The Rage of Wind (1973)

Crazy wild kung fu action, not a huge lot of story though!

The Japanese (evil of course) have invaded China (this is set in the late 1930s). Taka (Yasuaki Kurata) has put the Chinese fishermen under harsh new fish taxes and his henchmen are beating up anyone who protests. Meanwhile, top Chinese boxer Chan (Sing Chen) and his American wife Lin (Irene Ryder) have returned from the US. After killing a man in the ring he has vowed to never use his fists for violence again...

That immediately becomes a problem as Chan is immediately hurled into the fight between the Chinese and Japanese. Eventually he is forced to fight and everything is set up for the inevitable showdown with Taka on the beach to the death...

So, a basic kung fu tale. Any vague story is just a handy framework for a series of fights. These are pretty good fights too, especially the final showdown. A good example of the genre.

Velvet Smooth (1976)

A blaxploitation epic full of hilariously bad fights.

Strange looking men in masks are muscling in on King's (Owen Watson) street hustles. Velvet Smooth (Johnnie Hill) is a female private detective who King hires to find out who is behind the attacks. The "investigation" seems to consist of random fights all over the place and hanging out in Velvet's stylish 1970s apartment. The police are also investigating in the form of Lt Ramos (Frank Ruiz), Sgt Barnes (Moses Lyllia) and a Kojak impersonator!

The story is fairly basic and easy to follow but this film is about the violence. There is a lot of it and it is nearly all bad. Endless fights in the streets and warehouses, obviously (if not very good) choreographed but also very ineptly. It helps to make the film highly entertaining, it also had plenty of late 1970s cheese.

Edge of Fury (1978)

Complicated kung fu action in flares.

Fang (Bruce Li) is the chauffeur for a rich man who ends up being arrested for drug offences in Thailand and eventually executed. Fang, who seems pretty naive at times, ends up tangling with his boss' young wife Mrs Chen (Dana Tsen) who seems more interested in inheriting her executed husband's money more than anything. He also finds himself under attack by his boss' main man King (Yasuaki Kurata) who is trying to find the opium cache of his boss...

This is quite complicated for a HK action film, using flashbacks to fill in Fang's back story and why he is loyal to his boss. We also find out why King is keen to stop Fang. The action scenes are good (if not out of the ordinary), though sometimes the gap between them drags a bit. 

This isn't a great HK film though is a reasonable watch. The most fun thing about this film is the fashions. Kung fu in flares is great!

Breakout (1975)

A solid if not spectacular mid-1970s action romp.

Wagner (Robert Duvall) has been framed for a crime he didn't commit by a shadowy organised crime  cabal including his greedy grandfather (John Huston), who - due to family ties - insists his grandson isn't killed but is sent to spend thirty years in a Mexican prison! Wagner's wife Ann (Jill Ireland) enlists Nick (Charles Bronson) to get her man out. Nick is a hot shot pilot but he soon requires other skills when the cabal work to foil his plans time after time...

A typical 1970s film with a slightly laid-back feeling of irrelevance. It goes on a few tangents which don't go anywhere but the story is overall well structured and is just enough to keep you interested. Bronson plays his role a bit lighter than usual.

Interestingly the story is based on the real story of Joel David Kaplan who was broken out of a Mexican prison with a helicopter rescue.

The Groundstar Conspiracy (1972)

A tense spy drama that keeps you guessing and has some pretty amazing twists.

An explosion at a top secret rocket lab seems to have left only one survivor Welles (Michael Sarrazin) who turns up a bloody mess at the home of Nicole (Christine Belford). Government investigator Tuxan (George Peppard) thinks Welles has stolen top secret data but the problem is, Welles has no memory of the events, in fact he claims he has no memory of anything!

Tuxan ruthlessly probes Welles but it really does seem that he has no memory. Tuxan stages Welles' release to try and flush out the dark figures behind the conspiracy. Welles and Nicole go on the run but Tuxan is always watching... even the bedroom!

A surprisingly good film packed full of government hysteria and mystery and it will keep you guessing about what is really going on. 

Death Race 2000 (1975)

One of the ultimate future shock road movies.

It is the year 2000 and America is run by a brutal regime pacifying the masses by the entertainment of the death race across America where bonus points are available for running people down! The regime's hero is Frankenstein (David Carradine) and ranged against him a strange crew of over the top characters including Italian pseudo-mafioso Machine Gun (Sylvester Stallone).

