The Quatermass Xperiment (1955)

Classic British sci-fi, low quality effects but high quality thrills. A British spacecraft crash lands in a field, when Professor Quatermass (Brian Donlevy) orders the craft opened they find only one of the three crewmen accounted for, the other two have vanished. The survivor, Carroon (Richard Wordsworth), is in a bad way. As Quatermass and Inspector Lomax (Jack Warner) of the Met begin their investigation, Carroon begins to mutate...

The scientists discover that Carroon has been infected by an alien organism. It makes him lethal to others who come into contact with him, which is quite a problem as he has escaped hospital and is now loose on the streets of London. Dr Briscoe (David King-Wood) discovers that the organism is due to spawn, London could soon be overrun by thousands of killer alien creatures...

The film is a bit of a slow burner but has an air of menace and alien horror over everything which slowly builds. Maybe the final monster looks a bit ridiculous but the film, by then, has earned you suspend enough disbelief. A great film.

The Devil Rides Out (1968)

A superb Satanic occult horror, one of the best films by Hammer. We are in Interwar Period England. Nicholas (Christopher Lee) and Rex (Leon Greene) are looking for their young friend Simon (Patrick Mower). To Nicholas' horror, he thinks Simon has become part of a dark coven dedicated to the Horned One led by Mocata (Charles Gray). Nicholas, who is well versed himself in the dark arts himself - though for good, manages to save Simon from being baptised into the Satanic coven.

However, Mocata is not easily stopped. He summons dark forces to try and defeat Nicholas and regain Simon and Tanith (Nike Arrighi) who is also due to be baptised in goat's blood. There follows a terrifying battle between good and evil...

A wonderful film and also notable for Christopher Lee being the good guy for a change. The film has a rare depth for horror films of the period.

The French Connection (1971)

A superb, gritty crime drama. Charnier (Fernando Rey) is running a heroin smuggling operation out of Marseille. In New York, hard-nosed narcotics cops Doyle (Gene Hackman) and Russo (Roy Scheider) after a string of minor arrests, finally get wind of a big drugs drop about to arrive in the city. 

While the cops tail Boca (Tony Lo Bianco), Boca is receiving Charnier in the US and trying to make a deal for a huge amount of heroin which has been smuggled in the US in a car.

However, the police and FBI tailing of Boca and Charnier does not go unnoticed and a hit is ordered on Doyle. This results in a thrilling chase along the NY Subway. Meanwhile the car is discovered and the drugs found after a lengthy search. The cops then set up Boca and Charnier who are finally ready to make their deal...

A really great film with a highly realistic feel. The film is dark and violent, humanity (and lack of it) and all the frailties are on show on both sides. The epic car chase is one of the best in movie history.

Dark Future (1994)

Trash movies often make little sense but this one is takes that to a whole new level. It is the future and most of mankind has been wiped out by a plague, the few survivors live underground in a large prison... serving as prostitutes and servants to cyborgs! Quite why cyborgs, also billed as the ultimate machines, require sex and booze is never explained. But much of this film remains explained to be honest...

When a baby is born to two of the human survivors, who previously thought they were sterile, a rebellion is begun by Kendall (Darby Hinton) while Birch (Andria Mann) looks after the baby. The cyborgs, led by Nero (Leonard Donato), want the baby and begin a war against the humans. Finally, when Nero gets Birch and the baby, the dark reason for the cyborgs' need for the baby is revealed...

This is typical low-budget sci-fi nonsense. The film is pretty violent with a very high body count though the fight scenes are generally very clumsy and oddly slow motion. The most interesting thing about the film was that it was filmed in Russia and this gives it a different look and feel to most films of this type.

The Lost Continent (1968)

A superbly weird film. Captain Lansen (Eric Porter) has a rusty old tramp freighter full of explosive cargo and a group of passengers who all have secrets. Despite a hurricane warning, Lansen ploughs across the ocean but in the storm wrecks havoc, the crew abandon ship. The survivors awake amid a mysterious hellscape of carnivorous weed. Soon they find the ship, now trapped in a graveyard of other vessels.

One of those vessels is a Spanish galleon, the survivors seeking out other crews to seize their supplies to keep their twisted society of Conquistadors led by the boy king El Supremo (Darry Reed). Lansen and his fellow survivors including Eva (Hildegard Knef) and Tony (Harry Tyler) have to battle the Conquistadors and various bizarre monsters...

