The Crusader (1932)

A slightly dull and awkward early talkie.

Philip Brandon (H.B. Warner) is a crusading District Attorney which naturally has gained him a number of enemies as he goes against the big criminals. One person he doesn't go after is law abiding bar owner Jimmie (Lew Cody). Unknown to Brandon though, is that his wife Tess (Evelyn Brent) was Jimmie's ex back when Jimmie was less law abiding.

Meanwhile, Brandon's sister Marcia (Marceline Day) is also involved with a less law-abiding associate of Jimmie, Joe (Walter Byron). When Marcia kills Joe in self-defence, who is going to take the rap...

The story is fine but the execution is flawed, hindered by some poor sound quality. Ned Sparks plays a typically cheeky chappie news reporter (as they always were in 1930s cinema) but it is often hard to hear his dialogue which ruins the effect somewhat. Not a bad pre-code film but it could have been a lot more.

Time to Kill (1942)

The last Michael Shayne film starring Lloyd Nolan in the title role, though the film series would continue with a different actor. 

Shayne is hired by a wealthy widow (Ethel Gryffies) to retrieve a valuable coin which she thinks that her daughter-in-law (Doris Merrick) has stolen when she left. Shayne uncovers a trail leading to a gang of counterfeiters but there is something a lot darker uncovered too, a trail leading to blackmail and murder...

A fine way to end the Nolan series of Shayne films, though this was originally a Raymond Chandler story which was later made as the Philip Marlow story Brasher Doubloon in 1947. This version of the story is played a little lighter with plenty of wise cracks and snappy dialogue and scenes. 

High Flight (1957)

Young men want to join the RAF and fly the latest jets. However, the path to join the elite does not run that smoothly.

One of the cadets is Winchester (Ray Milland) who causes a stir by arriving at the cadet school in his girlfriend's plane. Although he is a little careless and a bit wild, the commander Rudge (Kenneth Haigh) lets him off. It turns out that during the war Winchester's father died after Rudge's own carelessness. Something Winchester junior is well aware of...

An enjoyable, if fairly predictable, film. It is enlivened by some decent performances by the leads and good cameos from Leslie Philips and John le Mesurier. There is also a bit of comedic relief provided by Anthony Newley who causes havoc with his radio controlled flying saucer! The real stars of the film though are the Vampires and Hunters, classic British jets from a bygone age.

The Hidden Room (1949)

An excellent Noir, wonderfully dark with building dread.

Psychiatrist Dr Riorden (Robert Newton) presents a calm, controlled face to the world but internally he is raging about his wife Storm (Sally Grey) and her cheating with young American Bill (Phil Brown). 

Riorden kidnaps Bill and locks him in a cellar. Every day he puts some more acid in a bath in the cellar, he tells Bill that one day he will kill him and dispose of his body parts in the acid! Storm doesn't know what has happened to Bill, neither do the police (Naunton Wayne). However, Storm's little dog proves to be an unexpected wrinkle in Riorden's plan...

So nothing that terrible has happened to Bill yet but we know what Dr Riorden's plans are. As Bill is quite a sympathetic character this does help build the horror nicely. Good performances by Brown and Newton are to be enjoyed. The real star though is Monty the dog!

The Body Stealers (1969)

RAF parachutists are going missing, is it the Russians? Or is it aliens?

The Ministry calls upon the services of Bob Megan (Patrick Allen), quite what kind of special skills he possesses for this mission are unknown, apart from the ability to pull any woman he wants! One of these women appears to be quite strange, fellow agent Jim (Neil Connery) tries to photograph her but she doesn't show up when the film is processed. 

It turns out that Lorna (Pamela Conway) is from another planet, a planet which is dying and has been kidnapping parachutists as it needs men for breeding purposes...

As the aliens are kept hidden until the very end and little in the way of SFX are needed throughout the film, the low budget does not harm this science-fiction film. It isn't flawless by any means but is an enjoyable little film.