Murder on a Honeymoon (1935)

School teacher and amateur detective Hildegarde Withers (Edna May Oliver) is on a seaplane to a holiday resort with an assorted set of fellow passengers. When they reach their destination one of the passengers is found to be dead. In NY Inspector Piper (James Gleason) discovers the victim had a bounty on his head from the mob and heads out to join Hildegarde to investigate the death.

Despite a small pool of suspects including newly weds (Harry Ellerbe and Dorothy Libaire) and a somewhat eccentric movie producer (Leo G Carroll), the investigation is complicated. Hildegarde bullys the hapless, laid back local police (Spencer Charters) into action, and then she and Piper form an amusingly dysfunctional but effective crime fighting duo.

A fine little murder investigation film with plenty of the usual red herrings and multiple suspects. A complicated plot and highly enjoyable especially with the twists at the end and the unusual (for the time) culprit. Oliver and Gleason steal every scene, they are brilliant.

Starcrash (1978)

Hilariously camp space opera. Akton (Marjoe Gortner) and Stella (Caroline Munro) are smugglers on the run from imperial forces. Their luck finally runs out and they are captured but then they are given a secret mission by the Emperor (Christopher Plummer), they must discover the secrets of the usurper Count Zarth (Joe Spinell) and rescue the Emperor's son Simon (David Hasselhoff).

Assisted by the robot L (Judd Hamilton) - who speaks with a Southern drawl - their adventures take them from planet to planet, encountering Amazons with a giant robot and cavemen. The final showdown takes them into battle with Zarth to save the universe...

So, a deliciously cheesy romp with cardboard sets and dodgy special effects. The story shamelessly plunders Star Wars for inspiration (as well as a few other films, the Amazons' giant robot is straight out of Jason & the Argonauts for example). The dialogue is often ridiculously banal and awkward. The acting, indifferent. The result is, somehow, superb.

The Monster of Highgate Ponds (1961)

A delightful and silly children's film. Uncle Dick (Ronald Howard) has bought back some eggs and other specimens from Malaya. One huge egg is not labelled so naturally and he doesn't know what it is... so naturally he gives the egg to his nephews to look after! 

David (Michael Wade) takes the egg to school where it hatches a small reptile which resembles a dragon. As the creature is growing very quickly, David and his friends Sophie (Rachel Clay) and Chris (Terry Raven) are forced to release the creature into the lake on Hamstead Heath. Trouble comes when a couple of crooks try and steal it...

A fun little film with some decent stop motion animation. Scientifically implausible maybe but certainly a novel 1960s monster film, one that doesn't involve crowds of people running in terror from a rampaging beast for a change.

Switching Channels (1988)

A hilarious comedy involving the crazy world of cable news. Christy (Kathleen Turner) is a top reporter for SNN, which is run by her ex-husband Sullivan (Burt Reynolds) and they have a love-hate (to be honest mostly hate) relationship. On holiday, Christy meets rich fitness goods tycoon Blaine (Christopher Reeve) and decides to quit the news business and marry Blaine. 

However, there is a huge story developing in Chicago. Ike Roscoe (Henry Gibson) is due to be executed for killing the drug dealer who caused his son's death, unfortunately that dealer was also a cop and eccentric DA Ridnitz (Ned Beatty) is detirmined to have Roscoe go to the chair as part of his campaign to become the governor...

Christy agrees to do one last report for SNN and this sets off a chain of crazy and madcap events involving a pardon, a prison escape and a hunt through government offices while poor Roscoe hides inside a photocopier...

A high energy film with a good quality cast. Turner and Reynolds have great chemistry together and the film is full of good gags sending up the rolling news industry (a well deserved target after all).

The Hostage (1956)

A very uneven, and often quite amateurish, film though ultimately worthwhile. In London a group of terrorists kidnap Rosa (Mary Parker), the daughter of the President (Carl Jaffe) of a South American country. The terrorists led by Main (John Bailey) want to try and stop the execution of one of their faction, they warn the President that unless the execution is stopped his own daughter will also die...

Meanwhile an American pilot called Trailer (Ron Randall), who seems to dislike opening his mouth that wide when he speaks, is used by the terrorists to gain some publicity (and enters the suspicion of the police). They also kidnap him to try and persuade Rosa to talk to her father. As time runs out Special Branch try and discover where Rosa is by sending radio detection vans around London...

The film starts off rather slow though the last act is action packed. The police seem rather clueless, they know the terrorists plan to hang Rosa publicly in London somewhere and yet just put a single PC outside the embassy (after all, publicity hungry terrorists would never choose there!) The action scenes are rather cheap, the film suffers from a low budget throughout and the acting often rather stiff and strange. Despite all of that (or maybe because of it), the film is enjoyable and, once it picks up the pace, resembles a movie serial at times.