Meanwhile, a group of freedom fighters are aiming to bring the regime down and plan to crash the race to do it. Frankenstein himself though isn't quite what he seems...

Satirical, unusual and very violent. Death race certainly isn't lacking in kills (bonus points!) Its not lacking in good humour too. The racing perhaps is nonsense but the cars had a certain quirky feel about them. A really great film. 

The Wrestler (1974)

A nostalgic view of professional wrestling in the 1970s but not much of a film.

Frank (Edward Asner) is a wrestling promoter who is involved with other promoters around the country trying to come up with a unified national show (so foretold the rise of Wrestlemania in the 1980s somewhat). However, the mob want to fix some matches to make some bread which goes against everything Frank believes in (this film is strictly kayfabe). 

Meanwhile, the champion and Frank's friend Mike (Verne Gagne) refuses to put his title on the line against the up-and-coming and dangerous challenger Billy Robinson. Frank puts his friendship with Mike on the line to book the match...

This really isn't that great a film from a dramatic piece of work standpoint. The plot is plodding and sometimes confusing, the acting from most of the wrestlers is pretty poor. However, for a nostalgic look at wrestling in it's time this is great. Some real legends of the ring are on show here (the film is heavily AWA based) including Verne Gagne, Dusty Rhodes, Dick Murdoch even a very young (and brown haired) Ric Flair in one scene!

Shock Waves (1977)

They may plod a bit but these Nazi SS zombie super soldiers certainly provide plenty of scares.

The Captain (John Carradine) has bought a group of tourists along in his rusty old tub of a boat. When his boat runs into troubles and hits a mysterious derelict ship, the Captain is killed and the crew and passengers escape to a nearby island. On the island they discover a hermit who becomes very agitated when he learns of the derelict ship. Apparently the hermit is an SS Commander (Peter Cushing) and the ship was supposed to be trapped on the sea bed with it's cargo of zombie SS stormtroopers!

Those zombie SS are emerging from the sea and begin to kill the survivors one by one. The SS Commander tells them the zombies are uncontrollable and have an insatiable need to kill. A battle for survival ensues.

The zombie SS are rather slow moving but undeniably creepy, they are also unstoppable and relentless. The survivors including Brooke Adams and Fred Buch are varying degrees of annoying but play their part in this rather decent zombie horror.

Confessions of a Driving Instructor (1976)

The third of the Confessions films, this time Tim and Sid open a driving school, much female nudity follows...

Tim (Robin Askwith) passes his test to become a driving instructor (by bonking his female examiner of course). He and Sid (Anthony Booth) open a driving school next door to a rival led by the rather deranged Truscott (Windsor Davis). Naturally most of the pupils appear to be sex starved women whom Tim has to instruct (in various ways!)

There isn't really much plot to this, its more a series of saucy sexcapades with gratuitous nudity, nonsensical comedy situations and crude innuendo. Its brilliant of course!

A very funny film and maybe the best in the series, its not high art for sure but has its own special kind of genius. Some very good comedy turns including by Irene Handl make this highly enjoyable if you are broad minded enough.

Confessions of a Pop Performer (1975)

The second in the Confessions series of sex comedies, this one is a real riot from start to end (sometimes literally).

Tim (Robin Askwith) is still working for his brother-in-law Sidney (Anthony Booth) as a window cleaner / sex toy of bored housewives. Sidney has a new business idea, getting into the pop music business. He finds an unsigned band (who are pretty awful) but uses Tim to seduce a music promotor's (Bob Todd) wife (Jill Gascoine) to help get the band on the road to stardom... with Tim as the drummer...

It may be pretty low-brow in many ways, and includes a lot of female nudity and sex but this is a genuinely funny film with a good deal of slapstick farce, saucy smut and nonsense. Some good comedy talent including Ian Lavender and Bill Maynard are on hand to make the film a great deal of fun and very watchable. 

Of it's time, not that bad a time to be honest.

Take an Easy Ride (1976)

What starts out as what appears to be a public information film on the dangers of hitch hiking soon becomes something much much darker indeed...

