Terror in the Crypt (1964)

An atmospheric Gothic horror film about a cursed family. The film, an Italian/Spanish co-production is also known as La Cripta e I'incubo.

Christopher Lee is a count whose daughter Laura (Adriana Ambesi) is having visions of strange deaths in the family. An investigator in the historical occult is bought in to research a legend. We learn that in the distant past the count's ancestor had a witch put to death and a curse was laid on the family... which now seems to be coming true.

So it has all the ingredients of a fine horror film: a creepy castle, men in pointy hoods, black magic et cetera. While it is an enjoyable film there are issues. The acting is often a bit indifferent (though the dubbing doesn't really help), the story is also rather unoriginal and sometimes a bit confusing.

Well never mind that, the atmosphere in this film is wonderful. It is also has it's fair share of Euro beauties with heaving bosoms.

Battle Beyond The Stars (1980)

Naturally the success of Star Wars invigorated the space-opera genre in the late 1970s and a number of similar type films were released, Battle Beyond The Stars was among the better of these.

Very heavy based on the Magnificent Seven plot: a planet is threatened by a crazed space warlord (John Saxon). Young Shad (Richard Thomas) then sets out to recruit warriors to help defend his otherwise defenseless world.

The warriors are a crazy bunch ranging from the scarred old veteran (Robert Vaughn), happy-go-lucky space trucker (George Peppard) to a number of strange aliens. The film is quite different in some ways to Star Wars, rather more campy and exotic and adult though at the end of the day its space ships firing laser beams at each other.

The story is basic, the budget was fairly low but a decent cast and plenty of cheese helps win the day, and indeed save the galaxy from evil!

The Shadow Strikes (1937)

Lamont Granston (Rod La Rocque) is The Shadow, hero of pulp fiction and radio serials. This film assumes you already know all about The Shadow as there is very little introduction.

Indeed we're straight into the action. The Shadow interrupts a couple of burglars trying to rob the office of a lawyer. The Shadow then impersonates the lawyer when the police turn up and gets involved in a murder mystery. The murder being of his "client" who was bumped off while a new will was being written up.

It is all rather ridiculous and often quite baffling at times. The Shadow isn't really much of a super hero, rather a keen amateur detective who wears a hat. Supposedly a master of disguise he relies mostly on the naivety and stupidity of all around him, especially the police, to maintain his pretense. The film is fast paced but nonsense. It's a lot of fun though. The Shadow and his loyal servant Henry (Norman Ainsley) make a great team.

It Happened in Soho (1948)

A murder takes place in Soho, a reporter Bill Scott (Richard Murdoch) and his new found friend from the country Susan (Patricia Raine) investigate the cosmopolitan streets of London in what at times is a rather strange but undeniably charming travelogue of Soho in the early post-war period.

Nowadays it comes across as rather quaint though in 1948 it probably seemed exotic with it's racial mixing, illegal dancing and cool coffee shop society to the average Briton still recovering from the war.

Inspector Carp (Henry Oscar) is investigating the murder, his sardonic manner is quite entertaining. When mutual friend Julie (Eunice Gayson) is the next murder victim the film takes a much darker turn. A very low budget film, most of the film takes place in just a couple of locations including the cafe but an enjoyable little film.

Discarded Lovers (1932)

Discarded Lovers is an enjoyable little murder mystery involving the murder of a Hollywood star. Actress Irma Gladden (Natalie Moorehead) is what used to be known as a "loose woman", with various men on the go. She is found dead after finishing a film and suspicion falls on... well quite a few people.

Apart from a rather annoying and silly policeman (Fred Kelsey) the story is solid if rather cliched and has some decent performances including Irma's secretary Valerie (Barbara Weeks) and Jason Robards as Rex, one of Irma's lovers.

Naturally being a Golden Age period murder mystery the police are happy for a civilian, in this case a reporter (Russell Hopton), to be involved in the case. As a police investigation it isn't exactly text book but the sheer glamour of the occasion and the exuberance of some of the acting makes up for everything.

Strangers of the Evening (1932)

A very confusing crime drama involving missing corpses at a morgue, a murder, mistaken identities and amnesia. It is a complete mess of a film which doesn't make a great deal of sense and has all manner of weirdness going on.

Despite all of that the film is quite entertaining even if some of the attempts at humour seem to fall pretty flat. The fight scenes are so poor they are hilarious.

Eugene Pallette plays the detective given the hapless task of trying to work out what is going on, he gives a good phlegmatic performance. Zasu Pitts is given star billing though doesn't do a great deal in the film.

What does any of it mean? Well helpfully it is all explained at the end, though is still as clear as mud.

Wayne Murder Case (1932)

A silly and sometimes painful murder mystery, the Wayne Murder Case does have some interesting ideas though, but they arn't executed particularly well.

Silas Wayne is a cantankerous dying old rich man (William Mong). He gathers his relatives together (who hate him as much as he hates them) to reveal their inheritances.

However he suspects someone is already ripping him off and calls in the police. While a couple of police officers are on hand he is murdered right in front of everyone.

In comes the detective (Regis Toomey), helped/hindered by an annoying reporter (June Clyde) whom he fancies and so is willing to break police procedure to have around. While the investigation takes place a strange hooded figure starts bumping off the relatives.

It sounds like it could be a decent set-up but it is executed rather poorly. Scenes drag terribly with some indifferent/bizarre acting. The murders are pretty gruesome but the hooded figure is a bit too ridiculous to take seriously. The twist at the end is good though and makes up for a lot of what happened before.