Below The Belt (1980)

I've seen a few films about professional wrestling, and starring wrestlers, and they are all pretty awful... except for Below The Belt which follows Rosa (Regina Baff) as she leaves her dead-end life in New York to join the (wrestling) circus.

However this isn't the glitzy and media rich world of the WWE nowadays, this is the rather lo-fi wrestling scene of the 1970s (the film was made in 1974 though not released until 1980). Wrestlers did the hard yards travelling from town to town living out of a suitcase, shedding blood for a baying crowd for a handful of dollars. Although about wrestling this film can be seen more as a road movie... with head locks.

The relationships of the wrestlers makes this movie, the new blood and the old soaks. Hopes and dreams... for some still burning bright, for others fast fading away.

It's a terrific film, dosed in 1970s Americana: big cars pounding endless freeways, popcorn stands in grubby arenas in the back of small towns. Easily the best wrestling film I've seen, of course that doesn't mean much considering the competition. Just trust me that this obscure film really is pretty special. Like Rosa, the film might not look much but it's got it where it counts.

Megaforce (1982)

Megaforce is apparently an elite US rapid deployment team who drive buggies and ride flying bikes. They are sent to deal with a tinpot dictator somewhere in the desert and hilarity ensues.

That hilarity is unintentional (naturally). This film is horrific in many ways, with poor effects, a ropey plot and acting.

The main selling point of the film, the Megaforce, is also rather poor. "Elite forces" who'd struggle to blow the door off an old barn. It is well worth seeing of course for the pure cheese value.

Young Rebels (1989)

Young Rebels has the same director and writer (Amir Sheravan) and some of the actors (including the legendary Robert Z'dar) of Samurai Cop and Killing American Style but somehow lacks that certain something that elevates a bad film into cult classic status.

So it has bad acting, cheesy dialogue, a plot that makes no sense (and is basically one long fight between our heroes and a drug gang), gratuitous nudity and awful fight choreography but... Well it's not all bad, the film is unintentionally hilarious because it is so dreadful.

Plus without this film there may never have been Samurai Cop and a world without Samurai Cop is not one i'd want to live in.

Gymkata (1985)

Well it stands to reason doesn't it? Gymnastics and martial arts are a match made in heaven. Let's make a film about it...

Gymkata is a very odd film and definitely in the "so bad it's good" drawer with plenty of unintentional humour. An actual Olympic gymnast Kurt Thomas was bought in as the star (and truth be told he is a non-actor but you will see a lot worse acting in these kinds of films by people who are supposed to be professionals). Our hero is sent into a tiny Central Asian country where the US wants to put a satellite monitoring station. The reason a gymnast martial artist and not a diplomat is sent in is because this little country gets foreign visitors to take part in an extreme endurance event chased by local warriors. A cute custom though as it results in most entrants deaths it can't be doing much for the tourism industry.

Win the event however and you are granted your wish, and hence a satellite base. Which is why the US sends in Kurt Thomas and not Casper Weinberger who I suspect is not that good at kung fu.

So that's what the film is about and it is all very silly. The Central Asian country is basically still in the Middle Ages and a very dangerous land full of grotesque stereotypes and freaks. The action is good though but the gymnastics part of the film is a bit contrived, remote villages just happening to have a pair of parallel bars...

Why me? (1983)

This is quite an unusual HK film, especially for it's time. It is rare in because it deals with the issue of mental illness. It is typical of HK cinema however to make a film about the tragic story of a mentally ill man (played by Kent Cheng who won an award for his role) and his dying mother (and boy, this is epic in it's tragedy!) but wrap it up with silly goofy humour and some half-baked romance.

That's not to say this film is bad but there are times when your finger does hover over the STOP button on the remote. You should refrain though because this is a pretty good film... overall though could have been so much better. Olivia Cheng and Chow Yun Fat play 2 social workers who are also a couple. Olivia happens upon the mentally ill man and his poor mother who refuses to accept charity.

Olivia tries to get them better housing and a place at a special school but the queue is wrong. Olivia tries to get the queue jumped but as Chow says, the queue is full of people who are just as deserving. Olivia also has family problems of her own including a dead beat dad and Eric Tsang as a step-father, however it's not one of his best roles. His usual jokey clown act seems rather jarring and forced here. These sub-plots are all rather incidental to the main plot of the film which comes to a rather predictable but powerful all the same climax.