A number of stories of young girls hitch hiking are intertwined, the most notable being the one with Margaret Heald and Helen Bernat who want to go to a pop festival. Unfortunately, they accept a lift from a leather glove wearing porn obsessed pervert who ends up taking them into the woods and brutally raping them. Another hitch hiker accepts a lift from a posh couple in an expensive car and ends up becoming their drugged up sex toy in a hotel...

The abruptness of the film from interviewing foreign students to savage sex crimes is nearly as shocking as the actual crimes. It is grubby, exploitative though for a nostalgic look at the roads, cars and music of the 1970s it surely scores. But you'll probably feel like you need a wash afterwards.

The Christmas Tree (1975)

There isn't much to this short film. The tale of a tinsel Christmas tree that is taken to a home, stands watch over Christmas and is then binned and burnt (and goes to Christmas tree heaven!)

This tree has a face (Julian Chagrin) however, but the family do not seem to notice this oddity. It is a charming but somewhat odd film, and i love it. As a child of the 1970s, the most dear Christmas time to me was the mid-1970s when it was still a wonder to me and not a chore. The true magic of Christmas is there. Coming down to the tree all excited on Christmas morning to get my new toys. Luckily our trees didn't have faces, or die for that matter as it was made of plastic tinsel. 

So, this is a great little oddity of a film and the best Christmas film i've ever seen (though to be honest that isn't saying much as the genre is usually pretty awful). Anyway Merry Christmas!

Confessions of a Window Cleaner (1974)

The first in a series of British sex comedies, you'll probably love or hate it. I love a bit of it!

Tim (Robin Askwith) is working as an apprentice window cleaner for his brother-in-law Sidney (Anthony Booth). However, Tim soon realises that bored housewives are driven incredibly randy by window cleaners apparently (knww i should have taken up my grandfather's trade)... 

Whilst indulging in saucy but what are often also rather awkward situations with various ladies, Tim falls in love with policewoman Elizabeth (Linda Hayden), much to the chagrin of his Dad (Bill Maynard) who has filled the house with nicked junk...

This is a typical early 1970s British film. Saucy, smutty, grubby and tawdry with a few decent tunes. However, it is also wonderfully enjoyable. The film is pretty ridiculous and is a great fun sex comedy, maybe not boisterously hilarious for a comedy but certainly has plenty of sex. John Le Mesurier is excellent as Elizabeth's disapproving police inspector father.

Double Nickels (1977)

A low budget and even lower plot car chase marathon but despite everything somehow this is a very good film.

Smokey (Jack Vacek) and Ed (Ed Abrahms) are Californian highway patrolmen who get involved with George (George Cole) and his car repro business to earn a little more dough. However, they discover that the cars they are repossessing are really stolen. George finds that he also has been duped by the Mr Big. The three of them team up to sort things out amid many car chases.

This is a low budget film with basic acting, indeed many of the cast are obviously none-actors but it does give the acting and film in general a genial and natural air. There is no need to worry too much about the acting or basic plot though, most of the film is car chases and sometimes are done very well. 

The film probably won't please everyone but i love low budget and basic films from this era. It works really well and is a very enjoyable film.

The Visitor (1979)

An entertaining if somewhat confusing and bizarre piece of science-fiction / horror.

The forces of good and evil are battling across the universe. On little old Earth a young girl called Katy (Paige Conner) is possessed by telekinetic powers and a desire to cause evil, her poor mum Barbara (Joanne Nail) gets crippled after Katy (accidentall? Maybe, maybe not.) shoots her in the spine. Police detective Durham (Glenn Ford) is convinced there is something going on with Katy, though the girl's demonic pet falcon soon sorts that out...

Meanwhile, Jerzy (John Huston) has arrived on Earth to find Katy and prevent her mum becoming pregnant again as the second child will be bad news for the universe...

It is all rather confusing with often strange visuals and a bizarrely inappropriate soundtrack. The demonic horror does work at times though, the film may have been better if it had concentrated on that and not the outer space battle stuff. However, the nonsense and oddness does make the film pretty unintentionally funny. Conner plays a great role as the demon child, though as with most 8 year olds it probably wasn't entirely acting.

Our Miss Fred (1972)

Danny La Rue versus the Nazis, so awful it's brilliant.

Fred (La Rue) is an actor who is called up by the British Army to entertain the troops in early 1940. However, while Fred is on stage in drag, the Germans launch a surprise attack and capture everyone. Fred is told he must stay in drag otherwise he'll be shot as a spy! Unfortunately for Fred, General Brincker (Alfred Marks) takes a fancy to them!

