Scared to Death (1980)

Remarkably good sewer monster thrills.

Some kind of deranged super strong maniac is killing random women, not that unusual in LA of course but the police are baffled by this case... no wonder because the assailant isn't human! Ex-cop and now novelist Ted (John Stinson) is finally persuaded by his old buddy (David Moses) to help investigate the case. His girlfriend Jennifer (Diana Davidson) arranges to meet shy nerd girl Sherry (Toni Jannotta) who has vital information on the attacks but before she can meet her at a former research centre she ends up the latest victim (though survives).

Ted is told by Sherry that the attacks are being made by an artificial life form which lives on human spinal fluid. Ted and Sherry head into the sewers to find... and ultimately get chased by the creature...

Although the story is fairly generic (and an early Alien inspired film), this is an entertaining film that rises above the obvious cliches and makes the most of the low budget (the monster itself when we see it is pretty cool). 

The Stranger (1946)

A tight but maybe somewhat melodramatic thriller about the search for a Nazi war criminal hiding in plain sight.

A notorious but secretive Nazi is known to be hiding in the US, but the authorities are stumped because there are no photographs of him (even though he was apparently the mastermind behind the concentration camps). A plan is concocted to release one of his former henchmen Meinike (Konstantine Shayne) who then heads to the US to a small town. Following him is Agent Wilson (Edward G Robinson) but unfortunately he is in capacitated and thus does not know that Meinike has met local teacher Professor Rankin (Orson Welles). Cooly Rankin disposes of Meinike in the woods, and then goes ahead with his marriage to Judge Longstreet's (Philip Merivale) daughter Mary (Loretta Young). Rankin's plan is complete, now he can hide deep in the respected US establishment and await the Fourth Reich...

Or can he? Wilson quickly has his suspicions and begins to investigate Rankin who enters a game of wits with the agent. Mary is told of her husband's real identity but refuses to believe it. Can Rankin be stopped before he flees, and adds to his murder toll?

This is a superb film, which continually builds the tension. It also has great cinematography as you would expect from Welles. The ending on the clock tower is astonishing. Really the only criticism one can make about this film is that the story is a little far fetched.

The Man from Planet X (1951)

The setting and some ambiguity helps elevate this sci-fi invasion film above the pack slightly.

Reporter Lawrence (Robert Clarke) arrives in the remote Highlands of Scotland to visit a professor (Raymond Bond) who is observing a strange new planet that has appeared. The planet is getting closer and will be at it's closest over their remote Scottish village, Lawrence is interested though probably a bit more in the professor's daughter Enid (Margaret Field).

Enid observes a strange vessel nearby, upon investigation they encounter a strange man in a suit, a man from another world. He needs their help but the unscrupulous assistant of the professor, Dr Mears (William Schallert) beats the alien up to try and get his secrets so he can rule the world. This obviously annoys the alien who begins to enslave the villagers so he can facilitate an alien invasion...

So, the plot is fairly unoriginal (and there was no shortage of films like this in the 1950s!) The effects are rather cheap and laughable but the remote Scottish setting and the ambiguity of the alien intentions adds some interest to the film.

Gas! (1970)

A hippie satire, and thus of course makes little sense. Even if you are on acid.

The US has developed a chemical weapon that can kill everyone over the age of 25. Naturally this weapon escapes and does it's worse and most of the world population is wiped out. 

Coel (Bob Coroff) and Cilla (Elaine Giftos) escape Dallas, which is now run as a deranged dictatorship by a young ex-cop with a whip, and head across the US to seek a commune. They run across a series of strange obstacles including a cowboy who steals their car and a record shop guarded by a wannabe freedom fighter...

Don't worry about the story to be honest, enjoy the film for it's period music and styles. The soundtrack is great and the flower power girls looked amazing. Anti-establishment but not anti-groove.

The Raven (1963)

A comedic horror-magical romp that reeks of ham.

Sorcerer Dr Craven (Vincent Price) is disturbed by a talking raven! He discovers that the raven is a fellow wizard who has had a spell put on him, after much messing about a potion turns the raven back into Dr Bedlo (Peter Lorre). He tells him the evil Dr Scarabus (Boris Karloff) did it, Craven and Bedlo head off to Scarabus' castle along with Craven's daughter (Olive Sturgess) and Bedlo's son (Jack Nicholson).

Dr Scarabus is a most accommodating host though Craven is shocked to find his beloved wife Lenore (Hazel Court), thought lost, is there alive and well! Scarabus and Lenore have concocted an evil plan to lure Craven to the castle to steal his powers...

It is all very silly and rather campy. At times it can be unbearable but the great cast keeps the film going. The raven is very impressive, but they are very intelligent birds of course.