By Whose Hand? (1932)

An escaped convict hides aboard a continental train, only a sassy newspaper reporter can save the day of course!

Killer Delmar (Nat Pendleton) is on the run. Reporter Jimmy (Ben Lyon) follows the police after news Delmar has been seen at the railway station. Jimmy joins the train, more due to his interest in Alice (Barbara Weeks) than anything else. On board the train Delmar is indeed hiding, a jeweller is also killed and his wares stolen...

This is not a bad film though the plot contains nothing that is surprising (the cops are clueless but the reporter is here to catch the criminal et cetera). The film could have done with a bit more budget to give the onboard train scenes a bit more polish though the location does give the film a claustrophobic feel which adds to the tension.

Parole, Inc. (1948)

Gangsters have infiltrated a city's parole programme in order to get dangerous criminals back out on the streets.

The authorities recruit Agent Richard (Michael O'Shea), he takes on the identity of an escaped convict in order to find out who is behind the parole scam. Richard investigates Jojo (Evelyn Ankers) who owns a seedy club where various low-lives and hoodlums hang out. He discovers that her boyfriend Barney (Turhan Bey) is a crooked lawyer who is lining the pockets of corrupt members of the parole board.

A decent crime drama, though for it's good premise it could have maybe been a bit darker. The story is told in flashback by Richard who starts the film all covered in bandages like an Egyptian mummy after the beating he received from the gangsters. 

Rome Express (1932)

An enjoyable crime caper on board a cross-Europe express.

A group of passengers are heading off on a train in Paris for a trip to Rome. They are a motley collection of characters, including an adulterous couple, a film star trying to escape the limelight and a French police inspector. 

Aboard is a valuable painting which is stolen, this leads to murders (though not until some way into the film). There are, of course, many suspects! 

This is a fun film that takes place almost entirely on board the moving train. Neat little camera tricks and editing adds to the interest, though sometimes is a little too cute for it's own good. Conrad Veidt is excellent as the main baddie, exuding menace. Also good in the film is Gordon Harker as a very annoying man.

Speedtrap (1977)

If you like seeing 1970s cars race around and crash, you are in luck.

A string of car thefts, by a mysterious and highly skilled driver who uses a box of electronic tricks to foil the police, is putting Captain Hogan (Morgan Woodward) under pressure. To his dismay, a private investigator is bought in to help. 

Pete Novick (Joe Don Baker) has a bit of a reputation, and a large collection of speeding tickets. He is paired up with one of his ex-s Nolan (Tyne Daly) and begins to unravel a complicated and dangerous plot involving the mob...

A great 1970s piece of car chasing trash. It doesn't really work that well as a crime movie due to the the often confusing plot and meaningless filler. However, for car chases and frequent crashes, plus some cop action it is very enjoyable.

Murder by Invitation (1941)

Played light, maybe too light as it is frequently ridiculous, but this is yet another dark house murder mystery... and its pretty good!

Wealthy aunt Cassandra (Sarah Padden) sees off an attempt by her relatives to have her declared mentally incompetent so they can get their hands on her cash. She invites them to spend the night at her isolated country house. When one of them is murdered, radio reporter Bob White (Wallace Ford) comes in to investigate. 

More murders take place in a house riddled by hidden passages and tunnels. One of the relatives is suspected to be the culprit (though the field is gradually being narrowed down), while Bob and his assistant Nora (Marian Marsh) are struggling to work out what is going on amid all the nonsense and red herrings, Aunt Cassandra has a cunning plan...

This is objectively not a good film, it is a bit too chaotic and many of the actors mill around without much to do (and not doing that well). However, i loved it! It is a fun film, the goofiness makes it hard to take seriously as a crime drama, but if it is approached with an open mind then it certainly is entertaining.

Stingray (1978)

Hapless hoodlums desperately try to get their loot back which has been hidden in a hot (in more ways than one) car...

Drug dealers Tony (Bert Hinchman) and Lonigan (William Watson) kill two cops who try to frame them and hide a stash of cash and drugs in a Stingray that is on sale on a used car lot (well why not?) 

After they link up with their violent boss Abigail (Sherry Jackson) - who is also dressed as a nun - they discover the car has been sold to Elmo (Les Lannom) and Al (Christopher Mitchum). Soon, a mad chase is going on as both the police and the criminals are after them...

This is an enjoyable watch, its a bit of a romp with plenty of car chases, violence and comedic nonsense. Fast moving, especially in the Stingray, and quite ridiculous but a lot of fun.

The Hound of the Baskervilles (1939)

An excellent Sherlock Holmes film.

Sherlock Holmes (Basil Rathbone) and Dr Watson (Nigel Bruce) are called to help to investigate a mysterious beast which is stalking the foggy moors. Young heir Sir Baskerville (Richard Greene) is in danger from this beast, but is the real danger from someone a bit more human...

