Fear (1946)

A reasonable but ultimately frustrating crime drama based on Dostoevsky's Crime and Punishment.

Larry (Peter Cookson) is a university student down on his luck, he hasn't got any money, he can't even pay his landlady never mind next year's course fees. He pawns a watch to Professor Stanley (Francis Pierlot) though only gets a pittance. Larry begins to consider a way out of his predicament. No one likes Stanley, maybe he could take the money from him...

Larry kills Stanley but panics and flees before he can take any money. Then he receives an unexpected windfall, but Police Captain Burke (Warren William) is on the case and is suspicious of Larry (who to be honest looks like the embodiment of guilt). To his girlfriend Eileen (Anne Gwynne) he confesses and decides to come clean to the police, but there is a last final twist to come...

Not a bad film though the ending does ruin things somewhat (and we won't spoil that). Larry starts off entitled but soon collapses into jelly. For a low budget crime film its fine, except the ending.

The Bloody Brood (1959)

Just how annoying were the Beatniks frequently in film?! The annoyance factor is high in this one.

Drug dealer Nico (Peter Falk) and his band of Beatniks are bored daddy-o, they want some action. Nico decides that that action is murder. He arranges the horrific death of a young telegram messenger just for the kicks. The kid's brother Cliff (Jack Betts) begins to investigate what happened. He infiltrates the Beatnik scene, but soon finds himself in peril...

This film is short but is a bit of a drag. If you can get past the annoying Beatniks (not the easiest task to be honest) then this is a reasonable enough crime drama. It also is interesting to see Peter Falk in an early role.

The Last of the Clintons (1935)

Not the most exciting Western in the world though with an interesting twist.

Trigger Carson (Harry Carey) is enlisted by the sheriff (Slim Whitaker) to infiltrate the cattle rustling gang of Luke Todd (Tom London). He is helped by gold prospector Jed Clinton (Victor Potel) and manages to join the gang. However, Trigger is given the task to kidnap the sheriff's daughter Edith (Betty Mack) who is romantically involved with Todd's younger brother Marty (Del Gordon), who ends up in the jail. Jed meanwhile has captured a rattlesnake, which he threatens to turn into a stew but really it becomes the film's most notable plot device...

A decent if not unspectacular Western, the leads pull off a reasonable job. Aside from the initial gunfight there isn't a lot of action though there is some humour. Interestingly this was the first ever film shown on British TV by the BBC in 1937. The next day it also became the first ever film to be shown on British TV twice!

Kill or Be Killed (1976)

Quite possibly the most confusing and random film ever made.

A Nazi, Baron von Rudloff (Norman Coombes) was humiliated before his beloved Führer during the war when his German team of karate masters were defeated by the Japanese team of Miyagi (Raymond Ho-Tong). Now several decades on von Rudloff has built a castle in the South African desert (which looks like he built it out of styrofoam) and a private army. Now he wants to hold a rematch of the karate contest...

He bribes Miyagi to bring a new team of the best karate masters (none of which are from Japan weirdly) while von Rudloff's henchman Chico (Danie du Plessis) recruits other best karate masters for the Nazi's new team. One chosen is Steve (James Ryan) but he doesn't want much to do with von Rudloff's crazy plan and makes off. Unfortunately Steve's girlfriend Olga (Charlotte Michelle) is kidnapped forcing Steve to take part in the bizarre karate contest...

A very strange film full of random plot tangents and just sheer weirdness. This film definitely feels like one where filming in some scenes began with a half-written script (or even none at all). Some of the fighting scenes are not that bad at all and the film is, of course, unintentionally hilarious. And just so so odd.

The Walking Target (1960)

A decent Noir-ish crime drama about an ex-con who is still after his money.

Nick (Ron Foster) comes out of prison after a five year stretch for armed robbery, however as the loot he stole was never recovered everyone is on Nick's tail. The press, the police and some gangsters who want the loot for themselves. Nick hooks up with his old flame Susan (Merry Anders), not knowing that she has already moved on but it keeping up appearances for the money.

Where is the money though? It seems he left it hidden in the car of his old partner's widow Gail (Joan Evans). He turns up to see Gail to get the money but can she persuade him to give it up and go straight for good?

Taut, tough and straight forward crime drama with some good performances. Not the most original storyline but very competent in all areas.

Suds (1920)

Rags to riches to rags romantic tale, but set in a laundry so at least the rags are clean.

