Lucky Terror (1936)

Lucky Terror is an unchallenging but enjoyable enough western starring Hoot Gibson as a Lucky Carson who gets dragged into a chase. The man being chased Jim Thornton (George Chesebro) forces Lucky to swap horses with him but unfortunately Lucky's horse gets spooked and drags the man over the cliff to his death. Lucky finds gold in the man's saddle and later learns he was a miner being chased by thieves led by Bat Moulton (Jack Rockwell).

Lucky joins a travelling show which includes the miner's niece Ann (Lona Andre). Lucky gets accused of killing Jim Thornton by Bat (really it was his horse) but is acquitted rather amusingly...

Although not too dramatic a film and lacking in much action (though the action that it does have is decent), Lucky Terror has enough unusual touches to elevate it above the usual film of this genre.

Ellery Queen’s Penthouse Mystery (1942)

Ventriloquist Gordon Cobb (Noel Madison) is hired by the Chinese to secretly bring jewels to the US to raise funds to feed the hungry, yes that's right a ventriloquist. However on arrival in New York he vanishes and is later found dead in a chest. The vent's daughter Sheila (Ann Doran) brings Ellery Queen (Ralph Bellamy) and Nikki (Margaret Lindsay) in to help out.

There are many suspects in this complicated case including Cobb's manager (Russell Hicks), Cobb's Chinese contact (Anna May Wong) and the mysterious Count Brett (Edward Ciannelli)...

It is a bright and breezy crime film with a dose of dodgy racial stereotypes. Unexceptional but enjoyable. Ellery and Nikki spend half the film arguing but as fans of Ellery Queen movies will know, that's quite normal.

Sea Racketeers (1937)

A cute and light hearted little nautical adventure set on a gambling boat, the owner of which (J. Carroll Naish) is also smuggling furs though the Coast Guard is doing their best to stop them (though not that well).

Weldon Heyburn and Warren Hymer are two of the Coast Guard seamen but seem to spend most of their time making fools of themselves and chasing women, especially showgirl Toots (Penny Singleton). Their dog Skipper seems to be the brains of the outfit though.

Meanwhile Patricia (Jeanne Madden), the daughter of a lighthouse keeper who was killed by the smugglers turns up to carry out her own investigation, and sing. Yes there are some pretty swell songs interspersed thoughout. Its light and inconsequential but fun.

The Fatal Hour (1940)

Mr Wong (Boris Karloff) is enlisted by his friend Police Captain Street (Grant Withers) to find the killer of his old friend who was found fished out of the waterfront in San Francisco whilst investigating a smuggling ring.

Harry "Hardway" Lockett (Frank Puglia) is something to do with the smuggling ring which involves his club, the Neptune. Helping (or is that hindering?) is reporter Bobbie (Marjorie Reynolds) who has a fractious relationship with Street...

It is an enjoyable murder mystery it starts off quite slow and formulaic but things perk up when the bodycount starts rising. An early remote control (for a radio) also becomes a very interesting technological plot device. The story is quite average but what raises the film above the average of Karloff of course.

Panama Patrol (1939)

Major Waring (Leon Ames) is just about to marry his secretary Helen Lane (Charlotte Wynters) when he gets the call to translate a coded message that has just been received, well duty calls! After a brief interlude to arrest a suspicious East Asian and suspected spy (who promptly gets shot by enemy unknown) the code is broken.

Waring heads to New York masquerading as the shot spy and begins to uncover a plot by Chinese spies to damage the Panama Canal. However is one of his own men, Arlie Johnson (Abner Biberman) in on the plot? Why indeed and Waring ends up getting captured by the spies, who luckily are pretty useless...

Much of the plot doesn't make sense and there is plenty of Yellow Peril nonsense but it is an exciting and fast paced movie with plenty of action and some neat code breaking. The soundtrack though is weird, no attempt at all seems to have been made to match the music to the actual action.