A terrific monster romp though we never actually get to see the "lost continent" which is a shame as there is apparently a society of survivors living on there though we only get to see one of them, Sarah (Dana Gillespie). A bit confused but great fun.

Alien Outlaw (1985)

Rednecks vs aliens, in theory it should be brilliant though this film unfortunately fails on many levels. A UFO crashes in a lake, the three alien inhabitants are both rather murderous and also rather dumb. Meanwhile gun show performer Jesse (Kari Anderson) is in town hoping to make it big. Her gun skills will soon be put to the test fighting aliens in one of the lowest wattage action films ever...

The plot is rather basic but what makes this film most notable is the lack of any urgency or bite to any of the action. Everything is all rather slow and lame. However, the film has plenty to entertain with it's (unintentional i'm sure) hilarity and crude stereotypes. 

Western B movie veterans Lash La Rue and Sunset Carson add a bit of interest plus there are a number of other weird characters including a hairy guy who seems to spend all of his day in bed.

The Midnight Girl (1925)

A rather average love triangle melodrama, though interesting to see Bela Lugosi in one of his pre-Dracula roles. Rich arts patron Nicolas (Lugosi) is growing weary of his star act Nina (Dolores Cassinelli), who is also sleeping with. His son Don (Gareth Hughes) has a big row with his Dad and moves out. Don discovers Anna (Lila Lee), a young immigrant singer, and falls in love with her. Unfortunately for Don his Dad also hears and falls in love with Anna. Father and son compete against each other for Anna...

A film of it's time, these days a film about a father and son both chasing the same young girl would not be greeted in quite the same light! This is standard melodrama fare, with a neat ending where everything is sorted out in the end and everyone goes home happily for tea. The film is quite acceptable though not much more. It is mostly worth seeing for Bela Lugosi not in a horror. 

The Lost World (1960)

A load of tosh but an enjoyable monster romp all the same. Professor Challenger (Claude Rains) returns from the Amazon with an amazing discovery, though not one he can prove, he has found dinosaurs atop a remote plateau! Despite official scepticism, Challenger assembles a new expedition to gain the proof. Unfortunately his team is a motley team including a sceptical scientist Summerlee (Richard Haydn), a dodgy adventurer Lord Roxton (Michael Rennie), a journalist Malone (David Hedison) and... a young woman Holmes (Jill St John) who brings her little yapping dog for an adventure to find dinosaurs!

The group find the plateau thanks to helicopter pilot Gomez (Fernando Lamas) but things soon take a turn for the worse when a dinosaur wrecks their helicopter and chases them into the jungle. Really you wonder why they were not a little more prepared. Soon things get worse as they are captured by a native tribe after finding a native girl (Vitina Marcus) and are prepared for the chop...

The plot is obvious but the film is good old fashioned adventure fun though fairly ridiculous in many ways, including the low budget "dinosaurs" which are basically large lizards with horns and plates glued to them!

Doomwatch (1972)

An environmental horror, though rather dull. Dr Shaw (Ian Bannen), from a government department investigating ecological problems called Doomwatch, arrives at a remote Cornish island to get samples of flora and fauna. He finds the villagers rather... odd. No one wants to help him, especially the policeman (Percy Herbert) and the vicar (Joseph O'Conor). This is beyond the usual suspicion of outsiders though. Dr Shaw uncovers evidence of something far more sinister behind closed doors...

An experimental growth hormone has been illegally dumped off the coast of the island. The Doomwatch team discover that the hormone is causing problems with many of the islanders, making them violent, deranged and deformed. Can Dr Shaw, with the help of the teacher Victoria (Judy Geeson) persuade the villagers to accept help?

A rather low-wattage drama. It was based on an early 1970s TV series and this shows at time with the lack of budget and plodding, yet well measured, plot. It is an interesting film and has enough drama to keep your interest, just. 

Swiss Miss (1938)

Stan Laurel and Oliver Hardy have come to Switzerland to sell mouse traps, as it is where the most cheese is! After a mix-up with fake money which leaves them broke but with a huge lunch bill, they end up working in a hotel kitchen and won't get out until they stop breaking plates... well that probably means never! 

