Confessions of a Driving Instructor (1976)

The third of the Confessions films, this time Tim and Sid open a driving school, much female nudity follows...

Tim (Robin Askwith) passes his test to become a driving instructor (by bonking his female examiner of course). He and Sid (Anthony Booth) open a driving school next door to a rival led by the rather deranged Truscott (Windsor Davis). Naturally most of the pupils appear to be sex starved women whom Tim has to instruct (in various ways!)

There isn't really much plot to this, its more a series of saucy sexcapades with gratuitous nudity, nonsensical comedy situations and crude innuendo. Its brilliant of course!

A very funny film and maybe the best in the series, its not high art for sure but has its own special kind of genius. Some very good comedy turns including by Irene Handl make this highly enjoyable if you are broad minded enough.

Freckles Comes Home (1942)

Played light, this is an enjoyable crime drama that doesn't take itself very seriously.

Freckles (Johnny Downs) has returned to his small town from college, unbeknownst to him the guy (Walter Sande) sat next to him on the bus and who he persuaded to also stay in town is a gangster called Dolan on the run! Freckles discovers that his father (Irving Mitchell) has financial troubles but is too proud to end his feud with the town banker (John Ince) to enable a new road to be built to boost the town's (and Freckles' family's fortunes).

Dolan offers to help Freckles by bringing in his financier friend (Bradley Page). However, this friend Quigley is really here to plan how to rob the bank! Meanwhile, the family servant Jeff (Mantan Moreland) has a scam involving a machine that can apparently detect gold and he tries to trick Quigley's chauffeur Roxbury B Brown the Third (Laurence Criner)! While all this is going on can the romance between Freckles and old flame Jane (Gale Storm) blossom?

An enjoyable film with plenty of storyline packed in (maybe a little too much to be honest). The film can be a little confusing at times with so many plot elements clashing, some of the characters are also a bit one dimensional. It's well worth a watch though, the comedy scenes with Moreland and Criner are superb.

Dark Manhattan (1937)

A great example of the "race movie", and the first all black cast film to come out of Hollywood.

Larry Lee (Clarence Brooks), a banker in the numbers racket in Harlem, recruits cocky up and coming thug Curly (Ralph Cooper) to join his gang. Curly soon becomes Lee's main man, and when Lee needs to take time off for his health Curly is the obvious choice to take over. 

But Curly isn't content with keeping things steady, he has ambitious plans and unleashes his men on rival bankers across the city, smashing up properties and muscling in on the other banker's territories. He also muscles in on Lee's squeeze Flo (Cleo Herndon). But the other bankers arn't ready to just sit back and let Curly take over...

A very enjoyable film despite the rather basic and unoriginal plot (which is fine when it's done as well as this). The story proceeds apace and with plenty of purpose. The film is enlivened by Cooper's charismatic presence in every scene he was in. The other star of the film was Lee's amazing drinks cabinet, as soon as you see it you'll want one in your own house.

Master Ninja II (1984)

The Master was an American TV show about an old ninja, it didn't run for very long but some of the episodes were put together to create TV movies.

So, this is basically episode 3 and 4 of the TV series. No attempt is made to make the join between the two episodes seamless by the way, which is quite funny. Lee Van Cleef plays McAllister, an Army veteran who became the only gaijin ninja master in Japan. However, he is now in the US with his young apprentice Max (Timothy Van Patten) looking for McAllister's daughter, trying to avoid being killed by other ninjas, and fighting injustice (of course!)

In the first story, McAllister and Max help Carrie (Crystal Bernard) with her fight against a corrupt company boss, who was involved in her brother's death. The second story involves terrorists and secret agents and includes guest appearances from George Lazenby (who wears a tuxedo throughout of course) and David McCallum.

Watching this you can see why this only lasted for thirteen episodes on TV. Van Cleef isn't a very convincing ninja master if we are going to be honest. The story is often quite generic 1980s US TV action show but is fun enough if not taken very seriously.

Moon Zero Two (1969)

While mankind was reaching the Moon for real, this film explored what might be happening there in a few decades time: salvaging junk, drinking awful booze in Moon based saloon bars and having purple hair.

Kemp (James Olson) is a former hero astronaut (the first man on Mars) but is now relegated to flying a worn out old ferry and salvaging broken satellites. He is hired by mega rich JJ Hubbard (Warren Mitchell) for a secret and fairly illegal job: force an asteroid that is basically a giant sapphire to crash on the Moon so it can be much easily mined. Kemp, in need of cash, carries this out.

But meanwhile Clem (Catherine Shell) has arrived on the Moon and also need Kemp's help to find her missing Moon miner brother. As he helps her he finds himself drawn into JJ Hubbard's darker and much more deadly plan...

This really is a great film, great fun and action from start to finish. The limited special effects do not detract from the story (and indeed were not that bad for the day anyway). Surely a film that can bring you Bernard Bresslaw as a hired thug in a spacesuit can only be great?!