The Last Duel (1989)

Alex Man plays a fishball seller who is always in scrapes with the police, and ends up getting framed for the manslaughter of a pregnant woman by a ruthlessly ambitious cop played by Karel Wong...

After 3 more years of prison Alex returns home to find his woman gone off to Australia and replaced by Rosamund Kwan (not that bad a deal) and his former underling Dicky Cheung is shacked up with an part-time prostitute.

Then the bad cop rapes his bro's girl and revenge is (of course) sought. But the bad cop has the law on his side (and no matter how much he bends the rules that seems to remain the case) and what does Alex have... well an illegal fishball concession.

It all ends up in an extremely violent and bloody showdown. Great action and a cool bad guy. But then again bad guy cops are always cool. The film is nothing new, it is merely a competent example of HK ultraviolence. There is a little too much violence though, a little more story instead might have been a good idea.

Crazy Blood (1983)

Olivia Cheng plays a social worker married to a police photographer. They have one son upon whom the husband (Eddie Chan) dotes on to an almost unnatural degree whilst she is busy saving the lives of the teenage tearaways in her care...

The streets of Hong Kong never looked so dark (literally - there looks like there was not much budget for lighting so often its hard to see what's going on - and morally). Rape, arson, prostitution, violence, drug taking... seem endemic on the mean streets of Kowloon!

A tragic string of events that starts off with a brutal rape leads to the death of Eddie's and Olivia's son and then Eddie goes - well crazy. He starts to kill off his wife's clients using various methods such as apartment window assisted projection.

As the film continues he becomes more and more insane, in the end wanting to kill himself and Olivia as he thinks his dead son is lonely and is waiting for them. The ending is a bit unsurprising though rather gore splatter-tastic.

A recommended little horror gem from the early 1980s. Don't expect a barrel of laughs though.

Gigolo and Whore 2 (1992)

So the sequel to this then, silly semi-erotic sexploitation HK fare really.

Rosamund Kwan plays a tough rich girl who buys Alex Fong's business and shunts him from his swanky office. To persuade her to sell Alex back the shares he hires the top gigolo in HK Simon Yam to seduce her (obviously).

The uber stud does his job (so well in fact she forgets she is a lesbian) and she sells the shares... but there is one problem : Simon has fallen in love with her for real. That would be fine except Alex is in love with her too. And to make matters worse the gigolo bar's madam (Veronica Yip) is in love with Simon. But its all sorted out in the end of course amid much mess and hilarity. 

The film is not a cinematic classic though has plenty of silly humour and a fair bit of rumpy pumpy, though at times the film a little boring and rather weird. The picture quality didn't help, for some reason the colours were a bit wrong especially in low-lit scenes.

A True Mob Story (1998)

Andy Lau plays a somewhat unusual character in HK triad films: the loser triad member. As a minor boss he's more like the whipping boy for the smug elder bosses who basically treat him like a gopher and ration his pay. His wife was killed several years before by a vile thug Andy half blinded but his son is looked after by mamasan Suki Kwan.

As Andy gets dragged further and further into trouble he meets barrister Gigi Leung... who just happens to be the girlfriend of Alex Fong, the cop who's out to bust Andy! (HK movies are always full of such amazing coincidences). Gigi falls in love with the lovable Triad boss putting her career at risk, naturally, but is it two-way?

The thug who killed Andy's wife makes a comeback and puts Andy in peril, but the bosses won't help and he finds himself the fall guy for a drugs operation. Now what...

Its a Wong Jing film so you know what to expect: violence, lots of it, especially against women. Blood, gore, death, sexual violence and torture. He delivers though with this film, one of his best films. All in all this is an excellent HK triad film, very well played by Andy Lau.

Gigolo & Whore (1991)

Gigolo & Whore is a pretty low rent HK sleeze romp starring Simon Yam, Carina Lau and Alex Fong. It is also pretty fantastic.

Carina is a mainlander who has come to HK for her fortune, and seems to think the best way to do this is lying on her back. She comes to this conclusion after she meets Simon, HK gigolo par excellence, and her lunatic cousin who is already a "chicken" or prostitute. So Simon teaches Carina how to sell sex... the only snag being she's fallen in love with him.

