Dick Turpin (1925)

Dick Turpin (Tom Mix), of course, was a brutal criminal in reality though this film portrays him as a movie hero. Turpin is a dashing hero alongside his friend Tom King (Alan Hale) and this is standard swashbuckling fare with plenty of splendid horsemanship (with the famous screen horse Tony as Black Bess) and fighting (sword, guns and fists).

Dick Turpin has a girl (Kathleen Myers), but she is due to wed in a terrible marriage. Dick Turpin manages to get the girl after a series of adventures including a rather good boxing match. This is a typical silent movie epic with splendid costumes, sets and a huge cast of extras.

Tom Mix (with Tony the Horse) was the top on-screen cowboy of the silent movie era so it is interesting to see him in a different era, even if much of the action is similar.

200 Motels (1971)

As crazy as you imagine a Frank Zappa long-feature would be. This isn't really a film as such, more like a very long music video of Frank Zappa & The Mothers of Invention interspersed with various strange vignettes including Keith Moon as a hot Nun, Donald Duck on drugs and Ringo Starr playing... Frank Zappa!

Nothing makes sense of course, it is a freeform kaleidoscope of music and art. The music can be very good, everything else can sometimes be a bit more miss than hit but certainly worth seeing (maybe just the once). Frank Zappa said he wanted to show how touring could make you crazy. He certainly succeeded. 

The film is a little too self-indulgent if we are to be honest. A film of it's time, which can be a good and a bad thing.

The 13th Man (1937)

An enjoyable crime drama, even if the identity of the murderer is a bit obvious. DA Sutherland (William Gould) is about to announce his next target for investigation when he keels over, later it is discovered that he died due to a poison dart. Radio announcer Swifty Taylor (Weldon Heyburn) begins an investigation into who bumped off the DA, with the help of his friend Jimmy (Milburn Stone). The police are also investigating but of course Lt. O'Hara (Robert Homans) takes a back seat to Swifty!

When Jimmy is also killed, on his wedding day, Swifty knows that he is also in deadly danger. His secretary (and girl) Julie (Inez Courtney) is also acutely aware that Swifty may soon share Jimmy's fate. But who is behind the murders? The DA listed a whole host of potential suspects, Swifty brings them all to his radio studio to make the grand reveal...

A tight and fast moving drama. The film keeps you guessing as most of the investigation carried out by Jimmy and Swifty is purposely kept vague, however watchers of these kinds of murder mysteries will soon get a good feeling as to who the murderer probably is! Hardly very original, but a very acceptable little film.

Emergency Call (1952)

Although a bit plodding at times, this is a very interesting and engaging film. A young girl is dying in hospital, her only chance is a complete blood transfusion but she has the rarest blood group of all only shared by a handful of people in the country. Scotland Yard in the shape of Inspector Lane (Jack Warner) helps Doctor Carter (Anthony Steel) track down the blood donors required...

And they are a varied lot with a number of stories to tell, including the boxer Mahoney (real boxer Freddie Mills) who is having to take a dive on the advice of his spiv manager (Sid James). They also include the sailor (Earl Cameron) who refuses to help but won't give his reason. Then there is Jackson (Geoffrey Hibbert) who is wanted for murder. Lane tracks him down in a dramatic showdown in a dark warehouse...

A medical and crime drama with a difference. A very realistic film with good and natural acting. Maybe not the most thrilling of films but certainly compelling enough with emotion and tension aplenty especially from the child's mother (Joy Shelton). 

21 Days Together (1940)

Despite the star power in this film it fails to shine that brightly. Larry (Laurence Olivier) is a wasteful young man with a highly successful lawyer (Leslie Banks) brother on the verge of being a judge. Larry is in love with Wanda (Vivian Leigh), though they both have a surprise when they arrive at Wanda's home and find her husband (Esme Percy) there! 

The husband is happy to leave his reluctant wife's life again in return for money. Larry flies into a rage and the husband dies by accident. Larry leaves the body in the alleyway and is persuaded by his brother not to admit his crime. Larry's resolve fails when he discovers an innocent former priest and now beggar (Hay Petrie) has been accused of the crime... Larry decides he will confess to save the beggar, but first he will enjoy 21 days of happiness with Wanda...

