The Crooked Circle (1932)

Confusing but too frenetic to make the lack of sense matter too much. A secret crime / occult society wish the leader of a rival amateur crime fighting society Colonel Walters (Berton Churchill) dead. Brand (Ben Lyon) meanwhile is leaving the society to be replaced by the somewhat mysterious Yoganda (C. Henry Gordon)...

Walters receives the death card from the criminals, the Crooked Circle. They promise he will die this night, naturally he decides to spend the night in a mysterious dark house in the country with trap doors and secret rooms behind every mantelpiece. Brand heads to the house too after he finds his fiance Thelma (Irene Purcell) is on her way there. But why and how is she mixed up in this?

No one knows, even the audience really, as most of the film is a seemingly random sequence of escapades in the house punctuated by the yelps of Nora the housekeeper (Zasu Pitts) and a bumbling cop (James Gleason)...

It is nonsense, it is confusing but it is also highly entertaining with a good dose of comedy. Maybe a little too much comedy at times but if the film is treated as a rather over the top dark house style comedy-crime romp then you will get the most out of it. There are many surprises and mysteries and the film is perfect to play "1930s mystery film bingo" to.

Derby Day (1923)

The Rascals or Our Gang series were short comedy films showing the antics of a group of kids including Joe Cobb, Jackie Cordon and Mickey Daniels. In this film they are trying to sell lemonade and hot dogs at the horse race track.

Fairly amusing mayhem ensues of course. The gang manage to get to see a race and get so excited they decide to hold their own race. Though being kids their steeds are not thoroughbred race horses but a motley assortment of cows, goats and mules. Who end up getting drunk...

The film stays fairly low brow but is funny enough not to outstay it's short feature welcome which is just as well because there isn't a great deal of story here. It is nice and charming however.

Night of the Eagle (1962)

A creepy atmospheric tale of witchcraft and black magic. Norman (Peter Wyngarde) is a dashing young professor at university combating superstition with reason with his perfect wife Tansy (Janet Blair). Norman is destined for the higher echelons of academic though others have grown resentful and jealous of him...

Fellow academic Fiona (Margaret Johnston) in particular has a bit of an acid tongue for Norman but there is more... much more. Norman begins to find magic charms in the home. After a visit by Fiona, Tansy goes into a frenzy trying to find... something. Tansy admits she is a witch and is protecting him against attack...

The film is a little slow to get going but once it does... The final act with the attack by the Eagle (bought to life from the college mascot) is terrifying. But is any of it really happening? Margaret Johnston plays a great role, sheer evil.

Prison Break (1938)

Shannon (Barton MacLane) is a happy-go-lucky tuna fisherman who is in love with Jean (Glenda Farrell), though her pop isn't too keen on the union (this isn't really elaborated on). Shannon ends up going to prison for manslaughter to protect his brother where he starts to tangle with the crook Big Red (Ward Bond)...

When Shannon finally gets released on parole he finds the life of a parolee is not an easy one. Eventually he finds out Big Red is the reason he has spent time inside and has wrecked his life...

The story is rather cliched and predictable but is fast paced and makes the most of it's modest budget to tell the story of a man who has nearly everything stacked against him.

Enter the Game of Death (1978)

Shameless Bruceploitation, it even rips off music (and much else) from real Bruce Lee films. This film starring Bruce Le is based on Game of Death's original concept...

The Chinese resistance need a document detailing Japanese plans of invasion, the document is hidden on the top floor of a tower, each floor guarded by specialist kung fu fighters (even a snake man). Bruce Le goes in, wearing a jump suit (where have we seen this before)...

Although terrible in many ways with the meagre story just a skeleton for a lot of fight scenes, the film is entertaining especially as Bruce Le tries to squeeze in as many Bruce Lee-isms as he can. The film is a kind of mash-up of the greatest hits of the Bruce Lee canon. The numerous fights with the always excellent Bolo Yeung are a highlight.