Meanwhile, the famous opera composer Victor (Walter Woolfe King) is working on a new opera and must not be disturbed under any circumstances. Especially from his wife.

But his wife Anna (Grete Natzier) is also at the hotel, pretending to be a maid while she spies on Victor. To get the peace and quiet he needs, Victor gets Stan and Ollie to move his piano up the mountain to a secluded chalet... unfortunately an escaped gorilla has other ideas!

A fine enough Laurel and Hardy film though at times it has the air of a pantomime where they are the comedy double act to punctuate the main story which is a light hearted musical. Not their best film though enough Laurel and Hardy magic remains, even if it is a bit stretched out.

Indestructible Man (1956)

A kind of variation on the Frankenstein theme. "Butcher" Benton (Lou Chaney Jr) is a hardened criminal who goes to the gas chamber without telling the police where the loot from an armed robbery is stashed. His corpse is stolen by mad scientist Professor Bradshaw (Robert Shayne) for his medical experiments. Somehow his experiment brings Benton back to life, and what is more he is now virtually indestructible!

After killing the Prof, Benton goes in search of his moll Eva (Marian Carr), and his old gang. The latter he kills in his single minded pursuit of revenge. While Police Lieutenant Chasen (Mac Showalter) ...er.. chases down the gang (that name surely has to be an in-joke?), the police begin a search for Benton. Unfortunately, as bullets don't work on Benton, they come armed with bazookas and flamethrowers!

It is all a lot of nonsense but pretty entertaining. The film is pretty dark and violent as well as ridiculous. It is basically a noir crime drama with a supernatural/monster addition and pretty enjoyable.

The Apple (1980)

The year is 1994 and the world is controlled by BIM! BIM in fact being the highly addictive musical concoction of Mr Boogalow (Vladek Sheybal), who spends most of his time indulging with orgies with a whole host of freaks (and the rest of the time he wastes). 

Bibi (Catherine Mary Stewart) and Alphie (George Gilmore) are naive kids from rural Canada who have a dream to sing songs, but Mr Boogalow wants to drag them into his showbiz machine...

He indeed does get Bibi to sign but Alphie resists and he cast adrift from the extremely camp Mad Max style cast of BIM. Bibi gets drawn into a life of drugs and sex while Alphie lounges around writing songs and groping his landlady. Finally, Bibi sees the light and flees, and is reunited with Alphie who by now is in a hippy commune but Mr Boogalow isn't finished yet...

Quite frankly this is one of the strangest films ever made. A sci-fi comedy religious allegory musical. Although the future portrayed is largely nonsense you could say that the dark future envisaged back in 1980 did come true in some ways, with popular culture under the thumb of big corporations controlling kids of dubious talent. Unfortunately we didn't get the Mad Max / Gary Glitter-esque future outfits and cars with extra fibreglass panels added to them. 

The music (of this musical) isn't that bad and the sheer weirdness and campness of this film makes this highly enjoyable and entertaining despite how awful the story and acting mostly is. 

Brilliant nonsense. It really is quite extraordinary.

The Brain That Wouldn't Die (1962)

An incredibly bizarre and sleazy horror film. Top surgeon Bill (Jason Evers) is in a car accident with his girlfriend Jan (Virginia Leith). As she lies dying in a burning car he... decided to cut off her head and then run to his secluded house where he is conducting twisted medical experiments. He manages to keep Jan's head alive and now he seeks a new body for her.

Despite the fact Jan has only a limited time left, Bill seems in no hurry to secure a new body. Indeed, he fancies an upgrade and cruises sleazy clubs looking for a suitable body and even a beauty pageant! Finally, he finds the suitable body in the form of a model, Doris (Adele Lamont) and takes her to his home. But things are going wrong in the lab. Jan has gained a kind of psychic power and directs the mutant beast Bill keeps locked away (the result of earlier experiments that did not quite go to plan) to kill Bill's assistant Kurt (Leslie Daniel). Then when Bill prepares to cut off Doris' head, the mutant (Eddie Carmel) breaks out of it's cell and wrecks havoc!

A low budget and low rent film. Shamelessly exploitative, including a scene where two strippers have a fight on the floor. It is macabre, pretty evil and rather cheesy. It isn't that good either, the film is a little too weird to be a trash cult classic and rather too dark at it's core. However, it should be experienced at least once.