Amanda (Mary Pickford) works in a rather rough laundry but has a romantic imagination. She spins a yarn to her fellow workers that her fiancé is Sir Horace (Albert Austin) who she met when he bought his shirt to the laundry (which is true he did) but his father objected to her and threw her out of their castle (which isn't true). She insists that one day Sir Horace will return for her. Meanwhile, Amanda saves a horse from the glue factory, this results in her becoming homeless but her kindness results in the horse being saved and being taken to live at a rich man's estate.

Horace finally returns to the laundry for his shirt, Amanda asks him to pretend they are a couple, spurning the love of laundry cart driver Ben (Harold Goodwin). Horace isn't too keen on her after all, leaving Amanda (and Ben) distraught. But is this the end of the romance?

A fun film with some interesting effects and film techniques. A decent story with some welcome whimsy.

The Rebel Set (1959)

Beatnik weirdness doesn't quite distract from a solid crime drama.

John (Gregg Palmer) is a wannabe actor, part of the gang at a nearby Beat Generation hangout. He is recruited by mastermind beard Tucker (Edward Platt) for a daring raid on an armoured car in Chicago to steal a cool million bucks. That would pay for a lot of beard stroking and bad poetry.

John, using the cover of going for an acting trial, is forced to take his wife Jeanne (Kathleen Crowley) with him on the train. The heist goes off without a hitch but the trouble starts later on when the crooks start wanting more than their fair share in the loot...

If you can get past the ridiculous Beat Club scenes, including a loud mouth square being thrown out for interrupting some ham spouting bad poetry, this is a pretty good crime film which makes the best use of a minute budget. 

Mad Max (1979)

The start of the legend, the icon.

It is the near future (so basically the 1980s) and Australia is falling into anarchy with gangs of motorbike riding thugs roaming the land. Only the ultra violent remnants of the police force exemplified by Max (Mel Gibson) stand between civilisation and barbarians exemplified by the likes of Toecutter (Hugh Keays-Byrne)...

However, Max wants out. He is bought off by a new V8 nitro boosted Ford Falcon XB GT (surely one of the coolest cars in movie history) but finally he heads off with his wife Jessie (Joanne Samuel) and child into the countryside. But they don't discover peace there, only Toecutter and his gang. After Max suffers a terrible loss, he returns to the garage and gets in his Falcon... only revenge on his mind.

A fantastic film, just the start of the iconic Mad Max series (and many imitators of varying quality). A hard violent film set in a dystopian wasteland. The road scenes are exhilarating. But this was just the start.

The Man from Hell's Edges (1932)

An enjoyable Western with some superb stunts.

Williams (Bob Steele) breaks out of prison and heads into the country, the authorities hot on his trail. He makes it to a small town and befriends the sheriff (Robert Homans) and becomes his deputy. He falls for the sheriff's daughter Betty (Nancy Drexel) but she discovers his real identity and both father and daughter are shocked when Williams turns up with a gang to rob them!

However, everything is not what it seems, Williams is really an undercover agent looking for the man who led a big robbery some years ago, a robbery where Williams' father was killed. Williams suspects the cocky Lobo (Julian Rivero)...

A solid if unspectacular story that proceeds at a rapid pace. Some of the horse stunts are pretty spectacular including a jaw dropping jump from a cliff into a lake.

The Cape Town Affair (1967)

A bit slow but very stylish.

Skip (James Brolin) steals a woman's purse on the bus, unknown to him the woman is being tailed by the secret service. Candy (Jacqueline Bisset) is carrying stolen plans for the Communists. When the police (Gordon Mulholland) track down Skip he refuses to play ball (and for some reason they don't search him as he has the stolen plans on him all along!) Now Skip must stay one step ahead of the police, the Communist cell and Candy...

All set against a backdrop of late 1960s South Africa, Apartheid is never mentioned but can't be ignored especially as this is a film set in South Africa with no black characters. The pacing is glacial at times and the plot a bit dull but it does have some late 60s cool. I enjoyed the British made cars and buses too.

Revenge of the Zombies (1943)

Not quite as much fun as a film about a mad German scientist creating an army of Nazi zombies should be if we are to be honest.

Scott (Mauritz Hugo) heads to a mansion in the Louisiana swamp where his sister Lita (Veda Ann Borg) lives with the scientist von Altermann (John Carradine). Or rather lived because Lita has died in mysterious circumstances. von Altermann seems in a rush to bury his wife and the corpse quickly vanishes. The reason being von Altermann is creating an army of zombies. He intends to return to the Third Reich and create an invincible army of the undead!

However, Lita being a good all-American gal isn't one to bow done to the Third Reich even if dead! She rebels against von Altermann's control, but can the zombie army be stopped?

Not a brilliant film though quite watchable, the budget is pretty low and the "swamp" scenes are obviously an indoors film set. The zombies are not very scary, just rather slow moving people. The best part is probably the comedy antics of Jeff (Mantan Moreland).

