The Phantom of Crestwood (1932)

An awkward mixture of common 1930s genres which somehow kind of works.

Jenny Wren (Karen Morley) gets Priam Andes (H.B. Warner) to invite three other men to his fancy coastal estate (which is very Dark House). There she reveals that she has had affairs with all four men and blackmails them all! However, soon Jenny is found dead but the culprit is a mystery. Could it be one of the four men? Could it even be Jenny's sister Esther (Anita Louise) or her fiancé?

Luckily Gary Curtis (Ricardo Cortez) is on hand to take over the investigation in lieu of the police. Who is Curtis? Well he is after some letters and has a suspect reputation but everyone seems happy to let him take over...

This film can be a bit hard going at times, the acting and dialogue at times being a bit stilted. The Dark House mystery with women's screams on cue are almost beyond parody. Of course there are some hidden passages, mysterious appearances and a big twist. There is no kitchen sink though, but everything else. Despite everything it is worth watching. Just about.

Some context may help. The film's origins was in a popular radio drama serial. This film was the only way to discover the ending of the tale!

Panic on the Air (1936)

A perfectly decent crime drama involving frantic amateur detective adventures.

Radio sport commentator Jerry (Lew Ayres) becomes involved in a complicated criminal case involving a $5 bill with a code on it. This case involves a much larger sum of money and also murder! Jerry continues to investigate the case with Mary (Florence Rice) despite the annoyance of his show's sponsor, a garter company!

The criminal case is a little too complicated to make this film truly enjoyable though the speed and energy of the cast helps drive things along (though doesn't help much with following the case at times). The case itself is fairly standard though the code on the money is an interesting touch. Not a brilliant film but a perfectly decent B-movie.

The Crime Nobody Saw (1937)

This might be one of the worst films ever made, honestly what is going on here?

Three apparently useless and very annoying playwrights (including Lew Ayres) are failing miserably at creating a new play against the clock. A drunk man gets into their apartment and promptly collapses. The playwrights find thousands of dollars on him and naturally assume he is a blackmailer. They do what anyone would do, start to use him as a character in their play. But then he is murdered...

The problem with this film is, is it a murder mystery or not? No one really seems to care about the crime, random characters instead romp about and we have a good dose of comedy (some of it isn't bad admittedly). 

Personally i like my crime taken seriously so didn't really enjoy this film, the only good thing about this film is a prominent role for a black actress in a film from this period, that being the maid Ambrosia (Hattie McDaniel).

The Trans-Atlantic Mystery (1932)

A rather baffling short crime feature, the last in the Carr & Crabtree series.

In England Miller has stolen the famous Stanhope diamonds, he takes them over to New York on an ocean liner where he plans to sell them. His partner in crime Waite (Ray Collins) double-crosses Miller and kills him, aided by the valet Dodge (Walter Kingsford). Waite then assumes Miller's identity. However, there is a woman (Betty Pierce) aboard the liner who has a grudge against Miller...

When a body is found aboard the liner in Miller's cabin, Inspector Carr (John Hamliton) and his friend Dr Crabtree (Donald Meeks) come aboard. The body is found to be neither Miller or Waite! A baffling mystery therefore, though Dr Crabtree soon unearths some clues...

There is a lot of storyline here packed into just over twenty minutes, which is all the more impressive when you consider the rather slow and ponderous pace of the film. Unfortunately due to the short length it can be confusing at times. It is a decent enough mystery though could have been a lot better.

Star of Midnight (1935)

A complicated and at times dramatic crime mystery drama.

Tim's (Leslie Fenton) girlfriend Alice disappears mysteriously. Tim heads to New York to ask his amateur detective friend Clay (William Powell) for help. Clay and Tim go to the theatre, Tim recognises the star as Alice but she vanishes again! As Clay tries to unravel why Alice has vanishes again, a number of murders take place indicating that there is a criminal connection. Clay is helped throughout by the perky Donna (Ginger Rogers).

A complicated plot though much of Clay's amateur sleuthing seems to consist of low level bickering with Donna and moving from one sumptuous Art Deco room to the other. 

This is a great fun film though the plot can be a little hard to follow at times. Powell and Rogers work well together.

The Mystery Man (1935)

A little slow to start but this turns into an excellent little crime / newspaper man drama.

