A Fool There Was (1915)

A happily married lawyer John (Edward Jose) heads over to England to take up a new diplomatic job though without his beloved wife and child.

On the ocean liner he meets a "vampire" (Theda Bara) who is apparently notorious for seducing men with near hypnotic powers then sucking them dry of cash and driving them mad before moving onto the next victim. John shacks up with the "vampire", is he doomed?

So it's a bit daft though worth seeing as little of Theda Bara's work has survived, the original "vamp" girl had it all.

The Cowboy and the Bandit (1935)

Although not that original this is a decent Western B-movie. Bill (Rex Lease) starts off the film facing a lynching for buying a stolen horse, he is saved by local outlaw Scarface (Richard Alexander) and heads off for another state. There he bumps into a farm, the Bar X ranch, in trouble with the Larkin gang.

He takes a job with the farm but finds Larkin has the local law in his pocket, soon Bill finds himself with another lynch mob after him...

Bill is so straight forward and heroic he is almost a parody but he does a good role in this film, it's not a film with much in the way of shades of grey just good solid cowboy action. Blanche Mehaffey plays the sassy love interest at the saloon. Bobby Nelson plays the spirited kid who helps out Bill.

Bless This House (1972)

One of the many big screen spin-offs of British sitcoms, Bless This House was a family sitcom starring Sid James and Diana Coupland.

In this feature length story a new family (its Terry (Scott) and June (Whitfield)!) moves in next door and much hilarity ensues amid the 70s domestic suburban bliss...

Truthfully it's all rather corny and low in ambition, there arn't any big ideas or diversions which often happen in these sitcom spin-offs. There isn't really even much plot, its more like they took three sitcom plots and merged them together. Thankfully it is very funny and Sid gives his famous laugh with regularity.

The film mixes the TV Bless This House series with Terry & June and the result is Carry On Suburbia. Somehow it's brilliant!

Escape by Night (1937)

Nick Allen (William Hall) is a rather naive ex-miner who ends up getting drawn into a gangster war when he stops crime boss Capper Regan (Dean Jagger)'s gangster moll Jo Elliott (Steffi Duna) being kidnapped by a rival gang. Capper's gang end up on the run from the police and holed up in an empty house.

Nick discovers a neighbouring house owned by a blind man Pops (Charles Waldon) and his daughter Linda (Anne Nagel). They end up moving into that house and slowly learn the error of their ways amid the rural idyll and the purity of country life. Nick and Linda also fall in love. However when Capper returns for his gang things get heated...

It's all rather sentimental and naive (though not as naive as Nick is). The film is fairly enjoyable though meanders like a country stream once the gang hit the sticks. Duna has the best role as the cynical moll who wants to change her life but feels it's too late.

Sabaka (1954)

Adventures in Raj era India though this is the Hollywood idea of life back then so don't expect much historical accuracy...

Gunga Ram (Nino Marcel) is an Indian boy (with a very American accent) who works for the Maharaja (Lou Krugman) looking after elephants. A new fire cult dedicated to Sabaka led by a High Priestess (June Foray), who can also control cobras, is causing havoc in his province, burning villagers to force people to worship their new cult. Even Gunga's only sister dies in the flames...

General Pollegar (Boris Karloff) is sceptical about the fire cult and seems to have a problem with Gunga...

This is a pretty basic story mostly involving Gunga Ram seeking to avenge his sister though has plenty of well-known actors parachuted in to perform small roles (painted up to look "Indian" of course). It certainly looks splendid, the Hollywood store of "Exotic India" was extensively plundered for sets, costumes and props. Ample use of stock footage too, usually animals eating other animals. Ultimately though it is a bit of a bore, but frequently so ridiculous as to keep you interested.

The Man Who Changed His Mind (1936)

A decent "mad scientist" film. Boris Karloff is Dr Laurience who has found a way to transfer the thoughts of a living brain into another. Dr Wyatt (Anna Lee) has been summoned to Laurience's remote home which he shares with a crippled assistant Clayton (Donald Calthorp). He demonstrates his ability to transfer brain content from one brain to another.

Laurience impresses a rich patron Lord Haslewood (Frank Cellier) and moves to a state-of-the-art laboratory. Naturally Laurience begins to use his science for nefarious purposes. Firstly he swaps the brains of Haslewood and Clayton. Then he transfers his brain to the body of Lord Haslewood's son Dick (John Loder) to try and get Dr Wyatt into the sack...

Not a bad film though at times it seems to not be sure what kind of film it is supposed to be. Sometimes it is an enjoyable and sinister science-fiction horror but at others it is rather marred by average humour though the scene where Clayton (now as Lord Haslewood) wings it in a board meeting is great.

The Trap (1946)

A show troupe of jolly girls arrives at a Malibu villa, trouble flares the first night when Marcia (Anne Nagel) gets Lois (Jan Bryant) to look for letters which she can use in her rivalry with Adelaide (Tanis Chandler). Lois is later found dead, apparently strangled with a cord, and Marcia missing.

Charlie Chan (Sidney Toler) is called in to investigate. He deduces that Lois knew her killer. Marcia is found dead on the beach, also strangled...

This was Toler's twenty-second and final Charlie Chan film. He was seriously ill when making the film and it does show a bit but he was still able to bring his magic to the Chan role. It isn't a vintage Chan film though, the ensemble of showgirls is frequently very annoying.