An Old Man's Love Story (1913)

An unusual love story. Ethel (Norma Talmadge) is in love with Cyril (Frank O'Neil), who has prospects though as yet not much else. Unfortunately for Ethel, her parents are poor despite all appearances and want to marry her off to a rich man. When their friend and retired businessman James (Van Dyke Brooke) turns up they want Ethel to marry him and send Cyril off...

When James discovers who Ethel's feelings are truly for he comes up with an ingenious (though somewhat implausible) plan for Ethel to marry money and Cyril...

A short film that packs a lot of story in though. The film has fairly natural acting though technically is still rather static. The film looks like it will go off in one direction though will surprise you with it's enjoyable twist. 

Across the Mexican Line (1911)

Wartime melodrama. During the Mexican-American War, the Mexicans send Juanita (Francis Gibson) across into the American lines to seduce the enemy and find out their secrets. Juanita hits it off with Lieutenant Harvey (Romaine Fielding) who proceeds to... teach her telegraphy. An interesting first date.

However, Juanita is unable to discover the Americans' plans. She sneaks a Mexican officer into the telegraph office who captures Harvey and takes him back to Mexican lines. By now though Juanita is in love with Harvey and as he faces execution, she calls for help from the Americans thanks to her new telegraph skills...

An interesting little film directed by one of the first female filmmakers in Alice Guy Blanche. The film is rather static with the narrative driven mostly by the inter-titles. Not that unusual for it's day.

Are Crooks Dishonest? (1918)

Harold Lloyd and Snub Pollard play a couple of small time con artists who have the fruitful scheme of pretending to lose a valuable ring and then tricking people to hand over cash for rubbish. One of their unsuspecting mugs is the phoney mystic Professor Goulash (William Blaisdell). However, his daughter Miss Goulash (Bebe Daniels) sees through Harold and Snub's scheme and tricks them out of their money!

A charming comedy short. Harold Lloyd plays a bad guy (of sorts) for a change, the film is notable more for it's visual humour than all-out slapstick.

False Faces (1919)

The story of a criminal (the Lone Wolf played by Henry B Walthall) who is tasked by the Allies in the First World War with stealing a cylinder containing vital information from behind the German lines. German agents are aiming to stop him of course, with the usual twist in movie land the head of the German agents (Lon Chaney) is the man who earlier killed Lone Wolf's sister and nephew...

Unfortunately this isn't that great a film despite the promising story. The film, made so soon after the end of the war, suffers from veering too much into propaganda. The Germans are portrayed as vicious animals, the Allies are perfect good guys of course. Most characters are fairly one-dimensional. The plot is also rather incoherent with a lot of back and forth shenanigans which have little end product. The scenes aboard a submarine are ridiculously unrealistic. 

An interesting watch from the point of view of an early war film but thats it! The film has some interesting ideas, such as the use of ghosts to portray guilt and torment but the execution is usually pretty flawed.

In the Park (1915)

Fun and frolics with Charlie Chaplin in a park. A thief is loose in the park stealing handbags, but when he tries to pick Charlie's pockets he ends up losing his ciggies. The thief isn't very good at keeping his loot either as the handbag switches from park user to park user. In the end the handbag is reunited with it's owner but she is so angry at her boyfriend, he decides to jump in the lake with Charlie's help! A light film without a huge amount of plot, just a sprinkling of decent gags. Charlie Chaplin was still developing his comedy character and there was still some work to do but a pleasant watch. Edna Purviance is around of course as a maid enjoying the park.

The Tong Man (1919)

A rather dated view of Chinatown, containing a fair bit of action though certainly full of dated stereotypes. Louie Toy (Tojo Fujita) is a merchant (and drug smuggler) who refuses to pay the Tongs protection money. The Tong task their top assassin Luk Chen (Sessue Hakayama) with assassinating Toy. One complication however, is that Chen is in love with Toy's daughter Sen Chee (Helen Jerome Eddy)... 

Another complication is that Toy has given safe harbour to a murderous sailor on the run from the police (Yukata Abe), and he is obviously keen to have Toy's back. Yet another complication is the San Francisco Police sniffing around...

So, a world of opium dens, gambling debts, pigtails and endless intrigue and murder. The fact the Tong seem to get their orders from the statue of a dragon is genuinely hilarious. The film is a bit contrived but the film is well made, the story is nonsense though!

The Perils of Pauline (Serial) (1914)

This is one of the earliest movie serials, although was more a series of standalone adventures with an overall theme rather than the multi-part adventures of later serials. Pauline's (Pearl White) uncle and guardian Sanford Marvin (Edward Jose) died and left Pauline a fortune. However, the money is in the care of Marvin's unscrupulous secretary Koerner (Paul Panzer) until Pauline marries. Koerner wants to keep the money for himself, he takes advantage of Pauline's zest for adventures by coming up with various schemes to get rid of her.