Larry Doyle (Robert Armstrong) is a newspaper man, and thus as this is a 1930s movie he is cocky and always wise cracking! After a drunken exchange with his editor he finds himself out of a job and on a train to St Louis with a lack of cash. There he meets Anne (Maxine Doyle) who is also very hard-up and a friendship blossoms. In need of money Larry gets a job with the local paper to try and discover the identity of the notorious criminal the Eel (LeRoy Mason)...

Larry is present when the Eel commits another crime and kills a policeman. Unfortunately for Larry, the Eel used a gun which Larry himself had pawned, and which has Larry's prints all over...

This is a fun film in the usual bright and breezy style when the story involves members of the press. Larry and Anne get into a number of dangerous scrapes, you know they will manage to escape in the end but the journey to get there is very entertaining.

Cipher Bureau (1938)

Although not a thrill packed ride, this is a solid spy drama with some interesting early cryptography and code breaking.

Major Waring (Leon Ames) of the Cipher Bureau is hunting for enemy spies by breaking their codes. After his success, the spy cell change their code. Waring's younger brother Paul (Don Dillaway) is called into help but is unwittingly caught in a honey trap by the beautiful female agent Therese Brahm (Joan Woodbury). 

Paul is targeted by the enemy and loses top secret US Navy plans. Waring, assisted by Helen Lane (Charlotte Wynters), has to break the enemy codes, retrieve the plans and save his brother's career...

The film can be a bit slow moving at times but is well structured. The cracking of the codes is shown in detail and that is probably the most interesting part of the film, and the use of a music notation typewriter! 

Panama Patrol is the sequel to this film.

Torchy Gets Her Man (1938)

A lovely breezy little crime drama, you will have seen it before but not always as well done as this.

A federal agent (William Robertson) arrives at the police HQ after the notorious counterfeiter "100 Dollar" Bill Bailey. Unbeknownst to Detective Steve (Barton MacLane) and the other police, the agent is the real Bill Bailey and has concocted a complicated plan to trick the police into helping him make a killing. 

Steve's reporter girlfriend Torchy (Glenda Farrell) is after a story though but her unauthorised investigations soon put her in harms way...

This is part of the Torchy series and is a bright (ahem) and fast moving crime drama. It is very cosy, quite fun but sometimes a little too silly. The character ensemble is a bit too goofy at times but this is a solid and enjoyable little film.

Murder in Greenwich Village (1937)

A rather messy and confusing murder mystery.

Advertising photographer Steve Jackson (Richard Arlen) spies a young woman in her underwear jumping off a fire escape. The woman, Kay (Fay Wray) is a heiress, who accepts Steve's help though won't say much about what she was doing. 

Later on it transpires that an artist in the apartment Kay was seen escaping from is found dead. While the police are sniffing around Steve and Kay pretend they are engaged (despite a more hate-hate than love-hate relationship). Meanwhile the brother of the dead artist, Morgan (Marc Lawrence), a gangster, is also looking for the murderer of his brother, and he doesn't intend to take any prisoners...

So, this sounds like a promising murder / crime drama. Unfortunately it is not, the film is stuffed full of eccentric characters and is more comedy than crime drama. The actual crime indeed does not seem to be that important for most of the film! The film is watchable though frustrating.

The Wall Street Mystery (1931)

Part of the Carr & Crabtree crime series, and a very decent little tale in less than twenty minutes!

Two stock brokers are found dead in their office. Inspector Carr (John Hamilton) and his friend Dr Crabtree (Donald Meek) investigate, deducing that the crime in a double murder not murder-suicide. There are two suspects, Dorothy Paige (Frances Dale) and Martin Hill (Hobart Cavanaugh), whom Carr suspects is the culprit mostly by shouting at everyone.

Dr Crabtree has a more cerebral approach and we see a nice bit of detective work, this culminates in the murders being solved, and there is a rather nice twist here.

One of the better entries in the series of crime short features, this has a nice straight forward story that has room to breathe even in the reduced running time.

The Spider (1931)

An early 1930s murder mystery that takes place in the strange world of magicians and hypnosis. What tremendous fun! 

Chatrand the Great (Edmund Lowe) is a famous magician. He is assisted by Alexander (Howard Phillips), whom he said he met some time ago and is suffering from amnesia. Beverley (Lois Moran) attends the show on the off chance that Alexander is her missing brother though her uncle, the financier, John Carrington (Earle Foxe) thinks it is all a load of nonsense. At the show Carrington is shot dead in the middle of Chatrand's act! Beverley discovers that Alexander is her brother Paul but not until Alexander/Paul becomes the prime suspect in Carrington's murder!