A decent film but little more. Leigh and Olivier give a rather soppy performance, though Banks is superb as the lawyer who has everything in his grasp but his wasteful brother could ruin it all for him. A little melodramatic though the scenes in Southend-on-Sea are excellent fun.

The Son of Tarzan (Serial) (1920)

Tarzan (P. Dempsey Tabler) and Jane (Karla Schramm) are now in London, though their son Jack (Gordon Griffith) dreams of being in the jungle like his father. He is discovered by Paulovich (Eugene Burr), his father's old enemy, and kidnapped. Jack is taken to Africa but there he escapes with the help of an ape, one of his father's old friends. Jack is given the jungle name Korak.

Korak grows into a man (Kamuela C Searle) in the jungle along with Meriem (Manilla Martan), whom he had rescued from Arab slave traders. Paulovich is still up to his devilish schemes and he lures Tarzan and Jane to Africa. The stage is set for a final showdown between Korak and Paulovich...

An interesting serial, Tarzan stays in the background for most of it leaving his son to drive the story which is just as well as the actor isn't the best Tarzan ever. Korak and Meriem do well throughout the many cliffhangers and plot twists. Unfortunately the serial can become a bit repetitive at times and could have done with a little more originality. A decent enough Tarzan portrayal though.

Duel (1971)

A simple and highly compelling film, one of Steven Spielberg's earliest full features. David (Dennis Weaver) is travelling across California when he overtakes an oil tanker, something snaps in the tanker driver's mind and he becomes obsessed with getting revenge on David and killing him in the ultimate road rage.

Nothing deters the tanker driver, he will even destroy a gas station in order to kill David. David knows that no one is going to help him in the isolated desert. He has to kill or be killed...

This is a simple film, built around the duel between David and the unseen (apart from his arm) tanker driver. Quite why the tanker driver loses it is never explored and the story is both simple and ridiculous but the film really works. 

One main reason is the abstract, and indeed pointless, nature of the menace makes it all the more sinister and dangerous.

Master Spy (1963)

A modest but intelligent spy drama. Distinguished physicist Turganev (Stephen Murray) demands political asylum at London Airport. The British agree and send him to a secure facility to continue his work. Turganev is assigned Leila (June Thorburn) as his assistant, at first he doesn't want her around but soon they forge a good relationship, Leila's chap Richard (John Carson) starts to get jealous.

However, there is more to Turganev than meets the eye. He likes to play chess with Skelton (Alan Wheatley), who is really his spy contact. Indeed, Turganev didn't defect after all and is really a spy sending secret information back to his homeland. When Leila discovers the plot, she is put into danger. Luckily Richard and the chap from MI5 save the day... However, there is a rather enjoyable twist at the end.

A highly enjoyable film that is well plotted and makes the most of a small budget with some good performance from a solid cast.

Alien Nation (1988)

An alien space craft filled with slaves lands in the US, a few years later these aliens - known as newcomers - are trying to integrate into human society with mixed results. Hard nosed cop Sykes (James Caan) dislikes the newcomers, especially after one of them kills his partner. However, when a newcomer joins the detectives, Sykes volunteers to take him on as a partner...

Sykes has an ulterior motive, he wants help from George (Mandy Patinkin) to find his ex-partner's killer. However, as this is basically a buddy cop movie with a bit of sci-fi added on they are soon getting drunk together. Meanwhile, newcomer Harcourt (Terence Stamp) is rising through the ranks in society but what link does he have to a number of killings in the city and a mysterious drug that can turn newcomers into vicious killing machines?

Although full of cliches, Sykes for example is almost a self-parody, the sci-fi edge to the story help make this a very good film. Quite gritty and violent but also with plenty of good humour.

Head (1968)

The Monkees' psychedelic masterpiece. Of course it makes no sense whatsoever, not having any plot or narrative, just a stream of odd vignettes and nonsense separated by music. But the music is very good indeed, The Monkees took 1960s psychedelic pop in their stride, the title track of Head (Porpoise song) for example is probably one of the best examples of psychedelic pop outside of the Beatles discography. 

