Lovely but Deadly (1981)

A truly terrible but oddly compelling and highly entertaining movie. Lovely (Lucinda Dooling) is a high school girl, who is wondering who supplied the drugs which killed her brother. 

This isn't that easy a task though as drug pushing is rampant at the school, and gangs of thugs roam the corridors in fencing outfits (really). Luckily for Lovely, she has some great karate skills and a plan. 

She infiltrates the cool group led by Mantis (Rick Moser) and this gets her introduced to creepy old guy Honest Charley (Richard Herd), who owns a chain of discount scores, and when he isn't trying to score with teen chicks he is drug running...

Now a prisoner of Honest Charley and his goons, Lovely discovers to her horror that her dopey boyfriend Javelin (Mark Holden) - part-time wannabe rock star / part-time teen shipping magnate - is heavily involved in the drug trade. The scene is set for a ridiculous showdown at the docks...

This is a crazy film, full of bad fights, pointless scenes and random weirdness. It is incredibly sloppily made as well. Spotting the boom mikes would probably be a great drinking game but you'll probably end up paralytic well before the end. All wonderful stuff and a fun film of course. Dooling is terrific in her role.

Doctor at Sea (1955)

To escape his boss' daughter (Joan Sims), Dr Sparrow (Dirk Bogarde) signs up to be the ship's doctor of a merchant ship captained by the formidable Hogg (James Robertson Justice). He finds that Hogg's ship, despite the captain's pretensions, is a dreadful old tub with booze instead of medicine and one-dimensional comedy stereotypes instead of actual crew.

Ashore on some far flung corner of the world (Brazil to be exact), Hogg finds, to his horror, he has to take the boss' daughter Muriel (Brenda de Banzie) back to Blighty, also along for the trip is Muriel's friend Helene (Brigette Bardot) who begins a romance with Dr Sparrow. However, the Doctor's medical skills are soon put to the test in more ways that one...

Although not rip-roaringly funny (though it has it's moments) this is an enjoyable romp with the right mixture of nonsense, mild smut and heart to make a typical, and very watchable, British comedy of the early post-war period.

Gamera vs. Gyaos (1967)

Although featuring the B-team of Japanese monsters, this is a perfectly decent film. A vile pterodactyl like monster called Gyaos emerges during construction of a motorway in the mountains and wrecks havoc. The boy Eiichi (Naoyuki Abe) is captured by Gyaos but is saved by the turtle monster Gamera. Unfortunately Gyaos possesses  many fiendish powers including a cutting ray that can slide objects like planes or cars in half, and also cuts Gamera's arm forcing a retreat.

The military effort is led by Dr Aoki (Yoshiro Kitahara) and Tsutsumi (Kojiro Hongo) but mankind's weapons fail over and over again against Gyaos. The beast has a number of flaws including an aversion to sunlight but he manages to thwart the human's plans. Finally, Gamera is able to bring his A-game and finally defeats Gyaos...

A decent kaiju film. Gyaos is an excellent villain, with it's harsh looks and merciless arsenal of weapons it has a real sense of menace. A sub-plot of greedy villagers trying to stop a road construction project as they want more money is a bit of a bore but fills out the running time.

Call Northside 777 (1948)

Based on a true story, this is an interesting if slightly dry crime drama. Journalist McNeal (James Stewart) is tasked to investigate an old murder case which took place in the 1930s. Wiecek (Richard Conte) was convicted of killing a policeman in 1932 but his mother (Kasia Orzazewski) puts up a reward to find the real killer. As McNeal digs deeper into the case he finds the conviction was unsafe. However, the police are keen for McNeal to be kept away...

McNeal's investigation, truly old skool journalism by putting in the pavement miles and talking to people not copying things off twitter as happens these days, is fascinating as is the glimpse of police procedure and bureaucracy plus a bit of 1940s style information technology. A thoughtful film without much in the way of thrills and spills despite a few limp attempts to add a bit of menace. 

This is a film an engaging film and a treat for criminology geeks. For example, a polygraph is used on Wiecek, applied by Leonarde Keeler the actual inventor of the device! Highly enjoyable.

Revolver (1973)

An intense film. The wife (Agostini Belli) of prison officer Cipriani (Oliver Reed) is kidnapped in order to force him to help prisoner Milo (Fabio Testi) escape. Cipriani facilities the escape but immediately things start to go wrong. Testi doesn't know who would want him out of gaol. Cipriani recaptures Milo to force the kidnapper's hand. He ends up taking Milo to Paris where he finds himself embroiled in a complicated plot involving a French pop star Al Niko (Daniel Beretta) and the killing of politicians...

Truthfully the ending of the film is a bit baffling as Cipriani finds himself hitting against the wall of the establishment but before that the film becomes a highly enjoyable thrill ride with the odd couple of Cipriani and Milo finding they can trust no one, and hardly trust each other. 

The film lacks as much violence as others in this genre but makes up for it with plenty of emotion and cool. The two leads give great performances.

Oliver the Eighth (1934)

Stan Laurel and Oliver Hardy both apply to an advert by widow Mrs Fox (Mae Busch) who is looking for a new man. Oliver is successful in his application, unaware that Mrs Fox is insane and intent on killing him like she has seven other Olivers before him!

Stan and Oliver turn up at Mrs Fox's mansion, greeted by the strange butler Jitters (Jack Barty) who plays imaginary cards and serves imaginary food! He warns them that Mrs Fox is going to cut their throats that night. All they have to do is stay awake...

A very inventive Laurel and Hardy comedy, somewhat more surreal and dark than some of their other work. Less slapstick more absurdity

The Bat (1959)

A ridiculous but amusing dark house murder mystery with elements of horror. Novelist Cornelia van Gorder (Agnes Moorehead) rents a mansion in which some dark crimes have happened in the past, apparently committed by a crazed maniac called The Bat. Meanwhile, at the bank a million dollars worth of securities have gone missing and it is thought they were hidden in the house. The Bat is now back and hunting for the securities and killing anyone in his path!

Police Lieutenant Anderson (Gavin Gordon) is on the case and has a number of suspects including the chauffeur Warner (John Sutton) and also Doctor Wells (Vincent Price) is also under suspicion. However, as the murderous Bat continues his reign of terror is the suspect closer to home?  

An enjoyable romp in a sinister dark house with secret passageways and plenty of shadows. The film keeps you guessing (to an extent) as to the identity of the Bat with a number of red herrings (though a seasoned watcher of these kinds of films will soon guess who he is!) Not as atmospheric as the original 1926 version though with plenty of camp and energy.