Empire of the Ants (1977)

A film about radioactive giant ants, probably as good as it could have been which isn't saying much.

Marilyn (Joan Collins) is arranging a tour of a Florida island, which she wants to sell plots of land to naive customers. Don't show the drum of nuclear waste which has been dumped on the beach. Some ants get enveloped in leaking nasty stuff.

Marilyn and her motley crew of 1970s disaster/monster film stereotypes are soon menaced by human sized ants. Their boat is attacked and destroyed leaving them marooned on the island. A battle for survival begins as they try and flee the giant ants, many falling and being torn to pieces in some rather graphic scenes...

It is ridiculous of course, the giant ants don't look too bad as puppets in close-ups (though scenes with magnified real ants not so good) but the horror and gore hit the spot. The film lacks some menace though for some reason and the plot is the usual nonsense with people behaving very strangely and annoying. For a giant insect monster film however, it isn't bad, though that isn't exactly a high bar.

The Comedy of Terrors (1963)

A comedy horror romp that skirts a little too close to the edge between hilarious and terrible.

Smug undertaker Waldo (Vincent Price) is horrible to everyone including his assistant Felix (Peter Lorre) and his wife Amaryllis (Joyce Jameson). He is also trying to kill his father-in-law Amos (Boris Karloff). However, Waldo has a problem, there isn't enough business and he has a big bill to pay given to him by Mr Black (Basil Rathbone). 

If enough people arn't dying in the town then Waldo has a dark and depraved way to solve that... kill people himself!

An interesting black comedy with a superb cast. It does include some truly delicious wickedness (i like the joke that Waldo reuses the same coffin over and over, tossing the occupant out when everyone has gone and taking the coffin home for a clean!) At times though the film is a little too goofy and cheesy. The cast makes it worthwhile.

Curse of the Faceless Man (1958)

Nothing that new in the genre perhaps, but pretty well done. An enjoyable 1950s monster film.

From the ruins of Pompeii a petrified gladiator is unearthed. It doesn't take long for terrible things to start happening, the gladiator comes to life and kills the driver taking it to the museum! Dr Mallon (Richard Anderson) begins to investigate and finds that the gladiator carries a curse though is sceptical that the gladiator's body is still alive however, soon he comes face to face with the brutal creature.

Meanwhile, Mallon's secretary Tina (Elaine Edwards) begins to have strange visions of the gladiator. A link between her and the gladiator starts to develop. Maybe the monster's motivation isn't just to destroy but something a little deeper...

An interesting film that raises itself above the herd (though lets face it a lot of that herd are pretty terrible). The film is well constructed and paced. The monster scenes just edge the right side of the chills / cheese divide. The story has a little bit more intelligence than usual.

The Primrose Path (1925)

A decent melodrama though it certainly packs plenty in.

Bruce (Wallace MacDonald) is well off, unfortunately he spends his money on gambling and booze. Despite the fact he is a bit of a loser, his gal Marilyn (Clara Bow) sticks by him. Bruce ends up gambling with the boss Tom (Stuart Holmes) of the establishment where Marilyn works as a dancer. Bruce loses big and can't pay up. To avoid jail he has no choice but to be involved in diamond smuggling with Tom.

The troubles however, continue to rack up for Bruce. He gets involved in a death and it all spells ruin (and the electric chair) for Bruce, and despair for his widowed mother and crippled brother (just in case you haven't got enough melodrama!)

An emotional film but handled with enough subtlety to keep things just about bearable.

The World Is Not Enough (1999)

Some men want the world, but for some women the world is not enough.

James Bond (Pierce Brosnan) is tasked to protect oil heiress Electra (Sophie Marceau) after her father (David Calder) was killed in a terrorist attack at MI6. Bond discovers that Renard (Robert Carlyle) - who has a bullet in his brain - is planning to destroy an oil pipeline with an atomic bomb by stealing ex-Soviet plutonium. With the help of nuclear scientist Dr Jones (Denise Richards), James foils that plan but the real plot is far more deadly, and the true mastermind behind the plot highly unexpected...

This is a good Bond film (but can't be said to be amongst the very best) though when he is fighting Renard inside a live nuclear reactor you might consider that Bond (even by his prior standards) has jumped the shark! Despite that the action mostly stays the right side of plausibility and the various set pieces are pretty spectacular.