Truthfully, this film is best enjoyed by listening to the soundtrack album and not the actual film though it does have some highly entertaining moments, such as the scene in a groovy 1960s nightclub with acid backgrounds, Davy Jones does a wonderful song and dance routine which is at once incredibly dated and modern.

This is a film review blog of course not a music review one, the music might be wonderful but what about the film? Taken as it should be, an experimental stream of surrealism, it is a great film. Anyone expecting a traditional film with a story though will be disappointed. It is fun and so of it's time, a great time.

Manhattan Tower (1932)

An interesting if not especially thrilling drama set in the Art Deco glory of the Empire State Building. This is the story of the lives of a number of workers in the building, from crooked executive down to hard working secretary. Burns (Clay Clement) is that crooked executive, his investments are going South so he uses other people's money to prop things up. He chases skirt as much as he chases cash.

His employee, Mary (Mary Harper) dreams of a fancy house with her man Jimmy (James Hall). Burns is as keen to get his hands on her hard earned money as he is her. It doesn't end well for either of them, though especially Burns who certainly makes a grand exit...

Although the film doesn't enter high gear it certainly has enough to keep your interest. There is plenty of good dialogue, varied characters and interesting camera effects to make it a perfectly acceptable B movie. The real star of the film is the building. 

Golden Dragon, Silver Snake (1979)

A madcap kung fu comedy, a Jackie Chan style film of violence with slap stick. The plot is fairly familiar, Dragon Lee arrives in town to investigate the murder of his brother. He takes a job as a chef and observes a group of gangsters on motorbikes who demand protection money. These gangsters, led by a mysterious man who strokes a cat, are also trying to force a young woman and her uncle to sell them their farm. They are resisted by Silver Snake (Johnny Chan), who is also being trained in kung fu...

Obviously these gangsters are the bad guys Dragon Lee is looking for and he soon links up with Silver Snake and helps battle the gangsters, leading to an extremely long final showdown in a holiday resort.

The film is a shameless Bruceploitation film with Dragon copying many of Bruce's mannerisms and even a Game of Death style yellow outfit. However, there is also a lot of innovation and interspersing the fighting with comedy skits and stunts, some of them very bizarre. The film is unintentionally hilarious with the terrible dubbing, at times it seems like a parody but is highly entertaining.

Flash Gordon Conquers the Universe (Serial) (1940)

The evil Emperor Ming (Charles B Middleton) has returned to threaten the Earth with a new plague (no not Covid). After his rocket ships are seen spraying a purple mist in the atmosphere, Flash Gordon (Buster Crabbe), Dale (Carol Hughes) and Dr Zarkov (Frank Shannon) head off to stop Ming all over again. They link up with old friends and infiltrate Ming's palace (rather easily it must be said).

Ming is holding the general of a new faction from the frozen North of Mongo captive and he must be rescued too as well as stopping the production of the purple mist. But Flash gets chucked down a large hole in the first of this serial's cliffhangers...

In some ways a bit of a retread of the original Flash Gordon serial and not quite as good, the action is not quite as dramatic with a bit too much padding out of the story. The addition of Frigia, and it's Arctic like wastes, is good for variety but overall this is a decent but not brilliant serial.

Dangerous Davies: The Last Detective (1981)

Detective Constable "Dangerous" Davies (Bernard Cribbins) is always given the worst jobs, which often end up with him getting beaten up. Chief Inspector Yardbird (Joss Ackland) selects him to look for a dangerous hardened criminal for Special Branch, Yardbird suspecting Davies' usual clumsy manner will flush the criminal out. During his investigation, Davies discovers a fifteen year old cold-case involving a missing girl.

With the help of his friend Mod (Bill Maynard) he begins to investigate the disappearance and this takes him down a dark and murky path. 

A highly enjoyable film with a feast of great characters and performances including from Maureen Lipman, Frank Windsor and Patsy Rowlands. Davies as a detective is very believable, no flash or super human skill just good old fashioned determination and grit. There is also some good humour, which adds to the realism.