Alex Fong, meanwhile, is depressed and Carina is called upon to wake him from his depression. This she does... but Alex falls in love with her. Then Simon realises he is in love with Carina after all. Yay!

So the story line is utter drivel. But why is this such a watchable film? For the late 1980s / early 1990s HK excess! This is a film of fast cars, booze, opportunity, sleaze and depravity. Its nostalgia for a time when you could arrive in HK with nothing and in a short time be drinking incredibly expensive brandy out of women's shoes. Which naturally happened a lot.

Teenage Dreamers (1982)

Elaine Chow and Rowena Cortes are high school students doing what HK schoolgirls always seem to do in movies - throw coke (as in cola) around and shoplift in japanese department stores. Then their school links up with a boy's school to do a joint production of Romeo & Juliet. Elaine gets the part of Juliet to play opposite schoolboy hunk Leslie Cheung's Romeo...

But she can't get the final dramatic scene right... until she falls in love with her Romeo for real. They meet secretly in Macau, they frolic on the beach, he pulls down her top and then we cut to the waves crashing on the shore... Now real lovers their final scene in R&J is a hit. But then he splits up with her before the opening night...

A cute and very vivid early 80s HK teen flick. The colours are fantastic, you even get to see/hear Rowena singing on the beach, which is pretty nice. There are plenty of teen/fun frolics but nothing too cheesy.

Chicken a la Queen (1990)

A film about prostitution in the usual subtle and tasteful HK style. The film stars a couple of former teen idols, Loretta Lee and Sarah Lee, playing less wholesome roles than fans may be accustomed to. They play young prostitutes on the mean streets of HK, selling their bodies (though we hardly actually see this) and getting battered by their pimps (which we see a lot of). The two girls have a friendship akin to sisterhood yet they have different pimps. One of them is a vile thug who delights in beating his women. The other is kinder... and an undercover cop played by Roy Cheung. 

The film is really about an undercover police operation to smash a Triad gang but mostly the film is a string of violent episodes between the pimps and their girls. Girls get dragged along by cars, thrown through tables, whipped, kicked and beaten. Yet somehow seem still more or less unscathed and ready to "work" a short time later. To be honest after the first hour of violence against women it does get a bit samey...

The two pimps have a rather unrealistic relationship, at one stage one is trying to burn the other alive yet a short time later (after a stern telling off by their boss) they are sitting next to each other with hardly a nasty look. As already said its a film about prostitution without any prostitution, well except one pretty much unnecessary scene where one of the girls bawks at selling herself to a black guy. Loretta Lee also looks a little too cute to be a brutalised whore.

But overall it's a well made film but definitely not a bundle of laughs.

Prince of Portland Street (1993)

Maybe only in HK cinema could you have a film starring two lovable cheeky chaps (Simon Yam and Dicky Cheung) playing woman beating and cheating pimps. But if you ever wanted to see a film about two lovable pimps then here is their story. It is actually well worth seeing.

Simon is the "Prince Of Portland Street" - a kind of uber-pimp, i guessing it's not an official position in the HK government.

All proceeds pretty smoothly (unless you are female) until he tangles with a rather nasty rival Triad boss and gets hit on the head with a gas bottle. Simon now acts like a child (which sounds very similar to God of Gamblers of course) and follows Dicky instead. However Dicky, although he tries hard to play the part, can't pull off the Prince role as well.

The Triad bad boy comes into the fray again though but once Simon hits his head again his "magical powers" are restored. Can't think where they got that idea from either...

In typical HK fashion this is a very violent film but with good humour, and questionable morals. The main theme behind this film is can two men escape their past? This film proves it is difficult. The HK in these two films is a neon-lit sleezy and violent world. Men drink, fight and enjoy women, then fight and enjoy some more women. Crime doesn't pay but you can have a good time finding out. Apparently.