The Law of 45's (1935)

A fairly standard B-movie western that doesn't really get out of second gear (or as it is a western we should say a slow trot). Sir Henry Sheffield (Broderick O'Farrell) turns up from England to survey the area and buy up some land. Crooked lawyer Rontell (Ted Adams) kidnaps Sir Henry and then uses his money to buy up the land of ranchers driven off the land by a mysterious band of hoodlums.

Naturally a couple of good guys passing through get drawn into the fray, even more naturally that a pretty girl is involved in the form of Joan (Molly O'Day). Those guys are Tucson (Guinn Williams) and Al (Stoney Martin) and they save the day...

So the story is standard and the acting is nothing special. Although a short film its padded out a bit with plenty of horse riding. Guinn "Big Boy" Williams puts on a pretty decent turn but there isn't a lot else to elevate this film much above mediocre.

The Roaring Road (1919)

A light hearted early auto race film with added romance. JD Ward (Theodore Roberts) is the Bear (unfortunately to demonstrate this the film cuts to an actual bear for a few moments, which was probably a better actor). He owns a business selling cars and wants to be the first to have one of his cars win the big auto race for the third time...

One of his salesmen Toodles (Wallace Reid) wants to win the race as a driver, he also wants to marry the Bear's daughter Dorothy (Ann Little) who is known as the Cub. The Bear is not that keen on Toodles taking part in the race as he doesn't think he is good enough, and he wants him to wait a few years before he marries the Cub. (Are you still with me?)

So that is the plot, and it is a fine little film with some good humour though cab be rather hard to follow at times. Although Reid was the film's star Roberts steals the show with his typical silent movie era villain act.

The Man Who Haunted Himself (1970)

A stylish though somewhat baffling film. Pelham (Roger Moore) is the typical city slicker with his bowler hat and umbrella. He nearly dies in a car accident caused after he becomes possessed while on the M4 (quite understandable). When he returns to work he begins to notice strange happenings, people say they have met him but he can't remember...

He even seems to have gained a mistress (Olga Georges-Picot) but has no recollection. His wife Eve (Hildegard Neil) doesn't really buy that excuse naturally. Pelham realises there is an impostor who is impersonating him...

Does he have a doppelganger or is it all a figment of his imagination? The film is wonderfully tense and Roger Moore puts in one of his best performances (or rather two performances as the two Pelhams have radically different characters). The psychedelic ending probably asks more questions than it answers!

Shadows Over Shanghai (1938)

An enjoyable spy caper set in Shanghai during the Japanese invasion of China. An amulet which can raise funds to help buy the Chinese weapons in their fight against the Japanese ends up in the hands of Irene (Lynda Grey). She heads to Shanghai to try and get on a boat to America. However brutal Soviet agent Sargoza (Robert Barrat) is determined to get the amulet for himself...

Sargoza is foiled by happy-go-lucky reporter Johnny (James Dunn) and the slightly mysterious Barclay (Ralph Morgan) who seems to always have a friend who can help and a plan. To complicate matters the Japanese in the form of Yokohama (Paul Sutton) are also after the amulet and, while the bombs are dropping on Shanghai, will stop at nothing to get it...

A low budget film but makes the most of what it has, especially with the heavy use of stock footage during the bombing. Dunn provides the humour though his wise cracks can sometimes fall a bit flat.

The Robot vs The Aztec Mummy (1958)

Some films are so bad they are good. Some are just bad. Despite the sheer nonsense of the premise this film falls a bit closer to the latter than the former unfortunately. Which is a shame as you want a film about a robot fighting an Aztec mummy to be nothing short of great...

The main problem with the film is that it takes too long to get going, the actual meeting and battle between the robot and mummy is right at the very end (and isn't the most amazing battle in movie history if we are to be honest though is mercifully short). The film is slow because it includes a recap from the two previous mummy films in the series so at least you can save time by just watching this one and not the others i guess.

As to the film plot, the mummy Popoca (Angelo de Steffani) is guarding ancient treasure which mad (of course) scientist Dr Krupp (Luis Aceves Castañeda) wants for himself. As the mummy usually kills all who try and steal the treasure Krupp builds a cyborg robot (Adolfo Rojas) to destroy the mummy. Then he plans to use the loot to build an army of similar robots and conquer the world. Though if we are to be honest i suspect the world's armed forces would have the ability to defeat an army of robots that move incredibly awkwardly and slowly.