Captain Kronos – Vampire Hunter (1974)

Captain Kronos is a Hammer horror with a difference. As well as battling vampires with wooden stakes and crosses and the usual weapons against evil, vampire hunter Captain Kronos (Horst Janson) also uses various swords including one forged from a metal cross. He is in a small village along with his assistant and vampire expert Professor Grost (John Cater) and a maiden called Carla (Caroline Munro) whom Kronos is helping/bonking. The village has seen a number of horrific vampire attacks on young girls which leaves them as dying old women...

Kronos investigates with the help of his old comrade Dr Marcus (John Carson), but when he also falls foul of the vampires suspicion falls on the Durward family. Lady Durward (Wanda Ventham) is incredibly aged after the loss of her husband (William Hobbs) but is all that it seems?

This is not the usual Hammer fare, as well as plenty of sword play the film contains a deal of whimsy and oddness. The film is sexy and fun though also quite baffling and a little slow to get started. Although overall this is a good film it is not without it's issues. It was not the success Hammer was hoping for and unfortunately the planned series of Kronos films never came about.

Across the Mexican Line (1911)

Wartime melodrama. During the Mexican-American War, the Mexicans send Juanita (Francis Gibson) across into the American lines to seduce the enemy and find out their secrets. Juanita hits it off with Lieutenant Harvey (Romaine Fielding) who proceeds to... teach her telegraphy. An interesting first date.

However, Juanita is unable to discover the Americans' plans. She sneaks a Mexican officer into the telegraph office who captures Harvey and takes him back to Mexican lines. By now though Juanita is in love with Harvey and as he faces execution, she calls for help from the Americans thanks to her new telegraph skills...

An interesting little film directed by one of the first female filmmakers in Alice Guy Blanche. The film is rather static with the narrative driven mostly by the inter-titles. Not that unusual for it's day.

Lovely but Deadly (1981)

A truly terrible but oddly compelling and highly entertaining movie. Lovely (Lucinda Dooling) is a high school girl, who is wondering who supplied the drugs which killed her brother. 

This isn't that easy a task though as drug pushing is rampant at the school, and gangs of thugs roam the corridors in fencing outfits (really). Luckily for Lovely, she has some great karate skills and a plan. 

She infiltrates the cool group led by Mantis (Rick Moser) and this gets her introduced to creepy old guy Honest Charley (Richard Herd), who owns a chain of discount scores, and when he isn't trying to score with teen chicks he is drug running...

Now a prisoner of Honest Charley and his goons, Lovely discovers to her horror that her dopey boyfriend Javelin (Mark Holden) - part-time wannabe rock star / part-time teen shipping magnate - is heavily involved in the drug trade. The scene is set for a ridiculous showdown at the docks...

This is a crazy film, full of bad fights, pointless scenes and random weirdness. It is incredibly sloppily made as well. Spotting the boom mikes would probably be a great drinking game but you'll probably end up paralytic well before the end. All wonderful stuff and a fun film of course. Dooling is terrific in her role.

Doctor at Sea (1955)

To escape his boss' daughter (Joan Sims), Dr Sparrow (Dirk Bogarde) signs up to be the ship's doctor of a merchant ship captained by the formidable Hogg (James Robertson Justice). He finds that Hogg's ship, despite the captain's pretensions, is a dreadful old tub with booze instead of medicine and one-dimensional comedy stereotypes instead of actual crew.

Ashore on some far flung corner of the world (Brazil to be exact), Hogg finds, to his horror, he has to take the boss' daughter Muriel (Brenda de Banzie) back to Blighty, also along for the trip is Muriel's friend Helene (Brigette Bardot) who begins a romance with Dr Sparrow. However, the Doctor's medical skills are soon put to the test in more ways that one...

Although not rip-roaringly funny (though it has it's moments) this is an enjoyable romp with the right mixture of nonsense, mild smut and heart to make a typical, and very watchable, British comedy of the early post-war period.

Gamera vs. Gyaos (1967)

Although featuring the B-team of Japanese monsters, this is a perfectly decent film. A vile pterodactyl like monster called Gyaos emerges during construction of a motorway in the mountains and wrecks havoc. The boy Eiichi (Naoyuki Abe) is captured by Gyaos but is saved by the turtle monster Gamera. Unfortunately Gyaos possesses  many fiendish powers including a cutting ray that can slide objects like planes or cars in half, and also cuts Gamera's arm forcing a retreat.

