The Headline Woman (1935)

Who runs the city? The police or the press? When the newspapers rip into new police commissioner Frank Desmond (Conway Tearle) he cuts off the supply of information. At first the plucky reporters led by Bob Grayson (Roger Pryor) pump a rather dumb flatfoot Hugo Meyer (Ford Sterling) who they help climb the ladder in return for tips.

The gambling kingpin Clarkey (Morgan Wallace) is involved with various bumpings off and illegal gambling. When Myrna Van Buran, the daughter of Bob's boss, (Heather Angel) is accused of murdering Clarkey Bob helps her out to get the story... or is he in love?

A very entertaining if haphazard film with a number of plot tangents to help fill the time. The ensemble of reporters is full of wise-cracks, 30s slang and some sharp dialogue. It is rather breakneck, at times frenetic but seldom boring. Pryor and Angel make a good, though unlikely, double act.

Stop-Over Forever (1964)

Flight attendant Susan Chambers books into her hotel in Sicily after a flight, but is gunned down by an unknown assailant. A few hours later Susan Chambers then turns up again, only this is the real one (Ann Bell), the other being a colleague (Brita van Krogh) who had swapped rooms with her.

While the Italian police chief Captain Mordente (Julian Sherrier) investigates the crime he is naturally suspicious of why the switch. Susan realises that her colleague was mistaken for her and she is in danger... And there are plenty of suspects, could it be her lover (Anthony Bate) who won't divorce his wife? A pilot (Conrad Phillips) with a dark secret? The drunk friend who wants more than she'll offer him (Bruce Boa)? Or even Mordente who resents her for some earlier incident which resulted in the death of his wife?

The film is set in such beautiful surroundings though is at times a bit dull, the pace being a bit slow. The characters are also somewhat annoying especially Susan, who in fine movie tradition, doesn't do anything logical while in fear of her life and instead runs around like a headless chicken. She does do a good job of portraying paranoia and fear well though. The twist at the end is excellent.

Doped Youth (1936)

Intended as an anti-drug propaganda film, Doped Youth (also known as Reefer Madness) ended up becoming a bit of an exploitation film. It deals with a group of young people whose lives are torn apart by marijuana. The film is also utterly awful.

Mae (Thelma White) and Jack (Carleton Young) are a couple (unmarried, tut tut) who get High School kids to smoke some pot. This does not end well, in fact it ends up with a number of deaths.

All the ingredients are here for 1930s moral panic in America: drugs, jazz music and dancing too close. The effects of pot are somewhat exaggerated. According to this film it leads to violence, death and insanity. After watching this low-budget nonsense it might drive anyone to substance abuse to be honest.

Baby Face Morgan (1942)

The mob is in trouble and need a new tough guy to take over and lead them back to glory, the son of the old boss (Richard Cromwell) a rather sensitive and easily taken advantage of soul somehow ends up the new boss of crime.

Doc Rogers (Robert Armstrong) uses the kid's name to build up the image of a tough mysterious figure behind the scenes. The scam depends on the mobsters not really knowing a naive kid in charge, and the kid not really knowing where the money is coming from. Things get even more complicated when the owner of a trucking company (Mary Carlisle) refuses to pay for protection...

But this is a comedy, and a rather good one too. The film sends up the B-movie gangster genre very well with the right degree of farce and corny one-liners.

Gang Bullets (1938)

Big Bill Anderson (presumably he is just "Bill" on his birth certificate) is running crime in a small city and the DA Wayne (Charles Trowbridge) and his assistant Carter (Robert Kent) seem unable to get the better of Anderson (Morgan Wallace) who has a perfect handle on the law.

The DA comes under increasing pressure as Big Bill remains free, a mysterious writer called "Junius" causing extra trouble by accusing the DA as being in Big Bill's pocket. Carter is especially desperate about the affair as he can't marry the DA's daughter (Anne Nagel) while Big Bill remains free. Is it time for desperate measures?

Although a bit slow at times this is an interesting crime drama with an involving and intelligent plot especially showing how criminals could use loopholes in the law to run rings around the police and courts.