The Valiant (1929)

A dramatic early talkie as a man who has committed a terrible crime fights to hide his true identity.

After shooting another man, the killer goes to the police to give himself up. He gives the fake identity of James Dyke (Paul Muni) and refuses to give his real identity, even as he faces the death penalty. Mary (Marguerite Douglas) thinks the mysterious man could be her long-lost brother and heads to the prison to see him and see if she is right...

A decent enough, if at times a bit melodramatic, film which suffers from a little too much cardboard in the acting department, though Muni was very good (and indeed he was Oscar nominated for the role). Interestingly, this early sound film includes a few inter titles as well as sound. The film does not answer all of the questions posed, which is both refreshing and annoying.

Between Midnight and Dawn (1950)

A tough, though uneven, tale of crime on the streets.

Barnes (Mark Stevens) and Purvis (Edmond O'Brien) are two policemen reacting to calls on the radio voiced by Mallory (Gale Storm), whom they both have the hots for. 

However, the partnership (and love triangle) is torn apart by the gangster Garris (Donald Buka) who kills Barnes. Now Purvis is out to bring Garris down no matter the cost...

A fair amount of violence and a lot of scenes set at night give this film a Noir feel. Though this Noir feel is rather diluted by the light hearted nature of the romantic sub-plot. Not a flawless film but perfectly enjoyable.

The Ape Man (1943)

A cheap but perfectly reasonable horror movie, though Bela Lugosi worked better as Dracula than a half-ape man.

Scientist (mad of course) Dr Brewster (Lugosi) has gone into hiding. The reason is because he conducted experiments on himself and is now stuck as a half-man half-ape! 

Brewster tries to get his colleague Dr Randall (Henry Hall) to get him recently harvested human spinal fluid to try and cure him, Randall refuses as it would mean he has to kill. Instead, Brewster and his pet ape (Emil Van Horn) go and seeks victims for himself...

A creepy film, Lugosi plays a good role as the man driven to kill through sheer desperation. The make-up is also very well done. This isn't the best Lugosi film though by a long way but is a fun watch.

The Fuzz (1972)

A grubby but fun early 1970s crime drama, maybe a little too much fun.

A police precinct in Boston is grappling with a rather awful case of two kids who are setting tramps on fire (so usual stuff then) when they receive a phone call threatening to kill local politicians unless the city stumps up with a lot of cash. When a police commissioner is shot dead, the police including Detectives Carella (Burt Reynolds) and McHenry (Raquel Welch) now know this is a real threat. The search is on for the mysterious bald, deaf man (Yul Brynner) who seems to be behind it...

A gritty and chaotic film, reflected in the police station itself as the police wrestle with a complicated case working around a couple of wisecracking redecorators who drip paint everywhere. The police are often shown to be a bit inept, and there is a lot of comedy in this film. There is maybe a little too much goofiness to suit the seriousness of the crimes but this is an enjoyable watch.

Escape from San Quentin (1957)

A tense prison break drama.

Gruber (Richard Devon) persuades fellow con Gilbert (Johnny Desmond) to help him break out of San Quentin, Gilbert is vital to the plan as it involves using a plane to fly out of the prison and Gilbert is a pilot. 

The plan succeeds but now the escaped convicts face difficulty in getting their hands on Gruber's hidden stash of loot. Gilbert though is more interested in getting to talk to his estranged wife, soon his sister-in-law (Merry Anders) is dragged into their escape with both the police and the mob after them...

A good film with Noir touches, the actual prison break itself only takes up a small part of the film, most of it is taken up with the convicts on the run. This can drag a bit but the menace and violence of the mobsters keeps you interested.