The Boat (1921)

Buster Keaton has built a boat in his house and intends to take his family on a trip. What could go wrong? Apart from everything.

First of all the boat is too big to get out of the house, the boat is finally removed from the house but not without demolishing the house! Buster's wife (Sybil Seely) is not that impressed naturally though shows admirable restraint. When the family do get to the sea, the boat it sinks (of course) leaving them in peril! He could probably do with another hobby to be honest.

This is a good slapstick comedy but with some subtle humour too. So much is packed into this short film, you might even think a little too much? A great film from a comedy master. 

Lady of the Night (1925)

An enjoyable melodrama with a great performance by Norma Shearer.

Two baby girls are born very close together but also so far apart. One is Molly, the daughter of a man (Lew Harvey) sent to prison for a twenty stretch, and the other is Florence, the daughter of the judge (Fred Esmelton) who put him away! Eighteen years later the two young women (both played by Norma Shearer) have left their respective schools. Molly has become an escort, after a fight at a club she is rescued by an inventor called David (Malcolm McGregor) and falls in love, though David doesn't see it the same way...

With Molly's help, David decides to use his invention that can open any safes for good and not crime. Florence then meets David and starts dating him. However, she realises that Molly really loves him...

It is all wrapped neatly in a way the class conscious 1920s would accept of course. A sentimental film but very well done. The acting is natural and subtle and the story well told. Shearer does very well playing two roles, and two very different characters.

Riders of the Purple Sage (1925)

A classic silent era Western, based on the famous Zane Grey novel.

Jim Carson (Tom Mix) rides to the rescue when his sister (Beatrice Burnham) and her daughter is kidnapped by some bad dudes on the order of the evil Lew Walters (Warner Oland). Jim saves his sister, then he links up with rancher Jane (Mabel Ballin) in her fight against some cattle rustlers called the Riders of the Purple Sage. Behind their crooked antics secretly is Walters, who is posing as a judge...

This has all you need for a top quality Western, a great hero, a great villain, superb scenery and lots and lots of action.

The Plastic Age (1925)

A college-age love story that won't uproot any trees but is a decent enough watch.

Hugh (Donald Keith) is a freshman at college, keen on his studies and sports. Then he meets Cynthia (Clara Bow) and falls in love. Studies, sports and dating Clara Bow pushes Hugh a step too far as she introduces him to booze, dancing and back seat fumbles. Something is going to have to give especially as the big game is coming up (of course)...

So, this is all rather formulaic all down to the parental disapproval and eventual redemption. What rises this film above the pack are the performances especially from Bow and the supporting cast. This was Clara Bow's first hit film.

The Doughboy (1926)

A silly little comedy short. Snub Pollard joins the US Army in World War 1 and soon, this "Doughboy" (as US soldiers were called at the time) has been sent to the front line even if his training is a series of disasters. His front line service is also a disaster, he spends most of his time trying to avoid being captured by the Germans. 

The film has plenty of inventive comedy situations though it does start to get a bit tedious and repetitive by the end. Not a top tier silent comedy but perfectly fine as a shirt feature and does raise plenty of smiles.

From Soup to Nuts (1928)

A good Stan Laurel and Oliver Hardy comedy short though not quite the best. Mrs Culpepper (Anita Garvin) wants to show off by holding a posh dinner party. She requires a couple of waiters, but unfortunately she gets Stan and Ollie! Mayhem obviously ensues. The mayhem is a little predictable though, when Ollie walks into the dining room carrying a huge cake you know he is going to end up with his face in it... and indeed he does, several times!

Mrs Culpepper also has a lot of trouble with a cherry but when Stan walks in to serve the salad in his underwear (he was told to serve the salad undressed of course) the cherry is soon forgotten. Good old fashioned fun.

The Midnight Girl (1925)

A rather average love triangle melodrama, though interesting to see Bela Lugosi in one of his pre-Dracula roles. Rich arts patron Nicolas (Lugosi) is growing weary of his star act Nina (Dolores Cassinelli), who is also sleeping with. His son Don (Gareth Hughes) has a big row with his Dad and moves out. Don discovers Anna (Lila Lee), a young immigrant singer, and falls in love with her. Unfortunately for Don his Dad also hears and falls in love with Anna. Father and son compete against each other for Anna...