Before the Rathbone-Bruce films entered the present day (well the 1940s), they did a couple of official Sherlock Holmes stories set in the correct period, of which this was the first. Their characters arn't quite set yet but they do a very good job with a classic story. 

Its a very atmospheric story though the foggy (and presumably chilly) moors reverberate with the sound of crickets for some reason.

Deadline Auto Theft (1983)

A bit of a mess of a film, although good fun to watch as long as you don't think about it too much.

A gang of criminals led by Maindrian Pace (HB Halicki) is stealing valuable cars. After the gang steal the car of police captain Gibbs' (Hoyt Axton) fiancé, Gibbs is out to get the gang. Meanwhile, Pace has been contracted by a drug lord to steal dozens of cars for him...

This film frequently doesn't make a lot of sense, but it is actually an older film (1974's Gone in 60 Seconds) which has been edited quite heavily and has a whole new opening scene (quite a good action set piece as well although cars are crashed for no apparently logical reason apart from it looks cool). The jarring fashions of the two sources of this film are quite noticeable at times, it is all a lot of nonsense really but fun to watch.

Bad Georgia Road (1977)

A very amiable tale of moon shine running and culture shocks.

Bored New Yorker Molly (Carol Lynley) finds she has inherited a farm from a distant relative in Alabama. When she gets there she finds her fantasies of a fancy farmstead are a bit off base as her farm is very run down and the only thing that makes money is the moon shine still. 

Leroy (Gary Lockwood) takes the illegal booze to customers in his hot rod and he immediately takes a dislike to Molly, though you know that won't last long...

This is a fun film although not very original. The culture shock of the NY city slicker ending up in the middle of nowhere is amusing, though the best parts of the film are the various car chases between Leroy and the law.

The Bat Whispers (1930)

Not a great film but interesting from a historical and technical point of view.

Master criminal The Bat steals a necklace from under the police's noses, he then goes into the countryside. Pausing only to rob a bank, he then goes to a lonely country mansion to terrify the occupants including Miss van Gorder (Grayce Hampton) and Dale (Una Merkle). The police in the form of Chester Morris turn up to investigate, but who is The Bat?

This is a remake of the 1926 film The Bat, though this one has sound. It is a bit of a silly romp with plenty of overacting and nonsense but an enjoyable watch. 

This is one of the few films in the Magnifilm wide-screen format which didn't catch on. The film is also cited by Batman's creator as being part of the inspiration for the character.

Dixie Dynamite (1976)

A low budget usually harms a film but in this case it kind of suits it.

After their moonshine making father (Mark Miller) is killed in a police chase, his daughters (Jane Anne Johnson and Kathy McHaley) take over the still and aim to get revenge. They discover that the federal agents who caused the police trouble were fake and an evil rich businessman Stanley Adams is looking to get his hands on Miller's land. The girls get the help of a dirt biker Warren Oates with their search for revenge.

The grubby setting and cheap rough camerawork at times suits the story. A fine B-movie. One of the stunt bikers was Steve McQueen (though he was wearing a helmet but not recognisable) who took the job as he was bored!

A Fig Leaf for Eve (1944)

A silly piece of fluff, that promises sleaze but doesn't really rise to the challenge (so to speak).

Eve (Jan Wiley) is an exotic dancer who is arrested after her lewd (apparently) is reported to the police. In reality her dance was pretty tame even for the day, but her arrest was arranged as a publicity stunt by her agent (Phil Warren). 

Bail bondsman Hoffman (Eddie Dunn) thinks Eve can pass herself off as a missing heiress. When she is introduced to the family she finds not everyone is delighted to see her...

After the dance at the start there isn't much else in the sleaze department to report, what you do get is a rather mediocre melodrama. The highlight of the film is a short cameo by Cheerio Meredith who plays a drunk.

Port of Missing Girls (1938)

Crime and melodrama on the high seas.

Singer Della (Judith Allen) witnesses a murder and is forced by the killer to go on the run with him, thus the police think she is an accomplice. She stows away on board a cargo ship captained by Storm (Harry Carey) - not the best name for a ship captain you'd think? 

She persuades the captain, who is painted as a "notorious woman hater" after his wife left him in the past, to let her stay (somewhat easily). First Mate Jim (Milburn Stone) falls in love with her, Della's troubles are by no means yet over. She is forced to hide out in a hide out in the South Seas which is obviously a brothel.

A decent little film, Jim and Della make a good couple which makes you care about them. The cast do a reasonable good job out of a rather flimsy plot.

The Valiant (1929)

A dramatic early talkie as a man who has committed a terrible crime fights to hide his true identity.

After shooting another man, the killer goes to the police to give himself up. He gives the fake identity of James Dyke (Paul Muni) and refuses to give his real identity, even as he faces the death penalty. Mary (Marguerite Douglas) thinks the mysterious man could be her long-lost brother and heads to the prison to see him and see if she is right...

