Flight to Mars (1951)

A fairly generic early 1950s science-fiction film (evil aliens, rockets seemingly lashed up in a back yard, strange alien windows) though one with superb set design. A group of scientists set off on a mission to Mars but their rocket is damaged en route so they end up crashing on the planet... luckily right next to the entrance of the Martians' underground city.

The humans which include Steve (Cameron Mitchell), Carol (Virginia Houston) and Dr Jim (Arthur Franz) are met by Ikron (Morris Ankrum) the leader of Mars. The Martians have an advanced society and offer to help the humans repair their rocket ship. But Ikron secretly wants to steal the technology so he can conquer Earth. Luckily Martian lovely Alita (Marguerite Chapman) warns them of the plans...

So the plot has little surprises, though is fast moving. The futuristic set designs and weird fashions (the women wear outfits which looks like a mix of elf costumes and early Star Trek dresses, the men pseudo-fascist uniforms) look superb. Enjoyable sci-fi nonsense where (of course) the universe can be saved by an all-American fist.

Beauty and the Barge (1937)

A rather low energy but not unappealing comedy. Ethel (Judy Gunn) is engaged to marry but she hasn't seen her fiance for a few years and has changed her mind, though her father locks her up. She manages to escape just in time before the fiance shows up. She meets a young lieutenant (Jack Hawkins) who becomes smitten with her.

Ethel is helped by a Thames barge captain (Gordon Harker) who has a beau in every port and tavern along the river. He is smitten with Ethel though is also involved with Margaret Rutherford. A light farce follows.

The film is based on a play and this really shows at times as the dialogue often sounds like its being directed at a live audience. Not a laugh-a-minute comedy but enjoyable nonsense with one-dimensional stereotype characters. The now lost world of the Thames sailing barge is also interesting.

Arabian Adventure (1979)

A fun adventure romp. Evil magician Alquazar (Christopher Lee) is seeking the rose which will grant him ultimate power. Handsome young hero Prince Hasan (Oliver Tobias), after escaping Alquazar's dungeon, is tasked with finding the rose in return for hand of the lovely daughter Zuleira (Emma Samms). Hasan gains the help of the rather dodgy Khasim (Milo O'Shea), the boy thief Majeed (Puneet Sira) and a flying carpet!

Their adventure features all the usual Arabian fairy tale tropes including faces in mirrors and genies in bottles. But also fire breathing metal dragons! Hasan has been set up to fail, part of the evil plans of Alquazar. And who is the trapped soul in the mirror?

It is light and fun, the special effects are maybe a bit dated these days though add to the nostalgic feel of a classic children's adventure. The cast is good with some notable cameos from the likes of Peter Cushing and Mickey Rooney. Plenty of magic and plenty of swash buckling.

The Upturned Glass (1947)

A superb noir-ish crime drama. James Mason is a neurosurgeon who relates a story of murder and revenge to students... of course he is speaking about himself. Dr Joyce (Mason) meets Emma (Rosamund John) when he is treating her daughter Ann (Ann Wright). A romance begins between Joyce and Emma though they decide to end it for the sake of the husband. Then later Joyce hears Emma has thrown herself from a window...

Joyce can't believe she committed suicide and begins to look for the truth. His suspicion falls on Ann's sister-in-law Kate (Pamela Mason). Kate is a rather unpleasant selfish and money-grabbing young woman. Joyce begins a relationship with Kate with the aim of killing her the same way she caused Emma's death...

Not everything goes to plan of course. The film ends with a number of twists, it maybe ruins in some way the noir film film by becoming a bit of a melodrama. The performances are superb especially by Mason portraying a man who assumes he is sane and dispensing justice and not a crazed criminal but is he really any different? At the end we know the answer.

Rumpole's Return (1980)

Horace Rumpole (Leo McKern) indeed returned from attempted retirement in this TV movie. Having finally left the Old Bailey he tried to enjoy the delights of Miami with She Who Must Be Obeyed (Peggy Thorpe-Bates) but was soon back in London attracted by the case of a stabbing at Kentish Town tube station.

However Rumpole has difficulty getting back in chambers as the likes of Erskine-Brown (Julian Curry) and Featherstone (Peter Bowles) were rather hoping he would have stayed retired. He manages to get a pornography case though loses it, he is finally given the tube stabbing case in the hope one more failure could finish his career off once and for all...

Luckily for Rumpole a vital link to the crime is a religious cult based back in Miami so Rumpole gets his son Nick (Ian Gelder) to investigate...

Rumpole is on good form though the TV episode-nature of the usual Rumpole story is stretched to it's limit. There is a bit of padding but not enough to ruin matters. The on-location scenes in Miami add a bit of variety also seem to ultimately go nowhere.

Ten Little Indians (1974)

A lush Agatha Christie adaptation. A group of strangers are mysteriously assembled to a remote hotel in the Iranian desert by U.N. Owen (Orson Welles), the strangers who include Charles Aznavour (who of course gives us a song), Richard Attenborough, Herbert Lom, Adolfo Celi and Oliver Reed - all discover they have been bought together under false pretenses by U.N. Owen (or Unknown).

Then a tape is played where Owen's voice rings out, he tells them all they have gotten away with murder. Then the guests begin dying one by one. Who is the murderer? Is it one of the guests? Will any of them survive?

Although not the best version of this story, a bit slow at times, the sheer amount of star power and the surroundings especially the Persian architecture makes this film highly watchable and enjoyable. It is dark and suspenseful as such a situation should be.

Music Hall (1934)

Wonderful nostalgia. An old music hall managed by Bill (George Carney) has hit the skids and must close down. However in a last gasp to save the old place from being demolished and turned into shops and apartments the old founder of the hall Mr Davis (Wilson Coleman) returns to relaunch a refreshed music hall with new acts...

So basically the film has a bit of story just as a set-up before a list of acts. Including comedians, singers like G.H. Elliot, Dutchmen with accordions, footballers on bicycles, dancers (including the The Sherman Fisher Girls), performing animals and acrobats! If we are to be honest some of the acts were pretty ropey (bear in mind these were supposed to be fresher and better than the usual ones!)

You can't beat the nostalgia though. A glimpse of a now lost Britain from the interwar period, some things we now miss (xylophones) and others things we don't miss so much (blackface).