X the Unknown (1956)

Time for our 1,200th review!

A large blob of radioactive slime threatens the world in this thrilling sci-fi horror.

A fissure opens at a quarry used by the British Army for radiation training, soon mysterious and horrific radiation related deaths occur. Radioactive materials also go missing, including from the lab of Dr Royston (Dean Jagger) and the local hospital X-ray department. Despite scepticism from his director Elliot (Edward Chapman), Royston thinks the thefts and deaths are due to some kind of inhuman force or life form from the bowels of the Earth.

Along with McGill (Leo McKern) from the Atomic police, Royston devises a plan to neutralise the radiation in the blob. However, with the blob's appetite for radiation growing is it too late?

Low budget but decent thrills. A very Quatermass like sci-fi horror, and quite gruesome at times. The plot is quite familiar and standard for films of the genre, but the script is taut and efficient and the film is rather good.

The Girl in Lovers Lane (1960)

A low-budget film from the tough streets of a small town in the US.

Danny (Lowell Brown) is a rich kid who has gone on the run, he gets turned over by some thugs in a rail yard but is saved from destitution by experienced drifter Bix (Brett Halsey). Bix takes Danny under his wing (the fact Danny has all the money is incidental of course!) They end up in a small town and Bix soon has to teach Danny some street smarts and how to deal with dangerous thugs and even more dangerous gals!

However, Bix falls in love with Carrie (Joyce Meadows) and starts to wonder if he should settle down and stop drifting. But the weird Jesse (Jack Elam) throws a tragic spanner in the works...

An enjoyable film, though the sleazy and brutal world of Bix and his drifting lifestyle could have done with a little bit more budget and at times the pace of the film could have done with a bit more juice. 

The Trusted Outlaw (1937)

An efficient if run-of-the-mill Western.

Reformed former outlaw Dan Ward (Bob Steele) returns to his old home in the hope of reuniting with his old beau Molly (Lois January), however she arranges for him to be ambushed! Dan faces his old rival Swain (Earl Dwire), the local outlaw, but in the end is persuaded not to turn to gunplay by the Sheriff (Frank Ball).

Dan is hired to take the payroll to the mine (very trusting considering his past!) He has to run the gauntlet of Swain's gang but also discovers Betty (Joan Barclay)...

So yet another B-movie Western, a decent enough film that tells a straightforward story pretty quickly without any tangents. The fact Molly is one of the bad guys (for a while) is probably the most notable thing about this film, which is otherwise pretty familiar fare. Good horsemanship and reasonably good fights.

Bruce Lee : Martial Arts Master (1994)

An interesting if limited biopic of Bruce Lee, this one concentrating more on his movie career.

The film tells the story of Bruce, moving to the US after a troublesome upbringing in HK. Soon he was making waves with his brand of kung fu and coming to the attention of Hollywood. Bruce's first forays on screen were in TV series like the Green Hornet but when he returned to HK his film career took up in a short but incredibly bright career...

Talking heads such as James Coburn, Jackie Chan and Bolo Yeung share anecdotes and memories of working with Bruce. Plenty of classic clips from his films (though not his TV shows) are fitted in throughout. This is a decent documentary however, if you are a fan of Bruce it really won't tell you anything new.

Squirm (1976)

Part of the 1970s wave of animal attack films, but in this case even more weird than usual, but also rather more compelling too.

A storm has bought down the electric lines in rural Georgia, the electricity flows into the Earth and brings millions of meat eating worms to the surface! City boy Mick (Don Scardino) is in town to see his local girlfriend Geri (Patricia Pearcy). Being a smart ass from Noo Yoick and therefore not a hick he knows that something strange is up already (of course) though the strangely smug Sheriff (Peter MacLean) won't hear anything about it...

Things really start to deteriorate when the somewhat odd Roger (RA Dow) has worms fly up into his face and literal masses of worms appear everywhere, eating people left right and centre. Mick has to try and save Geri and her family and fight a strangely zombified Roger...

Truthfully this film is a total mess, but a glorious one all the same. It makes little sense and at times the red necks are as scary and dangerous as the worms. The film is full of cheese, strange characters, gore and stereotypes. It is actually pretty great... somehow.

The Phantom Planet (1961)

Middling science-fiction thrills, nothing too original overall except for one thing...

It is the future (well 1980 anyway) and USAF spaceships are going missing, thrown off course by a mysterious force. Captain Chapman (Dean Fredericks) is sent to investigate, his ship is also seized by a force and his ship lands on an unknown planet. Chapman heads out in his spacesuit and sees tiny people, then he passes out and his suit is opened. When he breathes the air of this planet he is also shrunk! Luckily for the film's classification although the rest of his clothes remain normal size his underpants also shrink with him...

