Boston Blackie and the Law (1946)

Boston Blackie has to clear his name and catch the real criminal (as usual).

Boston Blackie (Chester Morris) is in a woman's prison doing a magic show. One of the inmates Dinah Moran (Constance Dowling) manages to escape during one of the tricks! Blackie is of course accused of helping her escape by Inspector Farraday (Richard Lane). Boston has to prove his innocence, he thinks Dinah is after the stolen money from her crime which had never been recovered. Blackie tracks down Dinah's ex-husband (Warren Ashe) who is a magician too! Blackie takes his identity knowing that Dinah will not be far behind and maybe will lead him to the stolen money. However, Blackie has to deal with another unexpected foe too...

Another decent entry in the Boston Blackie series though the comedy antics and stupidity of Farraday and Matthews (Frank Sully) are maybe dialed up a little too high. Some nice twists and crime fighting antics, even if credibility is stretched a bit at times.

Amanda and the Alien (1995)

A science fiction comedy with a real difference, and that difference is a fair amount of cringe.

An alien that can take over human bodies escapes from a US government facility. Although the alien looks human it struggles with acting like one. Cool coffee shop nerd Amanda (Nicole Eggert) sees the alien struggling with her latte and naturally decides to help. Amanda's help includes helping the alien feed by killing and assuming the form of Amanda's annoying boyfriend! Naturally Amanda starts to fall in love with the alien...

Although a bit weird at times, the film somehow succeeds. Is it so bad it's good? Well at times, though at other times the cringe factor can make it so bad it's bad! The quirky weirdness will drag you through though. Michael Dorn as a US military officer adds a good sci-fi touch. It is a real film of it's time with it's mid-90s style and feel. 

The Crime Nobody Saw (1937)

This might be one of the worst films ever made, honestly what is going on here?

Three apparently useless and very annoying playwrights (including Lew Ayres) are failing miserably at creating a new play against the clock. A drunk man gets into their apartment and promptly collapses. The playwrights find thousands of dollars on him and naturally assume he is a blackmailer. They do what anyone would do, start to use him as a character in their play. But then he is murdered...

The problem with this film is, is it a murder mystery or not? No one really seems to care about the crime, random characters instead romp about and we have a good dose of comedy (some of it isn't bad admittedly). 

Personally i like my crime taken seriously so didn't really enjoy this film, the only good thing about this film is a prominent role for a black actress in a film from this period, that being the maid Ambrosia (Hattie McDaniel).

Project Moon Base (1953)

Misogyny... in... space!

The US launches a mission to it's space station. It is commanded by Colonel Briteis (Donna Martell). However, as Briteis is female she is called "Bright eyes", her other crewman Moore (Ross Ford) openly resents being inferior to a female, and the general threatens her with a spanking if she doesn't behave!

Meanwhile, Wernher (Larry Johns) is a foreign spy who is attached to the mission with a secret plan to destroy the space station. Instead he manages to get them marooned on the Moon...

It is a shame the film is jarred by some blatant and overt sexism as this isn't a bad 1950s science-fiction film at all otherwise. Luckily Briteis manages to solve her problema with Moore resenting her status by marrying him on the Moon and getting him a promotion to outrank her as a wedding present! 

Criminals Within (1941)

A somewhat confusing but energetic early wartime spy romp.

After a scientist is murdered by foreign agents, his brother who is an NCO in the US Army goes AWOL to try and find the murderers. Unfortunately for Carroll (Eric Linden), Army Intelligence think he is linked in the murders somehow and has a list of other scientists which the agents want to get their hands on. Carroll thus has to avoid his own side while uncovering the agents, some of whom are close to home...

As usual with films of this type a lot is packed into a short run time, with plenty of tangents and red herrings. At times it can be confusing though the conclusion is straight forward enough. This is a solid enough spy drama although little stands out of the ordinary.