Missed Date (1986)

Olivia Cheng is a bored housewife who is neglected by her husband (Henry Yung). He puts his business (advertising executive natch - though which seems to mostly include flirting with female clients) first and his wife second even though she works hard to be the perfect wife (which happily for male viewers includes lots of yoga and aerobics).

However when she meets a tennis instructor played by Chow Yun Fat she toys with the idea of an affair but decides she cannot as she is loyal to her man...

But then she finds her hubby hopelessly drunk with a female client and follows them to a love hotel. While her man and the client indulge in the beast with two backs in one room Olivia and Mr Chow chat and laugh in another room in quite an amusing parallel. Yet, of course, both couples leave the hotel at the same time and meet up in an awkward moment.

The marriage is over but the hubby hopes to woo her again yet spends his time smoking at his desk wondering what to do. He is too late anyway, his wife has sailed off with Chow...

A pretty good 80s HK film that is accompanied by a couple of killer cantopop tunes by Andy Lau and Priscilla Chan. Cantopop was designed for such dramatic romantic times.

Tragic Fantasy : Tiger Of Wanchai (1994)

The streets of Wan Chai in HK never looked so bloody, every Karaoke lounge and bar is a battleground complete with heaps of dead hoodlums.

Simon Yam plays the part of a parking attendant who rises to boss in the triads, but of course as soon as you rise then there are rival bosses who want you to fall. We've seen it all before of course many times in HK cinema, but this is especially quite gritty. However at the same time the film doesn't engage you fully, it lacks that extra special something. So no X-factor, though has plenty of XXX factor. Violence aplenty and not a small amount of sex.

The film is basically a HK triad romp: Simon looks cool and his love Marianne Chan looks hot, and action is interspersed with some cool mid-90s cantopop tunes, including a bit where Roy Cheung is firing an AK-47 in slo-mo to a musical accompaniment. Lau Ching Wan plays the usual (for these films) bumbling character, the film certainly doesn't lack for 1990s HK star power.

It's supposed to be based on a true story but let's just say it's maybe a little itty bit exaggerated...

Girl with a Gun (1982)

Yin Hsia plays an unfortunate girl, mute after being orphaned who is raped on the way home. And when she gets home she disturbs a burgular who tries to rape her again, but she grabs an iron and clobbers him. Then she cuts his corpse up and puts it in the fridge... as you do. She grabs his gun and begins a one-woman crusade against anything male... No it's not a comedy.

The action is furious, the shootings are rather unrealistic (she doesn't seem to aim very well but shoots them stone dead every time), especially in the gang fight scene which borrows heavily from one of the best films of all time The Warriors. The action even takes place in a fairground (but its not Coney Island obviously).

Alan Tam plays her boss and at the end she is invited to a party which involves ...er... limbo dancing. But by now the police are on her trail as her landlady has become suspicious, investigated her apartment and found something rather ewww in the fridge. Best not tell her though that Yin Hsia has already fed the landlady's cat human meat. Burp!

And Yin Hsia ends up in the asylum. She doesn't utter a single word throughout the entire film. Which is probably just as well as the film doesn't score highly for acting, though does for the sheer nonsense of the revenge plot.

Heart into Hearts (1990)

Heart Into Hearts was the second in the popular "Hearts" series of HK films following on from 1988's "Heart to Heart" and like the first film starred George Lam as some sort of vague creative type (which seems one of the most common jobs in HK according to movies).

George is due to marry Dodo Cheng (who has a daughter played by Vivian Chow) but then he meets an advert director played by Maggie Cheung. Maggie he first hates as an emotionless professional but then they have to go to Paris together and begin to flirt...

It's a light hearted HK comedy with unfortunately two cute kids in it (which is two too many). The film is enjoyable enough with quite a few funny moments but it lacks some bite. You can probably guess most of the jokes before they actually arrive and the film is a little formulaic. It is maybe worth watching for the massive brick mobile phones alone though...

One problem with the film is that Dodo comes across as very annoying in the film without the chemistry with George of the first film. Thus when George is flirting with Maggie you can't really see why he should stay with Dodo. George is his usual jolly and jovial (and often hilarious) self though.

