It Conquered the World (1956)

Although this film is packed full of familiar genre tropes, it is a surprisingly decent watch.

A satellite sent up by the US starts to act strangely and it is bought back to Earth in a team led by Dr Nelson (Peter Graves). Meanwhile, his friend Dr Anderson (Lee Van Cleef) is acting strangely and seems to be talking to... someone. That someone turns out to be a being from another world and it intends to take control of the Earth... by sending space bats to attack the local sheriff and mayor and putting them under his control...

But just wait until you see the jiggly rubber suit horror that is the alien! This is a fun film and is very familiar with all the common tropes like small town settings (very budget friendly), ridiculous aliens and nefarious plots to conquer mankind but foiled by men in open-top Cadillacs. The film is ridiculous but very watchable.

London by Night (1937)

A stereotypical foggy London and awful accents can't spoil this pretty solid crime drama.

London based US reporter Michael (George Murphy) delays his holiday to Paris to look in on a strange case of an umbrella wielding criminal who has apparently done away with someone. A policeman is also shot by the mysterious man. 

While taking a look, with his trusty dog (Corky), and after chasing a man with a brolly, Michael encounters Patricia (Rita Johnson) the daughter of a rich businessman (Montague Love). Somehow the businessman's house, or someone from the household in any event, is involved in the Umbrella Man case and Michael wants to court Patricia in any case. With the help of Inspector Jefferson (George Zucco), though shouldn't that be the other way around, Michael tracks down the mysterious Umbrella Man who is employing all number of tricks to stay ahead of the law...

A fine crime drama with plenty of twists and turns. London is eternally foggy and dark though that helps with the sinister atmosphere of course. The accents can be quite something, but not in a good way. The villain is very good and the crimes are inventive. Though the ending of the film is somewhat rushed.

A Movie Star (1916)

A fine little silent comedy. A new Western starring Mack Swain is starting at the local movie theatre and a large crowd is assembling. To their delight the star of the film has turned up to see the film himself! As Mack and the audience watch his heroic antics on screen, Mack finds that not everyone in the audience is as enamoured as he is. 

This is a delightful early comedy, more understated and subtle than some of the slapstick of the time which has helped it not date as much as some films of the period, the parodying of the still young movie industry is superb.

Bloodlust! (1961)

A group of young people are hunted by a mad rich man on his private island. This may give some folks some ideas.

The teenagers (including June Kenney and Robert Reed) who are holidaying in a boat discover an island they think is deserted. Unfortunately, they soon discover the island is owned by the somewhat sinister Dr Balleau (Wilton Graff). 

To the teenagers' horror they discover that anyone who lands on Balleau's island becomes his prey, he hunts them down and then turns them into macabre trophies... 

This is a rather poor and tedious rip-off of the Most Dangerous Game (which isn't that brilliant either though leagues above this nonsense), it lacks much in the way of decent thrills or action. Nothing really makes any sense and the tiny budget doesn't really stretch to much.

Prison Shadows (1936)

A boxing-crime drama which rather pulls it's punches.

Gene (Eddie Nugent) is a boxer who is in prison for killing a man in the ring. He is released from prison and bought back into the fight game by an unscrupulous promoter (Forest Taylor) and his partner Claire (Lucile Lund) whom Gene has the hots for and thus Claire is able to wrap him around her little finger, much to the disappointment of Mary (Joan Barclay) who really loves Gene. Gene kills another man in the ring but it seems there are illegal drugs being used and a plot by the promoter to use death to build up Gene's name...

This isn't a great film, though is perfectly watchable for what it is. The story doesn't make a lot of sense plus Gene is incredibly naive which makes it hard to root for him as the main character. 

No more than OK, it wouldn't win any prizes though does have a clever dog (Corky) in the film who is the real hero.

The Boys in Blue (1983)

The comedy duo star as a couple of police officers, it certainly is a crime scene.

Sgt. Cannon (Tommy Cannon) and PC Ball (Bobby Ball) are a couple of bumbling police officers who comprise "The Force" in a sleepy village. There is little crime in their village, and so the police big wigs (Eric Sykes and Jack Douglas) are looking to close down the station. Cannon and Ball decide they need some crime to justify their continued employment and so plot to steal the painting of a local businessman (Roy Kinnear). But real art thieves are hiding out in the village...

Now, i did enjoy the comedy of Cannon and Ball on TV but this big screen outing really is wretched stuff. Cannon and Ball's comedy simply did not work in this situation and it destroys the film, despite the excellent supporting cast which also includes Jon Pertwee and Arthur English. Even a whole host of solid film comedy veterans can't compensate for the failure of the stars and the rather average execution and storyline. It really is a shame.

The Crimson Canary (1945)

Time for some cool jazz, and a murder mystery.

Danny Brooks (Noah Beery Jr) has a jazz band that are preparing to head onto San Francisco. However, the corpse of singer Anita Lane, who had fractious relationships with most of the band, (Claudia Drake) is discovered in the dressing room. 

The band, not knowing what happened or who killed Anita though Johnny (Danny Morton) was also in the room but discovered out cold and not knowing what happened, decide to run for it. Club owner Vic Miller (Steve Geray) calls on detective Roger Quinn (John Litel), who just so happens to like cool jazz, is on the case and after the band...

This is a decent crime film with a Noir-ish edge. A solid (if not spectacular) piece of police work interspersed with a number of jazz songs.