Valley of the Dragons (1961)

A Jules Verne adaptation which leaves no stock footage left unused.

Hector (Cesare Denova) and Michael (Sean McClory) are about to fight a duel when a comet transports them to the Moon! There they find a prehistoric land of large lizards with bits of plastic stuck to them and unconvincing cave men... and of course cave women in fur bikinis. 

So, this isn't a very high budget film. It is padded out massively with stock footage from other films. The dinosaur scenes are not very convincing and rather cruel, getting real crocodiles to kill lizards on camera! It is all fairly cheesy and, of course, complete nonsense. 

King of the Zombies (1941)

Spooky goings on at cliché island.

After the plane carrying James (Dick Purcell), Bill (John Archer) and Jeff (Mantan Moreland) is forced to land in bad weather on a mysterious island they are met by Dr Sangre (Henry Victor) who apparently lives there as an Austrian exile. Something weird is going on, including zombies wandering the place and women in traces appearing and disappearing before our heroes very eyes! There is a dark secret on the island involving voodoo rituals, hypnotism and the quest for secret plans...

A voodoo/zombie romp which clicks every cliché box and being a film of it's time there is a enemy agent sub-plot, but is a fine enough film with a fast moving if unoriginal plot. Mantan Moreland makes the film as the cast is otherwise quite bland, though competent. Most of the humour comes from him, though some of it may be dated and a bit stereotype these days.

Nine Deaths of the Ninja (1985)

Ninja nonsense in the jungle.

A group of American tourists are kidnapped on a tour of the Philippines by a band of terrorists led by a crazed nazi (Blackie Dammett) and his lieutenant who is apparently called Honey Hump (Regina Richardson)! 

The terrorists want the release of a brutal madman, the US government sent three of their special agents who have martial art skills including Spike (Sho Kosugi) who was kicked out of ninja school but wants to prove himself.

This is a very silly film but once you treat it as a comedy spoof it makes a lot more sense. The plot though makes very little sense and is filled with bizarre scenes and tangents. The actual fighting, especially the ninja scenes, are nothing special but competently done. A curiously odd film, not brilliant but certainly memorable.

Night of Terror (1933)

A rather inventive dark house mystery with some good twists.

A maniac is on the loose leaving a trail of dead behind him. The latest killing is near to the Rinehart estate, though the mad scientist son of Rinehart, John (Bryant Washburn) is busy with his new formula which can help someone survive being buried alive for hours. 

His sister Mary (Sally Blane) is more interested in her reporter boyfriend Tom (Wallace Ford) - who has plenty of wisecracks of course! The Rinehart servant Degar (Bela Lugosi) adds a creepy feel to this story though it remains a crime drama not a horror.

The Rinehart family start being bumped off one by one, so as to lessen the competition for the inheritance for someone, but who? Degar is of course accused of the crime but is the murderer someone else entirely, maybe someone who we thought would have a cast iron alibi?

This is a fine film with some good twists and red herrings plus the usual dark house mystery tropes of random screams, hidden passages and doorways and a steady body count. One notable red herring is the maniac himself who in the end we find had nothing to do with the goings on in the house!

Crash Landing (1958)

A perfectly serviceable aeroplane disaster movie, more serviceable than the engines on the plane anyway.

A flight is half-way between Lisbon and New York, over the Atlantic Ocean. Two of the engines fail suddenly and now the tough Captain Williams (Gary Merrill) has to decide whether to ditch in the drink or try and make land. Williams has a very low threshold for failure, as we see in a flashback with his wife (Nancy Reagan) and son. However, as the adventure unfolds Williams learns how to be a human, be a better father and save everyone onboard. Give that man a payrise!

The rest of the crew and passengers are the usual collection of stereotypes, some of whom also have their happy redemption stories. Though the cliches are sometimes not fully developed.

The film is fine enough, if rather slow at times and static. However, the overall story and effect are worth staying around for.