Winner Takes All (1984)

This film stars Alan Tang and Olivia Cheng. Its a crime revenge drama, and the kind of strange genre crossing film HK cinema excelled at.

The plot is fairly basic: a jewellery shop boss loses his daughter in a rather bloody manner (crushed under a Ford Cortina - well i suppose if you have to go that's a fairly cool way to go) during a robbery and then seeks revenge on the three men who did it.

He enlists the help of a tough guy who is also after those three for killing his bro, well that is a useful coincidence.The two allies chase the three hoodlums, trying to keep one step ahead of the police. The female cop has a rather large bust which you may notice and the film certainly does. Our hero also has a rather fine girlfriend in Olivia who doesn't really affect the plot that much but does look lovely.

The shop owner ends up being a bit of a double crosser and a strange but interesting three way fight takes place in a shopping mall. A nonsense plot really like so many films of the period but 80s HK was cool and is always worth watching. Some good fighting and bad acting and hot chicks. Typical early 80s HK fare then!

Bruce Lee Against Supermen (1975)

James Ho starred in a number of cash-ins (sometimes known as "Bruceploitations") on Bruce Lee's name and the worldwide phenomenon of kung fu movies in the 1970s, billed as Bruce Li. In this film he even appears as Kato, the character Bruce Lee appeared as in the Green Hornet!

Dr Ting has developed a formula which could revolutionise food production. Naturally the Mob want that formula for themselves so try to kidnap Dr Ting and his daughter Alice (who is Kato's girlfriend). To fight the Mob (who have "Superman" (Lung Fei) in their ranks and a group of mimes) and Kato enlists his friends who are apparently superheroes... or wear masks and capes anyway.

The film has plenty of decent (but not exceptional) martial arts fighting but the plot leaves a lot to be desired. In fact the film makes no sense whatsoever. Now of course coherent and multi-layered plotting is not the point of films like this but it could have done with a little more direction to be honest. Dr Ting gets kidnapped then rescued then kidnapped again he must not know if he is coming or going by the end. The soundtrack includes prog rock and Kraftwerk, but that's not the weirdest thing about this movie.

Tequila (1993)

Andy Hui plays a cop investigating a series of murders, helped(?) by his somewhat annoying partner Cheung Kwok Keung. The victims seem to all be cheating husbands and linked to a club called Table For Two which caters for those who wish to fool around...

The two cops go undercover and... well you can guess the rest. Yes they both fall for two girls who work there. Andy falls in love with Chan Hui Ying... unfortunately she has a beefy ex-husband who wants to beat up anyone who touches his ex.

As guys who have been with Ying have ended up dead and Andy gets threatened with a knife by the ex he becomes the suspect for the murders. But then the ex is gunned down too. So who is it? The jealous barman who is secretly in love with Ying? Though you know Sarah Lee seems very close to her too...

The film is entertaining low-budget HK fun, the plot is fairly coherent (no weird tangents which is a rarity in HK movies of the period) and keeps you guessing for a time although an experienced HK movie watcher should be able to guess who the murderer is before the unveiling because the other suspects are just too obvious. There is even a showdown with explosions! It isn't that original but worth it.

Energetic 21 (1982)

Leslie Cheung is a street racer who drives a Porsche 911. In the first part of the film you see how he and his buddies hang out and basically do very little. There are a couple of strange tangents (well it is a HK film after all) including a faked demonic possession that ends up in a fat girl getting pregnant. No really. I'm not making that up.

Rowena Cortes, who plays the sister of one of Leslie's friends, also gets into some scrapes including fighting girls over a dress and accidentally getting her boyfriend beaten up on his driving test. Leslie's mum brings a Westerner home but Leslie doesn't like it as its filthy apparently...

Then in the second half of the film things really get going. Another Westerner is accidentally killed in a fight and the guys suddenly start acting incredibly stupidly (or more than they were already). They begin running around like headless chickens and even turn on each other as the Police close in. In the end they are holed up in a supermarket, the Police have them surrounded. So how did it all go wrong? It is a HK film about young people, it always goes wrong.