The military effort is led by Dr Aoki (Yoshiro Kitahara) and Tsutsumi (Kojiro Hongo) but mankind's weapons fail over and over again against Gyaos. The beast has a number of flaws including an aversion to sunlight but he manages to thwart the human's plans. Finally, Gamera is able to bring his A-game and finally defeats Gyaos...

A decent kaiju film. Gyaos is an excellent villain, with it's harsh looks and merciless arsenal of weapons it has a real sense of menace. A sub-plot of greedy villagers trying to stop a road construction project as they want more money is a bit of a bore but fills out the running time.

Call Northside 777 (1948)

Based on a true story, this is an interesting if slightly dry crime drama. Journalist McNeal (James Stewart) is tasked to investigate an old murder case which took place in the 1930s. Wiecek (Richard Conte) was convicted of killing a policeman in 1932 but his mother (Kasia Orzazewski) puts up a reward to find the real killer. As McNeal digs deeper into the case he finds the conviction was unsafe. However, the police are keen for McNeal to be kept away...

McNeal's investigation, truly old skool journalism by putting in the pavement miles and talking to people not copying things off twitter as happens these days, is fascinating as is the glimpse of police procedure and bureaucracy plus a bit of 1940s style information technology. A thoughtful film without much in the way of thrills and spills despite a few limp attempts to add a bit of menace. 

This is a film an engaging film and a treat for criminology geeks. For example, a polygraph is used on Wiecek, applied by Leonarde Keeler the actual inventor of the device! Highly enjoyable.

Revolver (1973)

An intense film. The wife (Agostini Belli) of prison officer Cipriani (Oliver Reed) is kidnapped in order to force him to help prisoner Milo (Fabio Testi) escape. Cipriani facilities the escape but immediately things start to go wrong. Testi doesn't know who would want him out of gaol. Cipriani recaptures Milo to force the kidnapper's hand. He ends up taking Milo to Paris where he finds himself embroiled in a complicated plot involving a French pop star Al Niko (Daniel Beretta) and the killing of politicians...

Truthfully the ending of the film is a bit baffling as Cipriani finds himself hitting against the wall of the establishment but before that the film becomes a highly enjoyable thrill ride with the odd couple of Cipriani and Milo finding they can trust no one, and hardly trust each other. 

The film lacks as much violence as others in this genre but makes up for it with plenty of emotion and cool. The two leads give great performances.

Oliver the Eighth (1934)

Stan Laurel and Oliver Hardy both apply to an advert by widow Mrs Fox (Mae Busch) who is looking for a new man. Oliver is successful in his application, unaware that Mrs Fox is insane and intent on killing him like she has seven other Olivers before him!

Stan and Oliver turn up at Mrs Fox's mansion, greeted by the strange butler Jitters (Jack Barty) who plays imaginary cards and serves imaginary food! He warns them that Mrs Fox is going to cut their throats that night. All they have to do is stay awake...

A very inventive Laurel and Hardy comedy, somewhat more surreal and dark than some of their other work. Less slapstick more absurdity

The Bat (1959)

A ridiculous but amusing dark house murder mystery with elements of horror. Novelist Cornelia van Gorder (Agnes Moorehead) rents a mansion in which some dark crimes have happened in the past, apparently committed by a crazed maniac called The Bat. Meanwhile, at the bank a million dollars worth of securities have gone missing and it is thought they were hidden in the house. The Bat is now back and hunting for the securities and killing anyone in his path!

Police Lieutenant Anderson (Gavin Gordon) is on the case and has a number of suspects including the chauffeur Warner (John Sutton) and also Doctor Wells (Vincent Price) is also under suspicion. However, as the murderous Bat continues his reign of terror is the suspect closer to home?  

An enjoyable romp in a sinister dark house with secret passageways and plenty of shadows. The film keeps you guessing (to an extent) as to the identity of the Bat with a number of red herrings (though a seasoned watcher of these kinds of films will soon guess who he is!) Not as atmospheric as the original 1926 version though with plenty of camp and energy.