The Scarecrow (1920)

An enjoyable and highly inventive comedy from the legendary Buster Keaton.

Buster Keaton and Joe Roberts are poor farmhands who manage to survive in very inventive ways, including reusing the same coin over and over again in the gas meter! They are both interested in the farmer's daughter Sybil Seely. Buster disguises himself as a scarecrow to cause trouble for Joe and soon he and Sybil are engaged. But of course they get married in a madcap road scene while on a motorbike and sidecar combination!

A great comedy, inventive (the hut they live in at the start with all the hidden gadgets and tricks is brilliant) and slipstick which culminates in a frenetic and fairly spectacular final scene. 

A Night in the Show (1915)

Charlie Chaplin goes to the theatre, obviously mayhem ensues. Firstly he has trouble getting a seat he likes, and of course causes a lot of disruption changing it. Finally he gets into a fight with the conductor and is thrown out! 

Meanwhile in the cheap seats is a tramp, who looks rather like Chaplin's future iconic character, who causes even more trouble. When a fire eater is on stage he thinks the building is on fire and starts to hose down the stage... and the audience!

The film is of it's time, violent slapstick without any real story or meaning. Chaplin at this stage was randomly punching people for laughs, which in itself is sometimes funny though something better was yet to come.

Safety Last! (1923)

An iconic film, even if you are normally unfamiliar with silent movies you probably have seen the scene of Harold Lloyd hanging off the side of a tall building holding onto the hand of a clock!

Lloyd is a country boy who heads off to the big city. He gets a job as a clerk at a department store. In love with Milfred Davis, he needs plenty of money to get married. To get a big reward from the boss for promoting the store he ends up climbing the side of the building with some truly death defying stunts...

There is more to the film than the building climb but that is what you will remember (the earlier parts of the film can be a bit run of the mill at times) and the stunts are extraordinary. The scene where Harold tries to trick Milfred that he is a store manager though is also a delight.

Fatty Joins the Force (1913)

Fatty Arbuckle thinks joining the police will sort him with his beau.

Fatty's girlfriend Dot Farley likes a man in uniform. When a child falls into the lake she encourages Fatty to save it, by pushing him in after it! Happily Fatty does save the child after much splashing about and it turns out that the child is the daughter of the Police Commissioner (George Nichols). Fatty is rewarded by being made a police officer. However, he soon finds out that being a police officer and tackling criminal types isn't that much fun...

A perfectly fine if unexceptional little slapstick comedy film. Not all the gags work but Arbuckle does a decent job with the material he is given.

The Primrose Path (1925)

A decent melodrama though it certainly packs plenty in.

Bruce (Wallace MacDonald) is well off, unfortunately he spends his money on gambling and booze. Despite the fact he is a bit of a loser, his gal Marilyn (Clara Bow) sticks by him. Bruce ends up gambling with the boss Tom (Stuart Holmes) of the establishment where Marilyn works as a dancer. Bruce loses big and can't pay up. To avoid jail he has no choice but to be involved in diamond smuggling with Tom.

The troubles however, continue to rack up for Bruce. He gets involved in a death and it all spells ruin (and the electric chair) for Bruce, and despair for his widowed mother and crippled brother (just in case you haven't got enough melodrama!)

An emotional film but handled with enough subtlety to keep things just about bearable.

The Lesser Evil (1912)

A neat little drama.

A young woman (Blanche Sweet) goes to meet her sweetheart, a fisherman (Edwin August). Unfortunately the meeting point is where a gang of smugglers led by (Alfred Paget) store their wares. The woman is kidnapped by the smugglers who take to their boat. While her sweetheart tries to raise the alarm and get help, trouble is brewing on the boat. The crew are now boozed up and seeking to have "fun" with the woman, she considers death would be preferable, the lesser evil...

While not a masterpiece the film is decent in most ways including the naturalistic acting.

The Boat (1921)

Buster Keaton has built a boat in his house and intends to take his family on a trip. What could go wrong? Apart from everything.

First of all the boat is too big to get out of the house, the boat is finally removed from the house but not without demolishing the house! Buster's wife (Sybil Seely) is not that impressed naturally though shows admirable restraint. When the family do get to the sea, the boat it sinks (of course) leaving them in peril! He could probably do with another hobby to be honest.