A film of it's time, these days a film about a father and son both chasing the same young girl would not be greeted in quite the same light! This is standard melodrama fare, with a neat ending where everything is sorted out in the end and everyone goes home happily for tea. The film is quite acceptable though not much more. It is mostly worth seeing for Bela Lugosi not in a horror. 

Manhandled (1924)

A top draw actor can lift an otherwise average plodder of a film into something decent, as happens with this film starring Gloria Swanson as a shopgirl (Tessie) with a talent for mimicry. She manages to escape her dreary job thanks to her talent for pretending to be other people. She ends up pretending to be a snooty Russian aristocrat in order to attract customers to a posh establishment.

Tessia soon forgets about her boyfriend Jimmy (Tom Moore) but when he becomes a success himself he comes back for her and accuses her of letting herself be taken advantage of (manhandled as per the title)...

Truthfully this is a fairly forgettable comedic morality play but Swanson's comedy performance is well worth watching, especially the crowded subway train scene.

Liberty (1929)

Stan Laurel and Oliver Hardy escape from prison. They manage to get away fine with some help, though in their rush to get dressed they appear to have put on each others trousers! Changing into the correct trousers is of course not as simple as it sounds, and Stan ends up with a crab down his pair! This causes more slapstick mayhem.

With the police still after them, they hide in a workman's lift on a skyscraper building site. They of course end up on top of the building and have to creep along the bare girders with various death defying stunts.

Not the best Laurel and Hardy comedy short but with plenty of invention especially in the skyscraper sequence though this part of the film might go on a bit too long.

The Finishing Touch (1928)

Stan Laurel and Oliver Hardy are tasked with finishing a house in record time by Sam Lufkin, what could go wrong? a framework Actually let us rephrase that, what would go right? Because a building site is just an endless opportunity for slapstick mayhem. The poor policeman Edgar Kennedy gets dragged into the destruction, a hilarious scene sees him covered in tar and then a load of roof slates fall on him and stick to him!

To make matters worse, the nurse (Dorothy Coburn) of a hospital next door is demanding that Stan and Ollie make as little noise as possible. As you can imagine this is a forlorn hope...

This is a very funny and very silly film, the story is pretty basic and largely a framework for a series of comedic situations. The slapstick doesn't always work but the film races along a such a pace that you don't have time to dwell on it when it doesn't.

The Battle of the Century (1927)

A Stan Laurel and Oliver Hardy comedy short most famous for it's custard pie fight! Before that though Stan Laurel is the world's most unlikely prize fighter and inevitably gets beaten. Oliver Hardy takes out an insurance policy on Stan (sold by the unscrupulous Eugene Pallette) and then tries to engineer an accident using a banana peel. Things don't go to plan of course and after the banana peel causes a custard pie salesman (Charlie Hall) to slip and fall all Hell breaks out in the resultant custard pie fight! 

The custard pie fight goes on for a long time, maybe too long but fulfils all the slapstick requirements of a comedy short of the period. The pie fight was said to have used at least 3, 000 custard pies (and maybe many more according to some sources!) This was one of the earliest official Laurel and Hardy films and they had yet to master their characters but the film is still good fun, though a bit disjointed due to missing parts of the film.

Putting Pants on Philip (1927)

Although they had appeared together in a number of films beforehand (the first being 1921's The Lucky Dog), this was the first official Stan Laurel and Oliver Hardy film. Ollie is at the docks waiting for his nephew (Stan) from Scotland. To his surprise, shock and the hilarity of everyone in town his nephew is wearing a kilt. That basically is the premise of the film, everyone finds a man in a kilt so funny, obviously they must be hard up for entertainment.

Fed up by all the attention, Ollie tries to get Stan some trousers. Stan isn't very keen on wearing them though, he is very keen on a flapper (Dorothy Coburn) though she doesn't exactly share the attraction.

So, a bit of a one joke film, which is fine if the joke is good but this one is a bit average. The film is watchable and quite funny but mostly of interest for historic value. The Laurel and Hardy double act was still a work in progress, soon it would conquer the world of comedy but not quite in this film.

Double Whoopee (1929)

A classic Stan Laurel and Oliver Hardy comedy short. Laurel and Hardy turn up at a posh hotel to work though are mistaken for a Prussian prince and his Prime Minister. When the real Prince (Hans Joby) does show up he ends up falling down an empty lift shaft a few times thanks to the new lift man Hardy!

