The Thirteenth Hour (1947)

Part of the Whistler series, an anthology of crime stories.

Steve (Richard Dix) owns a trucking firm and is on top of the world after Eileen (Karen Morley) agrees to marry him. 

However, later that night a series of misfortunes befalls him including of a lorry crash which costs him his licence and later accused of murdering a policeman! Steve finds out he has been framed by a diamond smuggling gang and must capture the gang to clear his name...

This is a fine crime film with a Noir feel. The story is good and well structured and the film has a good atmosphere. The performances are pretty good too. What the film's title has to do with the actual story is another mystery though.

Equinox (1970)

A creepy horror, low on budget but high on nonsense.

Four college friends (including Edward Connell and Barbara Hewitt) head into the woods to visit their professor. However, they find his house has been destroyed and Dr Waterman (Fritz Leiber Jr) is missing. What has been left behind is a mysterious book, when they read the book they find it is an occult tome and Waterman may have opened a portal to Hell. Opps!

A demon is now loose in the woods, posing as the park ranger (Jack Woods), and wants the book. He is willing to unleash a wave of hellish horrors on the four young people to get ahold of the book. The story is told in flashback.

This isn't that great a film, though the demons are a tasty bit of stop motion animation. The budget was minute but the film makers did manage to make the most of it. 

The Cheyenne Tornado (1935)

A tale of sheep herders versus cattle men in the Wild West.

A wandering cowboy gets involved in a conflict between Mexican sheep herders and cattle men, however this is no ordinary cowboy, this is Reb Russell the Cheyenne Kid! The rich rancher Darnell has been killed and Reb tries to find out what is going on, fancied by women from both sides (Tina Menard and Victoria Vinton) and also accused of being involved in the murder. After much convoluted plot, and plenty of fine horsemanship and gunplay  the real culprit is found and Reb is revealed to be a US Marshal. 

A decent Western though the plot is slightly too complicated and wordy to suit the limited acting abilities of Russell, his athleticism and horse skills were very good though which is probably more important for the star of a 1930s Western!

Star Crystal (1986)

A very low budget science-fiction horror, it lacks much in the way of originality as well though isn't too bad a film.

Astronauts on Mars discover a strange object, when the object is bought back to the space station the astronauts are found dead and soon the space station as well is thrown into peril with mysterious technical faults. A murderous alien monster has hatched from the object found on Mars and is now running amok. What can stop the monster and save the human survivors, well you won't believe quite how that is achieved.

This is kind of awful is we are to be honest, the budget is tiny and the effects pretty terrible (the eagle eyed will see parts of a Millennium Falcon toy turn up on one model!) 

So, is this just yet another terrible Alien rip-off? Well yes but the ineptitude and cheese make it quite compelling. The abrupt change in tone and direction at the end is rather amazing.

Tempest (1928)

A classic late 1920s silent movie.

This film follows the story of Ivan Markov (John Barrymore), a soldier in the final days of Tsarist Russia. Despite heavy opposition, low born Markov rises through the ranks to the officer corps. 

He falls in love with the Princess Tamara (Camilla Horn) though she spurns his advances, however when he is found drunk in her quarters Markov's enemies have their chance to dispose of him. He is kicked out of the army and send to prison. 

However, the old regime soon falls and Markov has a new important role with the Communists who release him, will Markov seek revenge on the now non-aristocratic Tamara?

A fine film with plenty of drama and emotion and some great camera work, though some performances are a bit wooden and spoil things a bit. Barrymore is great though, the perfect silent movie hero. 

Finders Keepers, Lovers Weepers! (1968)

Sexy crime exploitation, despite the sleazy premise it isn't that bad, though it probably can't be described as good.

Paul (Paul Lockwood) owns a topless girlie bar in Las Vegas. Unbeknownst to him, he is about to suffer a number of misfortunes. His wife is having an affair with the bar man, and his girlfriend is planning to rob the club. 

The story is pretty basic and the best that can be said is, it is there. The film is mostly about plenty of big breasted female nudity and not a small amount of violence too. 

It is not high art by any means but is pretty watchable. The sex appeal is largely provided by Anne Chapman.

Blue, White and Perfect (1942)

Prolific private detective Michael Shayne battles a gang of diamond smuggling Nazi spies.

It is early in the war and the Germans are after diamonds for their industrial war machine. Private detective Shayne (Lloyd Nolan) is in trouble with his girlfriend Merle (Mary Beth Hughes) who doesn't approve of his job, so he pretends to be working as a riveter instead. This however gets him onto the trail of a gang stealing industrial diamond. When the trail leads him to an ocean liner bound for Hawaii he has a problem, he has no money! He basically steals the money from his girlfriend so he can get a berth!

Shayne gets into a number of antics on board the ship, including various attempts on his life. His real trouble comes when he arrives in Honolulu. Merle has caught up to him and is arrested! Shayne is in a race against time to find out who is the leader of the gang, and that reveal is a big surprise!

This is a pretty decent film, an excellent example of a crime B-movie. A lot of story is packed in and it all makes sense too.