The Falcon in Hollywood (1944)

Another in the long-running Falcon series, this time taking a behind the scenes look at the magic of Hollywood.

The Falcon (Tom Conway) goes after a young woman who has accidentally taken the purse of his friend. He trails her to a movie studio and discovers she is the actress Peggy Callaghan (Barbara Hale). While at the studio backlot, The Falcon hears a gunshot, but this isn't part of a movie script! A real murder has taken place and somehow involves the pretentious producer Dwyer (John Abbott), Peggy and a gangster.

The Falcon is helped (or hindered) by taxi driver Billie (Veda Ann Borg) and definitely hindered by the law in this typically fast paced and light crime romp. A fine film, the behind the scenes look at the movie making business is always interesting and avoids being too self-indulgent.

Battle for the Lost Planet (1986)

A zero-budget sci-fi mish-mash of a number of different films... and it somehow works, despite being very very weird.

Harry Trent (Matt Mitler) is a thief on the run, and decides to steal a space shuttle to escape some security guards. Once in space, he finds the shuttle is damaged and can't return to Earth for five years, which is handy as an alien fleet has just arrived to conquer Earth!

Finally back home, Harry finds the world is now like the one in Mad Max, only with grass and trees. After a fight with inept barbarians in ragged clothes, he meets up with Dana (Denise Coward) and discovers that a secret tape he has (indeed, the reason he was on the run in the first place was because he stole it) contains the secret which will allow scientists to develop a weapon to defeat the aliens. To get the tape to the Professor (Bill MacGlaughlin), Harry and Dana must cross the bad lands (which look quite nice really), battle a warlord called Mad Dog (Joe Gentissi) and fight lots of pig faced aliens...

This is a very strange film that rips off a number of different science fiction films but has plenty of ambition despite the laughably poor sfx. It also has plenty of cheese and weirdness, such as showing how Harry - trapped in space - resorts to drawing a woman's face on a pillow and then humping it! I don't know how they managed it but this film is great!

Rogue Lion (1972)

An amiable tale on a South African nature reserve, plenty of wild animals and some minor adventure if not that many thrills.

Dudley (Brian O'Shaughnessey) operates a nature reserve and is very set in his ways. He doesn't really want any help (though with various wild animals running rampant and a gang of poachers led by Dudley's nemesis Kimber (Victor Melleney) on the reserve he surely needs some). 

He grudgingly accepts Larry (Bruce Millar), a ranger transferred to help him. Larry manages to get on Dudley's good side despite their different methods and outlooks on life causing some conflict early on but then Larry gets involved with Sally (Tessa Ziegler) who just happens to be Kimber's daughter...

Despite the title we don't get to see much in the way of rogue lions in this film, we do see troublesome hippos, wildebeests and crocodiles. The nature footage is the best part of the film but the rest is a perfectly reasonable film if not overly exciting.

Please Murder Me! (1956)

A superbly tense and dark tale of murder and betrayal.

Lawyer Craig Carlson (Raymond Burr) tells his friend Joe (Dick Foran) that Joe's wife Myra (Angela Lansbury) wants to leave him and shack up with Craig instead! Joe gets enraged and apparently goes him to kill Myra but she kills him in self-defence. Despite a lack of evidence supporting her side of the story, Craig helps her escape the murder rap. 

However, Craig discovers that Myra was faking her love for him, really she is in love with a struggling artist (Lamont Johnson). She had set the whole thing up to murder Joe and get Craig to help her...

The story is told in flashback by Craig while he waits for his death, everything he has wanted in his life has gone, all he has left is to bring Myra to justice. You can probably guess who he is waiting for but it is still a tense conclusion. A well constructed crime film with Noir touches. 

Mystery House (1938)

Yet another 1930s Dark House murder mystery but this one is rather good.

A banker is found dead at his country house, apparently due to suicide but the daughter Gwen (Anne Nagel) thinks it was murder. The maid Sarah (Ann Sheriden) suggests her boyfriend private detective Lance (Dick Purcell) to investigate. Gwen recalls all of the guests who were present when her father died. Lance begins to investigate the guests and the family and various motives. Other deaths also begin to occur...

So, this is just one of scores of similar films from the 1930s but has a good energy about it and good performances by the leads. Plenty of red herrings and surprises all add up to a pretty good - if not that original - film.