Thats just the start of the mayhem Laurel and Hardy cause in the hotel, which includes a fight with a taxi driver (Charlie Hall) and the accidental near unclothing of a female guest (Jean Harlow). It all ends in a huge slapstick fight of course.

It is all very silly and very funny and plenty of slapstick. This was one of Laurel and Hardy's last few silent comedies, they would conquer comedy in the sound era of course.

The Bat (1926)

A very odd though fascinating film. Van Gorder (Emily Fitzroy) and her niece Dale (Jewel Carmen) have taken over a remote country house, unknown to them the previous and now dead owner's money has been concealed in the house. Now a mysterious character and master criminal who dresses as a giant Bat has come to steal it! What follows is a series of spooky antics via hidden passageways and red herrings.

Brooks (Jack Pickford), Dale's fiancé, is the man suspected being behind the (quite frankly) bizarre Bat character. With the help of Detective Anderson (Eddie Gribbon) the Bat is finally run to earth, quite literally thanks to a man trap. But who was the Bat? At the time audiences were asked not to tell people who it was (an early example of no spoilers!), we'll honour that too!

This is basically a dark house mystery with some added suspense and horror and indeed humour thanks to the Bat. The thought of a man dressed as a giant bat to commit murder and robbery is quite surreal and the wonderfully atmospheric sets and clever cinematography really make this film something special. This film was remade in 1930 and that version of the Bat was said to have been a big inspiration behind Batman! 

Lizzies of the Field (1924)

A frantic auto-race comedy short with some incredible (and dangerous looking) stunts. Two garages have a heated rivalry. When an auto-race with a large prize is announced then both garages enter cars. Billy Bevan and Sidney Smith hope to win the race and will do anything to win, unfortunately their rivals feel the same way...

This is an incredible little film packed full of visual gags (for example a car which is actually a bed) and superb stunts. The film's plot (such as it is) lacks much in the way of sophistication. What it certainly doesn't lack is spectacle. 

Diary of a Lost Girl (1929)

A fine meaty role for the peerless Louise Brooks. 

She plays Thymian, daughter of a chemist (Josef Rovensky), who is raped by her father's assistant (Fritz Rasp). She becomes pregnant and is sent to a tough reform school (and her baby taken away from her) as she won't marry her rapist. Thymian eventually escapes and ends up working in a brothel. There is a way for Thymian to escape her dark life with the help of a Count (Andre Roanne) but will she be able to take it? Or will she be always haunted by her past?

This is a tough film which Brooks brings a lot of emotion into (but let's face it she is put through a lot). The film portrays upper and middle class society as moral free, sadistic and hypocritical. 

This is a melodrama for sure but so artfully and skill fully done. Louise Brooks is mesmerising. 

The Black Pirate (1926)

The sort of swash buckling silent movie epic Douglas Fairbanks Senior was born for and set the screen action hero template for. With some scenes of quite stark brutality, including the dumping of corpses in a heap and lots of murder, we are hurled into the savage world of the pirates led by Anders Randolf and Sam De Grasse. The Duke of Arnoldo (Fairbanks) is seeking revenge on the pirates for murdering his father, he thus infiltrates their band as the Black Pirate...

The Black Pirate soon proves himself as he helps capture a ship and he rises up the ranks, but his plans for revenge are complicated by the lovely Isobel (Billie Dove) whom he must protect from the evil clutches of his fellow pirates...

Although a lot of the more extreme violence is implied off-screen, the film can be very bloody, and in it's Technicolor print (one of the earliest) would have been very red! As a silent movie action epic this can't be faulted, Fairbanks was at his wash buckling action hero peak. The story may be pretty obvious but that is not the important thing here, it's spectacular.

The Dippy Dentist (1920)

A bright and breezy little comedy short. Fifi (Marie Mosquini) is pursued by various men but a new dentist (Snub Pollard) really makes a move for her, pushing aside his rival dentist Gaylord Lloyd (Harold's brother) with ease. Snub is also not averse to using laughing gas to subdue Fifi and have his way with her! 

Questionable morals aside, this is a decent enough farce which gets most of it's laughs from Pollard's interesting method of patient care and his roughhouse style in general. Not a great comedy short but perfectly passable.