This is a good slapstick comedy but with some subtle humour too. So much is packed into this short film, you might even think a little too much? A great film from a comedy master. 

His New Profession (1914)

An early Charlie Chaplin short comedy. An interesting if not especially brilliant stepping stone on the road to greatness.

Courting couple Charlie Chase and Peggy Page are having their date ruined by a crippled uncle (Jess Dandy) they are supposed to be looking after. They see Charlie and decide that of course that he would be the perfect person to outsource their care for uncle to! 

Much antics follow, including Charlie taking advantage of the uncle to beg for some money and gets into a fight over a girl...

Chaplin was still learning the ropes and also his Tramp character was still in it's very early days. It is by no means the best Chaplin film, the main character is a bit too mean and aggressive. A fine historical piece nonetheless.

Lady of the Night (1925)

An enjoyable melodrama with a great performance by Norma Shearer.

Two baby girls are born very close together but also so far apart. One is Molly, the daughter of a man (Lew Harvey) sent to prison for a twenty stretch, and the other is Florence, the daughter of the judge (Fred Esmelton) who put him away! Eighteen years later the two young women (both played by Norma Shearer) have left their respective schools. Molly has become an escort, after a fight at a club she is rescued by an inventor called David (Malcolm McGregor) and falls in love, though David doesn't see it the same way...

With Molly's help, David decides to use his invention that can open any safes for good and not crime. Florence then meets David and starts dating him. However, she realises that Molly really loves him...

It is all wrapped neatly in a way the class conscious 1920s would accept of course. A sentimental film but very well done. The acting is natural and subtle and the story well told. Shearer does very well playing two roles, and two very different characters.

The Story of the Kelly Gang (1906)

A historic film that unfortunately now only barely survives.

This film was one of the first full-length movies, originally lasting over an hour, though less than twenty minutes of it now survives. However, despite that we can see that the film was a stunning achievement for it's day. 

The film has six scenes based on the Ned Kelly Gang story. The gang are already notorious and hunted by the police when the film starts. We see the gang carry out a number of killings and hold-ups and even attempt to derail a train. Finally the police close in and Ned Kelly (possibly played by Frank Mills) fights to the very end...

The story of Ned Kelly is legendary and this was the first film to depict the Australian outlaw and terror of the bush. Indeed the film was made just 26 years after Kelly was executed and many would still have first hand memories. It is just such a shame so little now survives.

Riders of the Purple Sage (1925)

A classic silent era Western, based on the famous Zane Grey novel.

Jim Carson (Tom Mix) rides to the rescue when his sister (Beatrice Burnham) and her daughter is kidnapped by some bad dudes on the order of the evil Lew Walters (Warner Oland). Jim saves his sister, then he links up with rancher Jane (Mabel Ballin) in her fight against some cattle rustlers called the Riders of the Purple Sage. Behind their crooked antics secretly is Walters, who is posing as a judge...

This has all you need for a top quality Western, a great hero, a great villain, superb scenery and lots and lots of action.

L' Orgie Romaine (1911)

The hedonistic lives of the Roman Emperors (at least in popular imagination) have always been a rich subject for film. In this early film we follow the notorious Heliogabalus (Jean Aymé) as he indulges himself with a harem of women, boys and also lions!

Heliogabalus comes to a sticky end though when the Pretorian Guard finally tire of his cruelty and deviance. Live by the orgy, die by the sword as they probably never said.

A luscious film that certainly had no shortage of extras and fancy costumes. The camera is rather static and the acting frequently over dramatic but a good story is told none the less.

A Woman (1915)

An intriguing Charlie Chaplin film where he dresses as a woman in order to be near a woman.

While his wife (Marta Golden) and daughter (Edna Purviance) snooze in the park, Father (Charles Inslee) gets bored/horny and starts chasing after a young woman (Margie Reiger). However, the arrival of Charlie throws all of Father's wooing up in the air, and into the lake to be exact. The two sleeping ladies awake and both fall for Charlie though of course Father forbids it. Charlie resorts to dressing as a woman in order to continue his wooing of the daughter. Unfortunately Father quite fancies this new "lady" who has come to the house...

Not the best Charlie Chaplin short comedy of the decade, the comedy style was still evolving, but certainly well worth watching. Chaplin makes a rather convincing female it has to be said.