The Ambassador's Daughter (1913)

A neat little tale of love and espionage. Farnsworth (George Lessey), an attache at the US embassy in London, is in love with Helen (Miriam Nesbitt), the ambassador's daughter. However, while he pursues her (and gets knocked back), a spy - Dumont (Marc McDermott) - who works at the embassy, steals an important document though is forced to hide it. Helen begins to investigate the loss of the document, which puts her into peril...

Rather melodramatic and at times over the top, but a well made film. The romance part of the story is a bit overdone and detracts from the espionage plot. An interesting look at life just before the First World War.

Murder on a Honeymoon (1935)

School teacher and amateur detective Hildegarde Withers (Edna May Oliver) is on a seaplane to a holiday resort with an assorted set of fellow passengers. When they reach their destination one of the passengers is found to be dead. In NY Inspector Piper (James Gleason) discovers the victim had a bounty on his head from the mob and heads out to join Hildegarde to investigate the death.

Despite a small pool of suspects including newly weds (Harry Ellerbe and Dorothy Libaire) and a somewhat eccentric movie producer (Leo G Carroll), the investigation is complicated. Hildegarde bullys the hapless, laid back local police (Spencer Charters) into action, and then she and Piper form an amusingly dysfunctional but effective crime fighting duo.

A fine little murder investigation film with plenty of the usual red herrings and multiple suspects. A complicated plot and highly enjoyable especially with the twists at the end and the unusual (for the time) culprit. Oliver and Gleason steal every scene, they are brilliant.

Starcrash (1978)

Hilariously camp space opera. Akton (Marjoe Gortner) and Stella (Caroline Munro) are smugglers on the run from imperial forces. Their luck finally runs out and they are captured but then they are given a secret mission by the Emperor (Christopher Plummer), they must discover the secrets of the usurper Count Zarth (Joe Spinell) and rescue the Emperor's son Simon (David Hasselhoff).

Assisted by the robot L (Judd Hamilton) - who speaks with a Southern drawl - their adventures take them from planet to planet, encountering Amazons with a giant robot and cavemen. The final showdown takes them into battle with Zarth to save the universe...

So, a deliciously cheesy romp with cardboard sets and dodgy special effects. The story shamelessly plunders Star Wars for inspiration (as well as a few other films, the Amazons' giant robot is straight out of Jason & the Argonauts for example). The dialogue is often ridiculously banal and awkward. The acting, indifferent. The result is, somehow, superb.

The Monster of Highgate Ponds (1961)

A delightful and silly children's film. Uncle Dick (Ronald Howard) has bought back some eggs and other specimens from Malaya. One huge egg is not labelled so naturally and he doesn't know what it is... so naturally he gives the egg to his nephews to look after! 

David (Michael Wade) takes the egg to school where it hatches a small reptile which resembles a dragon. As the creature is growing very quickly, David and his friends Sophie (Rachel Clay) and Chris (Terry Raven) are forced to release the creature into the lake on Hamstead Heath. Trouble comes when a couple of crooks try and steal it...

A fun little film with some decent stop motion animation. Scientifically implausible maybe but certainly a novel 1960s monster film, one that doesn't involve crowds of people running in terror from a rampaging beast for a change.

Switching Channels (1988)

A hilarious comedy involving the crazy world of cable news. Christy (Kathleen Turner) is a top reporter for SNN, which is run by her ex-husband Sullivan (Burt Reynolds) and they have a love-hate (to be honest mostly hate) relationship. On holiday, Christy meets rich fitness goods tycoon Blaine (Christopher Reeve) and decides to quit the news business and marry Blaine. 

However, there is a huge story developing in Chicago. Ike Roscoe (Henry Gibson) is due to be executed for killing the drug dealer who caused his son's death, unfortunately that dealer was also a cop and eccentric DA Ridnitz (Ned Beatty) is detirmined to have Roscoe go to the chair as part of his campaign to become the governor...

Christy agrees to do one last report for SNN and this sets off a chain of crazy and madcap events involving a pardon, a prison escape and a hunt through government offices while poor Roscoe hides inside a photocopier...

A high energy film with a good quality cast. Turner and Reynolds have great chemistry together and the film is full of good gags sending up the rolling news industry (a well deserved target after all).