So what is this film really about? It's an entertaining romp with some good car stunts thrown in, especially a cool stunt-a-rama with some go-karts. The main problem with the film is that the guys' characters seem to change utterly after they kill the guy. They turn from being some layabout losers into psychotic madman...

So it doesn't really make any sense but it's a decent slab of early 80s HK idol cinema if you like that sort of thing. It has it all all : young beautiful people, hot 80s sports cars, cheesy nightclubs and HK 80s cool. Fantastic basically. Just don't expect much coherence.

Young & Dangerous : The Prequel (1998)

The Young & Dangerous movie series is about a bunch of Triad members and their adventures in the dark and squalid world of HK organised crime, this prequel details how the guys as teenagers first entered this world. Despite the ever present danger that prequels usually bring to a movie series this actually isn't a bad film at all.

The first portion of the movie is a bit of a slog though as the boys get kicked out of school for rock and roll and smoking a lot (in fact an entire tobacco harvest seems to have gone into the making of this film). The action soon picks up once they join the triads (which seems a bit easy, the boss of a local branch just asks them and they say OK... and that's it). Being a triad movie there is a lot of action and violence of course, and it's pretty bloody.

Of course the film throws in a number of pop stars such as Nicholas Tse, some of whom do not really seem to have a role in the film apart from adding to the star power but the leads especially Tse are solid and the story while standard (betrayals, endless fights, respect your daigoh et cetera) is also solid and all in all a worthwhile addition to the series.

A Hero Never Dies (1998)

Leon Lai and Lau Ching-wan play rival Triad gang leaders, always trying to outdo each other with bloodshed and violence and then settling down for a glass of wine after a hard day's killing.

Both men end up being betrayed by their bosses, Leon hides out in Thailand while Lau Ching-wan is paralysed from the waist down and is nursed back to health by his girlfriend Fiona Leung (and who has to do anything to earn the money needed). Lau Ching-wan makes it back to HK to face his boss and take vengeance but requires the help of Leon to finish the job...

It is nonsense of course, endless bloodshed and ridiculous gun play where the bad guys get killed with one bullet but the good guys can survive several hundred. It's not a subtle film but I've always enjoyed it. It was the first HK film i actually saw in a cinema in HK on release and i've always had a soft spot for it.

War of the Underworld (1996)

The success of the Young & Dangerous series of triad movies in HK spawned many copycats of varying quality. War of the Underworld is one of the better ones and is indeed a good film if not exactly original.

The story is a basic (and well worn) tale of triad betrayal and revenge but the cast is very good (Tony Leung, Jordan Chan, Carman Lee among others) and the action solid... and very bloody. You certainly get your machete worth.

Some of the camera work is maybe trying too hard to be "arty" at times and there is a little too much nonsense about triad "honour" and how they are the descendants of the kung fu masters but that won't spoil your enjoyment too much.

Enter the Dragon (1973)

For this blog's two hundredth review another of our all-time favourite films...

Enter the Dragon was Bruce Lee at his zenith, his breakthrough into international pop culture and cinema. Alas he died not long after completing the film so was never able to capitalise on the buzz it created - as indeed it did. The kung-fu craze in the 70s and beyond was largely due to this film.

Enter the Dragon took martial arts films out of their traditional Chinese mindset (though it is still set largely in Hong Kong) and added Western action elements. The result is fantastic, and also pretty epic in it's 70s-ness.

Bruce Lee is hired by British intelligence official Braithwaite (Geoffrey Weeks) to join a martial arts tournament by Han (Shih Ken) to gain intelligence on Han's suspected drug smuggling and other criminal activities. Joining Lee in this tournament are gambler Roper (John Saxon) and Williams (Jim Kelly) who both have different reasons for being there but get drawn into the game between Lee and Han. Of course it all ends in an epic fight.

The storyline isn't much to get excited about (though if you like i did once review the novelisation) but the action is intense, mixed with cool early 70s funky style. It also has a final showdown in a hall of mirrors.