Crash Landing (1958)

A perfectly serviceable aeroplane disaster movie, more serviceable than the engines on the plane anyway.

A flight is half-way between Lisbon and New York, over the Atlantic Ocean. Two of the engines fail suddenly and now the tough Captain Williams (Gary Merrill) has to decide whether to ditch in the drink or try and make land. Williams has a very low threshold for failure, as we see in a flashback with his wife (Nancy Reagan) and son. However, as the adventure unfolds Williams learns how to be a human, be a better father and save everyone onboard. Give that man a payrise!

The rest of the crew and passengers are the usual collection of stereotypes, some of whom also have their happy redemption stories. Though the cliches are sometimes not fully developed.

The film is fine enough, if rather slow at times and static. However, the overall story and effect are worth staying around for. 

Killpoint (1984)

Lots of violence though not a lot of plot, but this isn't that unusual for a low-budget 1980s action movie.

Nighthawk (Stack Pierce) under the orders of the somewhat deranged Marx (Cameron Mitchell) steals a lot of firepower from the state National Guard armoury. These guns are then sold to local gangs who go on bloody murder sprees and robberies. 

Federal agent Bryant (Richard Rountree) is tasked with bringing the gun runner to justice (though considering the body count there doesn't seem a great deal of urgency from the authorities). He is helped by Detective Long (Leo Fong) who is still mourning the rape and murder of his wife. Crimes which the gun runners and the gangs were involved with...

There isn't a lot of plot, what plot the film has is mostly there as a flimsy skeleton to hang the frequent violent action set-pieces off. Oh and there is a lot of violence in this film, guns and martial arts and murder. The film is rather shoddily made and hard to follow at times but for what it is, its fine, even pretty good. Just not very subtle.

Just Off Broadway (1942)

Michael Shayne is in court, though luckily in the jury and not the dock!

Shayne (Lloyd Nolan) is doing jury service, with Lillian Hubbard (Janis Carter) the defendant. A witness is killed in the court room by a mysterious man throwing knives. Shayne decides to investigate what is really going on even though it means violating the jury rules. 

He sneaks out and with the help of reporter Judy Taylor (Marjorie Weaver) investigates a trail leading to a nightclub singer (Joan Valerie) and a club owner (Don Costello). Of course, Shayne can't let anyone know he is out and about, but Higgins (Phil Silvers) is out to get a photo of him!

A fine entry in the Michael Shayne series though not quite as good as earlier instalments, credibility is maybe stretched a little far with the many shenanigans which take place on the one night but the film is a fun watch. 

African Story (1971)

A cool if somewhat strange early 1970s drama.

Producer Arnold Tiller (Stephen Boyd) dislikes his hot pop star Rex Maynard (Michael Kirner), especially when Rex elopes with his daughter (Sue Kiel) to South Africa. 

Arnold has other problems though, as the mob are blackmailing him. Rex has to deal with a fake kidnapping and then a real one...

A rather odd film and not without plenty of flaws including some rather obvious dubbing at times, however it does look good and has plenty of charm and style, the character of Rex in particular is fun. The film also has an unexpected and slightly unusual ending.

The Dancing Masters (1943)

One of the later Laurel and Hardy films, a flawed film but the magic is still there.

Stan Laurel and Oliver Hardy operate a dance academy, after a short interlude where they get swindled into an insurance policy by a very young Robert Mitchum, they begin to help a young inventor (Robert Bailey) with both his new death ray invention and his love life with Trudy Marshall...

This is a great little film, filled with the trademark Laurel and Hardy humour and slap stick antics. However, the story line is stretched a little too far though, plus the final runaway tram scene goes on a little too long. It isn't perfect but it is still wonderful.