One example of this is she is tricked into getting into a balloon which is then set free and out of control. Others involve escaped lions, Indian tribes, bombs and various traps and kidnaps. Pauline escapes death often with the help of her beau Harry (Crane Wilbur) but not suspecting Koerner, he is free to try again next time!

Pearl White became the original serial queen, starring in a number of highly popular serials. She was notable for doing many of her own stunts, some of which did cause her life changing injuries. In many ways the serial is a bit obvious and nonsense but it had a huge influence on future serials and pop culture.

The Dumb Girl of Portici (1916)

An early epic though, while undeniably impressive, is a bit long winded. With Naples enduring the cruel regime of Spain, the playboy son of the Viceroy (Douglas Gerrard) spies and takes a fancy to Fenella (Anna Pavlova), a mute peasant girl. 

He seduces and ravishes her, then the Viceroy (Wadsworth Harris) tries to get rid of her and the scandal by having her thrown in prison and whipped! Fenella's mistreatment sparks the populace in a revolt led by fisherman Masaniello (Robert Julian) which eventually brings down the Viceroy and his regime who do not have a happy ending...

While not a brilliant film it does have plenty of grand designs and grander staging. Pavlova (yes the dessert was named after her) was a famous ballerina and this was her only appearance in a feature film. Her appearances have the lightness and grace you would expect though the camerawork unfortunately often did not make the most of it. The film could have done with some heavy editing. But it is an interesting film and was quite an accomplishment.

The Girl and Her Trust (1912)

An interesting little short feature. Grace (Dorothy Bernard) is the telegraph operator at a railway station. When a bunch of tramps led by Alfred Paget try and rob $2000 being transferred by train, Grace saves the day by telegraphing on ahead to get help and also holding off the tramps in her office...

This is a great little film with a strong female character, obviously rather rare in cinema back then. Good early use of editing and camera angles help make this a cutting edge film for it's day and not just a camera being kept statically in front of a stage play. Well worth the watch.

Cleopatra (1912)

A classic early silent movie, full of dramatic gestures and many extras in period costumes (of dubious historical accuracy). This tells the story of Cleopatra (Helen Gardner) after the murder of Julius Caesar and her seduction of Marc Antony (Charles Sindelar) and blah blah blah. The history, or at least William Shakespeare's version of it, is very familiar and doesn't need to be repeated here.

At the start of the film, the slave Pharon (Mr Howard) professes his love to Cleopatra. When she finds out she offers him ten days of love after which he must kill himself. He agrees though Pharon's lover the handmaiden Iras (Pearl Sindelar) is not so keen on this and later uses this against her Queen...

This is a lush historical epic to which regular colour tinting adds another dimension. The film is fairly low budget though and the sets reflect that. The camera is also pretty static, it is more like a filmed stage play than an actual film but still an interesting watch all the same.

The Ambassador's Daughter (1913)

A neat little tale of love and espionage. Farnsworth (George Lessey), an attache at the US embassy in London, is in love with Helen (Miriam Nesbitt), the ambassador's daughter. However, while he pursues her (and gets knocked back), a spy - Dumont (Marc McDermott) - who works at the embassy, steals an important document though is forced to hide it. Helen begins to investigate the loss of the document, which puts her into peril...

Rather melodramatic and at times over the top, but a well made film. The romance part of the story is a bit overdone and detracts from the espionage plot. An interesting look at life just before the First World War.

The Adventurer (1917)

A typical Charlie Chaplin comedy slapstick short. The tramp has hit hard times by now and is a convict! After much mayhem in some sand dunes, he manages to escape prison. Charlie then saves a girl (Edna Purviance) from drowning and is invited to her home. His new status as a hero makes it easy for the authorities to track him down of course!

Well this is classic Chaplin, a number of ingenious comedy set pieces. This is one of the best of his early films. It maybe lacks a but of depth but doesn't lack for humour.

20,000 Leagues Under the Sea (1916)

One of the earliest films with underwater photography and one of the earliest adaptations of Jules Verne's story (though actually this includes elements from two of his stories including Mysterious Island). Captain Nemo (Allen Holubar) and his submarine Nautilus travels the seas in search of Denver (William Welsh) whose unwelcome advances compelled a princess to take her own life...

Professor Aronnax (Dan Hanlon) and his daughter (Edna Pendleton) are captured by Nemo after the Nautilus sinks their ship. At first they are prisoners of Nemo then they join him on his hunt under and above the waves including to a mysterious island where a wild girl lives (Jane Gail)...

An astonishing film with a lot of underwater footage, maybe a little too much for the sake of the pace of the film at times but this was a genuine first in film making so should be expected. The odd bit of silent movie style overacting should be expected as well.