The Brighton Strangler (1945)

A rather dark, if somewhat implausible, tale of murder in the dark streets during the Blitz.

Reginald Parker (John Loder) is a successful stage actor though he is starting to tire of his role as a murderer, the Brighton Strangler. 

When he is hit on the head during a bombing raid on London he has amnesia but a chance enounter unlocks a memory in his brain and he now believes that he is really the Brighton Strangler! He heads to Brighton and begins to kill for real...

A dark tale and the medical details are somewhat ridiculous, but the film is pretty atmospheric and well directed though the short film can drag a bit at times. The ending is particularly memorable.

Dance Hall Racket (1953)

An appalling piece of exploitative sleaze.

A criminal is killed at a dodgy night club owned by Tim Farrell (Umberto Scalli) with Vincent (Lenny Bruce) as his murderous henchman (who is very handy with a knife). 

A Federal agent is sent in to investigate and he discovers the club is a front for a diamond smuggling racket. Vincent meanwhile has plans to replace his boss permanently...

This is pretty grim stuff, badly acted and plotted. The cheese factor is high but when a dog (which doesn't do much other than lie around) outacts most of the humans then you know things are bad...

The sheer ridiculousness can be compelling at times but "so bad it's good" can only take you so far.

The Take (1974)

A cool tale of a crooked cop who still wants to take the hoodlums down.

Detective Sneed (Billy Dee Williams) arrives in New Mexico to help out the local police who are struggling with the mob led by Manso (Vic Morrow). 

Unfortunately, Sneed is already on the take and has the help of Oscar (Sorrell Brooke - aka Boss Hogg!) to handle the ill gotten gains. Other cops are also on the criminal payroll and Sneed plays a dangerous game taking the gangster cash while also giving the appearance he is doing his job - or is he really doing it?

This is a great film, even if the plot is a bit basic and doesn't make complete sense at times. It is very stylish, likely taking inspiration from blaxploitation films, and has plenty of action as well as plenty of heart. Williams plays a good role.

Inspector Hornleigh Goes to It (1941)

The third and (unfortunately) final Inspector Hornleigh film.

Britain is at war and Inspector Hornleigh (Gordon Harker) wants to join the hunt for fifth columnists but instead he and Bingham (Alastair Sim) are sent undercover into the army to find out who is stealing army jam! 

However, soon Hornleigh is on the trail of suspected nazi spies, the trail leading to a suspicious dentist then an even more suspicious school and then a thrilling finale on a Royal Mail train...

It is a shame they never made any more Hornleigh films as Harker and Sim had great chemistry together and the film has a perfect mix of serious police work and humour. 

Star Reporter (1939)

A fast moving crime/reporter B-movie, so fast moving that there is scarcely time to breathe.

Randolph (Warren Hull) is a young idealistic newspaper owner (and reporter) who is dedicated to the public good and fighting crime. To that aim he has supported the election of the new DA Burnette (Wallace Clarke), though he also wants to marry Burnette's daughter (Marsha Hunt). 

However, when the DA fails to prosecute the gangsters then Randolph turns against Burnette. The reason though is because the DA knows a terrible secret about Randolph's father...

This is a great film that packs in an incredible amount of story and drama into a pretty short running time. The film is exposition heavy to drive things along, though maybe a little too fast. To be honest i do prefer shorter films but this is one which could have probably done with an extra fifteen to twenty minutes! 

It is still highly enjoyable, indeed one of the better B-movies of the late 1930s.