Like the robot the film isn't very good, the best part of the film is the title. However it is worth watching once just for that.

The Phantom Fiend (1932)

A shadowy fiend called the Avenger is committing murders in London, telephone operator Daisy (Elizabeth Allan) has actually heard one of the victims just before she was offed. Meanwhile the slightly strange foreign musician Angeloff (Ivor Novello) has taken up as a lodger with Daisy's parents...

As Angeloff is rather mysterious and enigmatic (though this is laid on a bit thick) and Daisy takes a bit of a shine to him the family begin to suspect he is the Avenger though that may be more to do with the fact Daisy fancies him...

While quite atmospheric the story is rather plodding and at times a bit hard to follow, the dialogue in this early talkie sometimes a bit muffled. An interesting if not great film with some indifferent acting at times. However it is worth watching for Novello who also played the same role a few years earlier in Hitchcock's silent movie of the same story. Jack Hawkins also makes one of his earliest film appearances.

Minesweeper (1943)

A decent little war movie with a dose of romantic melodrama and the propaganda kept mostly in the background. Richard Houston (Richard Arlen) is a former Navy officer who deserted due to gambling debts. When the war breaks out he decides he needs to re-enlist. He takes the name of Smith and joins up with friendly Fixit (Guinn Williams).

He starts serving on a minesweeper, work frequently dangerous though for a rookie he seems to learn very fast (if only they knew eh?) He is also after Mary (Jean Parker) even though she is also involved with Smith's crewmate Nash (Russell Hayden).

When Houston/Smith accidentally causes the death of Fixit he admits his secret to Mary. However the Navy are already onto him. Time for a final dramatic set-piece of course. Redemption via self-sacrifice is how we'll win the war sailor.

Scars of Dracula (1970)

Dracula (Christopher Lee) is dialed up to eleven in this instalment of the Hammer Dracula saga. Dracula is bought back to life by a vomiting bat, he kills a young woman, the villagers burn down his castle but Dracula slaughters the womenfolk in the church in revenge...

Meanwhile in a nearby town Paul (Christopher Matthews) is getting into trouble of the horizontal jogging kind with the burgomaster's daughter. On the run he ends up at Dracula's castle. His brother Simon (Dennis Waterman) and Sarah (Jenny Hanley) turn up at the castle looking for him. Only Sarah's crucifix saves her from being the next blood snack of Dracula...

A wonderfully creepy film, Dracula has immense power in this film assisted by Klove (Patrick Troughton). Some of the effects are a bit cheesy (especially the bats) but the gore and bloody violence are high on the scale.

Sky Patrol (1939)

More high flying antics with Tailspin Tommy (John Trent). Tommy is training new pilots for the sky patrol, one of the pilots being Colonel Meade (Boyd Irwin)'s son Carter (Jackie Coogan) who has a phobia of firing guns but despite that is passed for service...

Sky patrol is looking for smugglers. Carter comes across a mysterious plane which shoots him down and he is captured by the smuggling gang who are illegally gun running. Tommy and Skeeter (Milburn Stone) seek to rescue him and stop the smugglers.

A fairly straight forward action film, the plot is simple but doesn't get in the way of good old fashioned heroism and daring. A good adaptation of a comic strip with some neat flying sequences.

The Naked Witch (1961)

Rather low-rent and incomprehensible exploitation. A student (Robert Short) is researching the grave of an alleged witch. The witch (Libby Hall) who is beautiful and naked (and that has to be emphasised so much they even named the film after it) embarks on revenge...

It is all very strange with a soundtrack that sounds like a monkey on LSD playing the organ. The problem with the film is that there isn't very much story and the film is padded out with a pseudo documentary at the start and even a bit of a travelogue. When we finally see the (naked) witch well we are already struggling to stay awake.

Not very good, though did we mention that the witch was naked... except that as it was the early 60s she wasn't really of course.