Let George Do It! (1940)

Hilarious early wartime nonsense. When the ukulele player at an orchestra in Bergen, Norway is murdered, we discover that he was a British agent investigating the band leader Mendez (Garry Marsh), Mendez is a suspected Nazi agent sending the locations of British ships to u-boats. The British send another ukulele player / agent as a replacement but due to a mix-up in the blackout George Formby is sent instead!

George is completely hapless of course and has no idea what is going on when his contact Mary (Phyllis Calvert) tries to get him to help. George is spurred on to his patriotic duty and Mary's disappointment and, amid mayhem in a bakery, discovers how Mendez sends his codes (quite ingeniously it must be said). Mendez also discovers something, that George is a spy and he concocts a devious scheme to get rid of him...

Complete pantomime farce of course, especially George's dream sequence where he ends up punching Hitler! The slapstick mayhem is dialled up to eleven in the final act aboard the u-boat. To be honest if we'd have a few more George Formbys the war would have been over by 1941 one way or the other! Very funny indeed. Mother!

Atragon (1963)

The ancient Mu Empire, from under the seas, is launching an attack on the world above. They are trying to seize engineers and experts, which brings them to the attention of Japanese photographer Susumu (Tadao Takashima) and retired Admiral Kusumi (Ken Uehara). The agents of Mu also try to kidnap Kusumi and Makato (Yoko Fujiyama), the daughter of the Admiral's former comrade Jinguji. Makato thinks her father was lost in the war but Mu seems to think he is alive and building a new super submarine...

Kusumi admits it is true and they go to find Jinguji, taking along in tow a reporter (Kenji Sahara) who is so overtly a Mu agent it is ridiculous! On a remote island in the Pacific they find Jinguji (Jun Tazaki) and he shows them the incredible flying submarine he has developed in secret. However, as Mu begins it's attacks on the world above and turns a big chunk of Tokyo into a crater... Jinguji won't help! He says his submarine is only for the glory of the Japanese empire! Can Kusumi and Makato persuade Jinguji to change his mind before the mighty forces of Mu led by the Empress (Tetsuko Kobayashi) conquers the world?

Very good Japanese sci-fi / monster nonsense (Mu has a living god sea serpent though it is beaten rather easily). The film drags at times and some of the storyline doesn't make a lot of sense but this is a fun film overall full of terrific special effects and mayhem. Jinguji's tension, torn between duty and his love for his daughter adds a welcome bit of depth to the film.

Quatermass 2 (1957)

Excellent science fiction horror thrills. Dr Quatermass (Brian Donlevy) is annoyed because Whitehall has canned his plans for a Moon base. Meanwhile, strange meteorites are landing in the countryside. When Quatermass goes to investigate, he discovers a secret base, just like his plans for a Moon base! His assistant (Brian Forbes) is afflicted by an exploding meteorite and suddenly strange men in masks appear and seize the assistant and send Quatermass packing...

Quatermass knows something weird is going on. He gains access to the base with the help of an MP (Tom Chatto) friend, but his friend dies covered in a bizarre substance and Quatermass narrowly avoids capture and probable zombification. 

With the help of another friend, Police Inspector Lomax (John Longden) and a reporter (Sid James), Quatermass tries to enlight the help of the men of a local village. At first they are hesitant, but when a local girl is hurt by a meteorite, they rise in rebellion and storm the base. Quatermass knows that an unimaginable alien horror lurks in the giant steel tanks...

Although the effects are dated of course the film is chilling, the Quatermass films were always able to portray inhuman horror and science terror perfectly. 

Cowboy Holiday (1934)

An adequate yet unexceptional Western. Buck (Guinn "Big Boy" Williams) is a cowboy travelling across the range on holiday, after a slightly strange encounter involving a friend cowboy in a dress and some spanking, he arrives at the home of another friend of his, the Sheriff (John Elliot). Buck learns that the Sheriff is under pressure to bring in the Juarez Kid (Julian Riviero) or lose his job.

However, the Juarez Kid is another friend of Buck and he doesn't think the Kid is guilty. He decides to help the Sheriff and find out who is really doing all the stealing.

So pretty familiar stuff, including a budding romance with a rancher's daughter (Janet Chandler) of course. Unfortunately the film is rather flat and lifeless with some questionable execution. A more charismatic lead would have helped a lot to elevate the material, as it is the film is reasonably competent but no more.

Blind Date (1984)

A curious mess of a film. A deranged serial killer is incapacitating young women and practicing surgery on them. Meanwhile cocky advertising executive Jonathan (Joseph Bottoms), when he isn't sleeping with Kirstie Alley, is haunted by a girl called Rachel (Lana Clarkson) whom he once knew but lost contact with after a terrible incident in their past. Jonathan thinks he has found the girl in Athens but then he hits his head on a tree and is blinded.

(Mad) scientist (Keir Dullea) gives him the chance to "see" again using radar sensors hidden in a Walkman which feed into his brain. Although all he can "see" looks like an early 1970s video game, he is able to function again. He crosses paths with the serial killer, who has even disposed of Marina Sirtis, and begins a hunt for him. Can he catch him before the maniac kills Rachel?

Really this is two films, the amateur surgeon serial killer, and the story of how Jonathan loses and regains his sight. Both films are interesting, even pretty good. Unfortunately when they are put together it all becomes a bit of a mess. It is slash gore horror meets Tron, worth seeing mostly for curiosity value.