before his final showdown with Sakima...

A wartime adventure romp, and a pretty standard adventure serial. This is highly enjoyable nonsense with the usual ridiculous stunts. The acting is a bit patchy but this is a show for the stunts and adventure, and these are both top notch.

Los Angeles Streetfighter (1985)

If you like low budget and trashy martial arts film which make little sense, you are in for a good time.

Tony (Phillip Rhee) is a new boy at school (even though he looks about 30). He falls foul of the local thug Chan (James Lew), and also begins dating Chan's sister (Rosanna King) which doesn't go down very well. Tony befriends a rival gang leader Young (Jun Chong). Soon, Tony needs to help Young out when he gets into trouble witha drug dealer.

This is a rather shoddy film, so shoddy indeed that the film's title is spelt incorrectly in the opening credits! Much of the action takes place at night in the dark and it is hard to see what is going on. However, what is going on is mostly fighting! The fight scenes arn't that bad, though can be a bit monotonous after a while. Not great, but certainly fun.

The Crusader (1932)

A slightly dull and awkward early talkie.

Philip Brandon (H.B. Warner) is a crusading District Attorney which naturally has gained him a number of enemies as he goes against the big criminals. One person he doesn't go after is law abiding bar owner Jimmie (Lew Cody). Unknown to Brandon though, is that his wife Tess (Evelyn Brent) was Jimmie's ex back when Jimmie was less law abiding.

Meanwhile, Brandon's sister Marcia (Marceline Day) is also involved with a less law-abiding associate of Jimmie, Joe (Walter Byron). When Marcia kills Joe in self-defence, who is going to take the rap...

The story is fine but the execution is flawed, hindered by some poor sound quality. Ned Sparks plays a typically cheeky chappie news reporter (as they always were in 1930s cinema) but it is often hard to hear his dialogue which ruins the effect somewhat. Not a bad pre-code film but it could have been a lot more.