Spaceways (1953)

This may appear at first glance to be an early 1950s science fiction film but really it is quite a good murder mystery!

Tensions are high at a top secret and high security British research base as Britain attempts to be the first to send a rocket into orbit in efforts led by Dr Mitchell (Howard Duff). However, there are other tensions too as Mitchell's wife Vanessa (Cecile Chevreau) dislikes the restricted life on base and is having an affair with Dr Crenshaw (Andrew Osborn). Vanessa and Crenshaw go missing on the day of a new rocket test, the rocket failing to reach the correct orbit for some reason.

Ministry investigator Dr Smith (Alan Wheatley) comes in looking into why the two disappeared. He knows of the affair and logically deduces that Mitchell killed the pair and then stuffed their bodies into the rocket which is now in orbit! Mitchell volunteers to pilot another rocket into space to prove his innocence but Smith has a new lead and the pair might not be dead after all...

If you wanted a 1950s science fiction film you might find this a bit limited (though there are some orbital thrills at the end) but the crime investigation part of the film is pretty good and makes the film a perfectly reasonable watch.

Moonfire (1970)

A somewhat awkward early trucker movie.

This film starts off in glorious trucker movie fashion with a 1970s country song and footage of trucks... but then we see random Mexican thugs shooting people in the desert and a landed space capsule! The truckers including Richard Egan end up fighting a Nazi hiding in the desert and a biker gang too (because they are always hanging around in the desert looking for fights)...

This is a confusing film though makes good use of the tiny budget. The film had a troubled genesis, Richard Egan left early on over a money dispute (though did return for the end) which meant Charles Napier got a promotion. 

The film also stars champion boxer Sonny Liston who appears as a truck driver not long before his death.

Boston Blackie and the Law (1946)

Boston Blackie has to clear his name and catch the real criminal (as usual).

Boston Blackie (Chester Morris) is in a woman's prison doing a magic show. One of the inmates Dinah Moran (Constance Dowling) manages to escape during one of the tricks! Blackie is of course accused of helping her escape by Inspector Farraday (Richard Lane). Boston has to prove his innocence, he thinks Dinah is after the stolen money from her crime which had never been recovered. Blackie tracks down Dinah's ex-husband (Warren Ashe) who is a magician too! Blackie takes his identity knowing that Dinah will not be far behind and maybe will lead him to the stolen money. However, Blackie has to deal with another unexpected foe too...

Another decent entry in the Boston Blackie series though the comedy antics and stupidity of Farraday and Matthews (Frank Sully) are maybe dialed up a little too high. Some nice twists and crime fighting antics, even if credibility is stretched a bit at times.

Amanda and the Alien (1995)

A science fiction comedy with a real difference, and that difference is a fair amount of cringe.

An alien that can take over human bodies escapes from a US government facility. Although the alien looks human it struggles with acting like one. Cool coffee shop nerd Amanda (Nicole Eggert) sees the alien struggling with her latte and naturally decides to help. Amanda's help includes helping the alien feed by killing and assuming the form of Amanda's annoying boyfriend! Naturally Amanda starts to fall in love with the alien...

Although a bit weird at times, the film somehow succeeds. Is it so bad it's good? Well at times, though at other times the cringe factor can make it so bad it's bad! The quirky weirdness will drag you through though. Michael Dorn as a US military officer adds a good sci-fi touch. It is a real film of it's time with it's mid-90s style and feel. 

The Crime Nobody Saw (1937)

This might be one of the worst films ever made, honestly what is going on here?

Three apparently useless and very annoying playwrights (including Lew Ayres) are failing miserably at creating a new play against the clock. A drunk man gets into their apartment and promptly collapses. The playwrights find thousands of dollars on him and naturally assume he is a blackmailer. They do what anyone would do, start to use him as a character in their play. But then he is murdered...

The problem with this film is, is it a murder mystery or not? No one really seems to care about the crime, random characters instead romp about and we have a good dose of comedy (some of it isn't bad admittedly). 

Personally i like my crime taken seriously so didn't really enjoy this film, the only good thing about this film is a prominent role for a black actress in a film from this period, that being the maid Ambrosia (Hattie McDaniel).