The Long and the Short and the Tall (1961)

A gritty war film. Mitchem (Richard Todd) is leading a British Army patrol in the Malayan jungle with the Japanese closing in. His motley group of men fulfil various British stereotypes including the anti-establishment cocky cockney Bamforth (Laurence Harvey) and the touchy, proud but conflicted Scotsman (Ronald Fraser). Mitchem's main problem seems to be with Corporal Johnson (Richard Harris) who questions his orders.

Holed up in a hut the men capture a Japanese soldier (Kenji Takaki), Bamforth forges a friendship with the man and ends up defending him when Mitchem decides the man must die, and Johnson shows a rather bloodthirsty desire to carry out that order. When it is established the Japanese are a lot closer than expected the patrol tries to retreat but is it too late?

Although studio based (with some stock footage of wild animals) the film makes the most of it's limited sets and budget to produce a realistic view of war, and it's effects on humanity. No daring chisel jawed heroes here, more like ordinary men hurled into extraordinary times and how the true man behind the facade emerges when the pressure is on.

Contraband (1940)

An excellent little wartime spy drama. Andersen (Conrad Veidt) is the captain of a neutral Danish freighter which is impounded by the Royal Navy to check it's cargo. Two of his passengers, Mrs Sorensen (Valerie Hobson) and Mr Pidgeon (Esmond Knight), jump ship and head for London. Andersen goes in pursuit, he catches up with Sorensen and soon finds he is involved in a cat and mouse fight between British and German agents.

Andersen and Sorensen end up the prisoners of the Germans in a basement lair. Andersen manages to escape and enlists the help of some of his countrymen to save the day and more importantly Mrs Sorensen...

An exciting film full of derring-do that makes the most of a modest budget. Filmed when it was, just as the war was starting, the propaganda is dialled back and the Germans are mostly portrayed as doing their duty as opposed to just being evil. The growing relationship between Andersen and Sorensen is well portrayed and very believable.

Runaway (1984)

A rather strange, sometimes cheesy, but definitely fun future cop film. It is the near future (and looks like 1985) and robots are everywhere, doing everything from the cooking to construction. However, sometimes they go wrong and that is where the specialist police team led by Ramsey (Tom Selleck) comes in. Along with his new partner Thompson (Cynthia Rhodes) they chase and disable a runaway agricultural robot. But soon things become much more serious when they are called to the case of a robot which has killed people...

They discover the robot has been modified by an unauthorised microchip and under the control of someone else. That someone else is Luther (Gene Simmons), a rather over the top hoodlum and electronics expert, who wants to make these killer chips to terrorists and the mob. Ramsey seeks to stop Luther though he always seems one step ahead, plus he has a gun which fires heat seeking bullets...

A glorious mess of a film, completely ridiculous in many ways but always entertaining and with some interesting ideas about how technology would develop in the future (and they got a lot of things spot on). Tom Selleck seems a bit out of place in this film but that makes it all the more fun and to be fair he does a good job. Gene Simmons chews the scenery but it completely suits the film. Also look out for Kirstie Alley.

Once in a New Moon (1935)

What would happen if a sleepy English seaside village was sucked into space and became a new sphere orbiting the Earth? I'm sure it is a question everyone has asked at some stage, well here is the answer. 

Shrimpton-on-Sea is a typical English village with a well meaning but pompous Lord (Morton Selten) and the populace veering between fawning obedience and simmering revolutionary resentment. A passing dead star pulls the village off into space and it becomes Shrimpton-in-Space!

The postmaster and keen scientist Drake (Eliot Makeham) knows what is going on but the Lord and his committee of yes-men laugh at him... until he takes a boat to "circumnavigate" the globe in a few hours! They indeed are now on their own and cut off from the rest of the world. With every resource in limited supply the Lord orders a system of rationing but some voices start to call for the Lord's estate, and it's riches, be plundered for the good of all. Conflict sparks between the two captions...

A science-fiction tale but mostly this is an often funny satire on Interwar Britain with it's slightly shakey but still intact class system and the dark shadow of socialism threatening to cut the Lord off from his sherry. Drake's daughter Stella (Rene Ray) and the Lord's son Bryan-Grant (Derrick de Marney) provide the love interest, and of course another aspect of the class-divide which is explored in this film. Mary Hinton is perfect as the snooty Lady of the manor.

The Battle of the Century (1927)

A Stan Laurel and Oliver Hardy comedy short most famous for it's custard pie fight! Before that though Stan Laurel is the world's most unlikely prize fighter and inevitably gets beaten. Oliver Hardy takes out an insurance policy on Stan (sold by the unscrupulous Eugene Pallette) and then tries to engineer an accident using a banana peel. Things don't go to plan of course and after the banana peel causes a custard pie salesman (Charlie Hall) to slip and fall all Hell breaks out in the resultant custard pie fight! 

The custard pie fight goes on for a long time, maybe too long but fulfils all the slapstick requirements of a comedy short of the period. The pie fight was said to have used at least 3, 000 custard pies (and maybe many more according to some sources!) This was one of the earliest official Laurel and Hardy films and they had yet to master their characters but the film is still good fun, though a bit disjointed due to missing parts of the film.