Slaughter in San Francisco (1974)

Heavy on the martial arts, even heavier on the hilariously bad dubbing.

Officer Wong (Don Wong) is a police officer in SF. He and his partner (Robert Jones) begin to encounter some strange occurrences at the police station, people mysteriously let off for crimes and others arrested even though they are probably innocent. 

After his partner is killed, Wong is off the force but investigating for himself. He discovers a web of corruption on the force, at it's head is gangland boss Chuck Slaughter (Chuck Norris)...

Despite being at first glance a rather rough around the edges (though highly enjoyable) martial arts film, there is some interesting storyline here with the corruption angle. The filming is pretty shabby though and the soundtrack completely dubbed (and awful). The fights though (and let's face it, thats why you are watching this) are brilliant. Somehow its a great film. Although Chuck Norris is billed as the main star this is really Don Wong's film, and he is very good indeed.

The Witness Chair (1936)

A superb courtroom drama with the required twists, turns and sensation.

Businessman Stanley Whittaker (Douglas Dumbrille) is found dead in his office, an apparent suicide with a typed letter provided that says he admitted to embezzling the company and tried to blame Jim Trent (Walter Abel) for it. 

However, the police are suspicious and soon Trent is arrested for murder. To Paula Young's (Ann Harding) horror the trial is going badly for Trent, whom she loves. Also, it comes out that Trent's daughter (Frances Sage) was having an affair with Whittaker. Finally, Paula decides she must make a shocking admission herself...

After a first act in the office the majority of the film takes place in the courtroom and it is a solid film with a good story, with a number of facets which are gradually revealed, even if court procedure seems a bit lax at times.

Cold-Blooded Murder (1981)

A violent and rather confusing, though thrilling, crime and martial arts film.

A maniac (Michael Chan), who we learn in flashback saw his baby son die due to his wife cheating with a gangster, begins killing prostitutes in a number of horrific ways. The Inspector (Carter Huang) has been tasked to catch the attacker but is coming under increasing pressure as the body count rises and his investigations turn up blank. One of his men (Bruce Le) is also in a personal war with gangster Lau Dan who brings in the buff Bolo Leung to help him out...

Actual policework seems quite hard to find though, apart from using policewoman Lam Hoi-Ling as a hapless decoy. There is a lot of fighting and violence instead, a hell of a lot. This is an enjoyable film if you like kung fu, in fact a very good action film. Though if you like a coherent plot, and characters who don't do bizarre things for no apparent reason, then maybe this isn't your night. 

The film's main problem is the two unconnected plots, the gangster plot seems to be here just so the film can have it's Bruceploitation fix, it does detract from the more interesting crime plot which would have benefited from more screen time. The film is still a great watch, even if it should have been two films...

Dimension 5 (1966)

A rather flimsy 1960s spy film with some time travel nonsense tacked on.

A Chinese Communist faction are trying to smuggle a nuclear bomb into America and blow up LA. Justin Power (Jeffrey Hunter) is an agent of a secret US agency who is tasked with stopping them, he is helped by fellow agent Kitty (France Nuyen) and they begin a search for the head of the faction in the US, Big Budda (Harold Sakata). 

Assisting them with their endeavours is a time travel belt which can allow them to jump forward and backwards in time, though despite this apparently game changing technology Power and Kitty still end up having a fist fight with the bad guys in a fireworks warehouse...

This is what it is, a low budget and very campy spy romp. It has all the cliches of the genre and of course is helped out by Oddjob (Sakata) appearing - even if he is terribly dubbed and spends the film in a wheel chair (which rather negates his impressive physical presence). The film is not very good though is pretty watchable and enjoyable if approached in the right way as a 1960s piece of spy film cheese.

Alias Boston Blackie (1942)

A Christmas themed Boston Blackie movie.

Boston Blackie (Chester Morris) and friends head up to prison on Christmas Eve to perform a show for the convicts. However, Joe (Larry Parks) takes advantage of them being there to escape prison dressed as a clown. Joe claims he was set-up and wants to find the men who framed him. This drags his sister (Adele Mara) and Blackie into the trouble and hunted by the police. Blackie has to find Joe and try and prove his innocence, without getting collared by Farraday (Richard Lane) himself...

One of the best in the Boston Blackie series, a fast paced crime drama romp with plenty of shenanigans in a hotel. A good and enjoyable film. Apart from the trees and some decorations it isn't very festive though.