This is a great film with a host of amusing cameos including from some members of the Our Gang group. The mysticism of Chatrand is played for laughs, as are the bumbling police. Lowe steals the show with his charismatic performance. The story itself is a bit predictable and the plot a bit thin but the film looks superb and there is a decent twist.

The Woman Condemned (1934)

A decent if confusing crime drama that ends with an enjoyable twist.

Radio star Jane (Lola Lane) goes missing after some menacing phone calls, private investigator Barbara (Claudia Dell) is arrested after breaking into her apartment looking for clues. At court reporter Jerry (Richard Hemingway) gets interested in the case, or rather interested in Barbara, and ends up getting married to her there and then! Next however Barbara is arrested for Jane's murder, she does not seem to want to help herself or get Jerry's help on anything.

Jerry finds a phone number which leads to a private hospital where the mysterious Dr Wagner (Mischa Auer) is a plastic surgeon, and Jane is alive and well as Dr Wagner was removing a birth mark from her face. So, who is the dead woman, and what exactly is going on?

It is rather confusing though the plot has some interesting aspects, the conclusion is satisfying even if getting there is a rather choppy ride.

The Witness Vanishes (1939)

An enjoyable crime drama, if a bit predictable.

Years before newspaper owner Marplay (Barlowe Borland) was put in a lunatic asylum by four men who took over his newspaper. Now he has escaped and has vowed to kill the four men. Indeed, the obituary of each man appears in the paper before the murder takes place! 

Investigating what is going on is Marplay's daughter Joan (Wendy Barrie) and the rather suspicious private detective McNab (Forrester Harvey). The last of the four men left alive, Peters (Edmund Lowe) does not seem to be that perturbed by his supposedly impending death...

An interesting film with "improbable" murders which leave the police baffled. A seasoned crime film watcher (or novel reader) will probably guess what is going on and who is really behind things but it doesn't stop the film being well worth watching.

Deluge (1933)

One of the earliest examples of the disaster movie genre, and the norm with these films often having impressive visuals but a disappointing story seems to have been there from the start.

A combination of a massive earthquake and huge storm strikes the USA at the same time, destroying basically everything. We see the skyscrapers of New York collapse with the population fleeing in terror. As usual the massive disaster is personalised through the lives and struggles of a few ordinary people. Those being Martin Webster (Sidney Blackmer) and his wife (Lois Webster) and children. Martin is separated from them after the main disaster strikes. 

Martin spends time alone, not knowing if anyone else survived. Then he discovers Claire (Peggy Shannon) who has escaped from a rough gang led by Jepson (Fred Kohler)...

This isn't that great a film, the acting is rather stilted and the film takes a long time to get going. The effects are good though especially for their day. The film also includes an interesting surprise for Martin and a rather awkward situation. An interesting watch but not much more.

Charlie Chan on Broadway (1937)

Charlie Chan against the glamour and sleaze of Broadway.

Charlie Chan (Warner Oland) and Number 1 Son (Keye Luke) are travelling to New York via ocean liner, also aboard is Billie Bronson (Louise Henry) who is returning from exile. Someone seems to be very interesting in getting their hands on something in her possession for sure as her cabin has been ransacked. It is discovered that Billie has information on her which could blow open a criminal racket in the city.

In New York, Billie heads to a club to confront owner Burke (Douglas Fowley) but is later found dead in his office. A man is later found dead in her hotel room. Charlie and the police (Harold Huber) try to discover who is behind the crimes, reporters Joan (Joan Marsh) and Speed (Donald Woods) are also close behind. Maybe too close?

This is a fine entry in the Charlie Chan series, with plenty of clues, red herrings and potential suspects. The actual culprit turns out to be a bit of a surprise too. The rather dubious night club where male patrons can take photographs of the girls dancing is hilarious.

The Witness Chair (1936)

A superb courtroom drama with the required twists, turns and sensation.

Businessman Stanley Whittaker (Douglas Dumbrille) is found dead in his office, an apparent suicide with a typed letter provided that says he admitted to embezzling the company and tried to blame Jim Trent (Walter Abel) for it. 