Chapman is captured by the people of this planet, he is told he cannot leave but can have his choice of two beautiful women (Coleen Grey and Dolores Faith) as a wife! That doesn't go down well with one of the girl's beau Herron (Anthony Dexter) who challenges Chapman to a deadly duel. When Chapman wins but spares Herron's life they become friends. Herron offers Chapman the chance to return home but first he must help them battle the brutal aliens Solarites who are attacking...

So fairly familiar stuff, the plot is mostly what you may have seen before in other films (and probably made better too). The shrinking of Chapman is an interesting twist with some decent effects. The film is not great but is perfectly reasonable.

Attack of the Puppet People (1958)

Like the shrunken people it is about, this film is small but mighty!

Sally (June Kenney) gets a job at a doll maker called Mr Franz (John Hoyt). She notices that he keeps some remarkably lifelike dolls in glass containers however, she doesn't think any more about it. Or that Mr Franz has a strange looking machine in his back office that he likes to keep locked, or that a number of people who have worked for him have mysteriously gone missing...

Sally falls for salesman Bob (John Agar) and eventually plans to leave her job and move to another city with him, which disappoints Mr Franz. However, Bob is next to go missing. Sally then discovers that Mr Franz has shrunken Bob to doll size, and does the same to her! Like a number of other victims, Sally and Bob are now doll sized people who are let out of their glass cages for Mr Franz's amusement...

This is a lovely little film really, it may be small in budget and not well known but it is very watchable. The special effects may be a bit cheap, some of the outsize props are a little off in proportion but this is very fun stuff indeed. Hoyt is superb as the outwardly kind but secretly monstrous Franz.

Firehead (1991)

A Russian cyborg with super powers is running amok but (plot twist!) he isn't the bad guy!

Ivan (Brett Porter) is a Russian cyborg with special powers who defects to the West, however after a couple of years he is blowing things up in the good old US of A instead. Vaughn (Christopher Plummer), the head of a secret US government lab, sends the scientist Hart (Chris Lemmon) and special agent Meila (Gretchen Becker) to stop Ivan. However, Ivan is really the good guy and it is Vaughn who is secretly head of a mysterious secret society which is using Ivan's attacks to bring about World War 3...

It is complete nonsense of course, and rather inept in execution. Hilarious for all the wrong reasons (of course). It's probably better not to wonder what exactly the relationship of super smart tweenager Smith (Lauren Levy Neustadter) is to Hart, or quite why no one can shoot straight. Why does the secret society have pictures of Mussolini on the walls of their lair? Also wonder why did Plummer and Martin Landau agreed to appear in this cheap madness. Just enjoy the fact they did and helped create an incredibly inane but enjoyable film.

Wings Over Africa (1936)

A bright and breezy quota quickie set in the jungles of ...er.. Shepperton. 

A skeleton is discovered by Tony Cooper (Ian Colin) and Dalton (James Carew) in the African bush. With the skeleton is a letter to Wilkins (James Harcourt) in London. Cooper naturally makes the very long trip to act as the postman. Wilkins, an ornithology obsessed clerk, says the letter is from his brother and that he discovered a fortune in diamonds in Africa.

Cooper and Wilkins recruit Trevor (James Craven) and Carol (Joan Gardner) to fly them to Africa. The natives are friendly though the other white men already there not quite so. Dalton is also rather annoyed at Cooper who he thinks has tricked him out of the diamonds. The diamonds are discovered but then the deaths begin. Who is killing off the party to keep the diamonds for themselves? 

A straightforward film with a basic story padded out with plenty of wild animal and native footage. More a murder mystery than a jungle adventure though you pretty much guess who it is before very long. Not a bad little film at all.

The Life Story of David Lloyd George (1918)

A bio-pic made on an epic scale of the wartime prime minister (and hero), but never shown at the time and thought lost until discovered 75 years later and finally shown to the public.

This film had the blessing of Lloyd George and his family, it starts off with photos of his birth certificate and him as a baby! We see the actual house he grew up in and various scenes from his life are dramatised by actors. Some scenes are on a massive scale with thousands of extras!

The film is quite propaganda-ish in feel at times (despite that the Liberal Party had the film suppressed for fear of harming Lloyd George before the election). Obviously being a silent movie quite a lot of the impact of various dramatic speeches he made are lost! The film is a remarkable achievement, though watchable mostly due to it's historic value and novelty more than anything else.