The House on Sorority Row (1982)

Nowhere near as good as it could have been (though equally nowhere as bad as well!) A group of college girls want to hold their leaving party at the house they live at with the tyrannical Mrs Slater (Lois Kelso Hunt). Mrs Slater is eager for the girls to leave as soon as possible so the girls decide to play a prank on her. As the prank involves a gun and getting her to fall into a rancid pool its a rather mean prank. Especially as she dies during it...

Despite causing their landlady's apparent death, the girls party continues as planned (which is probably the funniest part of the entire film). Then the girls start disappearing one by one, killed off by a largely unseen assailant. Then the only one left is Katharine (Kate McNeil) - who to be fair is the only one with any the slightest inkling of what is going on. But then she gets drugged and left as bait...

Full of cliches and yet another 1980s slasher horror with plenty of gore. The acting is fairly mediocre and most of the characters loathsome though the film isn't without it's good points and unintentional humour, just that you have to wait some time for it,

Party Girl (1930)

An awkward early talkie and a rather cheap exploitation film involving the sleazy world of escort girls and the men who pay for them. Jay (Douglas Fairbanks Jr) is the son of a rich businessman who finds himself dragged into this world, targeted by Leeda (Judith Barrie) and her cunning mother. Jay is tricked into marrying Leeda, for her personal gain. Jay's plans to marry Ellen (Jeanette Loff), his Dad's secretary, lie in tatters. Yet another rich sucker.

However, the law are planning to move in and shut the scam down. Will Jay and Jeanette get dragged into their necks?

A rather racy film for the day which leaves little to the imagination. It suffers from the usual problems of many an early talkie and is quite shameless and not very good to be honest. The most notable thing about the film is the young Douglas Fairbanks Jr having to appear in it, just showing that all stars had to start somewhere. The sets and club scenes are superb though.

The Beast of Hollow Mountain (1956)

A Western / Monster movie... however it makes you wait so long for the monster it can't help but be a bit disappointing when it finally arrives. Jimmy (Guy Madison) is a gringo with a cattle ranch somewhere in Mexico. Local lovely Sarita (Patricia Medina) has caught his eye, much to the distaste of Enrique Rios (Eduardo Noriega) who is her fiancé and also wants Jimmy's ranch. Enrique and Jimmy have a hilariously bad fight in the town, which seems to mostly consist of them knocking over every stall in the market.

But some of Jimmy's cows are disappearing, are they falling into the swamp, being stolen by rustlers or some other reason? After what feels like a lifetime we finally discover it is the other reason... a highly dubious looking monster. He snacks on the hapless Pancho (Pascual Garcia Pena) but can Jimmy save the day with some nifty rope action?

Truly this is not a good film. The monster effects are poor even by the standards of the day. The film also makes you wait for it too long. For cheese value the film isn't bad, and it is undeniably fun once the monster action gets started. It is just a shame it takes so long to get there.

The Loves of Hercules (1960)

A hilariously bad sword and sandal tale. The wife of Hercules (Mickey Hargitay) is killed by the treachery of Licos (Massimo Serato) who blames his King (and who Licos kills as well). Hercules turns up wanting revenge but is faced by the King's daughter Deianira (Jayne Mansfield) instead. Hercules falls in love with Deianira (and thus seems to get over his wife rather easily!)

However, Licos is continuing his schemes as he wants the throne, and Deianira, for himself. He has Deianira's fiancé murdered and Hercules is blamed. Hercules goes away and gets entangled in the land of the Amazons and subject to Hippolyta's (Tina Gloriani) sinister lusts and is in danger of being turned into a tree...

The film is ridiculously campy nonsense with poor dialogue and acting, rather ropey action and mediocre special effects. The Hydra, which Hercules fights, looks a bit like a carnival float. However, the film is great fun and a complete cheese fest.

Avalanche (1978)

A standard 1970s disaster movie, a motley collection of stereotypes (reckless businessman, ex wife, sporty big head, annoying man who will be proved right, drunk old dame) is at Shelby's (Rock Hudson) new ski resort. Shelby promises the resort will be the best ever, but local photographer and environmentalist Thorne (Robert Forster) thinks an avalanche could happen any time, of course Shelby laughs this off.

Shelby is also obsessed with trying to get back in with his ex-wife Caroline (Mia Farrow) though she shows more interest in Thorne and shacks up at his remote lodge, which is kind of lucky for her as she was out of harms way when the avalanche finally happens - thanks to a plane crash. 

After about an hour of largely aimless and somewhat mediocre melodrama the actual disaster is almost a relief, however it is also pretty brutal with many extras slaughtered in various horrible ways including buried in snow, electrocuted, stomped by a stampede and even blown up in a gas explosion! The effects are hilariously cheesy but effective.

The film is nonsense but entertaining enough if approached the right way. The film is full of disaster movie cliches and stock characters. Total tosh but fun with it.

Theirs is the Glory (1946)

A film of the heroic but ultimately doomed Arnhem operation where British and allied parachutists seized and tried to hold a bridge in Arnhem far behind the front line from the Germans in World War 2. Unlike the 1970s epic A Bridge too Far, this film does not star any actors but soldiers who actually fought in the battle a couple of years before and using original equipment.

A tremendous film this is too, though things can be a bit stilted and awkward when the non-actors have to act (though there has been much worse done in films by real actors!) The re-enactment schemes are amazing and very accurate. 

Propaganda perhaps but that is not always a bad thing.

Pulgasari (1985)

The North Korean Godzilla film. Considering the fact the director Sang-ok-Shin and lead actress were South Koreans kidnapped by the North to make movies... and the Japanese Toho studio were tricked into helping by thinking they were filming in China... and the undoubted propaganda nature of the film... this isn't that bad a film at all!

In Ancient Korea the evil (imperialist no doubt) King (Yong-hok Pan) is starving his population. Villagers rise up and the King orders a new army formed, weapons to be made by Takse (Gwon Ri) using iron seized from the villagers. He refuses and dies in prison, before hand he gives a strange little figure of a monster to his daughter Ami (Son Hui Chang). She accidentally drips blood on it and the monster, Pulgasari, comes to life. Pulgasari eats iron to grow and is soon a huge monster... however he obeys Ami and helps Inde's (Ham Gi Sop) rebel army fight the King...

This is an interesting mixture of period drama and monster movie. The special effects are quite poor and Pulgasari doesn't get to destroy as many buildings as usual in these kinds of film, however when he does it is pretty spectacular. The film has lots of action, though can get a bit repetitive after awhile. The twists in the story, the monster being the hero and then the enemy, keep your interest. The sheer novelty and strange nature of this film makes it well worth a watch and it certainly isn't the worst monster movie made by any means.