However, the police are suspicious and soon Trent is arrested for murder. To Paula Young's (Ann Harding) horror the trial is going badly for Trent, whom she loves. Also, it comes out that Trent's daughter (Frances Sage) was having an affair with Whittaker. Finally, Paula decides she must make a shocking admission herself...

After a first act in the office the majority of the film takes place in the courtroom and it is a solid film with a good story, with a number of facets which are gradually revealed, even if court procedure seems a bit lax at times.

Sing Sing Nights (1934)

An interesting premise, let down by a somewhat patchy execution.

When famous war reporter Cooper (Conway Teale) is found shot dead, no less than three men claim they carried out the murder! Cooper's body indeed does have three bullets in it but which man was the first to fire (and thus the actual murderer). All three men are found guilty but Professor Varney (Ferdinand Gottschalk) heads to prison with a lie detector to try and find out who is the true murderer.

Trude (Hardie Albright), McCaigh (Jameson Thomas) and Krenwicz (George Baxter) take turns to explain why they hated Cooper enough to kill him. Cooper's facade as a respected journalist is soon stripped away as he is revealed to be a cheat, a womaniser and a crook. Varney has the results of the lie detector test, and he has two pardons to hand out...

This film has a great (if slightly suspect in legal terms) plot though the film is rather poorly made at times. However, the story flows well and has some decent suspense.

Sued for Libel (1939)

A very good crime drama which also has an interesting look at the radio industry in the classic pre-TV days.

A murder trial is coming to an end, will Pomeroy (Morgan Conway) be found guilty of killing the husband of Muriel Webster (Lilian Bond), she insists he is innocent. Meanwhile, at radio station NYEB Steve Lonegan (Kent Taylor) waits for the verdict so he can dramatise it on his highly popular radio show. However, due to a trick by reporter Maggie (Linda Hayes), Steve is told the verdict is guilty even though Pomeroy is acquitted. NYEB is left with egg on it's face and a lawsuit from an angry Pomeroy.

Lonegan is still investigating Pomeroy however, he thinks the man is guilty and also involved in an earlier murderer of a young woman. Muriel proves to be an unexpected information source after the murder of a doctor involved in the case but is everything as it seems?

This is a good drama with a complicated but logical plot and some real surprises in store. The radio scenes are also interesting, though dramatising real news events is rather cheesy, Keye Luke is the man with all the voices - though he is obviously dubbed!

Circumstantial Evidence (1935)

Even a ridiculous premise can't spoil a film when it's done well.

Reporter Jim Baldwin (Chick Chandler) is vehemently opposed to circumstantial evidence being considered sufficient in murder trials to send people to the gallows. He plots with his friend Arthur Vinton (Fred Stevens) to stage a "murder" then Jim will get himself arrested with just circumstantial evidence before Arthur reveals that he is not dead after all!

So, the plot proceeds, Arthur even burning his own house down (quite why is unknown), but there is a problem for Jim... someone kills Arthur for real! Jim is arrested, put on trial and found guilty. He is sentenced to death, can his fiancé Adrienne (Shirley Grey) save Jim by finding the real culprit?

This is a well made and enjoyable film with Chandler playing a good role as a brash and wise cracking reporter (well this is the 1930s after all, it was the law for reporters to be presented like that in film). Worthwhile if you can suspend disbelief enough over the nonsense premise. 

Crack-Up (1936)

An interesting story but averagely executed.

An advanced new airliner is poised to cross the Atlantic for the first time, the designer Fleming (Ralph Morgan) and his test pilot Ace (Brian Donlevy) are preparing for the first flight to Europe. However, foreign powers are after the design and security is tight. Eccentric oddball Colonel Gimpy (Peter Lorre) hangs around the air field but he is ignored as he is considered harmless. That is a mistake as Gimpy is really the leader of a cell of enemy spies!

Ace is one of his men, to the shock of Fleming and the co-pilot Joe (Thomas Beck), when all is revealed during their flight. Naturally the flight doesn't go to plan, especially when Gimpy is found as a stowaway...

The premise is solid but the film is somewhat flawed. It also has some weird aspects to the plot, such as at the end when three of the crew decide to go down with their crashed plane instead of at least trying to swim for it! The film has some decent action scenes but can only be considered an watchable if not brilliant film. Peter Lorre's character is rather bizarre.