Sinful Cargo is a serviceable crime drama involving illegal immigration. Alan (Conrad Nagel) is a Federal Agent sent to Hollywood to investigate the racket and gets involved with reporter Bobbie Reynolds (Eleanor Hunt) and her hapless cameraman Vince Barnett.
The suspicion is that a film production company run by Crane Wilbur and Jack La Rue which doesn't seem to make any films is really a front for the racket. With the help of Bobbie, Alan pretends to be an aspiring actor to get involved with the production company and see exactly what they are producing.
It's not the best of films, Vince Barnett's hapless cameraman is a one joke role and unfortunately that joke stinks. However the plot is interesting enough and Jack La Rue plays a good role. At times the film has the breakneck air of an adventure serial, which isn't a bad thing of course.
This was the first of four movies with Alan, Bobbie and Vince in these same roles, another film was 1937's Bank Alarm.
Tuesday, April 23, 2019
Monday, April 22, 2019
The Gelignite Gang (1956)
Although nothing that special or unusual The Gelignite Gang is a decent enough crime drama.
A brutal gang is robbing (with explosives hence the name of the gang) and killing unfortunates left, right and centre. An insurance investigator (and imported American) Jimmy Baxter (Wayne Morris) is on the case though is warned off by the gang, and anyone who tries to rat on the gang is quickly despatched...
Despite this Baxter and his boss John Rutherford (Patrick Holt) continue the investigation and with the help of Baxter's squeeze (and secretary) Sally Morton (Sandra Dorne) begin to track down the gang and try and unravel who the Mr Big (or G) is behind the crimes...
The film is fast moving though full of cliches. Eric Pohlmann in particular chews the scenery as the nightclub boss in the know and with a regular supply of vague but sinister threats. Despite everything the film is undeniably fun. The identity of Mr G is a secret though a seasoned watcher of these kinds of films will probably guess who is it quite quickly!
A brutal gang is robbing (with explosives hence the name of the gang) and killing unfortunates left, right and centre. An insurance investigator (and imported American) Jimmy Baxter (Wayne Morris) is on the case though is warned off by the gang, and anyone who tries to rat on the gang is quickly despatched...
Despite this Baxter and his boss John Rutherford (Patrick Holt) continue the investigation and with the help of Baxter's squeeze (and secretary) Sally Morton (Sandra Dorne) begin to track down the gang and try and unravel who the Mr Big (or G) is behind the crimes...
The film is fast moving though full of cliches. Eric Pohlmann in particular chews the scenery as the nightclub boss in the know and with a regular supply of vague but sinister threats. Despite everything the film is undeniably fun. The identity of Mr G is a secret though a seasoned watcher of these kinds of films will probably guess who is it quite quickly!
Friday, April 19, 2019
Tragic Fantasy : Tiger Of Wanchai (1994)
The streets of Wan Chai in HK never looked so bloody, every Karaoke lounge and bar is a battleground complete with heaps of dead hoodlums.
Simon Yam plays the part of a parking attendant who rises to boss in the triads, but of course as soon as you rise then there are rival bosses who want you to fall. We've seen it all before of course many times in HK cinema, but this is especially quite gritty. However at the same time the film doesn't engage you fully, it lacks that extra special something. So no X-factor, though has plenty of XXX factor. Violence aplenty and not a small amount of sex.
The film is basically a HK triad romp: Simon looks cool and his love Marianne Chan looks hot, and action is interspersed with some cool mid-90s cantopop tunes, including a bit where Roy Cheung is firing an AK-47 in slo-mo to a musical accompaniment. Lau Ching Wan plays the usual (for these films) bumbling character, the film certainly doesn't lack for 1990s HK star power.
It's supposed to be based on a true story but let's just say it's maybe a little itty bit exaggerated...
Simon Yam plays the part of a parking attendant who rises to boss in the triads, but of course as soon as you rise then there are rival bosses who want you to fall. We've seen it all before of course many times in HK cinema, but this is especially quite gritty. However at the same time the film doesn't engage you fully, it lacks that extra special something. So no X-factor, though has plenty of XXX factor. Violence aplenty and not a small amount of sex.
The film is basically a HK triad romp: Simon looks cool and his love Marianne Chan looks hot, and action is interspersed with some cool mid-90s cantopop tunes, including a bit where Roy Cheung is firing an AK-47 in slo-mo to a musical accompaniment. Lau Ching Wan plays the usual (for these films) bumbling character, the film certainly doesn't lack for 1990s HK star power.
It's supposed to be based on a true story but let's just say it's maybe a little itty bit exaggerated...
Thursday, April 18, 2019
Murder at Midnight (1931)
A parlour game at a posh mansion ends in disaster when a man is shot for real by Jim Kennedy (Kenneth Thomson) when the blanks are exchanged for real bullets in a gun. Inspector Taylor (Robert Elliot) turns up to investigate the accident (or murder) but things take a turn for the worse when Kennedy is shot dead too.
The investigation begins in earnest and the usual collection of stereotypes (haughty matriarch (Clara Bandick), nervous young man (Leslie Fenton), flighty maid (Alice White), sinister butler (Brandon Hurst) et cetera are under investigation. Is Kennedy's wife Esme (Aileen Pringle) the culprit? Luckily criminologist Philip Montrose (Hale Hamilton) is on hand in the best traditions of Golden Age type detective stories to help the hapless police out...
The film is a nicely done whodunnit, if rather unoriginal dark house mystery. Many films with similar storylines were made in the 1930s, if one lesson is to be learned from all of these films is that its not a good idea to agree to being shot by a gun supposedly loaded with blanks! The pacing is good and the performances acceptable, not all early talkies were hamstrung by awkward pauses.
The investigation begins in earnest and the usual collection of stereotypes (haughty matriarch (Clara Bandick), nervous young man (Leslie Fenton), flighty maid (Alice White), sinister butler (Brandon Hurst) et cetera are under investigation. Is Kennedy's wife Esme (Aileen Pringle) the culprit? Luckily criminologist Philip Montrose (Hale Hamilton) is on hand in the best traditions of Golden Age type detective stories to help the hapless police out...
The film is a nicely done whodunnit, if rather unoriginal dark house mystery. Many films with similar storylines were made in the 1930s, if one lesson is to be learned from all of these films is that its not a good idea to agree to being shot by a gun supposedly loaded with blanks! The pacing is good and the performances acceptable, not all early talkies were hamstrung by awkward pauses.
Wednesday, April 17, 2019
Pool Sharks (1915)
W.C. Fields and his rival Larry Westford are both trying to woo Marian West. First there are some antics at a picnic which involve lots of falling over, kicked backsides and other slapstick.
Then the two rivals head to the pool hall where after a number of amazing trick shots it all descends into a big fight and more slapstick. Truthfully its not the best silent comedy you'll ever see but not bad. It had some interesting camera work including some close-ups (still not that common in 1915) and stop-motion animation during the pool shots.
It was also W.C. Field's first film which is probably the most notable thing here.
Then the two rivals head to the pool hall where after a number of amazing trick shots it all descends into a big fight and more slapstick. Truthfully its not the best silent comedy you'll ever see but not bad. It had some interesting camera work including some close-ups (still not that common in 1915) and stop-motion animation during the pool shots.
It was also W.C. Field's first film which is probably the most notable thing here.
+
1910s,
Comedy,
Short Feature,
Silent Movie,
USA
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