The Terrornauts (1967)

Really strange British science fiction. Dr Joe Burke (Simon Oates) is convinced there are intelligence creatures out in space and is searching for them fruitlessly at a radio observatory with the help of Ben (Stanley Meadows) and Sandy (Zena Marshall).

When they finally make contact with aliens in the asteroid belt they are kidnapped along with accountant Mr Yellowlees (Charles Hawtrey) and the tea lady Mrs Jones (Patricia Hayes). Yes Charles Hawtrey in a science fiction film, its a sign the film doesn't really take itself very seriously.

So it is all rather Dr Who in look and the level of special effects. It has an interesting science-fiction plot, especially for it's day. The reason for the alien kidnap in fact turns out to be for the good of mankind...

Waterfront Lady (1935)

Ronny (Frank Albertson) is made a partner by the owner of a gambling boat. However when a gangster is killed during a police raid Ronny is on the run, having been set up by his boss. He pretends to be a mariner waiting for his fisherman friend.

He meets young Joan (Ann Rutherford) while looking after her drunk gambling father (J. Farrell MacDonald) and falls in love. Thus he decides to stay around despite the police still looking for him. Love begins to blossom but you just know what sooner or later Ronny's real identity will be revealed...

So it is quite predictable but an enjoyable film. A mix of crime drama and romance with some good performances including from Ann Rutherford in her first starring role.

Death Promise (1977)

Low budget 70s martial arts antics.

Residents at an apartment block are under pressure from unscrupulous landlords who want to kick them out so they can make millions from selling the land. The landlords happily use every dirty trick they can to try and kick out the residents (like releasing rats in the block and even burning it down) as they are evil.

Louis (Bob O'Connell) is leading the residents against the landlords but when he is killed his son Charley (Charles Bonet) decides to use his knowledge of the martial arts to get revenge amid much awkward violence...

So it is complete nonsense and looks like it had a budget of about $5 but is a lot of (unintentional of course) fun. Most of the fighting looks like kids pretending to be Bruce Lee but that's OK, if you are going to copy someone copy the best!

Won in the Clouds (1928)

A passable action film, with some good aerial stunts, though a bit too much on the exploitative side. It is set in Africa and thus everyone is either in native dress or a leopard!

In deepest darkest Africa is a diamond mine where the manager Woods (Joseph Bennett) is up to no good and aiming to cheat the mine owner. Dr James (George B French) comes up to the mine from the city to check on Woods and also to see why the locals are dying of a mysterious disease. The witch doctor was no help. When James and his daughter Grace (Helen Foster) get into trouble the mine owner sends his stunt flying daredevil son Art (Al Wilson) to sort things out...

There follow a number of cliff hangers and various escapades. The film is more like an edited serial. To modern eyes it is dated tosh but not without charm. Al Wilson was a real stunt flyer who would tragically died in a plane crash while doing stunts a few years later.

The Gay Nighties (1933)

Bobby Clark and Paul McCullough were a vaudeville act in the 1920s and 1930s who made some comedy shorts in the 1930s. Rather zany, rather odd and, while patchy, not that bad.

Here they are the campaign mangers of a politician (James Finlayson) at a convention. Their job is to discredit their boss' rival and... well that is the vague plot. The film is mostly a series of jokes and slapstick, some of it quite risque. It doesn't always work but when it does it is funny. A short feature, just enough to not outstay it's welcome.

Abraxas, Guardian of the Universe (1990)

An utterly incomprehensible low-budget sci-fi film. Secundus (Sven-Ole Thorsen), renegade member of the intergalactic police, has come to Earth to impregnate a human woman Sonia (Marjorie Bransfield) - with his hand. Fellow alien cop Abraxus (Jesse "the Body" Ventura), the former partner of Secundus, comes to Earth to try and stop him but refuses to kill Sonia and her alien baby.

Now some years later it appears the child has some kind of galaxy threatening equation in his head which Secundus comes back to get, leaving a trail of broken bodies while he hunts the child down. Abraxus is in close pursuit...

So it isn't hugely original and seems to take inspiration from a number of other sci-fi movies. It is also very confusing and pretty cheesy. When there is action it is reasonable if sometimes unintentionally hilarious. Jesse Ventura makes the film though with his performance, he takes being a genetically engineered supercop from the other side of the galaxy a bit too far and produces one of the stiffest acing performances of all time.

The Terror (1938)

An adaptation of an Edgar Wallace mystery, this is quite a strange story if we are to be honest. Ten years before three men carry out a robbery: Marx (Alastair Sim), Connor (Henry Oscar) and the masked mastermind O'Shea. After the robbery O'Shea betrays his fellow thieves and they end up spending ten years as guests at His Majesty in the nick.

Now they are released and vow to hunt down O'Shea and get their revenge... and the gold. But then the action suddenly switches to a mysterious guest house run by Colonel Redmayne (Arthur Wontner) with guests including the rather eccentric Mr Goodman (Wilfred Lawson). At night a spectre plays an organ and laughs evilly. Marx and Connor are in the area, is Redmayne O'Shea? Soon though Connor is found dead...

So they are a few layers to the mystery, the identity of O'Shea, who is the mysterious organ player and who is committing the murders. Of course all three could be the same person. The film is interesting rather than thrilling, like many British films of the period it can be a bit slow and wordy however some of the performances are very good especially Alastair Sim, who masquerades as a vicar, and Bernard Lee as a drunk (or is he?) It is worth sticking with the film though as the ending is excellent.