Devil's Cargo (1948)

One of the latter three Falcon movies, with a magical air.

The Falcon (Michael Calvert) is having a bath (!) when he is approached by Delgado (Paul Marion). Delgado tells the Falcon he has killed a man to defend his wife's honour, he wants the Falcon to hold a key for him and then give it to his lawyer. Delgado is arrested but later found dead in jail. Hoodlums seize the key off the Falcon, but when they try to open the locker the key is for, the locker blows up! The Falcon investigates the plot involving Delgado's wife Margo (Rochelle Hudson) and the lawyer Mallon (Theodore von Eltz), with the help of his clever dog (Brain Trust)!

This is a very different Falcon to the ones played by different actors earlier in the series, though closer to the original character envisaged by it's creator in the 1930s. Calvert was a real magician which is probably why he performs magic tricks at various stages of the film (for no actual plot reason), there is a funny meta moment when someone says a photo of the actual Michael Cavert looks like the Falcon! The performing dog is wonderful, the film itself is fun and quite tongue in cheek at times, and also pretty nonsensical. It shouldn't really work but somehow does.

Murder in the Orient (1974)

A basic but enjoyable martial arts romp.

During World War 2, Japanese soldiers buried millions of dollars worth of gold somewhere in the Philippines. They put the map to the treasure on two swords (of course!) Now in 1974 the powerful Golden Cobra gang have one of the swords and are hunting for the other...

One of the gang's thugs kills a girl who knows where the sword is (well obviously that helps), this involves Paul (Ron Marchini) and the girl's brother Lao Tsu (Leo Fong). Both of them are highly skilled in kung fu which is going to come in handy...

The plot doesn't really make a lot of sense and is pretty basic when it does, and the acting is pretty ropey... but who cares? No one watches films like this for the acting, they watch it for the action! The action isn't bad at all and the film has plenty of early 1970s cheese.

The Return of Mr. Moto (1965)

The Mr Moto character is bought back for this average crime B-movie, Henry Silva isn't bad in the role but he certainly isn't Peter Lorre.

Someone is blowing up oil wells in the Persian Gulf, and the friend of Moto (Silva) who is in the oil business is killed by a deranged ex-Nazi (Martin Wyldeck). Moto goes undercover (though his disguise is rather poor, but apparently enough to fool the foolish bad guys) to try and discover who is behind an audacious plan to control the world's oil supply...

A rather low-energy and cheap B-movie, it is a passable little film though can't be said to be that good. The story is slow and unexceptional that plods along without much urgency. 

Unfortunately this was it for the Mr Moto character on screen. One fun appearance is Antony Booth as a cowardly assassin.

The Spiral Staircase (1946)

A dark tale of a serial killer, and terror in a dark house.

A serial killer has been terrorising a community, killing "defective" women (in other words the disabled). In a house owned by the grumpy and ailing Mrs Warren (Ethel Barrymore) and Professor Warren (George Brent), the mute Helen (Dorothy McGuire) who works there, is now considered a potential next target. 

Dr Parry (Kent Smith) wants to get Helen out of the house and get her treatment to recover her voice. Is the killer somewhere close at hand?

A superb and updated take on the dark house mystery, an atmospheric tale with excellent performances. The film is enhanced by little touches of humour and character. A very good film.

The Ninth Guest (1934)

A confusing though fast paced mystery.

Eight guests are invited to dinner at a mysterious house by an unnamed host. The guests all have reason to hate one of the other members so things are a bit fractious. Then a voice from the radio tells them they will be murdered one by one unless they manage to outwit their host, the ninth guest. To underscore the threat they can't leave as he has had the gates connected to the mains, plus various other traps...

Naturally the other guests do not take to this well and start accusing each other of being this ninth guest. The story moves on from there as the guests die off in various ways. It does sound a bit Agatha Christie, though this film (and the original story) predates And Then There Were None / Ten Little Indians (1945) (1965) (1972) by a number of years...

Donald Cook and Genevieve Tobin star as two of the guests, who manage to work out their mutual antagonism as they help solve the mystery of who is the ninth guest. The story is a little complicated with a lot of red herrings (maybe a few too many) but an enjoyable watch.