Fred soon finds themself involved with Miss Flodden (Lally Bowers), Miss Lockhart (Frances de la Tour) who are leading a bunch of English schoolgirls trapped in France (and as this is a 1970s comedy the girls are of course saucy and oversexed), and a shot down RAF pilot (Lance Percival) whom they are hiding...

So, this is a typically British piece of whimsical nonsense, containing so many innuendoes and obvious jokes. It is terrible but incredibly funny at times. The charisma and charm of La Rue holds the film together and somehow makes it work.

Doomsday Machine (1976)

A curious low-budget science fiction movie that looks like it was finished by different people than who started it, and funnily enough...

NASA is preparing for a mission to Venus, however a mysterious Chinese super weapon has spooked the rest of the world. NASA pushes the launch earlier and replaces three of the male crew with three women. As the rocket makes it's somewhat unsteady trip into space the reason for the change becomes evident. The Earth is about to be destroyed and the six crew of the mission are to head to Venus not to explore but to rebuild the human race...

But the mission runs into trouble including one crewman becoming a sex maniac and ultimately being accidentally ejected out of the airlock, various radiation dangers and mild late 1960s sexism. The film has a strange and bleak ending which kind of makes the entire film rather meaningless. It stars Bobby Van, Ruta Lee, Mala Powers and Henry Wilcoxon who do their best with the mediocre dialogue and often meaningless and lifeless scenes.

The film was started in the late 1960s but left unfinished, finally in the mid-1970s it was picked up and finished by another crew. The final scenes employ different actors to before which adds to the confusion. Its not great but unintentionally hilarious, there are some interesting ideas but rather lost in the poor execution. Ropey special effects add to the cheese.

Live and Let Die (1973)

Roger Moore makes his debut as Bond in this bonkers epic of voodoo, the occult and flares.

Bond has gone to New York to investigate why various agents have been bumped off and by whom. He heads to Harlem and stands out like a sore thumb but knows drug lord Mr Big has some connection, as well as a link to Dr Karenga (Yaphet Kotto), the head of a tiny corrupt Caribbean country. Karenga's island is a centre for the voodoo cult led by Baron Samedi (Geoffrey Holder), Karenga though gets his advice from the tarot card reader Solitaire (Jane Seymour) - though naturally her powers are diminished after Bond has had his way with her...

This is Bond goes blaxploitation and its terrific. The suave bow ties and tuxedoes of the 1960s have been replaced by flares and pimpmobiles. It is all complete nonsense of course but has some of the most stand-out stunts and action scenes in Bond history. It has an excellent henchman for Karenga in the shape of Tee Hee (Julius W Harris) with his metal arm...

The film also has a soundtrack by Wings, what is not to like about this film? One of the best in the series.

The Seven-Ups (1973)

An excellent hard-hitting early 1970s crime drama.

Buddy (Roy Scheider) leads a controversial squad in the NY Police which isn't averse to using dirty tricks and bending the rules to get an arrest. However, someone is kidnapping mobster bosses for ransom. When the mob kidnap one of Buddy's squad thinking he is involved things get tense. When the poor policeman is shot by accident by Moon (Richard Lynch), things fly out of control. How is Buddy's childhood friend Vito (Tony Lo Bianco) involved?

Early 1970s New York is grubby, decaying and dangerous. It is often very violent too with life being pretty cheap. A good story punctuated by some excellent action pieces including a thrilling car chase.

Taxi Driver (1976)

A classic dark tale of a troubled man pushed over the edge.

Travis (Robert De Niro), a veteran and somewhat mentally unstable, takes a job as a taxi driver on the night shift as he can't sleep. Here he is exposed to all of the sin of the big city lights, some of which he likes to partake in especially porn. He falls in love with (or maybe obsessed with) Betsy (Cybill Shepherd) who is working for an aspiring politician, though his date with her ends badly when he takes her to a porn cinema!

Travis then sees Iris (Jodie Foster), a twelve year old prostitute pimped by Sport (Harvey Keitel). Travis tries to get her to leave her terrible life. He shaves his head and heads out with his guns, he wants to save Iris and make a difference and doesn't expect to survive...

A superbly crafted and paced film, a true highlight of 1970s cinema. A story that will shock but also surprises, especially the final twist.