House of Blackmail (1953)

An enjoyably complicated little crime caper. Carol (Mary Germaine) heads off to see Markham (Alexander Gauge), who is blackmailing her brother. On the way she picks up a rather bedraggled hitchhiker Jimmy (William Sylvester) whom Carol thinks is an escaped convict. She think Jimmy could come handy with her plan to pretend to pay off Markham but really to steal the incriminating evidence.

A rather hesitant Jimmy is sent to break into Markham's safe but he finds someone else has beaten him too him and a little later Markham is found dead! Now Carol, Jimmy and Markham's associates and staff must discover who killed him and what happened to the blackmailer's dossier...

An interesting little whodunnit with a number of possible suspects. Was it Emma (Ingebord Wells) the maid, who has a secret reason for being in the house? Or the American Carter (John Arnatt) who is keen to take charge? Or maybe the butler Bassett (Denis Shaw) who likes to spy through keyholes?

The film is low budget, taking place mostly in Markham's house but makes the most of the budget and keeps you guessing and has a number of good twists. The only really black mark against it is the weirdly jaunty soundtrack.

Rasputin the Mad Monk (1966)

A dark tale of a possessed "holy" man who runs riot in late Tsarist Russia. Rasputin (Christopher Lee) is not a very good monk. He likes to drink to excess and indulge in pleasures of the flesh so he has some proper sins to confess to. He moves to St Petersburg where he easily gains control of the hapless drunk Boris (Richard Pasco) and he comes to the attention of one of the Tsarina's ladies in waiting Sonia (Barbara Shelley).

Rasputin has his way with Sonia and then controls her through hypnosis to facilitate his entry into the palace and become the new favourite of the Tsarina (Renee Asherson). However, Boris and others (Francis Matthews and Dinsdale Landen) now realise the diabolical powers of Rasputin must be stopped...

Christopher Lee dominates this film completely. Without him this film would be a rather forgettable run-of-the-mill Hammer romp but with him, with his long beard, staring eyes and huge hands, the film is highly enjoyable and pretty dark.

A Town Called Hell (1971)

A gritty spaghetti western but taken to such extremes as to approach self-parody. A band of Mexican bandits takes over a small town and massacres much of the population, either by gun or noose. Some time later Alvira (Stella Stevens) turns up with a hearse looking for her husband's body and the identity of his killer and will pay a handsome price in gold.

Obviously the leader in the town, Don Carlos (Telly Savalas) is keen on the reward. The name of the killer is apparently someone called Aguila though no one knows where he is. Not the rebel leaders one of whom is now the priest (Robert Shaw) and The Colonel (Martin Landau)...

In truth the film is rather confusing though also very brutal and sadistic. It is a messy film where the flow is continually interrupted by little vignettes, some of which work some don't. Interesting if not wonderful.

The Philadelphia Experiment (1984)

So as the conspiracy theory goes, a US warship was used in anti-radar tests in 1943 but the fields used managed to open a hole in the space-time continuum. This film takes the idea and runs with it, two sailors are hurled into the future (well 1943) where a second experiment was conducted by Dr Longstreet (Eric Christmas) despite his earlier experiment in the war ending in disaster.

David (Michael Pare) and Jim (Bobby Di Cicco) find their new world rather confusing, especially when they reach a roadside bar and encounter TV for the first time. In trouble from the off, they kidnap Alison (Nancy Allen) and head off deeper into Nevada... and away from a hole in space-time which threatens to destroy the world.

Both of the sailors are out of their true time and soon Jim is hurled back to 1943 but David continues on wards with Alison though the authorities are not far away...

An enjoyable time-travel science-fiction story with plenty of romance and adventure (maybe a few too many car chases). The film keeps the conspiracy theory in the background and stays pretty grounded (well as grounded as you can with time travel and space-time vortices!) 

Postmark for Danger (1955)

Tim (Robert Beatty) is an artist who hears the terrible news that his brother has been killed in a car accident in Italy. However, that is just the start of some strange occurrences. Tim is commissioned to paint a portrait of a girl Alison (Terry Moore) who died in the accident by her father. Tim later comes home to find the portrait disfigured and his model (Josephine Griffith) lying dead in his flat wearing Alison's dress!

Inspector Colby (Geoffrey Keen) is on the case, Tim's brother was killed by a gang of diamond smugglers but he sent a postcard to London before he died with the information the police are after. Then Alison turns up very much alive in London. Just how is Tim's brother Dave (William Sylvester) involved...

An enjoyable crime drama with Noir touches. The film takes some time to get going but when it does there is a rich and complicated (though straight forward) plot.