A decent enough, if at times a bit melodramatic, film which suffers from a little too much cardboard in the acting department, though Muni was very good (and indeed he was Oscar nominated for the role). Interestingly, this early sound film includes a few inter titles as well as sound. The film does not answer all of the questions posed, which is both refreshing and annoying.

Between Midnight and Dawn (1950)

A tough, though uneven, tale of crime on the streets.

Barnes (Mark Stevens) and Purvis (Edmond O'Brien) are two policemen reacting to calls on the radio voiced by Mallory (Gale Storm), whom they both have the hots for. 

However, the partnership (and love triangle) is torn apart by the gangster Garris (Donald Buka) who kills Barnes. Now Purvis is out to bring Garris down no matter the cost...

A fair amount of violence and a lot of scenes set at night give this film a Noir feel. Though this Noir feel is rather diluted by the light hearted nature of the romantic sub-plot. Not a flawless film but perfectly enjoyable.

The Fuzz (1972)

A grubby but fun early 1970s crime drama, maybe a little too much fun.

A police precinct in Boston is grappling with a rather awful case of two kids who are setting tramps on fire (so usual stuff then) when they receive a phone call threatening to kill local politicians unless the city stumps up with a lot of cash. When a police commissioner is shot dead, the police including Detectives Carella (Burt Reynolds) and McHenry (Raquel Welch) now know this is a real threat. The search is on for the mysterious bald, deaf man (Yul Brynner) who seems to be behind it...

A gritty and chaotic film, reflected in the police station itself as the police wrestle with a complicated case working around a couple of wisecracking redecorators who drip paint everywhere. The police are often shown to be a bit inept, and there is a lot of comedy in this film. There is maybe a little too much goofiness to suit the seriousness of the crimes but this is an enjoyable watch.

Escape from San Quentin (1957)

A tense prison break drama.

Gruber (Richard Devon) persuades fellow con Gilbert (Johnny Desmond) to help him break out of San Quentin, Gilbert is vital to the plan as it involves using a plane to fly out of the prison and Gilbert is a pilot. 

The plan succeeds but now the escaped convicts face difficulty in getting their hands on Gruber's hidden stash of loot. Gilbert though is more interested in getting to talk to his estranged wife, soon his sister-in-law (Merry Anders) is dragged into their escape with both the police and the mob after them...

A good film with Noir touches, the actual prison break itself only takes up a small part of the film, most of it is taken up with the convicts on the run. This can drag a bit but the menace and violence of the mobsters keeps you interested.

Thunderbolt (1929)

A good early talkie with some tasty gangster nonsense.

Notorious gangster Thunderbolt (George Bancroft) is wanted by the police, they put the squeeze on his moll Ritzie (Fay Wray) but she won't give him up. In fact, she doesn't really care about him anymore, she is more interested in her her new, and law abiding, lover Bob (Richard Arlen). 

Eventually, Thunderbolt is captured by the police and faces the death penalty but Bob is also put in gaol after being framed, now Thunderbolt seeks to kill Bob while he has the chance...

Early talkies can often be a bit of a chore due to the awkwardness of the actors trying to adapt to the new style, there is a little bit of that here but overall the cast do a good job, Wray especially is excellent. There is a superb scene in a night club too with some decent singing and a bit of fighting. We also get a rather adorable performing dog. An enjoyable film.

Hi-Jacked (1950)

An inoffensive decent little crime drama.

A gang are hi-jacking trucks and stealing the loads, one of these trucks is being driven by Joe (Jim Davis) when he falls for the old broken down car trick.

Unfortunately, Joe has a record so he is suspected by the police of being involved. These suspicions are fuelled when Joe is framed into driving a load of contraband. He sets out to catch the real criminals, and save his marriage to Jean (Marcia Mae Jones)...

This is a reasonable if unexceptional B-movie. The story is not very original and the performances a bit flat. It passes the time but not much more.

The Notorious Lone Wolf (1946)

The Lone Wolf continues, with a new face.

The Lone Wolf, Michael Lanyard (now played by Gerald Mohr) has returned from the war and immediately gets drawn into a plot to steal a valuable diamond. Inspector Crane (William B Davidson) naturally thinks Lanyard and Jameson (Eric Blore) stole the gem - Crane is quite an unimaginative detective to be honest as he always thinks Lanyard is behind all gem thefts, maybe he thinks he will get it right finally. The gem was stolen from a dancer who was wearing it, the dancer being murdered. Lanyard must track down the gem and the murderer...

The Lone Wolf series was just starting to run out of steam by now. Post-war, these kinds of bright and breezy B-movies were starting to look a bit dated in the coming age of the Noir, however Mohr slightly refreshes the role. The rest of the Lone Wolf formula is there and this is a good, if unexceptional, entry in the series.