The Hostage (1956)

A very uneven, and often quite amateurish, film though ultimately worthwhile. In London a group of terrorists kidnap Rosa (Mary Parker), the daughter of the President (Carl Jaffe) of a South American country. The terrorists led by Main (John Bailey) want to try and stop the execution of one of their faction, they warn the President that unless the execution is stopped his own daughter will also die...

Meanwhile an American pilot called Trailer (Ron Randall), who seems to dislike opening his mouth that wide when he speaks, is used by the terrorists to gain some publicity (and enters the suspicion of the police). They also kidnap him to try and persuade Rosa to talk to her father. As time runs out Special Branch try and discover where Rosa is by sending radio detection vans around London...

The film starts off rather slow though the last act is action packed. The police seem rather clueless, they know the terrorists plan to hang Rosa publicly in London somewhere and yet just put a single PC outside the embassy (after all, publicity hungry terrorists would never choose there!) The action scenes are rather cheap, the film suffers from a low budget throughout and the acting often rather stiff and strange. Despite all of that (or maybe because of it), the film is enjoyable and, once it picks up the pace, resembles a movie serial at times.

Odd Man Out (1947)

An epic Noir. Johnny (James Mason) is a separatist (a.k.a. in the IRA) who is planning a wages snatch on a mill. Everyone is going fine until his gang make their getaway when Johnny is dazzled by bright light and he ends up both killing a guard and being shot himself. As his gang make their escape Johnny is left in the streets of Belfast. Now wounded, the police (Denis O'Dea) after him, and Kathleen (Kathleen Ryan), the woman who loves him, also hunting for him...

But others are also after him, for their own selfish ends. Lukey (Robert Newton) the painter wants Johnny so he can capture his face. Shell (F.J. McCormick) just wants some reward. Fencie (William Hartnell) just wants Johnny out of his pub as soon as possible! Johnny moves from hiding place to hiding place while the Belfast police conduct a huge citywide manhunt. Kathleen has a plan to get Johnny out of Belfast, but as the snow falls on the city and then police close in, their plans and dreams are doomed to fail...

An incredibly tense and atmospheric film. Despite the fact Johnny is in the IRA this isn't really a political film, it is a film about the struggle for life in all it's many facets. A film about characters (the supporting characters nearly overshadow the lead but that doesn't matter in this film, its a strength). A film of magnificent performances, direction and photography. One of the finest films of the period.

Carry on Regardless (1961)

An early Carry On film centred around the Helping Hands agency who provide manpower for any possible task from beauty salon demonstrations to translations. Bert (Sid James) runs the agency with the help of the Carry On crew including Joan Sims, Kenneth Williams and Charles Hawtrey.

Things never run smoothly though, most jobs the agency take on end in disaster. For example a request for a fourth at Bridge sends someone to the Forth Bridge instead! The landlord (Stanley Unwin - speaking Unwinese gobbledegook) wants to put up their rent to a level beyond their ability to pay. However, they come to agreement: if they can clean the landlord's newest property they can stay, unfortunately its the dirtiest house in London!

There really isn't much plot to this, it is more a series of funny comedy situations vaguely held together by the thin glue of the employment office. It is very funny and silly with many comedy highlights, not the best Carry On but certainly very worthwhile.

The Terrorists (1974)

An engaging tale of terrorism and hijacking... and political intrigue. The head of security in a Scandinavian country (Norway basically but this is not mentioned for some reason) Tahlvik (Sean Connery) is called in to deal with the kidnap of the British ambassador. The kidnappers, linked to a terrorist cell in the UK led by wanted man Shepherd (John Quentin), have an ace up their sleeves though. At that moment a Boeing 737 is landing at the nearby airport (Oslo) and is hijacked on landing by Petrie (Ian McShane)...

Tahlvik's attempts to defeat the hijackers are foiled at every attempt, they must have some inside information. As the exchange of the ambassador for the aircraft passengers takes place Tahlvik suddenly realises that there is far more to this than meets the eye...

Although not the fastest paced film, this is an enjoyable enough thriller. Everything is a bit too low-key but the Norwegian scenery looks superb, if rather chilly. The twist, when it comes, doesn't make complete sense but does give the film a suitably exciting action finish.